The early medieval period witnessed one of the deepest and most significant transformations of European societies and cultures with the process of Christianisation. The emergence and establishment of Christianity created a new dimension of power in society with an appeal to supernatural forces combined with an access to a broader transnational authority. Carved stones did not merely reflect these changes, but enabled them within northern societies with traditions of sculpture and epigraphic representations. This book looks at three datasets of monuments from Ireland, Scotland and Sweden using an innovative comparative framework to offer new insights on these monuments and the societies that erected them.Analysed through the three major themes of place, movement, and memory, the case studies are presented from a holistic perspective comprising the monument, their landscape settings and historical and archaeological contexts (when available). The results of this research demonstrate that by means of comparisons across national boundaries, new interpretations emerge on the use and functions of early medieval carved stones. The thematic approach adopted emphasises similarities and contrasts in a more efficient manner than a geographical approach, freed from historiographical biases within scholarly traditions of ‘Celtic’ or ‘Scandinavian’ archaeologies. Furthermore, a multi-scale analysis places the monuments within their local contexts but also within a broader narrative of Christianisation.

Monarchs, no less than their subjects, want to impress their guests. This book is about gardens as one aspect of creating favourable impressions – soft power – in particular through the royal gardens of England in Tudor and Stuart times. It addresses the backdrop of palaces, parks and gardens that were unspoken statements of authority and cultural achievement that gave status and credibility to the country’s representatives. Garden history from this perspective has been neglected hitherto; neither have the royal gardens been assessed as a collection in which monarchs favoured chosen sites for indulging their stylistic passions. Research on their forms and designs have in the past been accumulated piecemeal, without any sense of overview.This book contains a new analysis enabled by gathering information from numerous archaeological investigations, historic texts and the available visual material, together with extensive original research in the National Archives and elsewhere. Reconstruction drawings flesh out the narrative in the early years when maps, drawings and prints were so very scarce and are reproduced alongside the available material and the more abundant prints and paintings as the Stuart era draws to a close.Radical new understandings of the medieval garden in England serve as the starting point for a fresh narrative of the history of internationally significant English gardens in the sixteenth and seventeenth centuries. It will be of interest to architectural, garden design, social and political historians of the period and to a wide readership of those fascinated by how statecraft, foreign influences, and native innovation interwove for two centuries in our royal gardens and parks.

Supplementary Exercises for Old Norse - Old Icelandic is a new volume in the Viking Language Old Norse Icelandic Series. A workbook of 17 lessons designed for those who want to learn or sharpen their skills in Old Norse with innovative exercises, word games, and map questions. With a full vocabulary and a free Answer Key at oldnorse. org. It also contains Old Norse readings drawn from the Saga of Ragnar Lodbrok (recounting Ragnar’s attack on England and his death in the snake pit) and mythic passages from The Prose Edda describing a journey of the Norse gods, the great dragon´s treasure, and the magical ring of the dwarves. Supplementary Exercises master Old Norse.

Although household goods are a well-establish topic in Medieval and Early Modern archaeology, more recent research is overcoming simple typological and technological aspects and pointing to broader approaches, which relates to the understanding of goods’ production, consumption strategies, other economic activities and structures of social organization. Thus, the understanding of past societies and cultures relies heavily in the study of their household goods to understand people, groups and societies. In this context, the aim of the Ruralia XIV Conference was to emphasize the significance of household archaeology to the study of the European countryside in Medieval and Modern times under a cross-cultural approach. Detailed analysis of single contexts, small parts of sites, faunal, botanical and soil studies enables us to reconstruct common peoples’ activities and interactions within their homes. House functions can be detected by means of specific installations but also by inventories and location of goods, evidence for particular activities inside, such as cooking and eating, storage, weaving, refuse disposal, resting, etc. or by a comprehensive overview of outdoor surroundings. All this is evidence of functional purposes but it can also tell us about the rank and wealth of their owners, their daily lives, household compositions, family concepts and even gender statuses. Moreover, structural analysis can give evidence about spheres of interaction and patterned behaviours within a house. In different sections (archaeology and household; temporary households; living conditions; spatial structure; household objects and social and economic status) case studies across Europe are presented.

