Following the success of the two works on Hastings — both now out of print — is finally a book entirely dedicated to this century. Not only does it present garments from Normandy, based off of the Bayeux Tapestry, as well as those of Eastern France and Belgium, but also clothing from other regions of the Empire. Additionally, it presents the various buckles, jewelry, and trimmings popular during the period. This edition will also examine the objects of daily life, providing the most current study of such a great century in history. Leading specialists have provided expert commentary based off of 12th century illuminations, archeological finds, and historical reconstructions.

This volume of sixteen papers is dedicated to James R. McCredie in celebration of his outstanding contribution to the excavation and study of the sanctuary of the Great Gods on the Greek island of Samothrace. The papers focus mainly on the art and archaeology of Samothrace, while two contributions discuss Alexandria in Egypt and Florina in Macedonia, two areas that were closely connected with Samothrace in antiquity. The volume covers the latest research on the architecture, sculpture, pottery, epigraphy and cult of the sanctuary of the Great Gods on Samothrace, and contains many original architectural drawings and photos of previously unpublished material.

How did ancient Europeans materialise memory? Material Mnemonics: Everyday Practices in Prehistoric Europe provides a fresh approach to the archaeological study of memory. Drawing on case studies from the British Isles, Scandinavia, central Europe, Greece, Italy and the Iberian Peninsula that date from the Neolithic through the Iron Age, the book's authors explore the implications of our understanding of the past when memory and mnemonic practices are placed in the center of cultural analyses. They discuss monument building, personal adornment, relic-making, mortuary rituals, the burning of bodies and houses and the maintenance of domestic spaces and structures over long periods of time. Material Mnemonics engages with contemporary debates on the intersection of memory, identity, embodiment, and power and challenges archaeologists to consider how materiality both provokes and constrains the mnemonic processes in everyday life.

Unclassical Traditions: Alternatives to the Classical Past in Late Antiquity is the first of two collections of essays by leading scholars discussing the nature and extent of the late-antique engagement with its classical heritage. This issue has long been at the heart of modern historical debate and, as this volume demonstrates, it was no less a matter of concern among authors and audiences in the period itself. From the Chronological Tables of Eusebius of Caesarea to the Brevarium of Festus and from the imperial panegyric to the Byzantine liturgy, eight papers explore how the persistence, dominance and normative nature of the classical tradition in its various forms could be negotiated, undermined, ironised or even flatly denied. Whether in the hands of Christian bishops such as Ambrose of Milan or Basil of Caesarea, or in the poetry of Ausonius or in the lives of the saints, many central aspects of late-antique culture here emerge as the product of a combination of authoritatively classical and avowedly unclassical traditions.

Flint was the primary raw material used for tools until c. 4000 years ago. Its properties allow the production of very sharp edges, which made it essential in many activities related to craft and subsistence. The fact that flint tools have been used for a long period of time almost everywhere in the world makes them an important source of information in the study of prehistory. Several general questions about this material are of interest to archaeologists: where was the raw material obtained? How can we distinguish between man-made artefacts and natural pieces of flint? What techniques can be used to work flint, and how can we recognise them? How were the different tools used in an effective way? This book tries to answer all of these questions by describing the subsequent stages: acquisition of raw material, flint knapping techniques, recognition of pseudo-artefacts and geofacts, typology of common tool types found in northwestern Europe and discussion of the most effective way to use these tools. The book is richly illustrated with full colour figures. Text in Dutch.

In Antiquity the Black Sea region was a meeting point for several different population groups with diverse cultural backgrounds. The present monograph takes its point of departure in burial data from four coastal localities in the northern region of the Black Sea. The mortuary practices are decoded and interpreted within a framework mainly based on concepts of cultural interaction rather than cultural polarisation. Thus, the dogma of 'The Greeks and the Others' is challenged, and alternative perceptions of interactions between the people in the Black Sea region form the basis of the study. The burials are primarily analysed with emphasis on social strategies and cultural diversity. Furthermore, the Black Sea region is set into a comparative perspective through an outlook on burial customs and mortuary practices in the colonial milieus of contemporary Southern Italy.

This book is a publication of an entire city quarter of one of the most important ancient Greek Black Sea cities, Olbia. The publication is a result of collaboration between Danish, Ukrainian, Canadian and Russian scholars. It includes a study of the architecture and finds made during excavations between 1985 and 2002. It is the first publication of a Black Sea city with full documentation. It documents life in the residential quarters of Olbia's lower city from the time of the city's foundation in the middle of the 6th century BC until the Roman period. Contributors to this volume include: P Guldager Bilde, L Bjerg, A Bujskikh, O Buravcuk, P Diatroptov, J Hjarl Petersen, S Handberg, J M Hojte, V V Krapivina, V Krutilov, S D Kryziskij, M Lawall, N Lejpunskaja & A Rusjaeva.

