"Brunch in London" the iconic cookbook, featuring over 100 recipes from 100 of London's best restaurants, cafés and celebrity chefs.100% of the profit from the sale of this book will fund OnePlate's sustainable food projects and farms in Africa and Asia to nourish and enrich the lives of children in great need.This is the cookbook for global impact and we have a number of Michelin star venues, celebrity chefs and food writers involved, who have united together for impact, including: Jamie Oliver, Angela Hartnett, Anna Jones, Melissa Hemsley, Diana Henry, Claire Ptak, Rick Stein, Ella Mills, Yotam Ottolenghi, Philip Khoury, Heston Blumenthal, Alex Dilling, Jason Atherton and Skye Gyngell. A cookbook, coffee table book, destination guide and book of inspiration all in one!! This is the perfect gift and addition to your kitchen.Luxurious hardcover with intricate gold foiling and a textured grain finish. This 432-page book is printed on eco-friendly wood-free paper using soy ink.With over 100 recipes included, “Brunch in London” features recipes that have remained a top secret, until now, from some of the most lucrative names in the industry. Including; Granger & Co, The Savoy, BRAT, Berners Tavern, Dishoom, E5 Bakehouse, Hide, La Fromagerie, Nobu, Pophams, St John, The Goring, The Ritz, Wild by Tart, Daylesford Organic, Lina Stores, Nopi, Peggy Porschen, Spring, Violet Bakery and Honey & Co. Just to name a few!* * *Reviews"It’s been a privilege to support this brilliant OnePlate cause that helps children in developing countries. The joyful, amazing thing about food is that it brings people together and is the best way to share the love." Jamie Oliver"I didn’t hesitate for a second to donate a recipe for Brunch in London. Food brings sustenance and joy to many lives, just like the OnePlate team, which tirelessly works to nourish and empower communities through sustainable farming." Yotam Ottolenghi"‘I’m a big fan of OnePlate and the work they do – every child deserves to be safe, fed and cared for." Melissa Hemsley"Charity is all about supporting each other and awareness; if you are reading this, I thank you, for supporting those less fortunate than ourselves and appreciating the amazing work this charity does. I believe our relationship with food is the one thing that can connect us to form communities, nourish each other, and to unlock positive emotions. OnePlate has the same outlook and goes out into the world to make these relationships flourish." Heston Blumenthal"People thrive when they have access to good food; what OnePlate are doing is so important and I couldn’t be happier to be a small part of it." Rick Stein* * *From the back coverFrom a proper London fry-up to espresso cookies, Brunch in London celebrates over 100 delicious dishes from every corner of this incredible city and its enviable food scene.With recipes from The Ritz and St. JOHN to Hoppers and Pophams, plus guest features from the likes of Jamie Oliver, Yotam Ottolenghi, Anna Jones, Heston Blumenthal, Angela Hartnett, Diana Henry, Claire Ptak, Melissa Hemsley, Rick Stein, Philip Khoury and Ella Mills, you'll elevate your weekend fare to new heights.This iconic cookbook has been created with love by OnePlate, a charity partnering with the hospitality industry to fund sustainable gardens and farms for children in great need.London's food scene has united together with OnePlate to make a difference.This is a cookbook for impact, with 100% of profit from the sale of this book funding life-changing food projects to nourish children. Bring the best of London into your very own kitchen while making a difference.* * *Author: Thérèse Nichols. Project Manager: Harriet Webster. Food Photographer: Georgia Gold. Project Photographer: Dean Hobson. Prop Styling: Emily Ezekiel. Food Styling: Emily Ezekiel & Joseph Denison Carey

