Volumes 15,4 (134 pages) and 15,5 (247 pages, 259 ill., 45 A3 plates) are conceived as a single volume (III.1–2) comprised of two fascicules. III.1: The Harbour Fortifications of the Mounichia and Kantharos Harbours – Architecture and Topography.The primary objective of this fascicule is to present the results of the Zea Harbour Project’s investigations of the harbour fortifications at Mounichia in 2005 and the period 2007 to 2012 and to re-examine what can be known about the fortifications of Kantharos, which continues to serve as the Piraeus’ principal harbour to the present day. Chapter 1 (Introduction) considers the objectives, textual sources, archaeological evidence, terminology, and methodology involved, introducing two new terms: “fortified mole” and “fortified breakwater.” Chapter 2 presents the textual evidence relating to the fortifications of the Piraeus, contextualising these structures within the history of the Piraeus from the late 6th century BC until their destruction by Sulla’s forces in 86 BC. Chapter 3 offers an overview of the documentation created by travellers since 1589, topographers since 1686, and scholars since 1881, focusing on their descriptions of the structural remains of the harbours in the Piraeus, but also bringing relevant cartographic, photographic, and artistic documents into consideration. Chapter 4 explores the topography of the fortifications at Kantharos Harbour based on published data. Chapter 5 does likewise for Mounichia, drawing on the findings of the Project’s fieldwork there to provide a detailed analysis of the harbour fortifications’ architecture, supported by feature catalogues of the northern and southern fortified moles. These monumental structures were probably initially constructed in the early 5th century BC. Two later building phases belonging to the 5th century BC (in all probability 429/28 BC or shortly thereafter) and the 4th to 3rd centuries BC have been identified.III.2: The Themistoclean Shipsheds in Group 1 at Mounichia Harbour – Architecture, Topography and Finds.This fascicule presents the findings of the Project’s 2010–2012 investigations on the northern side of Mounichia Harbour to discuss the architecture and topography of Shipsheds 1–7 in Group 1. Chapter 1 is devoted to the survey and excavation of this set of shipsheds. Shipshed 1(α), dated to terminus post quem 500–480 BC, represents the Zea Harbour Project’s most important discovery: of all the Classical-period structures in the Piraeus, only Shipshed 1(α) has a compelling claim to be linked to Themistocles’ building programme. Chapter 2 offers a survey and catalogue of the ceramics and other small finds discovered during the excavation of Shipshed 1(α) and of the northern fortified mole at Mounichia. Appendices, Figures, and Plates complete the volume.

This study considers the detailed archaeological and documentary records of Cyprus and Ugarit (Syria) to gain new insights into the long-term relations between two of the best known, well-connected polities in the Late Bronze Age eastern Mediterranean.I engage with concepts such as maritime space and spheres of interaction, merchants and mercantilism, actors and agents. Some background on both Ugarit and Cyprus is presented, followed by examination of the common material features of both (e. g., ashlar masonry, urban mortuary practices, composite anchors, the Cypro-Minoan script). The study then zeroes in more specifically to present the Cypriot material uncovered in Ugarit (especially seals, metals and pottery), followed by some of the Levantine materials found on Cyprus.All known documentary evidence related to these two polities is presented and discussed with respect to three factors: people, politics and professions. The discussion section that follows takes a broader look at material and mercantile connectivity in the Late Bronze Age eastern Mediterranean, considering in turn the merchants of Ugarit and Cyprus, maritime spheres of interaction, and the actors and agents involved in these mercantile worlds. Although Ugarit and Cyprus were two very different kinds of society, they shared a vital, commercial link, one that — over time — had a transformative impact on Cyprus.

The first ever large-scale synthesis on identity and social dynamics across archaic Macedonia (600-400 BC), Christos Giamakis’s book provides a detailed narrative exploring the role of power as displayed through material culture in the formation of group identities across the region. Giamakis focuses on data from nine cemeteries in the region combining multiple datasets including grave goods, osteological evidence, burial rites, tomb types and the organisation of the cemetery space in order to explore both inter- and intra-site competition that led to the emergence of different group identities across the region. By doing so, he proposes a new theoretical framework for the study of the region as an alternative to past, ethnicity-based, approaches. Identity, Power and Group Formation in Archaic Macedonia (600-400 BC) encourages the reader to explore the ways in which social inequalities, power dynamics and social interactions all affect the potency of specific identities at the expense of others. The present monograph will be of great interest to researchers working on ancient Macedonia and the wider ancient Greek world but also to scholars interested in power dynamics and identity formation in other parts of the ancient Mediterranean.

