This pocket, written by Jolanda Bos, bundles a selection of objects from the Wearable Heritage Collection and features traditional jewellery items and dress from North Afrika and West Asia. The objects in the booklet are all illustrated with a personal account on how they became part of the collection, their function and use, illustrated with wonderfully detailed photographs. This pocket bundles a small selection of objects from the Wearable Heritage Collection and features traditional jewellery items, costume ornaments and dress from the North African and West Asian region. The objects in the booklet are illustrated with a personal account on how they became part of the collection, their function and use. In short articles different objects are presented and illustrated with wonderfully detailed photographs. The essence of the object is well characterized in this manner. The pocket is an excellent start for the understanding and appreciation of wearable and portable items from the Middle East.

This portrait of Santa Isabel in over 600 pictures shows an island transformed by its colonial history yet maintaining a confident and distinctive identity within Solomon Islands and the Pacific Island region.Santa Isabel is one of the largest islands that make up the island nation of Solomon Islands in the southwest Pacific. Politically it is now one of nine provinces, each with its own variation of a shared history. In a country divided among many Christian denominations, Isabel is distinctive for its early acceptance of the Anglican Church, which united most of the island and its six language groups by the 1920s and then shaped its history up to the present.This book traces Santa Isabel history through a selection of the many hundreds of pictures of the island made first by Europeans and increasingly by its own people. These begin with the drawings and paintings of voyagers from the late 18th century, gradually succeeded by photos from the 1860s onwards showing the arrival of missionaries, traders and warships. From the 1900s there are photos made by the Europeans who established plantations on Isabel and colonial officers asserting British colonial authority. However, the pictorial record is dominated by photos from the Anglican Melanesian Mission. The Second World War, portrayed mainly by military photos, was followed closely by economic and political developments leading up to Solomon Islands independence in 1978 – developments portrayed in both church and government photos. Photos of more recent social, ceremonial and political activities show the unique combination of church, chiefs and local government in Isabel life. A renewed interest in local culture in the 21st century is revealed through photos of festivals and cultural research by both visiting and local researchers as Isabel people explore the possibilities of tourism, resource extraction and environmental conservation.

The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.

On Christmas Eve in 1859, sixty-five prominent armed white men rode into the small Kentucky town of Berea and forced the townspeople to close its integrated one-room schoolhouse. The mob perceived the school as a threat to white supremacy and the racial order. Abolitionist John Gregg Fee established the school for the expressed purpose of providing education to anyone eager to learn, regardless of their race—a notion that horrified those convinced of the sanctity of white supremacy. The mob succeeded in evicting thirty-six community members, including Fee's family, but Fee and the others returned to Berea in 1864 and reestablished the school as Berea College—an institution committed to providing education to Appalachia's most vulnerable populations. In Lessons from the Foothills, Gretchen Dykstra profiles modern Berea College, considered the moral compass of the commonwealth, and its rich and beloved history. This book is the first to focus solely on the principles and practices that guide the college: the eight Great Commitments, which individually and holistically provide clear aspirations for the college and its community. Like the institution itself, Dykstra's portrait is structured around these principles; each chapter functions as a deep dive into the history, practice, and significance of each Great Commitment, from providing opportunity for the most marginalized, to its high academic standards, to its commitment to the entire region. One of the Great Commitments states that the college will "provide an educational opportunity for students of all races, primarily from Appalachia, who have great promise and limited economic resources." The college has fulfilled this commitment by eliminating tuition—one of the primary barriers between people living below the poverty line and a college education—and providing jobs for students to assist with living expenses. Including interviews with a range of members from the Berea community, alumni, students, faculty, and staff, Lessons from the Foothills is an engaging and illuminating profile of a unique and historic institution and its enduring commitment to nurture and support academic excellence and service among its students.

When people think of Kentucky, three things usually come to mind: bourbon, Colonel Sanders's secret chicken recipe, and the glamorous Kentucky Derby. Add college basketball to that list, and you have yourself a superfecta. Looking beyond these time-honored traditions, however, visitors will find in Kentucky a diverse patchwork of faces and places, each as unique as the state's geography. Kentucky, Y'all: A Celebration of the People and Culture of the Bluegrass State is an entertaining and informative compilation of the state's favorite oddities, cultural quirks, traditions, and rites of passage. Authors and proud Kentuckians Blair Thomas Hess and Cameron M. Ludwick share the best stories from their experiences as writers, travelers, and residents in this ode to the Commonwealth. From the iconic to the obscure, the book reveals vital knowledge that every Kentuckian—whether by birth, residence, or simply in mind and heart—should know. What is beer cheese? Who was Bill Monroe? Where can you get a hemp hot dog? Readers are introduced to the brilliant minds behind the Louisville Slugger, the Bowie Knife, and pioneering work in genetics. The book also includes a handy list of dos and don'ts of tailgating, a Kentucky sayings glossary, and bucket lists of things to do, drink, read, and eat.Featuring hand-drawn illustrations that represent life, fashion, and entertainment in the Commonwealth, Kentucky, Y'all is an insightful and exuberant guide to the Bluegrass State—for Kentucky natives and visitors alike.