"A must read for anyone interested in the future of innovation and world politics." —Abraham Newman, Georgetown University"Illustrates clearly how the realm of technology could be disrupted by geopolitical rivalry. In no uncertain terms, the authors lay out the state of play in the competition for technological dominance, the challenges and pitfalls of escalation, and the lessons for governments and businesses. " —Christoph Heusgen, Munich Security Conference"A timely contribution to the literature on tech competition between the United States and China, and a must-read for those who want to understand where global tech competition is headed."—William Klein, FGS Global"Sheds much-needed light on the iterative back-and-forth between politics and business, actions and reactions, and at times, outcomes that neither side intended. Tech Cold War shows the effects, but as much the limitations of political tech control."—Björn Conrad, SinolyticsTikTok, Huawei, semiconductors, AI … Technology has become a field of fierce geopolitical competition, especially between the United States and China. What drives this particular rivalry, and how are these two tech superpowers trying to curb each other's innovation systems? What roles do private companies play? As they delve into the complex dynamics of the US-China battle for technological supremacy, Ansgar Baums and Nicholas Butts unpack the two states' diverging approaches to developing technology infrastructure. Not least, they also highlight the deleterious consequences of this tech cold war on the global economy.

Archaeological excavation of a 0.64ha area in advance of development of a larger field produced evidence of use of this landscape from the late Neolithic/early Bronze Age (Beaker period), middle to late Iron Age and middle to late Roman, besides later ridge and furrow. The Beaker period was represented only by a single pit containing the period’s distinctive pottery, with no evidence of the burial that often accompanies such deposits. A large C-shaped ditch can be dated to the Middle Iron Age, although it also received later pottery. It cut across a couple of field boundary ditches which also underlay a square enclosure surrounding a grave of Late Iron Age date. The burial, of a man aged in his 40s or older, had been placed beneath stone slabs but with no grave goods (except some probably incidental pottery sherds). A radiocarbon date places the burial (most probably) in the late 1st century BC or early 1st century AD. The main results of the excavation, however, date to the Roman period, from the middle of the 2nd century until the late 4th or even early 5th century. it had been anticipated that the site might contain a villa but no such structure was located, the features being mainly ditches, representing field boundaries or enclosures. Nonetheless some f the finds assemblages do suggest a relatively affluent site and it remains possible that there is a villa nearby, and the presence of a presumed corn-dryer tends to support this suggestion. A suggestion of continuity into the 5th century is difficult to substantiate on any grounds other than the stratigraphic depth of the ‘latest Roman’ period which has to accommodate at least three sub-phases involving fairly substantial changes in layout and seems difficult to reconcile with a shorter chronology entirely confined to the late 4th century. The latest feature, a very large ditch, puts the earlier field systems completely out of use.

Archaeological excavation revealed a latest Iron Age to Roman settlement typical of the Cotswold Hills for this period. The fieldwork revealed a complex settlement comprising numerous ditched (and hedged) pens, paddocks and enclosures which had been re-ordered on numerous occasions. The settlement was not enclosed per se but was aligned on a nearby ditched trackway. The emphasis on numerous small enclosures is thought to indicate that livestock management was the dominant economic activity of the occupants. Sieving recovered few charred cereal seeds and no facilities for cereal processing (such as corn driers) or storage were recorded. The faunal remains indicated a typical range of stock animals dominated by cattle followed by sheep and pig with some horse. Few finds were indicative of any wealth and the settlement was probably that of an ordinary farming community comprised of several related families. As with many settlement across southern England the site originated in the mid 1st century AD, flourished in the 2nd and 3rd centuries AD only to decline and then be abandoned in the 4th century AD. There were no indications of later occupation until the site was overlain by Medieval ditches and ridge and furrow field system.

