Early medieval stone sculptures survive across Europe: at waysides, in architectural settings and in churches and graveyards, and provide an exceptional source for understanding the aesthetics and beliefs of early medieval communities. England is no exception to this. Thousands of intact and fragmentary stone monuments survive from the seventh to eleventh centuries CE, evidencing the emergence of a rich Anglo-Saxon sculptural tradition in stone. These often elaborately carved monuments that were generally painted – some with considerable sophistication – and could be inset with paste glass and metal, provide clear evidence of a rich and new form of visual material culture connected with the Church in the region. Some monuments acted as liturgical markers, others as markers of working relations between secular and ecclesiastical communities, while others still commemorated the dead, and some fragments demonstrate the ways in which stone buildings were decorated both inside and out. By the tenth century, stone crosses and monuments were frequently commissioned by the Anglo-Saxon and Anglo-Scandinavian secular elites, demonstrating strong connections between sculptural commemoration, power, and identity. For decades, the celebrated project, the Corpus of Anglo-Saxon Stone Sculpture, has provided information on these monuments, cataloguing each example in terms of date, geology, and decoration. This multi-authored volume draws on the expertise of many specialists connected with the Corpus to provide a first accessible national overview of the resource. Thematic chapters reflect on discoveries to date and archaeological and art historical approaches to researching and understanding sculpture. Key themes include quarrying and production, chronology, the intellectual and artistic context for sculpture, aesthetics and iconography, and the places and contexts of sculpture use. This extensively illustrated volume introduces Anglo-Saxon sculpture in its broader European context and offers a stepping-off point for all those wanting to learn more and research these often-enigmatic fragments.

This volume presents details, images and discussion of the contents of twenty English coin hoards, ranging in date from the 730s to the 1090s. Found between the 1960s and 1990s, all were studied by the late Marion Archibald at the British Museum but have never been published in full before now. Each hoard is the subject of its own chapter, with discussion of the discovery, and of the historical context in which the hoard was buried, before a catalogue of the relevant coins. The volume also contains an introductory chapter, providing an overview of developments in the use of coinage in England in the seventh to eleventh centuries, as well as a discussion of hoarding in this period. This provides context for the more detailed presentation of the individual hoards in this volume, but also draws on other major hoards of the period, both published and unpublished.

Early urban societies transformed social networks. This was also the case for Northern Europe’s emporia – maritime trading towns that emerged around the North and Baltic Seas in the first stages of the Viking Age. The surprising pace and scope of this change is rarely more evident than in the archaeology of Ribe, Denmark. This is the second and final volume presenting the results of the Northern Emporium research project and the high-definition excavations carried out within this programme in 2017-18 in Ribe. The 21 chapters survey the remarkable range of finds retrieved from this hub of the North Sea world in the eighth and ninth centuries AD: artefacts made from pottery, stone, shell, glass, metals, amber, leather, wood, textile, bone and antler. They offer detailed insights that highlight discoveries such as the assemblages from glass bead or comb-making workshops, and rare finds such as wooden furnishings and musical instruments.The focus of the book is on assembling Ribe’s early urban network. By analysing finds and their context, we develop a picture of social roles and interactions between residents and visitors in the emporium. And we follow the connections they created with other worlds as we trace the flows of glass vessels, pottery and wine barrels from Western Europe; iron, stone and animal products from North and Central Scandinavia and beads and coins that travelled from the Middle East and the Indian Ocean into northern Europe’s new maritime frontier.