Der Band versammelt Beiträge aus verschiedenen wissenschaftlichen Disziplinen, die sich mentalen Konzepten, d.h. Vorstellungen oder Imaginationen der westeuropäischen mittelalterlichen Stadt widmen, die epochenübergreifend in unterschiedlichsten narrativen, diskursiven und visuellen Repräsentationen in Erscheinung treten. Stadt wird in den Beiträgen nicht nur als Teil der historischen Realität der Vormoderne betrachtet, sondern auch als fester Bestandteil des kulturellen Wissens und der kulturellen Erinnerung in den Blick genommen. In einer interdisziplinären Zusammenschau von Beiträgen aus den Bereichen Germanistik, Theologie, Archäologie, Geschichtswissenschaft und Kunstgeschichte werden mentale Konzepte der Stadt in unterschiedlichen medialen Formaten untersucht, darunter Stadtchroniken, säkulare Malerei, biblische Texte, mittelalterliche Stadtpläne und höfische Romane.Durch die Vielfalt der untersuchten medialen Formate sowie der divergenten hermeneutischen Auseinandersetzungen wird deutlich, dass die kulturellen Vorstellungen von Stadt und Urbanität durch historische Spezifika, aber auch durch überzeitliche Muster, Topoi und Bedeutungskonzepte geprägt sind, die vielfach in der Antike und in christlichen Traditionen wurzeln.English abstractThis volume brings together contributions from different academic disciplines that are dedicated to mental concepts, i.e. notions, ideas or imaginings of the western European medieval city, which appear across epochs in different discursive and visual representations. The papers discuss the city not only as a component of the historical reality of pre-modernity but also as a part of the fixed inventory of cultural knowledge and memory. In an interdisciplinary exchange between specialists of German studies, theology, archaeology, history and art history, mental concepts of the city are examined in different media formats, including city chronicles, secular painting, biblical texts, medieval city plans and courtly novels.Through the diversity of the examined formats and hermeneutical confrontations, it becomes apparent that the cultural ideas associated with the city and urbanity are not only shaped by historical specifics but also by supertemporal constants, which are frequently rooted in antiquity and Christian traditions.

Sublime calligraphy, marvellous art, and amazing initials, have charmed and captivated the audience of the Book of Kells for over twelve hundred years. This remarkable illuminated Gospel book attracts the attention of scholars as well as those more generally interested in the fabulous artefacts of the past.Everybody knows it was made by an extensive team of scribes and artists. Donncha MacGabhann knew that too. However, he was certain that a thorough examination could clearly identify the various contributions of its creators.His life and work as an artist and teacher inspired the belief that a close visual study could solve some of its enduring puzzles. The deeper he delved, the more he was convinced that Kells is entirely the work of two individuals. This evolved into a novel paradigm through which he came to know and understand the manuscript. Following years of meticulous research, this book tells the story of Kells’ two Masters and their collaboration to create a Gospel book of unprecedented magnificence. Most poignantly, it reveals the struggle of the lone survivor of the two-man team to attempt the completion of their magnum opus.The most important outcomes of this book go far beyond the simple attribution of work to different hands. Much more significantly, it affords insights into the imagination which inspired its creators, especially the unique vision of Kells’ great Scribe-Artist. Collectively, these new perspectives reveal a previously unknown ‘Book of Kells,’ one which, as it were, has remained hidden in plain sight.Challenging long-held theories is no small matter, and in doing so this radical study attempts to be comprehensive. The abundance of evidence may at times seem extravagant in its detail, for both specialists and non-specialists. The reader is therefore encouraged to find their own path in exploring The Book of Kells – A Masterwork Revealed: Creators, Collaboration, and Campaigns.

Bosworth stands alongside Naseby and Hastings as one of the three most iconic battles ever fought on English soil. The action on 22 August 1485 brought to an end the dynastic struggle known as the Wars of the Roses and heralded the dawn of the Tudor dynasty. However, Bosworth was also the most famous lost battlefield in England. Between 2005 and 2010, the techniques of battlefield archaeology were used in a major research programme to locate the site. Bosworth 1485: A Battlefield Rediscovered is the result. Using data from historical documents, landscape archaeology, metal detecting survey, ballistics and scientific analysis, the volume explores each aspect of the investigation – from the size of the armies, their weaponry, and the battlefield terrain to exciting new evidence of the early use of artillery – in order to identify where and how the fighting took place. Bosworth 1485 provides a fascinating and intricately researched new perspective on the event which, perhaps more than any other, marked the transition between medieval and early modern England.