Trajan's Column, set up in the heart of Rome, was completed in 113 CE to commemorate the emperor Trajan's wars across the Danube. Its reliefs provide a uniquely detailed picture of the army at war in perfect harmony with Trajan who in his own lifetime and forever after was accounted 'The Best of Emperors'. The sculptures are a panegyric to military achievement of the troops and to leadership by their emperor, but, much more than this, they have exerted an enormous influence on modern perceptions of Roman art, architecture, warfare, politics, religion, ethnography and geography. The author's research answers questions which have been asked about Trajan's Column since the first studies of the 16th century. How were the reliefs planned and executed? Can they be used as a reliable historical source for Trajan's reign? How accurate is their depiction of the Roman army at war? What does the Column reveal about the political balance between emperor and army, and about Rome's attitude to the 'barbarian'?The Column's pedestal reliefs depicted more than 600 captured barbarian trophies, and its 200m helical frieze represents 2600 human figures engaged in frontier warfare. Never before has this vast mass of material been studied in detail, in its entirety, using modern methods of recording, comparison and analysis. The author was granted unprecedented access by the Rome authorities to scaffolding erected around the Column for conservation studies, allowing detailed photographic evidence to be collected as well as the chance to study the whole monument at close hand. This book will be of interest to researchers and students of Roman imperial history, art, and the city of Rome.

This book sheds new light on one of the most important artworks of the early Italian Renaissance, Ambrogio Lorenzetti’s fresco cycle of Good and Bad Government in the Palazzo Pubblico in Siena. By connecting the images with the Hymn to Justice inscribed on the walls and highlighting Ambrogio’s ingenuity and personal approach to the subject the volume presents a fresh reading of its rich artistic message. In 1338 Ambrogio Lorenzetti painted three huge frescoes, known today as Good and Bad Government, on the walls of the Sala dei Nove, the Room of the Nine, in the Palazzo Pubblico in Siena, where the city’s nine executive magistrates presided over the destiny of this famous commune. The frescoes were meant to be strong visual reminders of the Nove’s duties and an admonishment of the nefarious effects of bad government. Boasting the largest artist’s signature of all time, the frescoes are testament to the extremely high esteem in which Ambrogio’s art was held by his fellow citizens. Nowadays Good and Bad Government has become one of the most widely reproduced works of the early Renaissance and is recognized for its many innovations, including the first European panorama of a cityscape and countryside. But what sort of visual journey was Ambrogio asking the Nove to make through this expanse? In pursuit of an elusive answer, the murals have become one of art’s great puzzles, challenging scholars and public alike. Scant attention, however, has been paid to the images themselves. They have been studied merely as symbols and allegories of abstract political concepts in which good and bad government are starkly juxtaposed. Despite his enormous signature, Ambrogio has been treated more as a servile illustrator than a creative artist, disregarding his highly personal approach to painting and the way his visual ingenuity, from composition to brushwork, shaped a far more complex and fascinating message. This book attempts finally to illuminate Ambrogio’s pictorial strategy by reading it in light of the Hymn to Justice inscribed upon the walls. The frescoes enrich the poet’s message, subtly changing and even subverting it. Instead of a pictorial lecture straightforwardly contrasting a utopia with a dystopia, Ambrogio blurs the binaries and invites the viewer to look beneath the idyllic surface of Sienese civic life.

Fieldwork revealed details of a wide landscape of Roman fields and enclosures laid out around the junction of two droveways and probably spanning the entire Roman period. An early Iron Age roundhouse radiocarbon dated to 653-542 cal BC had previously occupied the same area that was to be close to the heart of the Roman enclosures. However, the chief interest of the site lies in the late Roman period (later 3rd to 4th century) when a rectangular villa was constructed on the terrace edge overlooking the river Cam. Initially of just three rooms it was soon expanded to six and the southern end was then subdivided to form a bath suite. Although of very simple plan form, the building was of some sophistication with very substantial deep stone foundations carrying stone walls, an elaborate hypocaust, decoratively painted wall plaster, stone roof, and furniture including some with decorative stone tops. Other signs of obvious wealth, however, are lacking. The villa seems to have been demolished by the end of the 4th century, possibly earlier. The faunal component of the economy comprised a typical dominance of cattle followed by sheep/goat and pig with few exotic species, and the proportions of which changed little through the life of the settlement. Evidence for arable production was again typically modest, with no structures such as corn driers present, though millstones imply large scale production of flour.