This book shows how analysis of Scandinavian-influenced place-names in their landscape contexts can provide crucial new evidence of differing processes of Viking migration and settlement in East Anglia between the late ninth and eleventh centuries.The place-names of East Anglia have until now received little attention in the academic study of Viking settlement. Similarly, the question of a possible migration of settlers from Scandinavia during the Viking period was for many years dismissed by historians and archaeologists – until the recent discovery by metal-detectorists of abundant Scandinavian metalwork and jewellery in many parts of East Anglia. David Boulton has synthesised these two previously neglected elements to offer new insights into the processes of Viking settlement.This book provides the first comprehensive analysis of Scandinavian-influenced place-names in East Anglia. It examines their different categories linguistically and explores the landscape and archaeological contexts of the settlements associated with them, with the aid of GIS-generated maps. Dr Boulton shows how the process of Viking settlement was influenced by changes in rural society and agriculture which were then already occurring in East Anglia, such as the late Anglo-Saxon expansion of arable farming and the associated recolonisation of the inland clay plateau. These developments resulted in patterns of place-name formation which differ significantly from some of the previously accepted, orthodox interpretations of how Scandinavian-influenced place-names (especially those containing the bý and thorp elements, and the ‘Grimston-hybrids’) came into being in the Danelaw.In view of these discrepancies, David Boulton proposes an innovative, hypothetical model for the formation of the Scandinavian-influenced place-names in East Anglia, which explores differing patterns and phases of Viking settlement in the region and the possible pathways of migration that preceded them.

This book provides a comprehensive guide with detailed explanations, illustrations and photographs of late-7th century to 11th century Anglo-Saxon Churches and stone sculpture. It is divided into four parts.The first part includes an extensive glossary explaining the terms likely to be encountered, it explains Celtic and Roman Church practices and the Synod of Whitby, how Anglo-Saxon churches were established and their plans, and also provides a summary to the settlements of the Anglo-Saxons, Vikings and Hiberno-Norse in England. The second part provides a comprehensive description of the construction and architectural features of extant Anglo-Saxon Churches including their walling, plinths and quoining, archways, doorways, windows and belfry-openings of whatever shape or format or wherever their location. It also explains features such as string-courses, pilaster-strips, pilaster-buttresses, hood-moulding and strip-work. Also included are extant Anglo-Saxon stairways and crypts. Explanations are included on porticus, galleries, the use of rooms in towers, roofs, church seating and other furnishing, balusters and baluster-shafts.The third part provides a comprehensive description of Anglo-Saxon and Anglo-Scandinavian Decoration on stonework. It details all the designs and patterns involved including those which also have scenes depicting creatures, beasts, birds, serpents and humans, figures, and scenes from Christianity and Norse Mythology. It explains and provides examples of the stonework on which these designs and patterns appear namely standing crosses, cross-heads, cross-shafts and cross-bases; grave-markers, grave-covers, grave-slabs and grave-memorials and crosses; sarcophagi and shrine chests; wall friezes and wall panels; fonts; and sundials. The fourth part provides an alphabetical list of 183 recommended churches and museums with summarised information on their individual architectural features, and/or stone sculpture. Many of the churches are further expanded in detail in the text in the second and third parts. Also provided is a page and photographic index of all the churches and museums where they are referred to in the text. All the places referred to in the text have been personally visited by the author.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries.Bringing together scholars from various disciplinary backgrounds, this volume provides new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. It will appeal to a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts.The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

Sublime calligraphy, marvellous art, and amazing initials, have charmed and captivated the audience of the Book of Kells for over twelve hundred years. This remarkable illuminated Gospel book attracts the attention of scholars as well as those more generally interested in the fabulous artefacts of the past.Everybody knows it was made by an extensive team of scribes and artists. Donncha MacGabhann knew that too. However, he was certain that a thorough examination could clearly identify the various contributions of its creators.His life and work as an artist and teacher inspired the belief that a close visual study could solve some of its enduring puzzles. The deeper he delved, the more he was convinced that Kells is entirely the work of two individuals. This evolved into a novel paradigm through which he came to know and understand the manuscript. Following years of meticulous research, this book tells the story of Kells’ two Masters and their collaboration to create a Gospel book of unprecedented magnificence. Most poignantly, it reveals the struggle of the lone survivor of the two-man team to attempt the completion of their magnum opus.The most important outcomes of this book go far beyond the simple attribution of work to different hands. Much more significantly, it affords insights into the imagination which inspired its creators, especially the unique vision of Kells’ great Scribe-Artist. Collectively, these new perspectives reveal a previously unknown ‘Book of Kells,’ one which, as it were, has remained hidden in plain sight.Challenging long-held theories is no small matter, and in doing so this radical study attempts to be comprehensive. The abundance of evidence may at times seem extravagant in its detail, for both specialists and non-specialists. The reader is therefore encouraged to find their own path in exploring The Book of Kells – A Masterwork Revealed: Creators, Collaboration, and Campaigns.

