Twenty-four experts from the fields of Ancient History, Semitic philology, Assyriology, Classical Archaeology, and Classical Philology come together in this volume to explore the role of textiles in ancient religion in Greece, Italy, The Levant and the Near East. Recent scholarship has illustrated how textiles played a large and very important role in the ancient Mediterranean sanctuaries. In Greece, the so-called temple inventories testify to the use of textiles as votive offerings, in particular to female divinities. Furthermore, in several cults, textiles were used to dress the images of different deities. Textiles played an important role in the dress of priests and priestesses, who often wore specific garments designated by particular colours. Clothing regulations in order to enter or participate in certain rituals from several Greek sanctuaries also testify to the importance of dress of ordinary visitors. Textiles were used for the furnishings of the temples, for example in the form of curtains, draperies, wall-hangings, sun-shields, and carpets. This illustrates how the sanctuaries were potential major consumers of textiles; nevertheless, this particular topic has so far not received much attention in modern scholarship. Furthermore, our knowledge of where the textiles consumed in the sanctuaries came from, where they were produced, and by who is extremely limited. Textiles and Cult in the Ancient Mediterranean examines the topics of textile production in sanctuaries, the use of textiles as votive offerings and ritual dress using epigraphy, literary sources, iconography and the archaeological material itself.

This interdisciplinary volume presents a collection of 17 papers which treat the current state of research on two marine resources used in ancient textile manufacture, shellfish purple dye and sea silk. Purple dye is extracted from the glands of the molluscs Hexaplex trunculus, Bolinus Brandaris and Stramonita Haemastoma which through a chemical reaction of photosynthesis produces hues ranging from dark red to bluish purple colour. The importance of purple dye since ancient times as a status symbol, a sign of royal and religious power is well documented. Papers include the study of epigraphical and historical sources, practical experiments as well as, highlighting the presence of purple dye in the Mediterranean area in select archaeological data. Less well known is sea silk, a precious fibre derived from the tufts of the pen shell, Pinna nobilis, with which the mollusc anchors itself to the seabed. These tufts once cleaned and bleached take the aspect of golden thread. Only a handful of artisans on Sardinia still have the knowledge of how to work these fibres from the pen shell, a species protected by the EU Habitats Directive, the knowledge having been transmitted orally for generations. Papers include linguistic issues pertaining to terminology, archaeological investigation, the study of the physical and chemical properties of sea silk and the step-by-step practical working of sea silk fibres. The comprehensive multifaceted overview makes this book a valuable resource for anyone interested in ancient textiles, dyes and textile technology.

Already in Greek and Roman antiquity a vibrant series of exchange relationships existed between the Mediterranean regions and China, including the Indian subcontinent, along well-defined routes we call the Silk Roads. Among the many goods that found their way from East to West and vice versa were glass, wine spices, metals and precious stones as well as textile raw materials and fabrics of wool and silk, a precious fibre that was highly appreciated in many of the cultures along the roads that were named after it by modern scholars. These collected papers bring together current historical, philological and archaeological research from different areas and disciplines in order highlight the use, circulation and meaning of silk as a commodity, gift, tribute , booty, and status symbol in varying cultural and chronological contexts between East and West, including technological aspects of silk production. Rome and China in antiquity provide the geographical and chronological frame for this volume (c. from the third century BCE to the fifth century CE), but also earlier and later epochs and cultures in between these empires are considered in order to build and intercultural and diachronic understanding of long-distance relations that involved silk.

Textiles comprise a vast and wide category of material culture and constitute a crucial part of the ancient economy. Yet, studies of classical antiquity still often leave out this important category of material culture, partly due to the textiles themselves being only rarely preserved in the archaeological record. This neglect is also prevalent in scholarship on ancient Greek religion and ritual, although it is one of the most vibrant and rapidly developing branches of classical scholarship. The aim of the present enquiry is, therefore, to introduce textiles into the study of ancient Greek religion and thereby illuminate the roles textiles played in the performance of Greek ritual and their wider consequences. Among the questions posed are how and where we can detect the use of textiles in the sanctuaries, and how they were used in rituals including their impact on the performance of these rituals and the people involved. Chapters centre on three themes: first, the dedication of textiles and clothing accessories in Greek sanctuaries is investigated through a thorough examination of the temple inventories. Second, the use of textiles to dress ancient cult images is explored. The examination of Hellenistic and Roman copies of ancient cult images from Asia Minor as well as depictions of cult images in vase-painting in collocation with written sources illustrates the existence of this particular ritual custom in ancient Greece. Third, the existence of dress codes in the Greek sanctuaries is addressed through an investigation of the existence of particular attire for ritual personnel as well as visitors to the sanctuaries with the help of iconography and written sources. By merging the study of Greek religion and the study of textiles, the current study illustrates how textiles are, indeed, central materialisations of Greek cult, by reason of their capacity to accentuate and epitomize aspects of identity, spirituality, position in the religious system, by their forms as links between the maker, user, wearer, but also as key material agents in the performance of rituals and communication with the divine.

