In painting, a “domestic interior” depicts the inside of a house and its inhabitants going about their daily lives. The poems in Domestic Interior describe the private and sometimes secret spaces in our places of residence and the interior lives of those who live there. Marriage and parenthood, grief, spiritual renewal, community and country are subjects addressed with a satirical eye and emotional insight.

The poet employs colloquial diction, references pop and classical culture, and travels at 1000 miles per hour in his fourth collection. For those who think contemporary poetry is about abject confessions, vacation in Provence and opaque ‘academicisms,’ McDaniel is an intro to a new world.

In her third collection, Beatty travels inside the body to the blood that codes us, moving beyond the language of post-confessionialism into fourth-wave feminism, challenging notions of the “romantic” “and the “brutal” and how they exist within us and between us.

The Floating Bridge, David Shumate’s second collection of prose poems, transports its readers over the chasm between the mundane and the enchanted. We traverse one bridge and find ourselves eavesdropping on Gertrude Stein and her gardener. We take the night bus to Gomorrah to have a look around. Halfway across, each bridge vanishes beneath our feet. Our world shifts. The commonplace begins to glow. We turn the page. Another bridge awaits.

The ninth collection for this Pulitzer Prize finalist, who remains as entertaining, imaginative and inventive as ever.

Winner of the 2008 Paterson Award for Literary Excellence "Weaver has crafted a virtual planet in this book with plenty of alternate geographies for readers of all flavors and stripes. Marvelous. Huge. Prodigious.” —North American Review

After the Fall refers to the twin towers, and is Field’s ode to the events that transpired thereafter--the war in Iraq andthe attack on civil rights in America--as well as his own personal struggles over the indignities of aging.

Winner of the 2006 Donald Hall Prize in Poetry Selected by Terrance HayesWinner of the 2008 Poetry Award from Mississippi Institute of Arts and LettersAngela Ball’s lyrical, wry, and rueful poems float on a river of incongruities on which we may find Ron Popeil, Lord Byron, and Rudyard Kipling sharing the same raft; they create a fascinating commerce between the sublime and the ridiculous.

These poems, threaded by the teachings of Buddha, examine loss—the death of a loved one, the longing for a child, the yearning for another place and time—and the suffering such attempts transpire, but ultimately the poems are an affirmation that to be born into human life is our greatest opportunity to transform loss and sorrow into awakening joy.

Velocity time travels through memory and conjecture, yet Krygowski's poems--often sad, sometimes humorous, always generous--return us continually to the beautiful and difficult here-and-now. Lovingly grounded in the ordinary, these are thinking poems--tightly crafted, accessible inquiries more interested in exploring stark and complicated knowledge than in proclaiming it. The poems, which use a sister's death as a touchstone, dwell in the overlap of emotions. Loss touches happiness, desire touches fear, love touches futile knowing. Krygowski's unstoppable energy for seeking and revealing disparate thoughts and emotions makes the collection wholly human. This fresh, surprising voice speaks for the intelligent heart in each of us.

American Poetry Now is a comprehensive collection of the best work from the renowned Pitt Poetry Series. Since its inception in 1967, the series has been a vehicle for America's finest contemporary poets. The series list includes Poet Laureate Billy Collins, Toi Derricotte, Denise Duhamel, Lynn Emanuel, Bob Hicok, Poet Laureate and Pulitzer Prize winner Ted Kooser, Larry Levis, Sharon Olds, Alicia Suskin Ostriker, Virgil Su\u00e1rez, Afaa Michael Weaver, David Wojahn, Dean Young, and many others. Throughout its forty-year history, the Pitt Poetry Series has provided a voice for the diversity that is American poetry, representing poets from many backgrounds without allegiance to any one school or style. American Poetry Now is a true representation of contemporary American poetry. Ed Ochester, series editor for nearly thirty years, has assembled a quintessential selection-along with biographies and photos, an enlightening introduction, and a suggested list for further reading, all in a highly accessible format. American Poetry Now is a sweeping anthology that will delight poetry fans, students, teachers, and general readers alike.

The Invention of the Kaleidoscope is a book of poetic elegies that discuss failures: failures of love, both sexual and spiritual; failures of the body; failures of science, art and technology; failures of nature, imagination, memory and, most importantly, the failures inherent to elegiac narratives and our formal attempt to memoralize the lost. But the book also explores the necessity of such narratives, as well as the creative possibilities implicit within the “failed elegy,” all while examining the various ways that self-destruction can turn into self-preservation.

While Shelton has been known primarily for his poems dealing with the landscape of the Southwest and the destruction of that landscape, the poems in this book are much more far-ranging, including many poems dealing with soocial issues (the issue of illegal immigration on our southern border, homelessness), historical events (the war in Iraq, the events of 9/11) and attitudes concerning politics and the environment. The poems are filled with sensory images, engaged in the real world, often ironic or simply off-the-wall, and their tone ranges from deeply sad, as in a requiem for Glen Canyon on the Colorado River, to the wildly funny, as in Brief Communications from My widowed Mother.

Fata Morgana mingles personal experience, history, mythology, politics, and natural science to explore the relationships of conception and perception, the self finding its way through a physical and social world not of its own making, but changing the world by its presence.

Winner of the 2008 Bobbit National Poetry Prize.“Few others in contemporary poetry are so brilliantly able to combine wit and weight, to charge the language so it virtually glows in the dark. Hicok's poems just plain rock. They rock because they are gorgeous. They rock because they are sad and turn on the radio. They dance our 'clumsy living' with our shadows and our isolations to a music that always, always remembers the original delight in which 'the feel of things, if [we] cherish, helps [us] live / more like a minute than a clock.'”--Beckian Fritz Goldberg

The name of the title poem—“Brother Salvage: a genizah,” provides a skeleton key to unlock the powerful forces that bind Rick Hilles’s collection. A genizah is a depository, or hiding place, for sacred texts. It performs a double function: to keep hallowed objects safe and to prevent more destructive forces from circulating and causing further harm. Brother Salvage serves exactly this purpose. The poems are heartrending and incisive, preserving stories and lives that should not be forgotten. Yet, through the poet’s eloquent craft, painful histories and images are beautifully and luminously contained. Like scholars sifting through ancient genizahs in search of spiritual and historical insights, readers immersed in Brother Salvage will find, at the heart of the book, the most sacred entity: hope.