Textile tools offer a fascinating and yet intimate approach to ancient people. Textile production has been one of the core activities for millennia, spanning from domestic production to royal needs. Textiles were light and easy to transport goods, often exchanged over long distances. Technology and knowhow, however, might not have always traveled so easily. This work examines spinning and weaving tools from the Southern Levant (inland and coastal) and Egypt. The chronology of the study is broad, ranging from the Neolithic until the beginning of the Persian period (600 BC). The objects are investigated from both a diachronic and synchronic perspective to understand their evolution and continuity of use, as well as regional differences and textile production methods. The two areas present an only apparent discontinuity, as political boundaries gave way at various historical moments and the two areas had very close contacts, such as during the Second Intermediate Period of Egypt or the Egyptian domination of the Late Bronze Age. This seems to be reflected in textile documentation, which shows the appearance of Egyptian tools in the Levant, such as spinning bowls, and Levantine tools in Egypt, such as loom weights. However, the result is not so predictable.

The island of Antirhodos, isolated from the contemporary Alexandrian shoreline, was according to Strabo the property of kings (Geography 17.1.9). It was here in the third century BC that the Ptolemies built a palace and on a monumental quayside reaching back towards the city a temple dedicated to the goddess Isis. Facing out into the harbor, the Iseum would have been a striking landmark in the scenography of Alexandria, placing Isis in the heart of the Portus Magnus and presenting the view of her temple as one of the first that sailors arriving in the port would have seen. It continued to receive donations and to be redecorated into the period of Roman rule. The quayside upon which it stood did not share the strong natural foundations of the island and its banks failed, most likely during an earthquake. This event, dated to around AD 50, brought the temple crashing into the waters of the Portus Magnus on either side of the quayside. These collapse deposits, including important pieces of sculpture, objects from the temple treasury and remnants of its architecture and decoration, were largely protected from the recycling of the remains of the temple that on land. They were rediscovered during surveys and excavations in the Portus Magnus by the Institut Européen d’Archéologie Sous-Marine under the direction of the author, Franck Goddio. In this volume, Goddio examines the archaeological remains from the temple that identify it as an Iseum and discusses its changing role in late Hellenistic and early Roman Alexandria.

The discovery of the tomb of Tutankhamun in 1922 stands out as one of the most important finds of modern archaeology, revealing an enormous wealth of objects encapsulating techniques, vestiges of uses and re-uses of materials, as well as unrivalled clues regarding the complex set of beliefs associated with the pharaonic funerary material culture. Once cleared from the tomb, these objects have captivated the world with their irresistible charm and beauty ending up playing a role in contemporary popular culture. However, it seems that such magnetism rather hindered than facilitated the scholarly study of the find. One hundred years after the discovery of this magnificent tomb, most of its objects remain insufficiently studied to this day. This volume aims to show how it remains challenging to study Tutankhamun’s objects, gathering a collection of studies authored by leading scholars on conservation, materials, funerary beliefs as well as the reception of motifs and the impact of the discovery. Through these studies it becomes clear how ancient objects can help us reconstruct the complex fabric of the ancient Egyptian society and how they keep interacting with modern audiences.

The tombs, with their scenes, inscriptions, objects and human remains, represent our richest source of information for the understanding of Egyptian beliefs and practices, art and architecture and of many aspects of daily life. Detailed, scholarly reports on individual cemeteries and tombs are abundant but in this fully illustrated, more general work, reproduced in this facsimile edition, Kanawati provides an invaluable introduction to, and overview of, the key elements of Egyptian tombs from Predynastic to the Late Period. ¬The Egyptian dead enjoyed a continued existence in both the Netherworld and the land of the living – the individual possessing multiple entities that experienced different destinies after death. ¬The tomb provided an everlasting earthly dwelling and consisted of a chapel above ground where the deceased’s cult was maintained and offerings presented, and a burial chamber for the body. Either or both could be richly decorated with paintings, reliefs and inscriptions. Kanawati describes and illustrates the principal forms and features of architecture and nature and subject matter of decoration and demonstrates how tomb design and decoration changed through time.