In the early Middle Ages, a network of maritime trading towns – emporia – emerged along the northern coasts of Europe. These early urban sites are among archaeology’s most notable contributions to our knowledge of the period between the disintegration of the Western Roman Empire and the growth of a maritime-oriented world in the Viking Age. Ribe, on the western coast of Denmark, is one of these sites. In 2017-18 the Northern Emporium research project conducted seminal research excavations, which provided new foundations for the study of this nodal point between Western Europe, Scandinavia, and the world beyond. This first volume presents the results of these excavations and analyses to piece together the history of the emporium and its social fabric. The research employs novel, high-definition methods to explore the networks of the site, integrating an extensive use of geoarchaeology and 3D stratigraphic recording with intensive environmental sampling and artefact recovery, resulting in more than 100,000 artefact finds. The results transform our understanding of key points of the early history of the North Sea region. Through the remains of dwellings and workshops – the traces left by traders, sailors, weavers, tailors, comb makers, and skilled producers of glass beads and metal ornaments – we follow the creation of Viking Age social networks, along with some of the most iconic artistic products of this world and the daily lives of some of its notable inhabitants.

An equestrian burial from the 10th century with an exceptionally elaborate horse harness was discovered at Fregerslev near Skanderborg in eastern Jutland, Denmark in 2012. This formed the starting point for the Fregerslev Research Project initiated by Museum Skanderborg in 2017. Two years later, the museum held a conference to present the preliminary results of the project. A group of researchers from neighbouring countries were invited to provide a wider international context for a discussion of the social, political, cultural and religious background of the Fregerslev burial. With 21 articles, Horse and Rider in the late Viking Age presents the outcome of the conference. Part I describes the excavation of the Fregerslev burial and its contents. The finds, particularly the harness fittings and the remains of a quiver of arrows, and the results of a wide range of scientific analyses demonstrate what a remarkable burial this once was. The excavation methods and documentation procedures, the sampling strategies, and the following conservation and preservation of the finds, give an idea of the many new approaches, which may be useful when dealing with a decomposed grave in the future. Part II and Part III present new research on 10th-century equestrian burials and their significance in contemporary society from a variety of countries across Central and Northern Europe.

Before the Military Revolution examines European Warfare in the Late Middle Ages from 1300 to 1490. It is not restricted only to well-covered conflicts, like the Anglo-Scottish Wars or the Hundred Years War, but gives due weight to all regions of Europe, including the Empire, the Baltic, the Balkans and the Mediterranean, and considers developments in naval warfare. The Hussite Wars and the wars of the Teutonic Order and the Hanseatic League are covered, as is the expansion of Moscow, the Ottomans and Venice, and battles likeAussig (1426), Copenhagen (1428), Chojnice (1454) are discussed alongside Bannockburn and Agincourt. This age witnesses fundamental change. The feudal system of the High Middle Ages crumbled everywhere in Europe due to climatic change, economic crisis and population decline. This triggered a fiscalisation of the military organisation, the establishment of taxes and representation of the estates. This book argues that these changes are the most fundamental ones in the military and political organisation in Europe until the rise of the constitutional state around 1800 and so comes closer to the original concept of a Military Revolution. It also takes a critical look at other often discussed developments of this age, like the Infantry and Artillery Revolution or the decline of cavalry. Combining a chronological and regional narrative with deeper analysis of themes like chivalry, strategy, economic warfare or military publications makes this book an indispensable read for everyone interested in late medieval history.