For the first time seasonality is placed at the centre of the study of rural settlement. Using a Europe-wide approach, it provides a primer of examples, of techniques and of ideas for the identification and understanding of seasonal settlement. As such, it marks an important new step in the interpretation of the use of the countryside by historic communities linked to the annual passage of the year. The particular studies are introduced by an opening essay which draws wider conclusions about the study of seasonal settlement, followed by 31 papers by authors from all parts of Europe and beyond. By its very nature ephemeral, seasonal settlement in the medieval and early modern periods is less well researched than permanent settlement. It is often presumed that seasonal settlement is the result of transhumance, but it was only one facet of seasonal settlement. It was also necessitated by other forms of economic activity, such as fishing, charcoal-burning, or iron-smelting, including settlements of pastoralists such as nomads, drovers, herders as well as labourers’ huts within the farming context. The season a settlement was occupied varied from one activity to another and from one place to another - summer is good for grazing in many mountainous areas, but winter proved best for some industrial processes. While upland and mountainous settlements built of stone are easily recognised, those that use wood and more perishable materials are less obvious. Despite this, the settlements of nomadic pastoralists in both tundra and desert or of fishermen in the Baltic region are nonetheless identifiable. Yet for all that definitive recognition of seasonal settlement is rarely possible on archaeological grounds alone. Although material remains can be of particular importance, generally it is the combination of documentary information, ethnography, geographical context and palaeo-environmental data that provide frameworks for interpreting seasonal settlements.

A detailed report on excavation of early historic features at Forteviot in eastern Scotland by the University of Glasgow's Strathearn Environs and Royal Forteviot (SERF) Project. Features include a potential royal palace and early church, with a discussion of their relationship with prehistoric remains. This report also includes a detailed analysis of early medieval sculpture from the Forteviot area.

Old Norse - Old Icelandic: Concise Introduction to the Language of the Sagas is a new, modern "primer" for learning to read sagas and Viking myths in their original language. Carefully designed and easy-to-use, this primer teaches grammar and vocabulary in a straightforward way, requiring no previous language knowledge. Suitable for self-learning, in-class use, and distance teaching, students read from the first pages, Old Norse passages from Icelandic sagas as well as episodes from Scandinavian mythology and medieval sources. The language and thought of the Viking Age come alive in these Old Norse reading segments. For a free Answer Key to the exercises, visit: www.oldnorse.org. An additional stand-alone volume entitled, Supplementary Exercises for Old Norse - Old Icelandic augments the exercises found in the lessons of the Old Norse - Old Icelandic: Concise Introduction to the Language of the Sagas. Both volumes are part of the Viking Language Old Norse Icelandic Series by Jules William Press.

Dorestad was the largest town of the Low Countries in the Carolingian era. As a riverine emporium on the northern edge of the Frankish Empire, it functioned as a European junction, connecting the Viking world with the Continent. In 2019, the National Museum of Antiquities in Leiden hosted its quinquennial international congress based around Dorestad, located at present-day Wijk bij Duurstede. This third edition, ‘Dorestad and its Networks’, coincided with the fiftieth birthday of finding the famous Dorestad brooch in July 1969, and with what would have been the hundredth birthday of prof.dr. Ina Isings, to whom a special session on early-medieval glass was dedicated.The Third Dorestad Congress brought together scholars from the North Sea area to debate Dorestad and its counterparts in Scandinavia, the British Isles and the Rhineland, as well as the material culture, urbanisation and infrastructure of the Early Middle Ages. The contributions in these proceedings are devoted to new research into the Vikings at Dorestad, assemblages of jewellery, playing pieces and weaponry from the town, recent excavations at other Carolingian sites in the Low Countries, and the use and trade of glassware and broadswords in this era. They show the political, economic and cultural networks of Dorestad, the only town to be called ‘vicus famosus’ in contemporary sources.

We don't know how medieval soldiers fought. Did they just walk forward in their armour, to smash each other with their maces and poleaxes, for hours on end, as depicted on film in programs such as Game of Thrones? They could not have done so. It is impossible to fight in such a manner for more than several minutes as exhaustion becomes a preventative factor. Indeed, we know more of how the Roman and Greek armies fought than we do of the 1300 to 1550 period. So how did medieval soldiers in the War of the Roses, and in the infantry sections of battles such as Agincourt and Towton, carry out their grim work? Medieval Military Combat looks at the techniques of such battles. It suggests that medieval battle numbers are highly exaggerated, and that we need to look again at the accounts of actions such as the famous Battle of Towton, which this work uses as a basic for its overall study.