This volume is a facsimile reissue of the full publication of the tomb identified as that of Amenemhab, a middle ranking priest of Amon. ¬The tomb lies within the lower enclosure of the major cemetery of Elwet Sheikh-Abdel Qurnah in ¬Thebes. It is cut into a perpendicular cliff of limestone and shale and is one of the private, so-called house-like chapel tombs of local dignitaries, mainly dating to the Ramesside Period. The plan is a common form for Theban tombs, comprising a short entranceway leading into a broad hall, an axial passage and a long hall or shrine with a niche and it is oriented north-east to south-west with a maximum length of c. 9.3 m. ¬There are no side chambers or columns. The tomb decoration was first recorded by Sir Robert Mond but not published by him. Although richly furnished with brightly coloured paintings and text, much of the decoration was badly degraded and damaged. The burial shaft was not discovered. In this volume Hassan El-Saady provides a summary description of the tomb itself with a panel by panel description of the inscriptions and paintings, accompanied by photographs and explanatory line drawings. He identifies the owner of the tomb and members of his family, and though close dating of the tomb is difficult as no ruling pharaoh is alluded to anywhere within it, scrutiny of the style, content and arrangement of both the actual tomb and the decoration points to the reign of Ramesses II.

The tomb of Re‘-wer lies in the south-eastern corner of the mortuary temple of King Teti, first King of the 6th Dynasty, beside the pyramid of Teti, in the Old Kingdom necropolis at Saqqara. Excavations in 1906–7 and in the early 1920s were not published and the tomb was re-excavated and partly restored in 1975–7. It comprised a paved courtyard within a temenos containing the rectangular chapel tomb, with surviving structure built of fine quality limestone blocks in inner and outer walls. It is unusual in having two false doors in the west wall. The roof was missing. Nothing was recovered from a burial shaft that lies close to the tomb. The walls and false doors are adorned with inscriptions and reliefs. ¬This facsimile reissue of Said el-Fikey’s detailed description of the surviving structure, decoration and transcription of the inscriptions is accompanied by a full set of photographs and illustrations. No biographical text survived and the author considers the possible date of the tomb in relation to the adjacent architecture and the style of the reliefs, concluding that it most likely dates to the reign of Pepi I. He discusses indications for the personality, family situation and official position of Re‘-wer, which may suggest that he was father to a wife of King Pepi and that both were disgraced for some reason.

This facsimile edition of a much acclaimed volume brings back into print a major study of the evidence for the domesticated plants and animals exploited by the ancient Egyptians. The rise of agriculture must be amongst the most important steps that humans have taken on their long road to the present day and marked the beginning of sedentary life from the Neolithic onwards and the development of civilization. Of the earliest civilizations, Ancient Egypt remains a particularly useful field of study: the physical remains are preserved by the dry desert environment and the Egyptians have left us with an abundance of written and pictorial records which go back over 5000 years. Grasses, legumes, vegetables, fruits, domestic animals and pets are all considered in this comprehensive study. It is profusely illustrated from Egyptian wall paintings and reliefs, which provide us with a vivid record of the Egyptian’s use of plants and animals in their daily lives. Thirty years after its original publication, this groundbreaking volume remains an invaluable sourcebook for archaeologists in all fields and to anyone interested in zoology, botany and early agriculture.

This is a facsimile reissue of Flinders Petrie’s 1907 account of excavations at Gizeh and at Dier Rifeh in Upper Egypt, just south of Asyut. At Gizeh excavations focused on a cemetery lying on a ridge about 1 km south of the Great Pyramid while work at Rifeh extended from a well-known Coptic village for about 5 km southwards to beyond the village of Zowyeh, and mostly investigated several cemeteries in the plain of primarily XIth–XVIIth Dynasty date. The area contained numerous Coptic settlements and the ruins of Coptic monasteries at Balyzeh and Ganadleh were excavated, producing many fragments of Coptic manuscripts. A chronologically ordered account of the tombs excavated begins with those at Gizeh followed by Zaraby and Zowyeh and then Rifeh. Those at Rifeh produced around 150, previously rarely encountered, ‘soul houses’, being clay models of contemporary dwellings used as offering trays, which are discussed in detail. A classification of pottery is provided. Later burials were also excavated at the cemeteries close to Gizeh where three Demotic inscriptions and several cartonnages of papyri were recovered. The Demotic inscriptions and Coptic manuscripts are described with translations.

