This volume presents a cutting-edge perspective on figurine studies in the Neolithic Aegean, sparking renewed interest and innovative ideas. It celebrates two significant milestones in the field: the 50th anniversary of Giorgos Hourmouziadis’ Ph.D. thesis (submitted in 1973 and published in 1974) and the 30th anniversary of Lauren Talalay’s Ph.

Excavations by OCA during 2015 at Oxford Road, Thame revealed activity from the Neolithic to the Late Saxon period. This has now been published by OCA in two illustrated volumes. Volume 1 describes how Early Neolithic pits and a three-circuit causewayed enclosure – possibly one of the largest known – were succeeded by later prehistoric activity including an extensive Early Iron Age settlement. This included structures and numerous pits, some of which contained notable deposits of material involving pottery, animal remains and other finds. A small cemetery included the remains of at least 13 people.

The second volume covers how Late Iron Age fields were replaced during the Early Roman period with larger scale land division related to agriculture, reflected in finds of millstones and corn driers. Two inhumation burials date to the very end of the Roman or the early post-Roman period. A settlement which comprised 13 sunken-featured buildings was established in the 6th–7th centuries AD. One building had burned down, preserving important information about the structure and materials which had been used in its construction. Several buildings contained evidence of weaving equipment in the form of loomweights. A ditched enclosure was created during the Late Saxon period with nearby ovens providing evidence for both crop drying and malting at a time when the nearby town of Thame was being established. Finds and environmental remains are examined in detail.

The inspiring life story of a young boy stricken with polio who, through sheer grit, the drive to achieve, and love of the military, overcomes childhood paralysis, takes up the physical challenges of an infantry career and joins the elite airborne forces. Bill Matz earns his Ranger Tab and Master Parachute Badge, and rises to the highest levels of achievement in the U.S. Army. He serves in the DMZ in Korea, leads troops in combat in Vietnam, is wounded in the Tet Offensive, receives the Distinguished Service Cross for Valor, and leads troops again during the Panama invasion—all while wearing a specially fitted combat boot and a foot orthotic device on his atrophied “polio leg.” Later duties include serving as Executive Secretary to the Secretary of Defense during the Reagan years.Retiring as a Major General in 1995 after numerous overseas deployments and an illustrious 30-year Army career, he works in the administrations of Presidents George W. Bush, Barack Obama and Donald Trump. Keeping veterans’ causes close to heart, he leads the fight on behalf of the wounded, disabled and their families as a member of the Veterans Disability Benefits Commission and as President of the National Association for Uniformed Services, and becomes the guardian of America’s war dead as Secretary of the American Battle Monuments Commission.A witness to or participant in many of the most defining moments of American history of the last sixty years, Bill Matz retired “for the fifth time” in 2021 and remains active as a recognized public speaker and proponent for veterans and the military. My Toughest Battle portrays the personal challenges and inner resources he relied on to meet the demands of service to his nation as an infantryman and paratrooper in times of peace and war, and candidly reveals how he was able to achieve his goals while battling the debilitating effects of polio.

Raised on a farm in Montana, Vernon Drake enlisted in the Army Air Corp in the spring of 1942. Assigned to the 493rd Bomb Squadron, 7th Bomb Group of the 10th Air Force stationed in India, he piloted B-24 bombers into Burma in a fight to prevent the Japanese from advancing north to China, then flew C-108 gas-hauling tankers across the formidable Himalayas to support the U.S. and Allied armies. This dangerous airlift saw tons of fuel and supplies flown daily over the tallest mountain range in the world, regardless of the weather.He and the other airmen—aged only eighteen to twenty-five—flew dangerous missions over unforgiving territory against a brutal enemy. To provide some personal identity in an impersonal war, aircrews often painted artwork and identifying names onto the nose of their aircraft. As a talented artist, Lt Drake would spend many off-duty hours painting aircraft at the request of their crews, becoming a significant contributor to the nose art of the 10th Air Force.Drake’s story, pieced together from his meticulous records, contrasts the hours spent creating works of art with the moments of sheer terror in combat over enemy targets and navigating through towering mountains engulfed in murderous storms while carrying thousands of gallons of highly explosive fuel.

