The essays collected in Watering the Garden are intended to honor Deirdre Dempsey, a distinguished biblical educator, translator, and scholar. The contributions to this Festschrift mirror Dempsey’s own scholarly interests, including biblical studies, with particular attention to the Old Testament and intertestamental literature, the theology of visual arts, the history of spiritual traditions, and modern theology. The content of the Festschrift closely follows Dempsey's own spiritual and scholarly journey and reflects the breadth and scope of her influence on the academy.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood. The Bible is found not only in her novels but also in her poetry, short stories, and non-fiction work. "Who Knows What We'd Make of It, If We Ever Got Our Hands on It? ” assembles cutting edge literary and critical readings of Margaret Atwood and the Bible. In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike—the Bible is omnipresent in the work of Margaret Atwood. This volume, the first of its kind, assembles cutting-edge literary and critical readings of Atwood and the Bible. The essays span the breadth of Atwood’s work, including The Handmaid’s Tale, Alias Grace, the MaddAddam trilogy (Oryx and Crake, The Year of the Flood, and MaddAddam), poetry, essays, and more. Taking as a model Atwood’s own playful dialogues with the Bible, the contributors employ a variety of theoretical approaches (feminist, deconstructionist, animal theory, affect theory, and so on) to explore both the ancient and modern corpus of texts in dialogue with each other. In The Handmaid’s Tale, the Bible is famously used as a text that structures an entire society—though for precisely this reason it is a dangerous text that must be controlled by the elite, kept out of the hands of those who may turn it into an “incendiary device.” This volume explores what happens when Atwood, and we as readers, take the Bible into our own hands.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood. The Bible is found not only in her novels but also in her poetry, short stories, and non-fiction work. “Who Knows What We’d Make of It, If We Ever Got Our Hands on It? ” assembles cutting edge literary and critical readings of Margaret Atwood and the Bible.

Daughter Zion's Trauma offers a new critical reading of the Book of Lamentations through the lens of trauma studies. Through structural analysis and use of the concept of non-referential history as a heuristic lens, Yansen yields fresh insights into the book’s form, language, and larger "historical" significance. Utilizing insights from study of the rhetorical dimensions of the trauma process in cultural trauma, this study asserts that Lamentations strategically adapts certain religious traditions to ensure the survival of those whose voices it echoes.

From Jael’s tent peg to Judith’s sword, biblical interpreters have long recognized the power of the "lethal women" stories of the Hebrew Bible and related literature. The tales of Jael and Judith, female characters who assassinate enemy commanders, have fascinated artists, writers, and scholars for centuries, no doubt partly because of the gender of the characters doing the killing. Tamber-Rosenau presents the first systematic study, both text-centered and deeply engaged with a variety of queer-theoretical frameworks, of the motif of the woman-turned-warrior in ancient Jewish literature. Through analysis from queer-theoretical perspectives and comparison with Ancient Near Eastern and Greco-Roman literature, Women in Drag shines new light on three strong female characters from the Hebrew Bible and the early days of Jewish literature.

Lazarus compares and discusses comic elements used for didactic purposes in two separate literary traditions: Old Testament narrative and Aristophanic Comedies. Given that humour relies on taking people's ideas of what is normal and making them incongruous, this volume examines these very different texts to see how they use that comic incongruity to help define what it means to be human within the hierarchy of the universe.

The biblical episode relating the encounter of the Queen of Sheba with Solomon and the apocryphal tale of Susanna, a Jewish woman slanderously accused of adultery by two judges and saved by Daniel, have become part of the collective imagination in West and East. These two Old Testament women have been adapted in art throughout time and space to meet the changing cultural horizons of the community. Like mirrors, various periods and modes of late-Ancient and medieval Judaism, Christianity and Islam have each, in their own way, reflected the characteristics of the great Queen and the chaste Susanna.

The less-discussed character in the Bible is the woman: two talking animals therein have sometimes received more page space. This volume shines the light of close scrutiny in the less-trodden direction and focuses on biblical and allied women, or on the feminine side of Creation. Biblical women are compared to mythical characters from the wider Middle East or from contemporary literature, and feminist/womanist perspectives are discussed alongside traditional and theological perspectives.

The narrative of Noah’s flood in Genesis draws perennial interest from scholars and the general public. Too often, however, historical and exegetical studies of the text, the story’s reception, and discussion of theological appropriation remain aloof from each other, if not at odds. This volume takes the influential nature of the flood story as an ideal opportunity to bring some of these methods into dialogue.

A selection of essays on magic and divination in relation to the biblical world, including Mesopotamian demonology, Akkadian literary influences, exorcism, healing, calendars, astrology, bibliomancy, dreams, ritual magic, priestly divination, prophecy, magic in the Christian Apocrypha and the New Testament, magic in rabbinic literature, and Jewish Aramaic magic bowls.

This anthology on Eve brings together an international group of scholars to discuss how this character has been interpreted by Judaism, Christianity and Islam. In a time when the history of women is being reassessed, it is natural that women look to the paradigmatic female figure. This treatment of Eve covers her wide range of roles as mother of our race, victim, stooge, wife, companion, independent thinker, and “helper”. A venerated figure by many modern feminists and a denigrated figure by those who blame her for original sin, no reader will leave these pages indifferent to the first woman.

In this innovative book Simon Lasair explores some of the potentials of applying narratology to the Pentateuch Targums. Lasair argues that when the targums present coherent narratives, they largely carry the major structures of the Pentateuch over into an Aramaic context. This book calls for a wide ranging rethink of the methodologies used to study targumic literature, as well as how to place the targums within their original historical contexts.

Job finds himself in a situation similar to one experienced by everyone at some point in his or her life. He wants answers to questions concerning what has happened to him, since he lived his life according to the traditional wisdom and rules of conduct, asking what has gone wrong and why. The Book of Job raises fundamental questions of both the actions and expectations of humans and deities, and asks whether a clear understanding can be reached between them. The contributing essays to this anthology help advance and sharpen both the questions and the responses to that question.

David the king, when studied against the backdrop of existing material cultural remains from the ancient Middle East, scarcely seems to have been there. Excavations in Jerusalem have turned up nothing concrete about his existence. The literature concerning him is fraught with problems and generally takes on a legendary-mythological character. Even the meaning of his name is unclear. If he is mentioned at all by his contemporary monarchs against whom he would have fought it is only obliquely or only intimated by omissions or partial spellings in context. This volume attempts to advance scholarship addressing these concerns.

What strategies can be applied in producing an alternative version of Scripture that is complementary to the existing translation(s) and acceptable to the target audience? This book answers this question by exploring a theoretical strategy for this purpose. On the basis of Christiane Nord’s functionalist theory of translation, the author of this book formulated a Participatory Approach to Bible Translation and experimented with it in translating the book of Jonah into Sabaot, a Kenyan language. This book provides an excellent model for involving communities in the production of Scripture translations.