This richly illustrated book presents a selection of the rich and varied iconographic material from the Scandinavian Late Iron Age (AD 400-1050) depicting clothed human figures, from an archaeological textile and clothing perspective. The source material consists of five object categories: gold foils, gold bracteates, helmet plaques, jewellery, and textile tapestries and comprises over 1000 different images of male and female costumes which are then systematically examined in conjunction with our present knowledge of archaeological textiles.In particular, the study explores the question of whether the selected images complement the archaeological clothing sources, through a new analytical tool which enables us to compare and contrast the object categories in regard to material, function, chronology, context and interpretation. The tool is used to record and analyze the numerous details of the iconographic costumes, and to facilitate a clear and easy description. This deliberate use of explicit costume shapes enhances our interpretation and understanding of the Late Iron Age clothing tradition.Thus, the majority of the costumes depicted are identified in the Scandinavian archaeological textile record, demonstrating that the depictions are a reliable source of research for both iconographical costume and archaeological clothing. The book contributes with new information on social, regional and chronological differences in clothing traditions from ca. AD 400 to the Viking Age.

Textile technology is older than any other ancient craft and is an instance of cognitive archaeology that provides vital information about society. In ancient Greece, textiles were considered among the principal and most fundamental cultural expressions. Athena, the goddess of the city, of intelligence and of skill was also the patron goddess of weaving. She taught the craft of textile production to women thus making them conduits of civilisation. During Classical times, textile production was a fundamental part of the economy and was practised also by men in both the domestic and artisanal spheres. The resulting technological sophistication is reflected in depictions of discrete or elaborate patterns, in the rich diversity of textile implements and in the variety in the quality of the extant textiles. In Textile Production in Classical Athens Stella Spantidaki provides the first synthesis of the available evidence from textual, iconographic and archaeological sources on textile production in 5th and 4th century BC Athens, employing an interdisciplinary perspective that sets the frame for future research in the field. As such this study is of special importance for textile specialists, ancient history scholars, historians of technology and students and will lead to a better understanding of ancient Greek textile production and Classical Athenian society. Presents a detailed consideration of the historical and social context of textile production in classical Athens; Examines and discusses evidence for the equipment, materials, processes and techniques employed at each stage of the full production sequence; Discusses the organisation of production and trade.

Textile imagery is pervasive in classical literature. An awareness of the craft and technology of weaving and spinning, of the production and consumption of clothing items, and of the social and religious significance of garments is key to the appreciation of how textile and cloth metaphors work as literary devices, their suitability to conceptualise human activities and represent cosmic realities, and their potential to evoke symbolic associations and generic expectations. Spanning mainly Greek and Latin poetic genres, yet encompassing comparative evidence from other Indo-European languages and literatures, these 18 chapters draw a various yet consistent picture of the literary exploitation of the imagery, concepts and symbolism of ancient textiles and clothing. Topics include refreshing readings of tragic instances of deadly peploi and fatal fabrics situate them within a Near Eastern tradition of curse as garment, explore female agency in the narrative of their production, and argue for broader symbolic implications of textile-making within the sphere of natural wealth The concepts and technological principles of ancient weaving emerge as cognitive patterns that, by means of analogy rather than metaphor, are reflected in early Greek mathematic and logical thinking, and in archaic poetics. The significance of weaving technology in early philosophical conceptions of cosmic order is revived by Lucretius’ account of atomic compound structure, where he makes extensive use of textile imagery, whilst clothing imagery is at the centre of the sustained intertextual strategy built by Statius in his epic poem, where recurrent cloaks activate a multi-layered poetic memory.