In 2006, the shock and awe campaign of securing the major cities had ended, and the Iraq War had moved into an alien phase for the operators of Black Flag One. With their motto “swift, silent, deadly,” the Marine operators of 2nd Reconnaissance Battalion were trained for unconventional warfare but they were tasked with holding and securing swathes of the country, facing Insurgents who were adapting their tactics to kill as many Coalition soldiers as possible using IEDs. It was a terrifying new phase of the war where every disturbed patch of dirt, every piece of rubbish, every civilian acting oddly could mean instant death. Into this cauldron of hate came a young Marine recon sniper. Brennan Morton had been fascinated by war and the military as long as he could remember, and had signed up for the Marines as an enlisted after 9/11. Developed from writing undertaken at the suggestion of his VA therapist, his immersive memoir takes the reader through selection and training and the first patrol sweeping for caches, to endless night watches, and deadly IED attacks.

Fenster sind multifunktionale Bauteile, die sich sowohl nach Innen als auch nach Außen richten. Sie geben uns durch ihre Zahl, Größe und Art ihrer Verschlüsse wichtige Hinweise auf die Benutzungsarten und -zeiten der jeweiligen Räume, in denen sie angebracht sind. Darüber hinaus sind sie in der Lage zusammen mit dem decor eines Raumes eine Atmosphäre zu schaffen, in manchen Fällen sogar eine von der realen Welt entkoppelte Heterotopie. Zwar waren die Häuser und Thermen der Römer schon lange Gegenstand archäologischer Untersuchungen, doch blieb eine grundlegende Beschäftigung mit ihren Fenstern bisher aus oder sie erfolgte nur in einzelnen Aufsätzen. Das vorliegende Buch bündelt das Desiderat der Forschung und schließt bestehende Forschungslücken in Bezug auf deren Konstruktionen, Verschlüsse und Ausstattungselemente. Es zeichnet die Entwicklungsgeschichte dieses Bauteils über mehr als 500 Jahre Architekturgeschichte nach und berücksichtigt dabei nicht nur dessen pragmatische Funktionen, sondern auch seine kognitiv-sensualistischen.English abstractWindows are multifunctional elements within roman architecture. Their number, size, and type of shutters help us understand the use of architectural spaces within their time. Windows, together with the décor of such spaces, are able to create certain atmospheres, sometimes even heterotopias, which are dissociated from the real world. Whereas houses and baths have been studied for a long time, the analysis of windows and their functions was often neglected and has been the subject of only a few articles.This book aims to summarize research results and close the gap of research regarding methods of window and shutter construction and their features. It traces the evolution of windows over more than 500 years of architectural history, taking into account not only their pragmatic functions but their cognitive-sensualistic effects as well.

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir.George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience.Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun,

The early medieval period witnessed one of the deepest and most significant transformations of European societies and cultures with the process of Christianisation. The emergence and establishment of Christianity created a new dimension of power in society with an appeal to supernatural forces combined with an access to a broader transnational authority. Carved stones did not merely reflect these changes, but enabled them within northern societies with traditions of sculpture and epigraphic representations. This book looks at three datasets of monuments from Ireland, Scotland and Sweden using an innovative comparative framework to offer new insights on these monuments and the societies that erected them.Analysed through the three major themes of place, movement, and memory, the case studies are presented from a holistic perspective comprising the monument, their landscape settings and historical and archaeological contexts (when available). The results of this research demonstrate that by means of comparisons across national boundaries, new interpretations emerge on the use and functions of early medieval carved stones. The thematic approach adopted emphasises similarities and contrasts in a more efficient manner than a geographical approach, freed from historiographical biases within scholarly traditions of ‘Celtic’ or ‘Scandinavian’ archaeologies. Furthermore, a multi-scale analysis places the monuments within their local contexts but also within a broader narrative of Christianisation.

Cyclone Tracy was one of the most damaging disasters to ever impact Australia. The story of the terrible night of Christmas Eve 1974 has been told before, but the involvement of the Australian Defence Force has been under-emphasised.This book rectifies that by revealing the untold stories of those in uniform. Men and women of all three services experienced the cyclone, including the crew of HMAS Arrow which sank with the loss of two lives.The first outsiders to reach the shattered city flew in on RAAF aircraft, which quickly began flying out evacuees. Then the Navy embarked on its largest peacetime operation with the majority of the fleet including the aircraft carrier HMAS Melbourne deploying to Darwin. For the first month the Navy took the lead in cleaning up the city before a larger and better equipped Army force took over.The book argues strongly that the National Emergency Medal should be bestowed on all uniformed people involved, including civilians such as police, and that a prominent and fitting memorial be established in Darwin.Cyclone Warriors also dispels myths, and for the first time with extensive research provides the true number of fatalities incurred when Tracy tore apart Darwin.Tom Lewis is one of Australia’s foremost military historians having written over twenty books. He is a former naval officer and long time resident of Darwin.

