The twenty-third Theoretical Roman Archaeology Conference (TRAC) was held at King’s College, London in spring 2013. During the three-day conference nearly papers were delivered, discussing issues from a wide range of geographical regions of the Roman Empire, and applying various theoretical and methodological approaches. Sessions included those looking at Roman–Barbarian interactions; identity and funerary monuments in ancient Italy; migration and social identity in the Roman Near East; theoretical approaches to Roman small finds; formation processes of in-fills in urban sites; and new reflections on Roman glass. This volume contains a selection of papers from the conference sessions.

A comprehensive evaluation of the Portable Antiquities Scheme and the archaeological value of its findings particularly in relation to Roman Britain.

The Weymouth Relief Road crosses an area of intricately varied geology and one of the richest and most important cultural landscapes in England, which preserves a wealth of archaeological and historical remains. Extensive fieldwork in advance of construction of the Weymouth Relief Road yielded evidence of Neolithic, Bronze Age and Iron Age settlement and funerary activity, along with vestiges of Roman occupation.The main sites were located at Ridgeway Hill, located on the edge of South Dorset Ridgeway, at the northern end of the scheme and at Southdown Ridge close to the southern end. At Ridgeway Hill a sequence of Neoltihic pits was investigated, along with several groups of early Bronze Age inhumation and cremation burials in pits and cists. The burials were probably originally associated with barrows that belonged to the Ridgeway Hill group, one of the densest concentrations of Bronze Age round barrows in Britain. At Southdown Ridge a settlement that spanned the late Bronze Age/early Iron Age to the late Iron Age was discovered lying adjacent to a cross-ridge dyke and prehistoric field enclosures. The inhabitants engaged in shale-working activity as well as agriculture until the settlement was abandoned and converted to a cemetery in which the dead were buried in the distinctive south Dorset tradition, accompanied by grave goods, and later in the Roman tradition of coffined burial.

Until recently, the Dutch draughtsman Johan Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fondation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. He had an almost magic control of the lead point, and his sense of texture and the way he was able to achieve this with minimal means is astounding, setting him apart from other draughtsmen in the Dutch Golden Age. Thopas was also able to capture brilliantly the characters of his sitters – such as the sulky husband and trouser-wearing wife in the 1684 companion pieces in the Victoria & Albert Museum, London. Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life, although we do know that the large commission he received from the Bas-Kerckrinck family in Amsterdam included several drawings that were done after existing portraits. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this exhibition his only known painting and the one mythological drawing are accompanied by thirty of his most beautiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as well-known museums and print rooms, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Städel in Frankfurt or the Victoria & Albert Museum in London.The author of the catalogue, Prof. Dr Rudolf E.O. Ekkart, is regarded as the most important connoisseur in the field of Dutch sixteenth- and seventeenth-century portraiture and the author of many important monographs and other publications in the field of Dutch portraiture. He was Director of the Netherlands Institute for Art History (RKD) in The Hague between 1990 and 2012 and gained momentum as Chairman of the Committee that carried his name and proved responsible for the return of many looted works of art that were returned to the heirs of many Jewish collectors in The Netherlands. Included in the book are Dutch and German translations of the essays.

Identity is relational and a construct, and is expressed in a myriad of ways. For example, material culture and its pluralist meanings have been readily manipulated by humans in a prehistoric context in order to construct personal and group identities. Artefacts were often from or reminiscent of far-flung places and were used to demonstrate membership of an (imagined) regional, or European community. Earthworks frequently archive maximum visual impact through elaborate ramparts and entrances with the minimum amount of effort, indicating that the construction of identities were as much in the eye of the perceivor, as of the perceived. Variations in domestic architectural style also demonstrate the malleability of identity, and the prolonged, intermittent use of particular places for specific functions indicates that the identity of place is just as important in our archaeological understanding as the identity of people. By using a wide range of case studies, both temporally and spatially, these thought processes may be explored further and diachronic and geographic patterns in expressions of identity investigated.