This volume presents a cutting-edge perspective on figurine studies in the Neolithic Aegean, sparking renewed interest and innovative ideas. It celebrates two significant milestones in the field: the 50th anniversary of Giorgos Hourmouziadis’ Ph.D. thesis (submitted in 1973 and published in 1974) and the 30th anniversary of Lauren Talalay’s Ph.

Water may separate islands and the mainland, but the sea also offers a vital link. This volume is one of three major outputs of the research and public engagement project ‘Being an Islander’: Art and Identity of the Large Mediterranean Islands, implemented between 2019 and 2024 at the University of Cambridge. This project aimed to elucidate what defines island identity in the Mediterranean. It explored how insularity affects and shapes cultural identity by integrating transdisciplinary research methodologies, for example, by producing an award-winning documentary on insularity and island identity, drawing on the principles of visual anthropology, social anthropology, and environment studies. This volume is the culmination of the project’s research strands, undertaken by our key research teams in Cambridge, Cyprus, Greece, and Italy. It disseminates our research across our main project themes: insularity, connectivity, mobility, migration, island art and material culture production, hybridity and diachronicity, and provides cross-disciplinary arguments and suggestions on the future of island archaeology and associated disciplines. Contributions included suggest that the relationship between people, place, and material culture is what reveals important aspects of island identity and reframes the concept of the islands as a dynamic interplay shaped by social and historical episodes, connectivity and mobility, rather than geography or political boundaries. The volume advocates that the complex histories of the Mediterranean islands can also be a story of connections.

Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The essays within the volume engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences - postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few - as well as through the more traditional approaches within Classics of philology, historicism, performance studies and reception. The essays cover a relatively narrow range of tragic and comic plays, instead of encompassing the entirety of ancient drama, in order to foster meaningful links throughout the volume and to exemplify the value of engaging with the senses to produce new understandings of drama - and of the senses themselves. As a result of the volume, the study of Greek drama will be opened up for further research. This will not only appeal to Classicists interested in the meaning of the comedies and tragedies of the fifth century BC, but it will also be of interest to scholars interested in sensory approaches to literature. Above all, Sensing Greek Drama will serve as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.

This volume follows on from papers presented at the 13th International Cretan Congress in 2022 and covers the period from the 1st century BC to 4th–5th centuries AD, with the articles in the volume set around the topic of upheavals and disruptions, and in particular those evidenced with the arrival of Rome, the creation of the Roman Province, along with those resulting from the dividing of the Roman Empire and the emergence of the Byzantine world. The volume is set against the background of the Roman conquest of Crete in 67 BC, which heralded the end of the power and control of the Greek city-states, which were themselves steeped in age-old traditions and governed by a variety of legal frameworks, some of which had their roots in Archaic times. The ensuing changes, when they arrived, took centuries to develop but resulted in the establishment of a Greco-Roman culture and society that was far removed from its Hellenistic predecessor. Roman Crete witnessed several significant periods of disruption and interventions that had a direct impact on daily life and society. These included the military invasion of the island by Rome, at one end of the period, and the AD 365 destructive earthquake at the other, but other interruptions also occurred: changes to religion and religious practices, including the introduction of Christianity; fluctuations in natural resources that affected agricultural production and thus local economies and trade; monetary devaluations in Rome; movements of populations; external shifts in trading networks; and multiple instances of tectonic activity in the Imperial period that caused damage and instability.

The volume in hand throws light on historical encounters with troubled pasts in contemporary Dutch and Greek historiography. Contributors, experts in their respective research fields with a wide range of scholarly publications, eschew dominant national accounts, deconstruct top-down narratives, and situate the historical subject(s) at the centre of the analysis. Troubled pasts are the outcome of local, national and international conflicts, of the continuous quest for growth and dominance, of Colonialism and Great Power rivalry, of ideologically-motivated purges, of Genocide, of National Liberation Struggles, and of Civil Wars. They go hand-in-hand with a great deal of human suffering and horrendous atrocities against civilians on ethnic, religious, racial and political grounds. The examination of troubled pasts and their accompanying imagery raise enduring questions: Whose past is remembered? How is the past appropriated and memorialised? Which pasts are at best neglected, at worst silenced - and why? Encounters with Troubled Pasts addresses such issues by reference to Dutch colonialism in the New World and South East Asia, the Greek campaign in Asia Minor, the Shoah and its aftermath in Greece and the Netherlands, the Greek Civil War of the 1940s, Transitional Justice in Post-Soviet Russia and the Massacre of Srebrenica. It will be of interest to postgraduate students and academics working on Colonialism, the Shoah, modern Dutch and Greek History, Memory and on Oral History.