Although there are currently only a handful of members of the Shaker faith and one active community in the world today, Shakerism at its peak comprised thousands of members living in communal villages across the eastern United States. Kentucky's iconic Shaker Village at Pleasant Hill was one of these communities, and it remains an enduring cultural touchstone. The history of the Shakers is often reduced to the handmade objects they produced and sold, but their lives were so much more than their material culture. Their efforts were suffused with their religious beliefs: each piece's sturdy simplicity memorializes the Believers' devotion to God and how it guided their every action.Shaker Made is photographer Carol Peachee's love letter to the cultural artifacts - the architecture, furniture, and crafts - of one of America's most influential utopian societies. Peachee has photographed Pleasant Hill for more than four decades - from small items such as eyeglasses, embroidered handkerchiefs, elixir bottles, and bonnets, to the distinguished furniture and architecture of the more than 260 buildings that the Shakers built at Pleasant Hill. The curator of collections at Shaker Village of Pleasant Hill, Rebecca Soules, provides an informative foreword to the photos, while Peachee herself offers a lovingly written introduction explaining her personal connection to the subject. The attention to detail in the simple yet beautifully composed photographs evokes the "spirit of the maker" and serves as an elegant and respectful tribute to the history and legacy of the Pleasant Hill Shakers - an often-misunderstood people who sought to honor the divine in all aspects of life.

Over the past half century, China has accomplished a great deal in the study of Islam, and established a certain academic system for its study. This book offers a history of contemporary Islamic research in China, analyzing the interdisciplinary research emerging from this system, from its background to the people involved, mechanisms, and their publications, scientific conferences, reference works and historical materials, and the branches of research: history, religion, philosophy, politics, and culture.

A Festschrift for Rifaat Ebied celebrating a lifetime of work in the field of Semitic Studies, in particular Syriac, Christian Arabic, and Mandaic.

A biography of Abū al-Faḍl al-ʿAbbās, the half brother, diplomat, and negotiator of al-Ḥusayn. The author was named Distinguished Scholar of Shia Studies in the Islamic Republic of Iran's 28th World Book Awards in 2020. He is at present a resident faculty member of PISAI, lecturing in Shīʿī Islamic studies, Qurʾān and Islamic Ethics, and a visiting lecturer at the Pontifical Beda College in Rome.

During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director. " While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints.Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.

During funerals of nobles in the Kuba kingdom (Democratic Republic of Congo), visitors used to theatrically offer so-called bongotols to the deceased and the mourning family. These highly appreciated valuables were either positioned under the corpse to support it or displayed on top of it.In addition to their religious meaning they displayed the status and wealth of both givers and takers. Visitors would receive similar items in return. Afterwards the bongotols were stashed until, on occasion of a next burial, they would continue their cycles of gift and counter gift among the titled Kuba aristocracy.Death and display brings ethnographic research and archival sources to bear on these intriguing heirlooms. Their rich iconography offers a kaleidoscope of traditional Kuba sociality, cosmology and ritual.

In this edited volume, authors seek to document and analyze how state and non-state actors leverage digital rhetoric as a twenty-first-century weapon of war. Rhet Ops offer readers a chance to focus on the human dimension of rhetorical practice within mobile technologies and social networks: to reflect not only on the durable question of what it means to conduct oneself ethically as a speaker or writer, but also what it means to learn the art of rhetoric as a means to engage adversaries in war and conflict.

The volume examines the process of globalization from a genealogical point of view. By doing so, it offers a contribution to the understanding of the deep and critical spatial transformation reshaping our world from both a political and a conceptual point of view, taking into consideration recent developments including Brexit and the politics of Donald Trump. Focusing his analysis on the natural element of “air”, Vegetti provides an original approach to globalization. Following in the the footsteps of the German jurist and political theorist Carl Schmitt, Vegetti defines our global age as characterized by the transformation of the air into a concrete social space, first through the advent of airplanes, radio waves, and radar and now in the present-day structure of global networks.

For decades, smiling images of "Aunt Jemima" and other historical and fictional black cooks could be found on various food products and in advertising. Although these images were sanitized and romanticized in American popular culture, they represented the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions, even as they were forced to prepare food for their oppressors.Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally "bound to the fire" as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon knowledge and ingredients brought with them from their African homelands to create complex, labor-intensive dishes. However, their white owners overwhelmingly received the credit for their creations. Deetz restores these forgotten figures to their rightful place in American and Southern history by uncovering their rich and intricate stories and celebrating their living legacy with the recipes that they created and passed down to future generations.

Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future uses the lens of queer ecologies to explore environmental destruction in Appalachia while mapping out alternative futures that follow from critical queer perspectives on the United States' exploitation of the land. With essays by Lis Regula, Jessica Cory, Chet Pancake, Tijah Bumgarner, MJ Eckhouse, and other essential thinkers, this collection brings to light both emergent and long-standing marginalized perspectives that give renewed energy to the struggle for a sustainable future. A new and valuable contribution to the field of Appalachian studies, rural queer studies, Indigenous studies, and ethnographic studies of the United States, Deviant Hollers presents a much-needed objection to the status quo of academic work, as well as to the American exceptionalism and white supremacy pervading US politics and the broader geopolitical climate. By focusing on queer critiques and acknowledging the status of Appalachia as a settler colony, Deviant Hollers offers new possibilities for a reimagined way of life.