Between c. AD 700 and 1100, Late Woodland people of the Upper Midwest used the topography and other features of the natural landscape to create vast ceremonial landscapes consisting of thousands of earthen mounds sculpted into animals and animal spirits that mirrored their belief and clan-based social structure and that served an important role in mortuary ritual. In so doing, the Late Woodland people created quite visible three-dimensional maps of ancient cosmology and social structures that are similar to the beliefs and social systems of more recent Indian people. Ancient Effigy Mound Landscapes will provide an overview of the effigy mound phenomenon of the Upper Midwest centered on southern Wisconsin. It documents the nature of these unique landscapes, describing the use of topography and natural features to create the ceremonial landscapes, and provides the interpretation that these were living landscapes in which ancestral animals and supernatural beings were ritually brought back to life at places where the spirits are best evoked in a continuous cycle of death and rebirth of the earth and its people. These monuments can often only be fully appreciated by modern observers from the air and Robert Birmingham includes both high quality historical and modern maps, aerial photographs and the results of the very latest LIDAR imagery to reveal detail of the stunning complexity and ordered layouts of these mysterious spiritual landscapes.

The large American Indian city of Cahokia sits amidst a diverse natural landscape within the larger central Mississippi river valley. Well positioned on the rich agricultural soils of the Mississippi river bottomlands of the Amercan Bottom it is at the core of a cultural landscape that its residents helped shape. In this volume the editors and authors attempt to not just focus on Cahokia and its configuration but also the other towns and settlements dispersed throughout the region extant for nearly four centuries. The importance of Cahokia to native peoples and to the world community as a UNESCO World Heritage site resides in its creation as a ‘Cosmological Center of the Universe’. In order to begin comprehending where we are today in an interpretation that respects and pays homage to those that were instrumental in its conception and the implementation of a vision, one must understand the principles that underlie the Indigenous cosmology and rituals of Eastern North America. Mapping the mounds began as early as the late 18th century and thus represents the first efforts to depict what was readily seen. Over 300 sites with earthen mounds have been documented in the region and range from isolated mounds honoring the dead thousands of years ago to an array of over 100 mounds in the case of Cahokia that in some instances honored the ancestors individually and collectively. The editor’s investigations over nearly 25 years have helped elucidate the significance of Cahokia as an urban center and the processes leading to its creation. The history of this sacred place is highlighted by a number of major discontinuities that represent intellectual ‘axis mundi’ of this discussion. However, it is the broader landscape perspectives over the centuries that serve to illuminate the vibrant colors of this narrative.

‘Chariots on Fire, Reins of Power’ presents the first comprehensive overview of 5th century BC elite graves from the Lower Rhine-Meuse region. Characterised by imported grave goods such as bronze vessels, horse tack, weapons and occasionally two-wheeled vehicles, these strikingly rich cremation burials are the northernmost representatives of an elite culture that had its roots in the Late Hallstatt and Early La Tène culture of more southern regions in France and the German Rhineland. This book is the result of an interdisciplinary study of this northern group of graves, prompted by the recent discovery of a new chariot burial at Heumen, the Netherlands. It will be of great interest to anyone interested in the material culture of the Iron Age and the wider debate about social transformations in the European region at this time. All elite graves in the area were reexamined from a practice perspective, including the examination of all grave goods using a wide range of techniques, including examination of use-wear traces and XRF-analysis. Physical anthropological study of cremated remains revealed new insights into the ages and sex of the elite dead, and strontium analysis provided valuable insights into Middle Iron Age mobility. Technical study from a practical equestrian perspective revealed the presence of both chariots with accompanying draught horses, as well as riding horses that wore elaborately decorated tack. The 5th century BC reveals itself as a highly dynamic period in the study area, with the appearance of elite graves being just one element in the broad spectrum of social changes that occurred during this phase. The urnfields fell into widespread disuse, small new cemeteries with flat graves emerged, a practice of inhumation was introduced in the Dutch river area, and ‘Marne ceramics’, a new pottery style, spread rapidly. In order to understand these complex regional dynamics, this book proposes a model that allows scope for intensive interregional connectivity, demographic fluctuations and probably also the small-scale immigration of southern groups, not just elites but lower social groups as well.

