Latin American women were among those who led the suffrage movements of the nineteenth and early twentieth centuries, and their opposition to military dictatorships has galvanized more recent political movements throughout the region. But because of the continuous attempts to silence them, activists have struggled to make their voices heard. At the heart of Voices of Resistance are the testimonies of thirteen women who fought for human rights and social justice in their communities. Some played significant roles in the Cuban Revolution of 1959, while others organized grassroots resistance to the seventeen-year Pinochet dictatorship in Chile. Though the women share many objectives, they are a diverse group, ranging in age from thirty to eighty and coming from varied ethnic and socioeconomic backgrounds. The Cuban and Chilean women Judy Maloof interviewed use the narrative form to reinvent themselves. Maloof includes narratives from a poet, a tobacco worker, a political prisoner, an artist, and a social worker to demonstrate the different faces of their struggle. In the process, these women were able to begin to put together their fragmented lives. Speaking out is both a means for personal liberation and a political act of protest against authoritarian regimes. The bond that these women have is not simply that they have suffered; they share a commitment to resisting violence and confronting inequities at great personal risk.

The O.J. Simpson trial. The Lindbergh kidnapping. The death of Marilyn Monroe. The assassination of the Romanovs. The Atlanta child murders. All controversial cases. All investigated with the latest techniques in forensic science. Nationally respected investigators Joe Nickell and John Fischer explain the science behind the criminal investigations that have captured the nation's attention. Crime Science is the only comprehensive guide to forensics. Without being overly technical or treating scientific techniques superficially, the authors introduce readers to the work of firearms experts, document examiners, fingerprint technicians, medical examiners, and forensic anthropologists. Each topic is treated in a separate chapter, in a clear and understandable style. Nickell and Fisher describe fingerprint classification and autopsies, explain how fibers link victims to their killers, and examine the science underlying DNA profiling and toxicological analysis. From weapons analysis to handwriting samples to shoe and tire impressions, Crime Science outlines the indispensable tools and techniques that investigators use to make sense of a crime scene. Each chapter closes with a study of a well-known case, revealing how the principles of forensic science work in practice.

Few historical images are more powerful than those of wartime London. Having survived a constant barrage of German bombs, the city is remembered as an island of courage and defiance. These wartime images are still in use today to support a wide variety of political viewpoints. But how well do such descriptions match the memories of those who survived the blitz?Jean Freedman interviewed more than fifty people who remember London during the war, focusing on under-represented groups, including women, Jews, and working-class citizens. In addition she examined original propaganda, secret government documents, wartime diaries, and postwar memoirs. Of particular significance to Freedman were the contemporary music, theater, film, speeches, and radio drama used by the British government to shape public opinion and impart political messages. Such bits of everyday life are mentioned in virtually every civilian's experience of wartime London but their interpretations of them often clashed with their government's intentions.By exploring the differences between wartime documentation and postwar memory, oral and written artifacts, and the voices of the powerful and the obscure, Freedman illuminates the complex interactions between myth and history. She concludes that there are as many interpretations of what really happened during Britain's finest hour as there are people who remember it.

American cities experienced an extraordinary surge in downtown development during the 1970s and 1980s. Pro-growth advocates in urban government and the business community believed that the construction of office buildings, hotels, convention centers, and sports complexes would generate jobs and tax revenue while revitalizing stagnant local economies. But neighborhood groups soon became disgruntled with the unanticipated costs and unfulfilled promises of rapid expansion, and grassroots opposition erupted in cities throughout the United States. Through an insightful comparison of effective protest in San Francisco and ineffective protest in Washington, D.C., Stephen McGovern examines how citizens -- even those lacking financial resources -- have sought to control their own urban environments. McGovern interviews nearly one hundred business activists, government officials, and business leaders, exploring the influence of political culture and individual citizens' perceptions of a particular development issue. McGovern offers a compelling explanation of why some battles against city hall succeed while so many others fail.

The Left's Dirty Job compares the experiences of recent socialist governments in France and Spain, examining how the governments of Francois Mitterrand (1981-1995) and Felipe Gonzalez (1982-1996) provide a key test of whether a leftist approach to industrial restructuring is possible. This study argues that, in fact, both governments's policies generally resembled those of other European governments in their emphasis on market-adapting measures that eliminated thousands of jobs while providing income support for displaced workers. Featuring extensive field work and interviews with over one hundred political, labor, and business leaders, this study is the first systematic comparison of these important socialist governments.

In addition to their entertainment value, comic books offered a unique world-view to a large segment of the American public in the confusing decade following World War II. Millions were distributed to service personnel during the war years, and by 1945, adults as well as children were reading an astounding 60 million comic books per month. These books treated such contemporary concerns as the atomic and hydrogen bombs, growth of international Communism, and the Korean War, and they offered heroes and heroines to deal with such problems. In response to moral criticism, the industry established a Comics Code that specified acceptable content. The code prohibited most of what had appeared in the medium prior to 1954, thus ending what has since come to be known as the "golden age" of comic books. With reproductions of five representative stories supplementing the text, William Savage's book (first published in 1990), will appeal to social historians and others interested in this vivid expression of American culture.

Gayle Pemberton shares the accumulated revelations of a lifetime of observation in sixteen provocative autobiographical essays, interweaving her own history and that of her family with reflections on American literature, art, music, and film. Building on the tradition of such writers as W.E. B. Du Bois, James Baldwin, and Ralph Ellison, but with a wisdom and sharp wit uniquely her own, Pemberton moves from the integration of a transient hotel in Chicago to a party on that city's Gold Coast; from journeys by train and the memories they provoke to reflections on race aboard ship in the middle of the Atlantic Ocean; from the Mickey Mouse Club to the ghost of Emmett Till; from Harvard to Hollywood.