This volume, the tenth published collection of seminar papers from the Neolithic Studies Group, is based upon a conference that took place at the British Museum in November 2008. The meeting aimed to consider the chronology and development of Neolithic round mounds; their changing form and use; their relationships to contemporary cultural, ancestral and natural landscapes; the extent to which they provide scope for identifying local and regional social organization; and, not least, why they were round. Following the conference, further papers were offered for this edited volume, widening and broadening the initial discussion. The papers are arranged in rough geographic order starting in the north and working southwards before heading across the Irish Sea and then the Atlantic. Following a wide-ranging discussion of round mounds across the world, two papers discuss aspects of Scottish round mounds, before moving down to the Isle of Man, the Neolithic round mounds of the Yorkshire Wolds, Liffs Low in the Derbyshire Peak District, and round mounds on the Cotswolds. The volume then moves to Wessex, starting with a discussion of Silbury Hill, and followed by a re-evaluation of the Great Barrow at Knowlton, Conquer Barrow at Mount Pleasant, and the Hatfield Barrow at Marden. How archaeologists and heritage managers choose to interpret round mounds is the subject of the next paper, using Silbury Hill as the primary case study. This is followed by a broad discussion of circular traditions, particularly formative henges, in Wales and adjacent counties, round burial mounds in the Boyne Valley, Ireland, such as Knowth, Dowth and Newgrange, and Irish round mounds containing portal tombs. By way of comparison with the evidence from the British Isles, the volume then crosses over to North America for a broad discussion of mound-building traditions there. Rounding off the volume is another wide-ranging essay on the nature of round mounds, which challenges our very understanding and interpretation of them.

Having become king of England at the battle of Hastings in 1066, William of Normandy would go on to found a genuine empire. His reign lasted 21 years. Amongst his children were two kings, a Duke, an Abbess, and two Countesses. Upon his death, his descendants tore each other apart, and his empire was fragmented until the accession of the Plantagenets, who extended the Anglo-Norman territory as far as the foothills of the Pyrenees. This book recounts the life of his principal descendants from Robert Courteheuse to the Empress Matilda. This is a French Language book.

The name of Richard the Lionheart is familiar to us all. Curiously, this legendary figure is more often associated with Aquitaine and the Holy Land than with Normandy. A worthy descendant of William the Conqueror, Richard I maintained Normandy within the Plantagenet Empire, by countering the ambitious plans of the King of France, Philip Augustus. His violent and untimely death was to lead to Normandy's annexation to France. The Anglo-Normand territory that "straddled the sea", and could well have offered an alternative to the national monarchic construction, was never to recover.

This volume derives from a workshop held at the University of Kalmar (now Linnaeus University), Sweden between the 20-24 of October 2008. The aim of this gathering was to provide a forum for rock art researchers from different parts of northern Europe to discuss traditional as well as current interpretative trends within rock art research. Changing Pictures aims to return to traditional interpretative notions regarding the meaning and significance of rock art to investigate if and why any information had been left behind to recover and rethink. During the last decades, there has been an immense global interest among archaeologists and anthropologists in studying rock art. Research in northern Europe, as elsewhere, has intensely explored a manifold of methodological and theoretical perspectives. Most of these studies however, have been published in languages that seldom reach beyond the native speakers of Norwegian, Danish, and Swedish, Russian or Finnish. Therefore an important motivation for this volume is to try to apprise some of the current movements within this field of research and present it for an international audience. These papers explore the relevance of older ideas, such as notions about prehistoric religion, ritual performance, sympathetic magic, animism and totemism, the mindscapes of landscapes etc., as well as the present "state of the art" in order to develop a broader understanding of the phenomenon we call rock art. This aspiration can be seen as a common thread linking the different chapters in this book. Saying that, some, if not all, of the articles presented in this volume challenge the notion "rock art" itself, arguing that sometimes the rock, the "canvas" and rather intangible but equally important sensual encounters, such as sound, echoes, touch and temporal phenomenological changes and the perception of decorated rock art panels, should be regarded, at least, as important as the "art" itself. By reassessing traditional approaches to Scandinavian rock art and creatively reworking these ideas, whilst also addressing significant new concepts such as the agency of rock and the performativity of rock art, this anthology of papers offers not only a snapshot of current debates, but also reflects pivotal changes in the study of rock art.