A masterpiece of medieval Arab metalwork revealed, shedding light on courtly life in northern Iraq under the Mongol governorship. Accompanying a major scholarly exhibition at The Courtauld Gallery, this book explores one of the most beautiful and enigmatic objects in The Courtauld’s collection: the so-called ‘Courtauld wallet’, a brass container richly inlaid with gold and silver, imitating a lady’s textile or leather bag, and probably made in Mosul in northern Iraq around 1300. No other object of this kind is known. Decorated all round with courtly figuresand on the top with an elaborate banqueting scene featuring an enthroned couple, it has long been recognised as a masterpiece of Arab metalwork. Yet, despite the superb quality of its design and craftsmanship and its status as a unique object, this exceptional metalwork bag has never been properly published. Thus it remainslittle known outside a small circle of specialists, and little understood even within that circle. Encompassing a variety of multidisciplinary essays by distinguished historians and art historians – on subjects ranging from music at the Mongol court, Mosul under Mongol governorship and Mongol marriage customs to the role of womenunder the Ilkhanids –this publication aims to explore the origins, function and iconography of this splendid luxury object as well as the cultural context in which it was made and used. It will bring together other images of enthroned Mongols with female consorts, as well as scenes of hunters, revellers and musicians in a varietyof media, including illustrated manuscripts, ceramics, textile, and metalwork. By presenting the bag alongside carefully selected contemporary material, it will provide an insight into courtly life under the Mongols in the newly conquered areas of their empire, and will also provide an unrivalled opportunity to investigate the inlaid brass tradition in Mosul after the Mongol Conquest. Objects made before and after this seismic event will be reproduced side by side to demonstrate how the Mosul metalworkers adapted their work for their new patrons.

This volume examines the evolution of a rural landscape in north Kent from the Late Mesolithic (c 7500 BC) to the 19th century, as revealed by analysis of the results of excavation on a site overlooking the marshes and tributaries of the River Medway, near Sittingbourne. Particular emphasis is placed on the prehistoric pottery assemblage and on understanding the site in terms of local and regional developments. Slight evidence for Late Mesolithic and Neolithic activity (residual finds only) was followed by the creation of a field system. This was well established by the Late Bronze Age, when pitting and refuse disposal suggests the presence of a nearby settlement. There are inconclusive indications from associated pottery that some field boundaries may have had Middle Bronze Age origins and that some structured deposition was taking place. A period of abandonment, possibly related to rising sea levels, preceded the construction of a Middle Iron Age unenclosed farmstead represented by four roundhouses constructed at some time after c 300 BC and the re-establishment of a field system. The local field boundaries were reorganised in the Late Iron Age, and remained in use during the 1st century AD, but were abandoned thereafter, with no archaeological evidence for subsequent land use until a new farm was established in the 11th to mid 13th centuries.

The book “Similar but Different. Bell Beakers in Europe” deals with a cultural phenomenon, known as the Bell Beaker culture, that during the 3rd millennium B.C. was present throughout Western and Central Europe. This development played an important role in the formation of the Bronze Age at the turn of the 3rd and the 2nd millennium B

The early Old Kingdom tombs at Tehna are cut into the eastern escarpment bordering the Nile, some 12kms north of Minya in Upper Egypt. The cemetery consists of more than 15 rockcut tombs, 3 of which are illustrated and described in this first volume of the site. Complete with detailed colour illustrations and line drawings, the book records the wall scenes, sculpture, architecture, finds and a translation of inscriptions including a rare legal document in the tomb of Nikaiankh I.