Textile imagery is pervasive in classical literature. An awareness of the craft and technology of weaving and spinning, of the production and consumption of clothing items, and of the social and religious significance of garments is key to the appreciation of how textile and cloth metaphors work as literary devices, their suitability to conceptualize human activities and represent cosmic realities, and their potential to evoke symbolic associations and generic expectations. Spanning mainly Greek and Latin poetic genres, yet encompassing comparative evidence from other Indo-European languages and literature, these 18 chapters draw a various yet consistent picture of the literary exploitation of the imagery, concepts and symbolism of ancient textiles and clothing. Topics include refreshing readings of tragic instances of deadly peploi and fatal fabrics situate them within a Near Eastern tradition of curse as garment, explore female agency in the narrative of their production, and argue for broader symbolic implications of textile-making within the sphere of natural wealth The concepts and technological principles of ancient weaving emerge as cognitive patterns that, by means of analogy rather than metaphor, are reflected in early Greek mathematic and logical thinking, and in archaic poetics. The significance of weaving technology in early philosophical conceptions of cosmic order is revived by Lucretius’ account of atomic compound structure, where he makes extensive use of textile imagery, whilst clothing imagery is at the center of the sustained intertextual strategy built by Statius in his epic poem, where recurrent cloaks activate a multilayered poetic memory.

The Kyrenia Ship, a Greek merchantman built around 315 BC, which sank off the north coast of Cyprus was excavated between 1968 and 1972 under the direction of Michael L. Katzev of the University of Pennsylvania and Oberlin College. The importance of this ship lies in the exceptionally well-preserved hull that provided new insights into ancient shipbuilding, as well as the cargo it carried. The hold was stacked with transport amphoras of various types made on Rhodes, with a few examples from Samos, Kos, Knidos and Cyprus (?), supplemented by a consignment of millstones, iron billets and almonds. The cabin pottery from Rhodes also suggests this was the vessel’s home port, a conclusion supported by most of the scientific ceramic analyses. Its trade route included Rhodes, Cyprus and the Levant with perhaps Egypt as a final destination. This volume provides a detailed history of the excavation followed by definitive studies of the amphora cargo and the pottery associated with shipboard life. Some of the amphora stamps suggest that the ship sank between 294 and 291 BC, dates corroborated by the cabin wares. The repetition of four drinking cups (kantharoi), oil containers (gutti), wine measures (olpai), as well as bowls and saucers, suggests that the ship was sailed by a crew of four. Seven bronze coins were recovered, five minted in the name of Alexander the Great and one well-known type of Ptolemy I produced only on Cyprus.

Landscape-archaeology projects have had a significant impact on our understanding of the deep history of the Greek countryside, but have overwhelmingly been limited to the plains and have rarely placed the Ottoman period at their core. This investigation of Zagori in Northwest Greece explores the archaeology and cultural history of a mountainous area that famously thrived in the Ottoman period. This engagement with an upland region in the early modern period sheds light on previously neglected aspects of Greek landscape history. The inclusive methodology combines critical historiography, archival research, oral history and landscape-archaeological survey to achieve novel insights into this montane landscape and its distinctive history and cultural heritage.Contrary to the dominant nationalist historiography, it demonstrates the continuity of regional elites from the Byzantine to Ottoman period in Epirus and reveals how this shaped settlement patterns and elite/non-elite sedentary adaptations in this montane region. It also gives voice from within to the labour-intensive, engendered, cultural landscape of the Zagori peasantry and challenges the view of external scholarly observers that mountains support a predominantly pastoral way of life.

The Late Bronze Age from about 1600 to 1150 BCE was a time of unprecedented economic activity in human history based on the supply and production of the eponymous alloy bronze on an almost industrial scale. The supply networks for copper and tin during this period stretched over large parts of western Eurasia and included long distance maritime transport.The palatial centres of Mycenaean Greece were positioned at a unique geographical interface between the cultural hotspots of the eastern Mediterranean as well as the metal supply sources in the western Mediterranean, northern Europe and the Black Sea area. There are archaeological and historical indications that Mycenaeans somehow contributed either directly or indirectly via intermediaries to the exchange of goods in the second half of the 2nd millennium BCE. However, and partially due to limitations of archaeological and historical evidence, the degree to which the Mycenaean Greeks conducted long distance commercial journeys themselves to participate in the metal trade of the period is still disputed.Mull analyses the large corpus of the Greek myths, some of which are likely to go back to Bronze Age roots and which contain evidence of long distance journeys of Mycenaean pioneering adventurers. Mull, after an education in classical languages, became a trained economist with almost 30 years of experience in international business. From this unusual vantage point he provides a fresh perspective on what is known about travel and trade during the Late Bronze Age, a discipline so far dominated by archaeologists and historians.