The CAC Boomerang has a unique place in Australian aviation history, being the nation’s only home designed and produced fighter.The design was born in dark days at the start of the Pacific War when the RAAF possessed not a single modern fighter and the southwards onslaught of Japanese forces seemed unstoppable. The single seat Boomerang owed its origins to the Wirraway two seat general purpose aircraft produced by the Commonwealth Aircraft Corporation in Melbourne. Because of existing Wirraway production, a Boomerang prototype flew less than six months after the design was conceived – a remarkable achievement.Lacking the performance of contemporaries such as America’s P-39 and P-40 and Japan’s Zero, the Boomerang’s subsequent history is chequered. It served with three RAAF home defence squadrons in the fighter interceptor role but had only fleeting, unsuccessful, contact with enemy aircraft. However, the Boomerang found its true niche as an army cooperation aircraft, and the type gave very useful service with Nos. 4 and 5 Squadrons in New Guinea and Bougainville.With hindsight the Boomerang provided an insurance policy if other fighters could not be obtained from the US and Britain. In that role it was successful, and its production maintained a skilled wartime workforce at the CAC factory.This is the first stand-alone history of the Boomerang. The author Don Williams examines this unique aircraft and its origins, service and the men that flew it.

During the 1980s, the Reagan Administration financed and directed wars against popular movements in El Salvador and Nicaragua that left more than 300,000 dead and countless more wounded. Vowing to block “Soviet expansion,” the U.S. waged a Vietnam-style counterinsurgency against leftist rebels in El Salvador while orchestrating an illegal and covert war to overthrow the Sandinista government in Nicaragua. Some 75,000 died in El Salvador, mostly at the hands of U.

In 1972, Reggie Warford was a sinewy, lightning-fast, sharp-shooting leftie who was in high demand by such renowned coaches as Bobby Knight at Indiana and Digger Phelps at Notre Drame. When the prolific player was signed by Joe B. Hall at the University Kentucky, he would ultimately become an inspirational scoring force on the team and the first Black basketball player to graduate from the university—instrumental in helping to break the color barriers for generations of students who followed. Scott Brown tells the remarkable story of this trailblazing player and the barriers he broke at Kentucky. Despite a heart condition and health issues that plagued him and eventually claimed his life, his body and spirit exuded a commitment to the game he loved: basketball.From growing up during the Civil Rights era, relating his courage in remaining seated during the singing of "My Old Kentucky Home" (a protest that led to the eventual rewrite of the lyrics), recollections of his seminal games, including the contest against Indiana during which Bobby Knight hit Joe B. Hall, and the Final Four match against UCLA, this is a wide-ranging look at Warford's life and career. The sports legend speaks honestly regarding his college coaching career that was torpedoed by agendas and dubious claims, his life experiences with Muhammad Ali, Larry Bird, and the Harlem Globetrotters, to working with youth at a juvenile detention center and winning a libel suit before the US Supreme Court.Throughout the highs and lows of his life, Warford's mantra "it was all worth it" exudes hope, optimism, and an unwavering determination. More than just a biography, this is an incredible story of inspiration, strength, resilience, and resolve—a testament to a world-class athlete, coach, teacher, mentor, and basketball legend.