The Swedish Social Democratic Party, the SAP, is the most successful social democratic party in the world. It has led the government for most of the last six decades, participating either alone or as the dominant force in coalition government. The SAP has also worked closely with trade unions that have organized nearly 85 percent of the labor force, the highest rate among the advanced industrial democracies. Rarely has a political party been so dominant or so closely linked to labor movement. Yet Sweden remains very much a capitolist society with economic and social power firmly in the hands of big capitol.If one wants to know if politics, and most especially if reformist politics, matters - if, that is, political mobilization can change democratic capitolists societies - then Sweden under the Social Democrats is clearly one of the best empirical cases to study.Bo Rothstein uses the Swedish experience to analyze the limits a social democratic government labors under and the possibilities it enjoys in using the state to implement large-scale social change. He examines closely two SAP programs, one a success and the other a failure, that attempted to change social processes deeply embedded in capitolist society. He ties the outcomes of these programs to the structure of the state and hypothesizes that the outcome depends, to a considerable extent, on how administrative apparatuses responsible for implementing each policy are organized. Rothstein concludes that no matter how wisely a reformist policy is designed nor how strong the political party behind it, if the administrative arrangements are faulty, it will fail at the stage of implementation.Rothstein convincingly demonstrates that the democratic capitolist countries of the world have important lessons to learn from the Swedish experience regarding the possibilities for political reform. Political scientists and political reformers alike can learn much from RothsteinÆs deep knowledge of Swedish government and his innovative model for analyzing political reform in social democratic societies.

Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.

Examines the nuclear power plant constructed at Shoreham, New York, and the accumulated miscalculations and mishaps that eventually forced its deconstruction. An intricate study of the groups, policies and regulatory issues involved in a historic legal battle.

Greek and Swedish ethnologists, anthropologists, psychiatrists and psychologists provide 11 essays which aim to describe how people handle pain culturally and how they define themselves and those around them. The essays take up life histories of people suffering pain, of those trying to come to grips with psychosomatic disorders, of children exposed to traumatic experiences, and of patients living with leprosy. They also discuss: the problems that people encounter when exposed to diagnosis of elevated cholesterol levels; how notions of masculinity have been forged through asceticism towards pain; and how death, body, pain, and suffering are interpreted in different cultural settings.

On November 16, 1933, Franklin D. Roosevelt and Soviet Commissar of Foreign Affairs Maxim Litvinov signed an agreement establishing diplomatic ties between the United States and the Soviet Union. Two days later Roosevelt named the first of five ambassadors he would place in Moscow between 1933 and 1945. Caught between Roosevelt and Stalin tells the dramatic and important story of these ambassadors and their often contentious relationships with the two most powerful men in the world.More than fifty years after his death, Roosevelt's foreign policy, especially regarding the Soviet Union, remains a subject of intense debate. Dennis Dunn offers an ambitious new appraisal of the apparent confusion and contradiction in Roosevelt's policy one moment publicizing the four freedoms and the Atlantic Charter and the next moment giving tacit approval to Stalin's control of parts of Eastern Europe and northeast Asia.Dunn argues that "Rooseveltism," the president's belief that the Soviet Union and the United States were both developing into modern social democracies, blinded Roosevelt to the true nature of Stalin's brutal dictatorship despite repeated warnings from his ambassadors in Moscow. Focusing on the ambassadors themselves, William C. Bullitt, Joseph E. Davies, Laurence A. Steinhardt, William C. Standley, and W. Averell Harriman, Dunn details their bruising arguments with Roosevelt over the president's repeated concessions to Stalin.Using information uncovered during extensive research in the Soviet archives, Dunn reveals much about Stalin's policy toward the United States and demonstrates that in ignoring his ambassadors' good advice, Roosevelt appeased the Soviet leader unnecessarily. Sure to generate new discussion concerning the origins of the Cold War, this controversial assessment of Roosevelt's failed Soviet policy will be read for years to come.

Since time immemorial, inhabitants of the Western Grasslands of Cameroon in west Africa have been evolving an educational system devoid of literacy. Teaching focused on traditional crafts, including weaving, stitching of traditional dress, carving, sculpture, pottery, smelting of materials and smithing. The skills the people learned served them well, as many of them followed trades, vocations and professions that helped in improving the social and economic life of the area. This book aims to document those crafts in order for the people of Cameroon to have a record of these skills which are gradually dying out and to encourage them to continue to practise these ancient crafts. Each craft is described in some detail; the areas it is practised in, materials used, techniques involved. Photographs document stages of production and examples of the end result.

Whether called "the good people," "the little people," or simply "them," fairies are familiar from their appearances in Shakespeare's plays, Disney's films, and points in between. In many cultures, however, fairies are not just the stuff of distant legend or literature: they are real creatures with supernatural powers. The Good People presents nineteen essays that focus on the actual fairies of folklore -- fairies of past and living traditions who affected, and still affect, people's lives in myriad ways.

Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).

This elegant and moving collection documents Hilda Raz's experience with breast cancer. The journey, from diagnosis to chemotherapy to mastectomy, from denial to humor to grief and rage, is ultimately one of courage and creativity. The poems themselves are accessible and finely wrought. They are equally testaments to Raz's insistence on making an order out of chaos, of finding ways to create and understand and eventually accept new definitions of good and evil, health, blame, personal boundaries -- in short, a new sense of self. These poems remain intimately bound to the world and of the senses, becoming documents of transformation.