This volume comprises published papers from the Ninth International Insular Art Conference held in Durham in 2022. It brings together the latest scholarship on early medieval (AD 400–1100) art in Britain, Ireland and beyond. Perspectives taken include classical art historical analysis of form, style and design, but also a close attention to the materials used and the complex process of production and artisan skill required to create these objects. This volume focuses on manuscripts, metalwork and other media, with research on stone sculpture appearing in Volume 2.

This volume comprises published papers from the Ninth International Insular Art Conference held in Durham in 2022. It brings together the latest scholarship on early medieval (AD 400–1100) art in Britain, Ireland and beyond. Perspectives taken include classical art historical analysis of form, style and design, but also a close attention to the materials used and the complex process of production and artisan skill required to create these objects. This volume focuses on stone sculpture and carving, with research on manuscripts, metalwork and other media appearing in Volume 1.

A joint Icelandic–US archaeological project in North Iceland examined the development of the farmstead settlement pattern from the initial Norse settlement of Iceland in c. AD 870–1300. The results were compared with the distribution of early Christian household cemeteries following the conversion in AD 1000 and the later institutionalization of the Catholic church in the 12th century. Colonization and Christianity details the methods and results from an innovative systemic regional archaeological survey that integrated extensive soil coring and shallow geophysical surveying with targeted excavation, tephra and AMS dating and documentary research to produce a near complete inventory of Viking Age and medieval occupation in and around the Hegranes region in lowland Skagafjörður, North Iceland. The survey revealed 32 Viking Age and medieval farmstead sites and seven early Christian household cemeteries at 20 modern farm properties. Results included the first complete regional settlement pattern in Iceland based on systematic subsurface reconnaissance with control over negative evidence; identification and mapping of a household cemetery and Viking Age longhouse and ancillary structures; and barley has been identified for the first time in the middens of a broad swath of Viking Age farmsteads.The results of the project confirm that the Viking Age settlement, which started in about AD 870, was rapid and the landscape itself was filled in by immigrants from Northern Europe within 60 years, as the Icelandic Family Sagas suggest. However, the process of creating the medieval agropastoral landscape took much longer.

Early medieval stone sculptures survive across Europe: at waysides, in architectural settings and in churches and graveyards, and provide an exceptional source for understanding the aesthetics and beliefs of early medieval communities. England is no exception to this. Thousands of intact and fragmentary stone monuments survive from the seventh to eleventh centuries CE, evidencing the emergence of a rich Anglo-Saxon sculptural tradition in stone. These often elaborately carved monuments that were generally painted – some with considerable sophistication – and could be inset with paste glass and metal, provide clear evidence of a rich and new form of visual material culture connected with the Church in the region. Some monuments acted as liturgical markers, others as markers of working relations between secular and ecclesiastical communities, while others still commemorated the dead, and some fragments demonstrate the ways in which stone buildings were decorated both inside and out. By the tenth century, stone crosses and monuments were frequently commissioned by the Anglo-Saxon and Anglo-Scandinavian secular elites, demonstrating strong connections between sculptural commemoration, power, and identity. For decades, the celebrated project, the Corpus of Anglo-Saxon Stone Sculpture, has provided information on these monuments, cataloguing each example in terms of date, geology, and decoration. This multi-authored volume draws on the expertise of many specialists connected with the Corpus to provide a first accessible national overview of the resource. Thematic chapters reflect on discoveries to date and archaeological and art historical approaches to researching and understanding sculpture. Key themes include quarrying and production, chronology, the intellectual and artistic context for sculpture, aesthetics and iconography, and the places and contexts of sculpture use. This extensively illustrated volume introduces Anglo-Saxon sculpture in its broader European context and offers a stepping-off point for all those wanting to learn more and research these often-enigmatic fragments.

This volume presents details, images and discussion of the contents of twenty English coin hoards, ranging in date from the 730s to the 1090s. Found between the 1960s and 1990s, all were studied by the late Marion Archibald at the British Museum but have never been published in full before now. Each hoard is the subject of its own chapter, with discussion of the discovery, and of the historical context in which the hoard was buried, before a catalogue of the relevant coins. The volume also contains an introductory chapter, providing an overview of developments in the use of coinage in England in the seventh to eleventh centuries, as well as a discussion of hoarding in this period. This provides context for the more detailed presentation of the individual hoards in this volume, but also draws on other major hoards of the period, both published and unpublished.