Land was the ideal store of wealth in the ancient Mediterranean world. It brought social respectability, and its possession allowed participation in the politics of the cities governed by landowning elites. Crucial defense of the interests of a given polity through armed services often involved the distribution of lands to laborers still not integrated in these societies. Mediterranean urban dynamics also involved paid labor and were always in need of short-contract manpower, including skilled soldiers and warriors. For short-time military services, lands were not always available so soldiers and warriors were paid with coins and riches.Because of their superior development, urban economies in the Mediterranean were able to attract migrant paid labor. When returning home, the migrant warriors carried coins and riches that would enable them to maximize the return that a homecoming entailed. Although difficult to prove whether these men were paid in advance or when discharged, it is an important issue as it shows the strength of one contractor over another and helps to better understand the construction of statehood in ancient and early medieval times.This collection of papers sheds light on how coins, riches, and lands were gained and distributed among soldiers, warriors, and mercenaries. Contributions cover a wide chronological span from Late Pharaonic to early medieval times, linking a well-defined core area, the Mediterranean basin, with its peripheries: Central Europe and Scandinavia to the north and the margins of the Sahara Desert and the Fertile Crescent to the south and the east.

Between 2013 and 2018, the construction of a new industrial park afforded Oxford Archaeology the opportunity to investigate 19ha of land on the western edge of Raunds, Northamptonshire. The archaeological works revealed evidence for human activity spanning the early Neolithic to middle Saxon periods. From at least the early 18th century, the area has been under cultivation and has conse-quently suffered the effects of a substantial period of ploughing. Key to the development of the site was an early Neolithic monumental ditched enclosure, recorded in the Northamptonshire Historic Environment Record (NHER) as Cotton ‘Henge’. Its excavation provided important new evidence for its date and its influence on the surrounding landscape. Nearby lay middle and late Neolithic pits containing pottery and struck flint. Positioned at the centre of the ‘Henge’ was an early Bronze Age barrow, which was subsequently incorporated into a Middle Bronze Age field system.Dense settlement remains dating to the early to middle Iron Age transition extended across much of the site, including structures, numerous storage pits or silos, cobbled trackways and a pit alignment. Large assemblages of pottery, animal bone and other finds came from these features, alongside rich environmental remains.Romano-British activity was significant, with non-settlement, craft and agrarian-related remains extending across the area. Features included a pottery kiln and corn dryer, various burials and six stone-lined wells. The latter yielded important finds and environmental assemblages, preserved in their waterlogged fills. The most impressive item was a near life-sized carved wooden arm, believed to be a votive offering. This is an extremely rare find and perhaps the only item of its type from Roman Britain.Anglo-Saxon settlement took the form of numerous sunken-featured buildings. By the post-medieval period, the development site lay beneath strip fields associated with the village of Raunds to the east; by this time, the adjacent medieval village of Mallows Cotton (located to the immediate west) had been abandoned.The archaeological evidence uncovered at Warth Park has demonstrated that this area has been a widely exploited and managed landscape for approximately five millennia. The remains reflect an agricultural site, with associated craft and funerary activity, linked to known settlement areas in the wider environs.