The Viking Age (c. 750-1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women’s voices were heard, respected and followed. This pioneering and beautifully illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields – lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

The Brough of Birsay was the power-centre of the Viking earldom of Orkney and is one of Historic Environment Scotland’s key monuments and visitor attractions on the islands. This publication is the culmination of 60 years of investigations that took place on the site between 1954 and 2014.This new volume incorporates comprehensive accounts of work undertaken by Dr Ralegh Radford and Mr Stewart Cruden between 1954 and 1964, excavations by the Viking and Early Settlement Research Project under the direction of the author on site between 1974 and 1981, a rescue excavation in 1993, a geophysical survey in 2007 and archival research up to 2014. Specialist artefactual and palaeobiological studies of metallurgical material, ogham inscriptions and a gilt-bronze mount of Insular origin are included, together with re-analysis of the radiocarbon dates from all sites in Birsay Bay, and a re-assessment of the architecture and dating of the church and related buildings on the Brough itself.The final two chapters put the Brough, as both a Pictish power-centre and the hub of the Viking earldom, in the overall context of Birsay Bay and Viking and late Norse Orkney, and the wider world between the Pictish and late Norse/Medieval periods.As well as being the author’s third and final volume reporting on work for the Birsay Bay Project, this volume completes a trilogy of studies of the Brough itself, alongside Mrs Cecil Curle’s and Prof John Hunter’s earlier monographs.

The study of Old Norse religion is a truly multidisciplinary and international field of research. The rituals, myths, and narratives of pre-Christian Scandinavia have been studied and interpreted in detail by a vast number of scholars. They have long relied on the rich and varied Christian Icelandic literature from the Middle Ages, but a growing body of material culture from pagan Scandinavia has recently started to have an impact on current research. In Tracing Old Norse Cosmology, Anders Andrén argues that the fundamental ideas of an ordered universe and notions of time and space in Old Norse religion can be studied in a dialogue between archaeology and the Icelandic narrative tradition. Ideas about the world tree, middle earth, and the sun can be traced in images and material culture from different parts of Scandinavian prehistory. By combining these prehistoric representations with the later written record, Andrén offers a long view on Old Norse cosmology, including the periods of fundamental change. This fascinating and nuanced study is essential reading for all researchers in the fieldarchaeologists, art historians, and scholars of literature and religionas well as anyone with an interest in Old Norse history.

The study of early medieval towns has frequently concentrated on urban beginnings, the search for broadly applicable definitions of urban characteristics and the chronological development of towns. Far less attention has been paid to the experience of living in towns.The thirteen chapters in this book bring together the current state of knowledge about Viking-Age towns (c. 800–1100) from both sides of the Irish Sea, focusing on everyday life in and around these emerging settlements. What was it really like to grow up, live, and die in these towns? What did people eat, what did they wear, and how did they make a living for themselves? Although historical sources are addressed, the emphasis of the volume is overwhelmingly archaeological, paying homage to the wealth of new material that has become available since the advent of urban archaeology in the 1960s.

The Viking Congresses bring together scholars of archaeology, philology, history, toponymy, numismatics and a number of other disciplines to discuss the Viking Age from a variety of viewpoints. This volume contains 44 peer-reviewed papers selected from those presented at the 18th Viking Congress held in Denmark in August 2017. The contributors take up the interdisciplinary challenge, and the papers cover a wide range of subjects, rooted in the past, but also connecting to the present.

Exploring Celtic Origins is the fruit of collaborative work by researchers in archaeology, historical linguistics, and archaeogenetics over the past ten years. This team works towards the goal of a better understanding of the background in the Bronze Age and Beaker Period of the people who emerge as Celts and speakers of Celtic languages documented in the Iron Age and later times. Led by Sir Barry Cunliffe and John Koch, the contributors present multidisciplinary chapters in a lively user-friendly style, aimed at accessibility for workers in the other fields, as well as general readers. The collection stands as a pause to reflect on ways forward at the moment of intellectual history when the genome-wide sequencing of ancient DNA (a.k.a. ‘the archaeogenetic revolution’) has suddenly changed everything in the study of later European prehistory. How do we deal with what appears to be an irreversible breach in the barrier between science and the humanities? Exploring Celtic Origins includes colour maps and illustrations and annotated Further Reading for all chapters.