The period of Egypt’s Ramesside empire is best known for its foreign wars and monumental buildings but the chronological history of many of its rulers and pre-eminent priests and their genealogies was poorly understood. While it was not possible to fi x the chronology exactly, a combination of known dates or date ranges, such as for the accession of Ramesses II, and the determination of family trees that extended over a large period, enabled Bierbrier to present a much closer definition of the span of individual dynasties and their key figures than had been possible previously. That volume is reissued here in facsimile. An important source of information is the genealogical references on funerary statues and tomb paintings, though vocabulary used is limited and often ambiguous. There are also several types of statuary, set up by individuals for different purposes, most frequently by sons or descendants to cause the name of the deceased to live on, many of which may have been created before the death of the individual commemorated. Taking into account these, and other difficulties, Bierbrier’s painstaking research proved groundbreaking in elucidating the chronology, sequences of events and family connections of the period from the official families of the XIXth Dynasty through those of the XXVth.

This facsimile edition of Flinders Petrie’s 1937 typo-chronological catalogue of Egyptian stone vessels and Egyptian and Greaco-Roman metal vessels has been long out of print. It was a first attempt by Petrie to take an overview of the vessels recovered from numerous locations housed in major collections of the time, principally his own in University College London and over 700 items in Cairo Museum. Dating was derived from a variety of sources, the most important being that of royal names either on the vessels themselves or on associated materials in tombs. Examination of large, closed groups of objects from major royal tombs, each fixed to one reign, enabled development of a robust chronology for quite detailed changes at least for earlier dynasties, which could be extended by careful analysis of key traits. Each part is therefore arranged by major typological form with a discussion on derivation, chronological development in form and decoration and modes of manufacture. Both catalogues are fully illustrated with comparative charts of key features, line drawings and photographs of nearly 1000 stone and over 100 metal objects.

Amin Amer’s 1999 study of the Gateway of Ramesses IX at Karnak, Egypt, is presented here in a facsimile reissue. The Gateway is a little-known major work, part of the great temple at Karnak, built by one of the last kings of the Egyptian empire after a long period that saw little building work in the temple complex. The rather modest, by Karnak’s standards, construct lies at the northern end of the court ‘of the Cachette’, north of Pylon VII, and leads into the southern end of the narrow court of Pylons III and IV, presenting an impressive entrance to the main temple of Amun. A prominent stela of Ramesses IX and Amun lies beyond it. The Gateway was part of a building programme, decorated with statues and building-texts, undertaken by the high priest Amenhotep who clearly sought to emphasise the importance of the contributions of the king and himself to the temple and worship of Amun.A brief introduction to the works of Ramasses IX at Karnak is followed by a detailed description of the scenes adorning the Gateway with a translation of the inscriptions and a discussion of the role of the Gateway and its decoration. The descriptions are accompanied by drawings of the hieroglyphic texts and photographs and line drawings of the entire gateway and its facade.

Various attempts have been made to systematize the mammals depicted in Egyptian tomb paintings, inscriptions, carvings, figurines and other objects, and as mummies, but there are many discrepancies, variable spellings and names, including now obsolete Latin names, and mis-identifications. The Egyptian artists themselves sometimes used the wrong hieroglyph or drew some parts of animals incorrectly. Dale Osborn’s comprehensive reassessment, presented here in a facsimile reissue, catalogues around 100 separate species, ranging from hedgehogs to hippopotami, Anubis Baboons to Zebu cattle, that can be identified in Egyptian art from prehistoric, through Pre-Dynastic to Late Kingdom times. Profusely illustrated, the catalogue is arranged by Order, then species, each entry providing the relevant hieroglyph, a brief description of the animal, its natural habitat and distribution, and a narrative on its depiction in Egyptian art through time, by location, types of illustration or object, and context (tomb etc). Known errors and discrepancies, either in original scripts or classical and/or modern literature, are listed.Mammals are abundantly depicted in tomb paintings and inscriptions. Common scenes include hunts, processions, wild animals being led on chains, domesticated animals in household and working environments, and satirical scenes. Such scenes provide many insights into the lives of Egyptians and their relationships with animals, that are further enhanced by many decorative figurines and statues and, often poignantly, by the mummies of mostly small animals including cats and dogs.

