A new collection of poetry from David Trinidad, author of DIGGING TO WONDERLAND.

Winner of the 2024 Agnes Lynch Starrett Poetry Prize

Winner of the 2023 Cave Canem Poetry Prize

A new collection of poetry from Jan Beatty, author of Body Wars.

Winner of the Donald Hall Prize for Poetry from the 2023 AWP Award Series.

A new addition to the award winning Pitt Poetry Series

Written over a decade while the author lived on four continents, A Gaze Hound That Hunteth by the Eye maps the cultural legacies we cherish against those we reject. Playful and wrenching by turns, with lines inflected by the spoken music of their Arabic, Oshiwambo, Xhosa, and Italian contexts, these profound poems explore a life where displacement is the norm. From choosing not to have children to wrestling with a left-hand stick shift in Johannesburg traffic to braising a camel loin for friends in Damascus, V. Penelope Pelizzon’s poems transport us into unexpected depths of feeling with language that is scintillant, luxurious, and wise.

Written during the last five years of the poet’s father’s life, Creature is a book about love, destruction, and the self, all standing in relation to family and the natural world. The poems themselves try to move toward what can’t be said by finding connection with other life forms: hawks, hummingbirds, pelicans, lizards, horses, ravens, squid. By moving past linguistic walls into otherness, words become proximate to mystery and inhabit territory where expanses open and embodiment is always on the verge of transformation.

In Parachutes Descending follows the speaker’s decision to leave her Bostonian husband for Jane, a San Franciscan artist, while charting the sensual consequences of our bodily entanglements. These poems capture personal desires fermenting among current earthly cataclysms, including climate change and global capitalism. In doing so, this collection asks us to think inclusively about the ways we become with all humans and nonhumans, all of us—past, present, and future—intimately entwined with others.

Drawing from all six of his collections, The Selected Shepherd offers a new retrospective on the work of an important and sometimes controversial Black, gay poet. Although well known for his erotic poems about white men, Shepherd also wrote consistently about the natural world and its endangerment and his grief over his mother’s death. Presented in both publication order and the order in which they originally appeared within each collection, these poems highlight the most important themes of Shepherd’s work, along with both his predictability and unpredictability as a poet. Jericho Brown’s introduction provides additional context and insight on the life and work of this complex, groundbreaking figure in American poetry.

New poetry by John Paul Davis.

Octobers traces the four great tumults of the author’s life, all of which originated in that jagged month of different years: The US invasion and occupation of her native Afghanistan, the death of her father, the sudden end of a love, and the birth of her daughter. The poems chart heartbreak along a helix, progressively and recursively, where “echoes are inevitable.” Ultimately, the collection is concerned with language - as witness and buoy in the white waters of loss, as a tool for violences small and state-crafted, as an asymptote both approaching ideas of “home” and estranged from it, and, beyond it all and still, as a source of wild wonder.

Amid the din of Russia’s patriotic sentiments and Instagram instants, is there any room left for the voice of a poet? Despite the many entertainments and distractions of modern life, Anzhelina Polonskaya’s spare but cutting poems in Take Me to Stavanger declare a wholehearted “Yes.” This bilingual Russian-English volume makes a refuge for the poet and her readers, plumbing the depths of contemporary melancholy and ennui. Beautifully crafted idiosyncratic dissections of a strong individual who refuses to go along with the currents of popular culture or political jingoism invite readers to slow down and pay attention.

A Poetic Autobiography—Intimate, Sorrowful, and Funny Lynn Emanuel’s sixth collection of poetry is not sequential or straightforward. It has no conventional chronology, no master narrative. Instead, it is a life story, with all the chaos and messiness entailed therein. Transcript of the Disappearance, Exact and Diminishing is a commotion of grief and wit, audacious images, poems, and paragraphs. It explores and centers on the possibilities and limitations of art in the face of disappearances of many kinds, including the disappearance that is most personal—the poet’s own.

Trailer Park Psalms traces the speaker’s journey beyond his boyhood trailer park, through an American landscape marked by violence—from a gas line explosion in his hometown to his father’s war memories to the scars of colonialism inscribed in place, language, and ecology. Along the way, he searches for sources of awe that might inspire us, even in a compromised world: the everyday miracle of eyesight, the courage of the Voyager spacecrafts, and the “clumsy kindness” of family members trying to mend the damages of the past. In the end, what he finds isn’t faith but the hope that “if there’s a heaven, we will bend / to examine our old selves / and wonder how something so delicate / was ever allowed. ”