Early urban societies transformed social networks. This was also the case for Northern Europe’s emporia – maritime trading towns that emerged around the North and Baltic Seas in the first stages of the Viking Age. The surprising pace and scope of this change is rarely more evident than in the archaeology of Ribe, Denmark. This is the second and final volume presenting the results of the Northern Emporium research project and the high-definition excavations carried out within this programme in 2017-18 in Ribe. The 21 chapters survey the remarkable range of finds retrieved from this hub of the North Sea world in the eighth and ninth centuries AD: artefacts made from pottery, stone, shell, glass, metals, amber, leather, wood, textile, bone and antler. They offer detailed insights that highlight discoveries such as the assemblages from glass bead or comb-making workshops, and rare finds such as wooden furnishings and musical instruments.The focus of the book is on assembling Ribe’s early urban network. By analysing finds and their context, we develop a picture of social roles and interactions between residents and visitors in the emporium. And we follow the connections they created with other worlds as we trace the flows of glass vessels, pottery and wine barrels from Western Europe; iron, stone and animal products from North and Central Scandinavia and beads and coins that travelled from the Middle East and the Indian Ocean into northern Europe’s new maritime frontier.

The Vikings in the Hebrides provides an introduction to the Viking colonization and Norse occupation of the Outer Hebrides. Our knowledge of this period in the Hebrides has until recently been minimal as the historic evidence was negligible and the archaeology limited. However, two recent excavations at Bornais and Cille Pheadair have transformed our understanding of the period in the region. These two excavations will provide much of the information that is set out in this book but there is also a comprehensive review of other important discoveries such as the Lewis Chessmen, the burial at Cnip, Lewis and the silver hoards from Stornoway Castle and Dibidale in Lewis.The excavations at Bornais have transformed our understanding of the Norse settlement of the North Atlantic. It is possible to chart the evolution of domestic houses from the Viking longhouse to the post-medieval croft, to analyze the distribution of finds on the house floors and to critically assess gender relationships over this long period.The excavations have also produced large quantities of finds that demonstrate the links between the Western Isles and the wider world. These include important assemblages of bone combs and comb making debris, which enable a discussion of craft production and the fluctuating relationship of the Hebrides, the Irish Sea zone and Scandinavia. The presence of exotic green porphyry from Greece, amber, Ringerike art, pottery from the Bristol Channel, coins from Scandinavia, England and the Low Countries all provide opportunities to contextualise the settlements and the region in the wider medieval world.This book places the Outer Hebrides at the center of the Viking World and provides a unique contribution to our understanding of the islands’ importance at the critical period when Scotland was emerging as a major medieval kingdom.

The late 12th and 13th centuries witnessed complete national recoinages in 1180, 1247 and 1279, with the entire national stock of money reminted. After 1279 this did not happen again, with changes to coinage standards from 1351 onwards creating an environment that instead removed older coin more gradually. The collapse of the Angevin empire, Magna Carta and its ramifications, the creation of Parliament and the commencement of major Anglo-Scottish wars all impacted on how currency functioned across this period. The aim of this publication is to publish English coin hoards in the context of each of the successive currency periods between 1180 − around the time England arguably became a fully monetised land, with the silver penny under its recently emerged name of sterling − to 1351, when the penny-dominated currency was replaced by a multi-denominational one in both gold and silver.While the hoards discussed in this publication are seen in their national context, they are also placed firmly in their very local context, identifying relevant local economic and social forces and activities. This approach illuminates the place of money in the lives of the majority of England’s inhabitants, especially as this was the period in which medieval taxation reached its definitive form. With only a handful of exceptions, most of the hoards discussed represent money held by the lower levels of society, above all agricultural workers, whether of free or villein status: this is money in the world of the manor, the village and the parish, not the city, court or government.