Barrows, i.e. burial mounds, are amongst the most important of Europe’s prehistoric monuments. Across the continent, barrows still figure as prominent elements in the landscap

The adoption of agriculture is one of the major developments in human history. Archaeological studies have demonstrated that the trajectories of Neolithisation in Northwest Europe were diverse. This book presents a study into the archaeology of the communities involved in the process of Neolithisation in the Lower Rhine Area (5500-2500 cal BC). It elucidates the role played by the indigenous communities in relation to their environmental context and in view of the changes that becoming Neolithic brought about.This volume contains the appendices to the thesis ‘Persistent traditions. A long-term perspective on communities in the process of Neolithisation in the Lower Rhine Area (5500-2500 cal BC)’. These constitute a comprehensive inventory of 159, mostly excavated, archaeological sites in the Lower Rhine Area for which general characteristics were recorded. Their analysis shows that the succession of Late Mesolithic, Swifterbant culture, Hazendonk group and Vlaardingen culture societies represents a continuous long-term tradition of inhabitation of the wetlands and wetland margins of this area, forming a culturally continuous record of communities in the transition to agriculture. The site catalogue forms both an overview of, and detailed introduction into, the site-based archaeology of this time frame.After demonstrating the diversity of the Mesolithic, the subsequent developments regarding Neolithisation are studied from an indigenous perspective. Foregrounding the relationship between local communities and the dynamic wetland landscape, the archaeological evidence regarding its regional inhabitation points to long-term flexible behaviour and pragmatic decisions being made.For the interpretation of Neolithisation this study offers a complementary approach to existing research. Instead of arguing for a short transition based on the economic importance of domesticates and cultigens at sites, the emphasis is placed on the persistent traditions of the communities involved. New elements, instead of bringing about radical changes, are shown to be attuned to existing hunter-gatherer practices. By documenting indications of the mentalité of the inhabitants of the wetlands, it is demonstrated that their mindset remained essentially ‘Mesolithic’ for millennia.

In July 1834 excavation of a barrow at Gristhorpe, near Scarborough, Yorkshire, recovered an intact, waterlogged, hollowed-out oak coffin containing a perfectly preserved Bronze Age skeleton that had been wrapped in an animal skin and buried with worked flints, a bronze dagger with a whalebone pommel, and a bark vessel apparently containing food residue. Gristhorpe Man became the centrepiece of the Scarborough Philosophical Society’s museum display.In 2004, planned refurbishment of the renamed Rotunda Museum provided the opportunity for a scientific re-examination of the burial and grave goods in order to eluciate the life and death of this extraordinary survival of the British Early Bronze Age. Tree-trunk coffin burials are relatively rare and Gristhorpe Man, with his range of grave goods was likely to have held a special role in society. Analysis of the skeleton included an examination of its skeletal morphology and palaeopathological conditions combined with isotopic analyses of the bones and teeth in order to investigate mobility, diet, and status of the individual whose unusual large stature, dentition, and novel methods of conservation were of particular interest. These analyses, combined with examination of the surviving coffin lid, including the unique ‘face’ carved onto one end of it, the grave goods, and radiocarbon and dendrochronological dating, reveal fascinating insights into the social position, inter-regional contacts and the burial rite associated with this enigmatic mature man who probably saw active combat and who suffered from a benign brain tumour that may have seriously altered his personality in his later years.

The adoption of agriculture is one of the major developments in human history. Archaeological studies have demonstrated that the trajectories of Neolithisation in Northwest Europe were diverse. This book presents a study into the archaeology of the communities involved in the process of Neolithisation in the Lower Rhine Area (5500-2500 cal BC). It elucidates the role played by the indigenous communities in relation to their environmental context and in view of the changes that becoming Neolithic brought about.This work brings together a comprehensive array of excavated archaeological sites in the Lower Rhine Area. Their analysis shows that the succession of Late Mesolithic, Swifterbant culture, Hazendonk group and Vlaardingen culture societies represents a continuous long-term tradition of inhabitation of the wetlands and wetland margins of this area, forming a culturally continuous record of communities in the transition to agriculture.After demonstrating the diversity of the Mesolithic, the subsequent developments regarding Neolithisation are studied from an indigenous perspective. Foregrounding the relationship between local communities and the dynamic wetland landscape, the study shows that the archaeological evidence of regional inhabitation points to long-term flexible behaviour and pragmatic decisions being made concerning livelihood, food economy and mobility. This disposition also influenced how the novel elements of Neolithisation were incorporated. Animal husbandry, crop cultivation and sedentism were an addition to the existing broad spectrum economy but were incorporated within a set of integrative strategies.For the interpretation of Neolithisation this study offers a complementary approach to existing research. Instead of arguing for a short transition based on the economic importance of domesticates and cultigens at sites, this study emphasises the persistent traditions of the communities involved. New elements, instead of bringing about radical changes, are shown to be attuned to existing hunter-gatherer practices. By documenting indications of the mentalité of the inhabitants of the wetlands, it is demonstrated that their mindset remained essentially ‘Mesolithic’ for millennia.