Daniel Crews-Chubb (b.1984) is a London-based painter whose mixed-media works wrestle with the human condition and modes of selfexpression. This monograph, Out of Chaos, ispublished to coincide with his solo exhibition at Timothy Taylor, New York, which brings togethernew paintings and works on paper. Crews-Chubb’s paintings exist somewhere between figuration and abstraction. They drawon a wide variety of references, including ancient cosmologies, historic artefacts and sculpture,pre-Columbian deities, Cubism, Abstract Expressionism and Hellenic myth. He intertwinescanonical sources and classical allusions in his paintings, creating a highly personal, idiosyncratic lexicon of human, celestial and bestial figures.Out of Chaos takes its title from the ancient Greek notion that chaos is a state of undifferentiated matter from which the universe emerged. The paintings that form this series feature urgent, gestural marks and passages of vivid colour, centred around the figure as a motif. The bodies that he depicts are ageless, nongendered and non-racial – conduits for feeling, rather than signifiers of individuals.This publication reproduces Crews-Chubb’s paintings from 2015 to 2024, starting with hisearly works and subsequently organised into seven series. Notable among these are the recentImmortals (2022–) and Out of Chaos, which is the focal point of his solo exhibition. The book also features an introduction by the writer Jennifer Higgie, an essay by art historian Matthew Holman and an interview with writer Amah-Rose Abrams. Daniel Crews-Chubb was born in Northampton in 1984. He completed his BA at Chelsea College of Arts, London, in 2009 and undertook the Turps Studio Programme, London, in 2013. He lives and works in London. His first solo museum exhibition will take place at the Long Museum, Shanghai, in November 2024.

Joy Labinjo (b.1994) is a British-Nigerian artist based in London. Bringing together paintings made between 2017 and 2024, this monograph coincides with her institutional solo exhibition We Are Briefly Gorgeous at Southwark Park Galleries, London, which opened in July 2024. Labinjo uses the human figure as a vehicle to explore topics such as storytelling, identity and race, and how they intersect with wider social, cultural and political contexts. Her work is informed by her experiences growing up as both a Londoner and as part of the African diaspora. Her large-scale figurative paintings often depict Black bodies from the past and present – both real and imagined. Working from personal and archival imagery, including family photographs, found images and historical material, she captures scenes of joy, leisure and perseverance in everyday life. As a painter fundamentally concerned with people’s stories, she expands the dialogue around contemporary Black culture.For We Are Briefly Gorgeous, Labinjo produced a new body of work in response to the multicultural area of Southwark in South London. Rendered in her distinctive style of flat layers of colour and graphic patterning, the paintings capture families, friends and individuals in Southwark Park and Bermondsey. Developed from site visits and taken and found photographs, the intimate scenes document the physical, social and lived experiences of local communities.Alongside installation views and reproductions of the exhibited paintings, the book documents Labinjo’s works from 2017 onwards. Organised thematically, it explores the artist’s interests in ‘Family, Friends and Community’, ‘Social Criticism’, ‘Historical Animation’ and ‘Self-portraiture’. The paintings grouped together in the second section mark the beginning of the artist’s more satirical, politically engaged approach, instigated by the COVID-19 pandemic and the murder of George Floyd in 2020. ‘Historical Animation’ compiles Labinjo’s paintings of Black historical figures, such as Sarah Forbes Bonetta, Olaudah Equiano, Francis Barber and Charles Ignatius Sancho. In this series, the artist explores the histories of British portraiture, and the erasure of Black identities through the white gaze.An introduction by Dr Christine Checinska, the inaugural Senior Curator of African and Diaspora Textiles and Fashion at the Victoria & Albert Museum, London, contextualises Labinjo’s figurative practice in relation to a lineage of Black British painters, including Claudette Johnson and Lubaina Himid. An essay by curator and writer Dr Jareh Das expands on this, unpacking the artist’s recent works and analysing her ability to represent stories that connect cultural identities across time and geographies. An interview between Labinjo and Adelaide Bannerman, the Curatorial Director at Tiwani Contemporary, takes an in-depth look at the artist’s methodology, political themes and approach to nude self-portraiture.Edited by Bannerman, Martina Mei and Matt Price, designed by Hyperkit, produced by Hurtwood and published by Tiwani Contemporary and Anomie Publishing, London, the book has been generously supported by the A. G. Leventis Foundation.

In Roman History in Roman poetry (the 19th volume of PLLS) distinguished international scholars explore aspects of how historical and historiographical concerns were represented in or affected by Roman poetry. The essays, ranging chronologically from Roman pre-history through the late Republic and early Empire up to the Flavian age, look at the topic in Lucretius, Virgil, Horace, Propertius, Lucan, and Silius, with a concluding paper on the female poet Sulpicia, commenting circumspectly on the politics of the reign of Domitian.