The authors explore multifaceted aspects of the competing cultural landscapes that comprise the northeast of Scotland. This interdisciplinary collection uses a deep temporal perspective at a range of scales, from microlandscape studies to largescale geological and archaeological environments. It presents collaborative research carried out by a local conservation group, the Bailies of Bennachie, and the University of Aberdeen across a twelveyear period – the ‘Bennachie Landscapes Project’. Far from being a cultural backwater, the book shows how key physical and social processes have interacted in the landscape of northeast Scotland since prehistory. Authors present new understandings of glacial geology, Mesolithic settlements, Roman, Viking and medieval settlements and environments, and recent crofting landscapes. Today’s landscape is shown to be an extraordinarily rich resource for cultural and environmental history that is well worthy of continued protection and care. The research is itself used as a means of reaching into the wider community and engaging in a twoway process of education that connects the various participants.This book, therefore, explores ways of ‘doing’ environmental archaeology and cultural landscape studies that are not mainstream. All of the studies have a greater or lesser degree of community input. Some are communitydriven, others more academically oriented. But all add value to the others and help to create a better understanding of the cultural landscapes of northeast Scotland. The narrative flows from late glacial times, through prehistoric and historic periods forward, through the actions of the present engaging communities, seamlessly on and into the future.

The Bayeux Tapestry is a fine 11th century master-piece which has proved of exceptional documentary value towards our current knowledge of the period. When discovering the tapestry for the first time, visitors simply marvel at the great diversity of characters, clothes, buildings, ships and other features it portrays, literally losing themselves in what could be considered as the world’s very first comic strip, dating from the Middle Ages. Comic strips have, of course, moved on with their balloons, onomatopoeia and a number of specific terms used in this 8th century art, such as foreground, angle shot, framing, dialogues; very much the same words as those used in cinema. Gilles Pivard and Arthur Shelton are delighted to present a compilation of this great fresco in a somewhat more contemporary comic strip style. However, to ensure that the work’s authenticity remains intact, neither its illustrations nor its historical contents have been altered.The authors’ aim is to offer a clear and comprehensive interpretation of this epic adventure for the largest possible readership.They sincerely hope that this book will incite readers to further explore the fascinating story of William the Conqueror, the history of the Bayeux Tapestry, or even history in general.

Strøby Toftegård: Halls, Hierarchies and Social Dynamics in Late Iron Age and Viking Age Denmark presents and considers the archaeological material from the site of Strøby Toftegård in the eastern part of Zealand, Denmark, where comprehensive excavations took place between 1994 and 2013. The book seeks to qualify the interpretation of Farm 1 as the residence of a magnate from c. AD 650 to c. AD 1000 and of the whole settlement consisting of at least nine farm units as a magnate settlement. This is done by means of a detailed survey and analysis of buildings and features, structures, various groups of objects, and a discussion of the landscape, the social context and the creation of social hierarchies that the site fitted into while it was in use.Detailed analyses of pits, wells, a latrine, bone material, macrofossils, pollen, the sherds of glass vessels, sherds of windowpanes, beads, jewelry, tools and pottery all substantiate that Farm 1 was something extraordinary. Its inhabitants appear to have had better access to resources, been in charge of certain activities, had access to knowledge that was not available to everyone and, finally, to have been part of larger social and political networks. It is likewise argued that the rest of the settlement was home to the magnate’s retinue in the form of, inter alia, mounted warriors. Strøby Toftegård’s placement within the hierarchy of power in relation to the other known magnate localities is also discussed. The argument here is that there were close connections between Strøby Toftegård and the royal seat in Lejre, although the material simultaneously indicates that Strøby Toftegård was not quite on the same political level as Lejre.The interpretation of Strøby Toftegård is considered in relation to the surrounding landscape, place names and other archaeological evidence from excavations and metal-detector surveys. The last chapter is a concluding discussion of those elements within the archaeological material that justify interpreting the settlement at Strøby Toftegård as a magnate settlement, what such an interpretation entails and what questions it raises for future treatment of the archaeological material.