Persian blue, pomegranate flower, spiny lobster, wine soup, pale flesh, dove breast, golden wax, grass green, green sand, rotten olive, modest plum, agate, rich French gray, gunpowder of the English..

Woven textiles are produced by nearly all human societies. This volume investigates evidence for patterned textiles (that is, textiles woven with elaborate designs) that were produced by two early Mediterranean civilisations: the Minoans of Crete and the Mycenaeans of mainland Greece, that prospered during the Aegean Bronze Age, c. 3000-1200 BC, contemporary with pharaonic Egypt. Both could boast of specialists in textile production. Together with their wine, oil, and art, Minoan and Mycenaean textiles were much desired as trade goods. Artistic images of their fabrics preserved both in the Aegean and in other parts of the Mediterranean show elaborate patterns woven with rich decorative detail and colour. Only a few small scraps of textiles survive but evidence for their production is abundant and frescoes supply detailed information about a wide variety of now-lost textile goods from luxurious costumes and beautifully patterned wall hangings and carpets, to more utilitarian decorated fabrics. A review of surviving artistic and archaeological evidence indicates that textiles played essential practical and social roles in both Minoan and Mycenaean societies.

Textile production is one of the most important crafts in Aegean and Eastern Mediterranean Bronze Age societies and recent interdisciplinary and collaborative work offers crucial new perspectives into this field. The new and updated catalogue of archaeological textile finds presented here clearly demonstrates, even from the few extant finds, that knowledge of the use of fibres and of elaborate textile techniques that were used to produce textiles of different qualities was well developed. The functional analysis of spindle whorls and loom weights can be explored through experimental archaeology employing newly developed methodologies. The results bring new insights into the types of textile that may potentially have been made by such tools. This is highly pertinent as textile tools often constitute the single most important and plentiful type of evidence for the various stages of textile production in the archaeological record. The combination of experimental archaeology, analyses of textile tools and find contexts allows for a discussion of the nature of textile production at different sites, regions and time periods. A collaboration between archaeologists specialised in their site and textile tool specialists has produced data sets of a large number of textile tools from several Bronze Age settlements, including Khania, Malia, Midea, Tiryns, Troia and Tel Kabri. The results of these analyses provide unique insights into both the production processes and, significantly, into the range of types of textiles that could have been produced at specific sites. These results illustrate the central, social and economic impact of textile production in the Aegean and Eastern Mediterranean Bronze Age societies.

Texts and Textiles in the Ancient World: Materiality – Representation – Episteme – Metapoetics presents 12 papers arranged under the four headings of the title which focus on the process of textile manufacture, the weaving process itself, and the materiality of fabric. Contributions adddress the problematic issues of cognitive archaeology, consumer research, literary theory and themes addressing both philosophical history and the history of reception of ideas and practice. The contributions seek both to close the critical gaps with respect to weaving, a broad and complex field in the area of ancient cultural techniques, and to identify new themes. Accordingly, the submissions expand our focus into late antiquity, to integrate texts such as letters written on Papyrus detailing the everyday correspondence of an Egyptian family or to spotlight the meaning of textile terms and the history of misunderstandings associated therein. Frequently overused analogies between writing and weaving are also examined in terms of their legitimacy as well as their limits. The papers presented here result from an international and interdisciplinary conference under the same title held in Castelen, near Basel in 2012.

The NESAT symposium has grown from the first meeting in 1981 which was attended by 23 scholars, to over 100 at the tenth meeting that took place in Copenhagen in 2008, with virtually all areas of Europe represented. The 50 papers from the conference presented here show the vibrance of the study of archaeological textiles today. Examples studied come from the Bronze Age, Neolithic, the Iron Age, Roman, Viking, the Middle Ages and post-Medieval, and from a wide range of countries including Norway, Czech Republic, Poland, Greece, Germany, Lithuania, Estonia and the Netherlands. Modern techniques of analysis and examination are also discussed.