In ganz Europa bestimmten Burgen im hohen und späten Mittelalter die Herrschaftspraxis. Doch während dies in zahlreichen Regionen hinreichend Beachtung findet, wurde das südliche Jütland bislang weder von der Regionalgeschichts- noch von der Burgenforschung als Burgenlandschaft wahrgenommen. Dabei vermitteln Ortsnamen wie Sønderborg, Wallanlagen wie etwa in Tørning und nicht zuletzt Schlossanlagen wie Gottorf, dessen Ursprung auf eine mittelalterliche Burg zurückgeht, noch heute einen lebhaften Eindruck von der einstigen Bedeutung derartiger Anlagen. Im Rahmen seines von 2014 bis 2018 an der Christian-Albrechts-Universität zu Kiel durchgeführten Forschungsvorhabens beschäftigte sich der Verfasser umfassend mit diesem Phänomen, und legt mit diesem Buch nun erstmals eine wissenschaftliche Studie zu den bislang kaum beachteten Burgen zwischen Eider und Kongeå vor. Auf einer Mikroebene werden Informationen zu den einzelnen Anlagen beiderseits der deutsch-dänischen Grenze aus verschiedenen Fachdisziplinen wie der Geschichtswissenschaft und Mittelalterarchäologie gesammelt, kritisch evaluiert und miteinander in Verbindung gesetzt. Die einzelnen Fallbeispiele werden anschließend auf einer Makroebene in ihren räumlichen und historischen Kontexten verortet. Die Arbeit orientiert sich dabei an jüngeren Tendenzen der internationalen Burgenforschung, welche die soziale Komplexität, landschaftliche Einbettung und funktionale Vielfalt der Burgen betonen. Insbesondere durch eine innovative Strukturierung in verschiedene Funktionstypen ergeben sich vollkommen neue methodische Zugänge zu den Burgen dieses Raumes. Das Werk bildet insgesamt sieben Evolutionsphasen dieser historischen Burgenlandschaft ab, von den einfachen Anfängen des 12. Jahrhunderts bis zu den herrschaftlich komplexen und vielfältigen Strukturen des 15. Jahrhunderts. Es wird deutlich, dass zwar jede der insgesamt 58 nachweisbaren Burgen für sich betrachtet werden muss, diese jedoch nur in ihren historischen und landschaftlichen Bezügen sinnvoll gedeutet werden können. Somit versteht sich der Band als wichtiger Beitrag für ein differenzierteres Verständnis dieses vielschichtigen Herrschaftsraumes, der zugleich einen Referenzrahmen für weitere Untersuchungen bietet und die Region als Burgenlandschaft in der überregionalen Forschung platziert. English abstract Castles had a lasting influence on the practice of reign during the high and late Middle Ages throughout Europe. While this has received considerable attention for many regions, southern Jutland has not yet been perceived as a castle landscape neither by regional historians nor by castle research, although toponyms such as Sønderborg, ramparts like Tørning and palaces such as Gottorf, whose origin goes back to a medieval castle, still provides a vivid impression of the once important role played by such castles. From 2014 to 2018, the author conducted a research project at Kiel University on this phenomenon. With this book, he now presents the first comprehensive study of the castles between Eider and Kongeå, which have received little attention so far. On a micro-level, information on the individual structures on both sides of the German-Danish border from various disciplines such as history and medieval archaeology is compiled, critically evaluated and interconnected. The individual case studies are then placed in their spatial and historical contexts on a micro-level. The work is primarily inspired by the latest trends in international castle research, which emphasize the social complexity, landscape embedding and functional diversity of castles. Especially an innovative classification into different function types allows for completely new methodological approaches to the castles of this region. The book illustrates a total of seven evolutionary phases of this historical castle landscape, from the humble beginnings of the 12th century to the manorially complex and diverse structures of the 15th century. While it is evident that each of these 58 verifiable castles must be examined individually, they can only be meaningfully understood within their historical and landscape contexts. The volume thus sees itself as an important contribution to a more differentiated understanding of this complex territory, providing a frame of reference for further investigations and establishing the region as a castle landscape in supra-regional research.