Cremation in the Early Middle Ages draws together the latest research and thinking on early medieval cremation practices. The book takes you on a journey through 19 chapters exploring cremation practices from the fifth to the eleventh centuries CE in Fennoscandia, the UK and Ireland, Frisia, Denmark, Germany, Belgium, and France. In this way, the book aims to be a central resource for anyone interested in early medieval cremations, or indeed funerary practices more generally. Notably, the structure and style of this book represent a departure from the norm. As well as a co-authored introduction, chapters constitute a conversation between the editors and key researchers captured via structured interviews, supported by a series of fact boxes highlighting key ideas, methods and techniques, sites, graves and discoveries.Cremation was no single disposal tradition in the Early Middle Ages: it constituted but one dimension of local, regional and supra-regional deathways operating across different locales and with varying degrees of expenditure, meanings and materials, as well as involved a complex range of resources, environments, practices and performances both before, during and after the burning of the bodies. Where cremation is not the dominant burial rite, our authors reflect on the potential under-representation of cremation in our models. Ethnic and cultural labelling of the early medieval cremated dead are countered and critiqued by various authors.Important themes that are touched upon are the long-term collectivity and longue durée of cremation depositions, variability within cremation practices, the pre-burial life of cinerary containers, ideas of personhood, the immersion of cremains in watery locations, the socio-political and economic context of burial rites, monumentalisation, the interpretation of mixed-rite (bi-ritual) cemeteries, the importance of human-animal entanglements viewed through the lens of cremated deposition, the potential for greater experimental and osteoarcheological, experimental, isotopic, radiocarbon, and genomic research, and the effect and usefulness of written texts as a window onto early medieval cremation practices, in particular regarding the relationship between cremation and Christianisation.

This is an inter-disciplinary study of pathways to regional rulership and territorial lordship in early post-Roman Britain which takes as its starting point the East Anglian royal centre at Rendlesham and its contexts.This book examines the origins and development of the East Anglian kingdom in the fifth to eighth centuries AD through the lens of the elite settlement complex at Rendlesham, Suffolk using an interdisciplinary approach involving field survey, landscape history, excavation and metal-detecting finds. It also examines the wider regional context and proposes a new narrative of kingdom formation.

The early medieval period witnessed one of the deepest and most significant transformations of European societies and cultures with the process of Christianisation. The emergence and establishment of Christianity created a new dimension of power in society with an appeal to supernatural forces combined with an access to a broader transnational authority. Carved stones did not merely reflect these changes, but enabled them within northern societies with traditions of sculpture and epigraphic representations. This book looks at three datasets of monuments from Ireland, Scotland and Sweden using an innovative comparative framework to offer new insights on these monuments and the societies that erected them.Analysed through the three major themes of place, movement, and memory, the case studies are presented from a holistic perspective comprising the monument, their landscape settings and historical and archaeological contexts (when available). The results of this research demonstrate that by means of comparisons across national boundaries, new interpretations emerge on the use and functions of early medieval carved stones. The thematic approach adopted emphasises similarities and contrasts in a more efficient manner than a geographical approach, freed from historiographical biases within scholarly traditions of ‘Celtic’ or ‘Scandinavian’ archaeologies. Furthermore, a multi-scale analysis places the monuments within their local contexts but also within a broader narrative of Christianisation.

The Bayeux Tapestry is one of the most important works of art in the world. Even without visiting the tapestry itself in the museum dedicated to it, we are all familiar with at least one illustration drawn from one of the 58 scenes that compose it. Visitors to the tapestry are often surprised by its length, its vivacity and its colours. It inspires passion in everybody who sees it - nobody can remain insensitive to a 950 year old story told in pictures accompanied by a Latin text.

Monarchs, no less than their subjects, want to impress their guests. This book is about gardens as one aspect of creating favourable impressions – soft power – in particular through the royal gardens of England in Tudor and Stuart times. It addresses the backdrop of palaces, parks and gardens that were unspoken statements of authority and cultural achievement that gave status and credibility to the country’s representatives. Garden history from this perspective has been neglected hitherto; neither have the royal gardens been assessed as a collection in which monarchs favoured chosen sites for indulging their stylistic passions. Research on their forms and designs have in the past been accumulated piecemeal, without any sense of overview.This book contains a new analysis enabled by gathering information from numerous archaeological investigations, historic texts and the available visual material, together with extensive original research in the National Archives and elsewhere. Reconstruction drawings flesh out the narrative in the early years when maps, drawings and prints were so very scarce and are reproduced alongside the available material and the more abundant prints and paintings as the Stuart era draws to a close.Radical new understandings of the medieval garden in England serve as the starting point for a fresh narrative of the history of internationally significant English gardens in the sixteenth and seventeenth centuries. It will be of interest to architectural, garden design, social and political historians of the period and to a wide readership of those fascinated by how statecraft, foreign influences, and native innovation interwove for two centuries in our royal gardens and parks.