The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior. By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life. (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history. Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.

A study of archaeology and the early Church in Greece is long overdue. So far, no book has been published in English that examines the growth of Christianity in southern Greece from New Testament times until the medieval period, taking into account both contemporary theological expertise and a detailed knowledge of the numerous and exciting current archaeological excavations. Situated between Israel and Italy, Greece is now yielding vital evidence of the development of early Christianity. Mainland Greece and its surrounding islands is a vast region, and I have chosen to focus on an area rich in early Christian remains, namely the region stretching from Athens southwards.The book examines evidence relating to Christianity in New Testament times, particularly through the writings of St Paul and early theologians, and juxtaposes these texts with recent and current excavations at Corinth, with its twin ports of Kenchreai and Lechaion, and its chief sanctuary beyond the city at Isthmia, where St Paul worked during the celebration of the pan-Hellenic Games. Much of the excavation at Lechaion has been carried out underwater by divers pioneering new methods of preserving submerged material, since most of the harbour is entirely submerged.Later, particularly from the sixth century onwards, Christian basilicas were built throughout Greece. A number of these are examined, including those at Nemea and Epidaurus. Nemea provides unique evidence of an agricultural community guided by a bishop; numerous Christian artefacts have been excavated at the site. Epidaurus was honoured as the birthplace of the healing god Asclepius, and early Christians inherited and developed these healing skills in unexpected ways. At other locations, monks developed a wide variety of lifestyles that were little known in the Western Church. The archaeology of Christian sites in Greece is a new and unfolding discipline; this book will hopefully encourage scholars and students to take these studies further.

This book examines the mutual influence of architecture and human action during a key period of history: the Hellenistic age. During this era, the profound transformations in the Mediterranean’s archaeological and historical record are detectable, pointing to a conscious intertwining of the physical (landscape, architecture, bodies) and social (practice) components of built space. Compiling the outcomes of a conference held in Kiel in 2018, the volume assembles contributions focusing on Hellenistic architecture as an action context, perceived in movement through built space. Sanctuaries, as a particularly coherent kind of built space featuring well-defined sets of architecture combined with ritual action, were chosen as the general frame for the analyses. The reciprocity between this sacred architecture and (religious) human action is traced through several layers starting from three specific case studies (Messene, Samothrace, Pella), extending to architectural modules, and finally encompassing overarching principles of design and use. As two additional case studies on caves and agorai show, the far-reaching entanglement of architecture and human action was neither restricted to highly architecturalised nor sacred spaces, but is characteristic of Hellenistic built space in general.

This volume investigates the interaction between the natural environment, market forces and political entities in an ancient Sicilian town and its surrounding micro-region over the time-span of a thousand years. Focusing on the ancient polis of Kale Akte (Caronia) and the surrounding Nebrodi area on the north coast of Sicily, the book examines the city’s archaeology and history from a broad geographical and cultural viewpoint, suggesting that Kale Akte may have had a greater economic importance for Sicily and the wider Mediterranean world than its size and lowly political status would suggest. Also discussed is the gradual population shift away from the hill-top down to a growing harbour settlement at Caronia Marina, at the foot of the rock. The book is particularly important for the comprehensive analysis of the 1999–2004 excavations at the latter, with fresh interpretations of the function of the buildings excavated and their chronology, as well for reviewing the present state of our knowledge about Kale Acte/Calacte, and defining research questions for the future. The archaeological material at the heart of this study comes from excavations at the site conducted by the author. It is one of the few detailed publications from Sicily of Hellenistic and Roman amphora material. The conclusions about changing trends of commercial production and exchange will be of interest to those working on ceramic material elsewhere in Sicily and indeed further afield. The study also offers a fresh perspective of the economic history of ancient Sicily. The origins of Kale Akte and its alleged foundation by the exiled Sikel leader, Ducetius, in the fifth century BC, are also discussed in the light of the latest archaeological discoveries. An Italian summary of each chapter is also included.