Owned by the National Trust and managed by English Heritage, Mount Grace Priory in North Yorkshire, established in 1398 and suppressed in 1539, was one of only nine successful Carthusian monasteries in England and one of the best-preserved medieval houses of that order in Europe. First excavated by Sir William St John Hope in 1896-1900 and in state guardianship since 1955 it is acknowledged as a type site for late-medieval Carthusian monasteries. The modern study of Mount Grace began in 1957 when Hope’s interpretation of the monks’ cells about the great cloister was found to be simplistic. This was followed between 1968 and 1974 by the excavation of individual monks’ cells in the west range of the great cloister and two cells in the north range, together with their gardens, areas not excavated by Hope. The examination of the monks’ cells was completed in 1985 by the excavation of the central cell of the north cloister range, together with its garden and the cloister alley outside the cell. The cultural material recovered from these cells indicated the ‘trade’ each monk practiced, predominantly the copying and binding of books. Because each cell was enclosed by high walls, the pottery and metalwork recovered could be identified to an individual monk. In 1987 English Heritage commissioned the re-excavation of two areas that had been examined by Hope, the water tower in the great cloister and the prior’s cell, refectory and kitchen in the south cloister range and the guest house in the west range of the inner court. The contrast between this semi-public area of the monastery and the monks’ cells was dramatic. Coupled with this excavation was a reappraisal of the architectural development of the monastery and reconstruction of lost structures such as the cloister alley walls and the central water tower.

Telling the story of the flight of the Jews from Egypt based on the biblical book of Exodus, the Haggadah was – and still is – used during the Seder, the ritual meal of the first night of Passover. The text of this remarkable manuscript has been richly illustrated by many artists in different countries for over seven hundred years. With its seventy-fi ve illustrations, occupying the margins of almost every page, this manuscript expresses the elegant language of the Gothic International style in Lombardy. Directly related to the workshop of the renowned master builder, sculptor, and illuminator Giovannino de’ Grassi, who fl ourished under the patronage of the noble Visconti family in Milan, the present volume was probably commissioned by a wealthy individual. The presumed date of origin of the Lombard Haggadah corresponds with a period known for its wave of immigration into Lombardy of northern European Jews, who were especially welcomed by Duke Gian Galeazzo Visconti. Last on public exhibition in the Paris World’s Fair in 1900, when it belonged to a French family, the Lombard Haggadah was then sold in 1927 in London to the noted collector of Hebrew manuscripts Salman Schocken. Little known, the manuscript has remained in private hands ever since. It survives as the earliest stand-alone Italian Haggadah. Of the greatest rarity, it is one of three illustrated medieval Haggadahs still privately owned. Sharon Liberman Mintz, Curator of Jewish Art, The Jewish Theological Seminary, states “I have worked with Hebrew illuminated manuscripts all of my professional life, and this one stands out for its fresh, charming, and sometimes unique paintings as well as its historical importance”.

Change and Resilience offers a view of the main Mediterranean islands from West to East in Late Antiquity because Mediterranean islands can contribute in fundamental ways to our understanding not only of earlier colonizations but also later periods. The volume explores specifically the time frame from the fall of the Roman empire to the Medieval period. A first group of papers covers islands and island groups in the Central and Western Mediterranean, including the Balearic Islands, Corsica, Sardinia, Sicily, and the Adriatic islands. Together, these five papers highlight several common themes across the region: local or indigenous sites were often reoccupied in Late Antiquity, the rural countryside typically played a significant role in the contributions of islands to wider Mediterranean economic networks, and islands – big and small – often played significant roles in shifting political and religious power. The second group focuses on the Eastern Mediterranean. Three papers cover a range of islands, including Crete, the Cyclades, and Cyprus. Together they emphasize the impacts external shifts in political power and economic ties in the Eastern Mediterranean had on island landscapes, as well as the connected relationship between sacred space and territorial occupation across many of these islands. The final group of papers pivots on changing perceptions of island landscapes in Late Antiquity—or “island mindscapes.” Three papers focus on how communities adapted as they underwent Christianization in island contexts, emphasizing the diverse and varied ways that island landscapes became “Christianized,” as well as how other political and economic factors shaped the dynamics of change.