‘Ritual Failure’ is a new concept in archaeology adopted from the discipline of anthropology. Resilient religious systems disappearing, strict believers and faithful practitioners not performing their rites, entire societies changing their customs: how does a religious ritual system transform, change or disappear, leaving only traces of its past glory? Do societies change and then their ritual? Or do customs change first, in turn provoking wider cultural shifts in society? Archaeology possesses the tools and methodologies to explore these questions over the long term; from the emergence of a system, to its peak, and then its decay and disappearance, and in relation to wider social and chronological developments.The collected papers in this book introduce the concept of ‘ritual failure’ to archaeology. The analysis explores ways in which ritual may have been instrumental in sustaining cultural continuity during demanding social conditions, or how its functionality might have failed – resulting in discontinuity, change or collapse. The collected papers draw attention to those turbulent social times of change for which ritual practices are a sensitive indicator within the archaeological record. The book reviews archaeological evidence and theoretical approaches, and suggests models which could explain socio-cultural change through ritual failure. The concept of ‘ritual failure’ is also often used to better understand other themes, such as identity and wider social, economic and political transformations, shedding light on the social conditions that forced or introduced change.This book will engage those interested in ritual theory and practices, but will also appeal to those interested in exploring new avenues to understanding cultural change. From transformations in the use of ritual objects to the risks inherent in practicing ritual, from ritual continuity in customs to sudden and profound change, from the Neolithic Near East to Medieval Europe and Iron Age Africa, this book explores what happens when ritual fails.

This book presents the proceedings of the 2009 conference relating to the 2008 exhibition at the British Museum entitled "Hadrian: Empire and Conflict" and complements and expands upon the exhibition catalogue. It covers such subjects as architecture, sculpture, archaeology, economics, numismatics and philhellenism and ranges over the Roman Empire from Britain and Spain in the West to Turkey and Georgia in the East. The original contributions by international scholars present the latest state of research and the first publication of some new material. Thorsten Opper is a curator of Greek and Roman sculpture at the British Museum. He organised the internationally acclaimed 2008 exhibition "Hadrian: Empire and Conflict" and authored the accompanying catalogue (British Museum Press 2008). He currently directs a fieldwork project at Hadrian's Villa, near Rome.

The present work is the result of the First International Chariot Conference, jointly organised by the Netherlands-Flemish Institute in Cairo (NVIC) and the American University in Cairo (AUC) (30 November to 2 December 2012). The intention of the conference was to make a broad assessment of the current state of knowledge about chariots in Egypt and the Near East, and to provide a forum for discussion.A wide variety of papers are included, ranging from overviews to more detailed studies focusing on a specific topic. These include philology, iconography, archaeology, engineering, history, and conservation. The book is of interest to scholars as well as anyone with an interest in ancient technology, transportation, or warfare.Dr. André J. Veldmeijer is Assistant Director for Egyptology of the Netherlands-Flemish Institute in Cairo and has worked as archaeologist in Egypt since 1995 as specialist in, among others, leatherwork and footwear. He (co-) directs several projects, such as the Ancient Egyptian Leatherwork Project, which includes the Egyptian Museum Chariot Project, and the Tutankhamun Sticks & Staves Project. He has published extensively, both scientifically as popular.Dr. Salima Ikram is Professor of Egyptology at the American University in Cairo, and has worked as an archaeologist in Egypt since 1986, directing the Animal Mummy Project, and co-directing the Predynastic Gallery project, the Egyptian Museum Chariot Project, and the North Kharga Oasis Survey. Dr. Ikram has lectured and published extensively, both for children and adults.