In 2020 and 2021 the Research Group on Storage in Ancient Egypt and Sudan organised two online workshops focusing on earthen storage buildings in ancient Egypt and Nubia. Following these two meetings, the nine contributions of this volume present often unpublished case studies (from the IVth millennium BCE to the Greco-Roman Period), as well as issues and perspectives of current research. They are authored by archaeologists working in Egypt, Sudan and Western Africa as well as architects specialised in earthen architecture. The interdisciplinary approach adopted to investigate storage strategies along the ancient Nile Valley effectively address the subject’s complexity and the socioeconomic issues involved, which not only pertain to the ancient world but are also relevant to modern-day societies. Throughout the volume, functional and technical analysis of the architectural and archaeological remains helps understand how specific layouts, building materials and techniques were employed in the past to create suitable conditions for short-, medium- and long-term storage. Ethnographic and ethnoarchaeological comparisons with West African vernacular traditions are used as a fruitful line of research for better understand of building practices, storage strategies and possible volumes of archaeological remains. Furthermore, extending the scope of the research to other geographical areas shows how different human groups may have used similar responses to overcome similar technical problems. Ancient and traditional practices and know-how, on the other hand, proved effective in a contemporary onion storehouse project in Senegal to find sustainable, low-cost solutions to protection and development of local products.The volume also include the preliminary results of an experimental archaeology project which led to the construction of a mud-brick silo – according to ancient Egyptian techniques – and further ensiling. The issue is highly topical since these ancient earthen facilities offer valuable information for the current debates on sustainable strategies for foodstuff storage.

The adoption of Christianity by the Egyptian populace was well underway by the late third century, but evidence for its presence in the archaeological record from the Nile valley is sparse. This is due, in part, to the loss of ancient settlement sites beneath modern cultivation. By comparison, Ismant al-Kharab, ancient Kellis, in Dakhleh Oasis, was abandoned at the end of the fourth century and many of its structures survive intact. The villagers, moreover, left behind a wealth of artefacts and documentation. By the late third century some had converted to Christianity and by the early fourth century three churches were built to accommodate their growing numbers. The churches afford an unparalleled window into three ecclesiastical complexes that served a single village. The Large East Church, moreover, is the earliest surviving example of a purpose-built basilica in Egypt known thus far. It provides a better understanding of the development of Egyptian church architecture and has forced a reappraisal of the dates of certain features that were previously attributed to the fifth century.The community established three burial grounds: Kellis 2, with an estimated 3,500–4,000 graves, a funerary church and associated graveyard, and in a reused monumental mausoleum. Christian cemeteries are known throughout North Africa, Europe, and Britain, but in Egypt few are published in anything but a cursory manner. At Kellis, 800+ graves have been excavated; the earliest burials date to the late third century confirming the evidence of an early conversion by some villagers and its rapid expansion thereafter.This volume provides the first detailed publication of the churches and Christian burial grounds. It incorporates a discussion of the spread of Christianity in Egypt’s Southern Oasis, drawing upon data from the rich textual documentation from the site. The material culture is presented in detail, especially the extensive collection of ceramics, glass, and coins.

Tell el-Amarna is the modern name for the ancient Egyptian city of Akhenaten, situated in a bay of hills formed by the cliffs of the eastern desert about halfway between Cairo and Luxor. The city was founded in the 14th century BC by the Pharaoh Akhenaten to be a royal palace for himself and his wife Nefertiti, the capital of all Egypt, and the center of the state cult of the Sun God in the form of Aten (sun disc), which became an obsession of the Pharaoh. The city contained temples, palaces, state buildings and great private mansions, but was abandoned by Akhenaten’s successor, his son Tutenkhamen. The city was demolished, never to be re-inhabited. This volume presents a detailed, illustrated catalogue of the many statues, statuettes, reliefs, inlays and inscriptions recorded and collected by Flinders Petrie, together with glass and faience objects and moulds. Part II provides a summary of developments in royal names and titles with a discussion on research into names and evidence of royal status. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

First published in 1979, this facsimile edition of Jeffrey Spencer’s comprehensive study provides a detailed account of the brick architecture of ancient Egypt. Part I provides introductory information on brick manufacture, early use of brick in Egypt and explains the corpus of brick bonding systems. Part II provides an account of the surviving brick buildings, discussed by type, with special reference to technical and structural matter. Part III presents an examination of the constructional techniques employed at different periods for various purposes. A discussion of the kinds of bricks used, their sizes, and bonding is included. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts – of which Brick Architecture in Ancient Egypt is one. The Oxbow Classics in Egyptology series makes a selection of these important resources – which remain invaluable source material – available again in print for a new generation of students and scholars.