One hundred years ago, Howard Carter, working for Lord Carnarvon, made one of the most important archaeological discoveries of all times in the Valley of the Kings (Luxor, Egypt): the nearly intact tomb of the Egyptian pharaoh Tutankhamun (ca. 1335-1325 BC). In addition to the king’s body, the tomb contained well over 5000 objects, which were recovered, conserved and recorded by Carter and his team. The fabulous treasures, such as the gold coffins, funerary mask, jewellery, as well as the six near complete chariots are well known. The tomb, however, yielded a wide variety of objects, both sacred and secular, including some that are less elaborately decorated with precious materials but which are, from a scientific point of view, perhaps even more interesting (and enigmatic). Many objects from the tomb still remain unstudied; those that have been published consist of specific groups, for example: thrones, chairs and stool; the bows; musical instruments; game boxes; the small gold shrine or the stone vessels. This work examines the tomb and its contents through an unusual lens: leather and other animal soft tissue products that were used in creating some of the tomb’s contents. Through a study of these artefacts, the reader is guided through the surprising and complex world of leatherworking in ancient Egypt, focussing on the numerous different objects from the tomb that are either made entirely from or include leather, such as the chariots and their accoutrements, weapons, gloves, as well as hitherto unpublished finds, as among which leatherworking tools. This approach offers new insights in ancient Egyptian technology as well as in the production and use of specific materials and objects. The findings are discussed in the wider framework of the development and organisation of the leather industry in New Kingdom Egypt.

On 10 May 1940, the Wehrmacht launched its assault on the West. One element of the West’s response was the dispatch of RAF Bomber Command ‘heavy’ bombers at night over German industrial centers. These raids had only limited effectiveness, but the inability of the Luftwaffe to chase down RAF bombers at night so annoyed Wolfgang Falck that it swiftly resulted in the creation of a credible night fighter force. Initial trials had been flown with Bf 110s at dusk in Denmark in April, and 1. Nachtjagd.Division was founded in the summer of 1940. Its first few months were chaotic, with constant reorganizations of units, and reassignment of aircraft, but soon enough the night fighter arm was achieving steady victories—and losing crews at a similarly steady rate.Despite the efforts of senior leadership, the Nachtjagd constantly struggled to secure sufficient personnel or aircraft, and would spend most of its life playing catch up—its radar systems regularly outdone by RAF Bomber Command’s jamming capabilities, though the development of Schräge Musik and Wilde Sau did give the Nachtjagd an edge. The first specialist Luftwaffe night fighter—the Heinkel He 219—would be trialled only in 1943.Fully illustrated, this is a full chronological account of the night fighter units for the first part of World War II, covering major campaigns, the biographies of individual aces, and the details of the technology developed for the Nachtjagd.

The excavation revealed an extensive spread of archaeological deposits, the limits of which were not reached. The majority of the features are of Earlier to Middle Iron Age date with a few deposits assigned to the Early Bronze Age, Middle Bronze Age, Roman and Medieval periods. Despite the proximity of the site next to the village of Greenham recorded in the Domesday Book, no Anglo-Saxon deposits were recorded and Medieval activity was restricted to a number of field boundaries. A cremation burial in a Collared Urn was the only certain Bronze Age feature. The Middle Bronze Age activity largely comprised a rarely encountered 'L-shaped' enclosure. The earlier Iron Age occupation initially comprised a dispersed open settlement with several post-built roundhouses, fence lines, 'four-post' structures and numerous discrete posthole and pit features. The settlement evolved into a Middle Iron Age settlement but now consisting of an enclosure with ring gully roundhouses within. The small number of Roman features recorded included a single cremation burial of 2nd/3rd century date and possibly a rectangular building. The chronology of the site is supported by seven radiocarbon dates.

This pocket, written by Jolanda Bos, bundles a selection of objects from the Wearable Heritage Collection and features traditional jewellery items and dress from North Afrika and West Asia. The objects in the booklet are all illustrated with a personal account on how they became part of the collection, their function and use, illustrated with wonderfully detailed photographs. This pocket bundles a small selection of objects from the Wearable Heritage Collection and features traditional jewellery items, costume ornaments and dress from the North African and West Asian region. The objects in the booklet are illustrated with a personal account on how they became part of the collection, their function and use. In short articles different objects are presented and illustrated with wonderfully detailed photographs. The essence of the object is well characterized in this manner. The pocket is an excellent start for the understanding and appreciation of wearable and portable items from the Middle East.