Textile and dress production, from raw materials to finished items, has had a significant impact on society from its earliest history. The essays in this volume offer a fresh insight into the emerging interdisciplinary research field of textile and dress studies by discussing archaeological, iconographical and textual evidence within a broad geographical and chronological spectrum. The thirteen chapters explore issues, such as the analysis of textile tools, especially spindle whorls, and textile imprints for reconstructing textile production in contexts as different as Neolithic Transylvania, the Early Bronze Age North Aegean and the Early Iron Age Eastern Mediterranean; the importance of cuneiform clay tablets as a documentary source for both drawing a detailed picture of the administration of a textile industry and for addressing gender issues, such as the construction of masculinity in the Sumerian kingdoms of the 3rd millennium BC; and discussions of royal and priestly costumes and clothing ornaments in the Mesopotamian kingdom of Mari and in Mycenaean culture. Textile terms testify to intensive exchanges between Semitic and Indo-European languages, especially within the terminology of trade goods. The production and consumption of textiles and garments are demonstrated in 2nd millennium Hittite Anatolia; from 1st millennium BC Assyria, a cross-disciplinary approach combines texts, realia and iconography to produce a systematic study of golden dress decorations; and finally, the important discussion of fibres, flax and wool, in written and archaeological sources is evidence for delineating the economy of linen and the strong symbolic value of fibre types in 1st millennium Babylonia and the Southern Levant. The volume is part of a pair together with Greek and Roman Textiles and Dress: An Interdisciplinary Anthology edited by Mary Harlow and Marie-Louise Nosch.

An understanding of textiles and the role they played in the past is important for anyone interested in past societies. Textiles served and in fact still do as both functional and symbolic items. The evidence for ancient textiles in Europe is split quite definitely along a north-south divide, with an abundance of actual examples in the north, but precious little in the south, where indirect evidence comes from such things as vase painting and frescoes. This volume brings together these two schools to look in more detail at textiles in the ancient world, and is based on a conference held in Denmark and Sweden in March 2003. Section one, Production and Organisation takes a chronological look through more than four thousand years of history; from Syria in the mid-third millennium BC, to Seventeenth Century Germany. Section two, Crafts and Technology focuses on the relationship between the primary producer (the craftsman) and the secondary receiver (the archaeologist/conservator). The third section, Society, examines the symbolic nature of textiles, and their place within ancient societal groups. Throughout the book emphasis is placed on the universality of textiles, and the importance of information exchange between scholars from different disciplines.

At the heart of this anthology lies the world of fashion: a concept that pervades the realm of clothes and dress; appearances and fashionable manners; interior design; ideas and attitudes. Here sixteen papers focus on the Nordic world (Denmark, Norway, Sweden Finland, Iceland, the Faroe Isles and Greenland) within the time frame AD 1500–1850. This was a period of rapid and far-reaching social, political and economic change, from feudal Europe through political revolution, industrialisation, development of international trade, religious upheaval and technological innovation; changes impacting on every aspect of life and reflected in equally rapid and widespread changes in fashion at all levels of society. These papers present a broad image of the theme of fashion as a concept and as an empirical manifestation in the Nordic countries in early modernity, exploring a variety of ways in which that world encountered fashionable impressions in clothing and related aspects of material culture from Europe, the Russian Empire, and far beyond. The chapters range from object-based studies to theory-driven analysis. Elite and sophisticated fashions, the importation of luxuries and fashion garments, christening and bridal wear, silk knitted waistcoats, woollen sweaters and the influence of the whaling trade on women’s clothing are some of the diverse topics considered, as well as religious influences on perceptions of luxury and aspects of the garment trade and merchant inventories.

The analysis of silk is a fascinating topic for research in itself but here, focusing on the 9th and 10th centuries, Marianne Vedeler takes a closer look at the trade routes and the organization of production, trade and consumption of silk during the Viking Age. Beginning with a presentation of the silk finds in the Oseberg burial, the richest Viking burial find ever discovered, the other silk finds from high status graves in Scandinavia are discussed along with an introduction to the techniques used to produce raw silk and fabrics. Later chapters concentrate on trade and exchange, considering the role of silk items both as trade objects and precious gifts, and in the light of coin finds. The main trade routes of silk to Scandinavia along the Russian rivers, and comparable Russian finds are described and the production and regulation of silk in Persia, early Islamic production areas and the Byzantine Empire discussed. The final chapter considers silk as a social actor in various contexts in Viking societies compared to the Christian west.