The environmental crisis is one of the most pressing concerns to face the population of the world today. The debate centres on the way in which our current problems are of recent making and how we might fix them. But in reality the issue is far more fundamental and stretches back further in time than many of us might think. This book traces the origins of our present situation to the changes that came about with the introduction of farming to Britain 6000 years ago and the inexorable course of human development since then. This is a course which has set us on the path to catastrophe. However, there is hope. The book also looks at the much older traits from a way of life long gone in Britain, from the hunter-gatherers who lived here over the millennia before the introduction of farming. These traits, almost forgotten, but never quite lost, are now re-surfacing and may hold many of the keys to our continued existence.

onomatologos is a term used in later antiquity to describe eminent lexicographers such as Hesychius and Pollux as 'collectors of words', but here it is used as the title for a major volume of papers prepared in honour of Elaine Matthews, recently retired long-serving editor of the Lexicon of Greek Personal Names ( LGPN ): a 'collector of names'. The LGPN , conceived by Peter Fraser, has had as its primary aim the documentation on a geographical basis of the personal names attested between the earliest use of the Greek alphabet (c. 750 BC) and the early seventh century AD throughout the Hellenic and hellenized world, wherever the Greek language and script was used. The 55 contributions to this volume reflect well the breadth of LGPN itself, extending to all points of the compass far beyond the Greek heartlands bordering the Aegean sea, as well as the wide range of disciplines to which the study of personal names can be applied. Besides their honorific purpose, it is intended that the contributions will further advance this field of study, revealing some of the potential that has been unlocked by the systematic documentation of the evidence, mainly from inscriptions and papyri, that has accumulated over the last century. The papers presented here amply demonstrate the value of this raw material for linguists and philologists, students of Greek and Latin literature, epigraphists, papyrologists, numismatists and prosopographers, as well as social historians with broader interests in the geographical and chronological distribution of personal names.

The Upper Pleistocene era encompassed a period of dramatic cultural developments in the south-eastern Mediterranean basin. This book highlights and synthesizes the latest research and current scientific debate on the archaeology of this time period in North Africa and the Near East. Recent archaeological research in North Africa has meant this region now plays a decisive role in scientific debate. After decades of neglect, the archaeological record from North Africa has now been seen to parallel in significance that of the Near East. This book offers an opportunity to observe the Afro-Asian side of the Mediterranean basin as an uninterrupted land, as it was for its Upper Pleistocene inhabitants. Areas of focus include the Out-of-Africa movement of anatomically modern humans (Homo sapiens) into the Levant and the transition from the Middle Palaeolithic/Middle Stone Age to the Upper Palaeolithic/Later Stone Age, during which a change of lifestyle took place, based on plant cultivation and animal husbandry. These topics are of crucial interest to anyone studying human evolution, prehistoric archaeology, anthropology, and palaeo-environmental studies. This volume brings together data as well as perspectives from various scholars, often separated by their areas of interest and location. This volume is complementary to The Mediterranean from 50,000 to 25,000 BP: Turning Points and New Directions edited by M. Camps and C. Szmidt (Oxbow Books, 2009).

This volume is intended as a tribute to the memory of the Sumerologist Jeremy Black, who died in 2004. The Sumerian phrase zà-mí-zu dug-ga-àm 'Your praise is sweet' is commonly addressed to a deity at the close of a work of Sumerian literature. The scope of the thirty contributions, from Sumerology to the nineteenth-century rediscovery of Mesopotamia, is testament to Jeremy's own wide-ranging interests and to his ability to forge scholarly connections and friendships among all who shared his interest in ancient Iraq.

Cameo glass represents the ultimate achievement in Roman luxury glass, and the British Museum has the world's largest and finest collection. This comprises over seventy pieces, including two of only a dozen surviving complete cameo glass vessels: the celebrated Portland Vase, the greatest surviving example of Roman cameo glass, and the Auldjo Jug, each with its complex and intriguing history. The catalogue, begun by Veronica Tatton-Brown and William Gudenrath of the Corning Museum of Glass, has been revisited and enhanced by Paul Roberts of the British Museum and David Whitehouse and William Gudenrath of the Corning Museum of Glass. This publication presents the collection in its entirety for the first time. Each piece is illustrated in colour and line drawing, with full description and discussion. The book also presents the results of ground-breaking new research. The authors construct a comprehensive context, using archaeological, technological, iconographic and typological evidence to look at the origins of cameo glass and its place in contemporary Roman art and craftsmanship. They also propose a relative and absolute chronology for cameo glass, and suggest possible models for the organisation of the workshop(s) that produced it.