Originally issued in 1954 and updated in 1961 and 1987, this pioneering study of "small group" conflict and cooperation has long been out-of-print. It is now available, in cloth and paper, with a new introduction by Donald Campbell, and a new postscript by O.J. Harvey.In this famous experiment, one of the earliest in inter-group relationships, two dozen twelve-year-old boys in summer camp were formed into two groups, the Rattlers and the Eagles, and induced first to become militantly ethnocentric, then intensely cooperative. Friction and stereotyping were stimulated by a tug-of-war, by frustrations perceived to be caused by the "out" group, and by separation from the others. Harmony was stimulated by close contact between previously hostile groups and by the introduction of goals that neither group could meet alone. The experiment demonstrated that conflict and enmity between groups can be transformed into cooperation and vice versa and that circumstances, goals, and external manipulation can alter behavior.Some have seen the findings of the experiment as having implications for reduction of hostility among racial and ethnic groups and among nations, while recognizing the difficulty of control of larger groups.

A substantial amount of the energy which Henry Fielding put into his writing was invested in political journalism and political pamphleteering. Indeed, next to his prose fiction and his plays, his political journalism looms largest in bulk, and reveals significant aspects of Fielding the man.Te present volume contains three pamphlets –; the Serious Address, the History of the Present Rebellion, and the Dialogue Between the Devil, the Pope, and the Pretender –; and one journal, the True Patriot of 1745-6. Coming from what may be called the second period of Fielding's intensive political journalism, they are all informed by the same political purpose: to deal with the crisis represented by the Jacobite uprising known as the ‘Forty-Five' and with the implications this event was perceived to have or the Pelham administration in particular.As usual with the Wesleyan Edition, there is a detailed introduction, a textual introduction, textual apparatus, and full annotation throughout the texts, as well as an index.CONTRIBUTORS: W.B. Coles.

Arnaldo Momigliano is the greatest contemporary scholar of the history and historiography of classical civilization. M.I. Finley has written in the New Statesman that "there is no one alive today who knows the subject as he does."On Pagans, Jews, and Christians is an important addition to his masterly work, bringing together nineteen essays written in the past five years from sources such as The New York Review of Books, The American Scholar, and the Annali della Scuola Normale Superiore di Pisa. It is written with literate clarity and elegance, humane wisdom, and breadth of intellect. The focus of this book is the secular cultures of pagan Greece and imperial Rome, and the religious cultures of Judaism and Christianity which, in turn, grew from and influenced them and the modern world. For Momigliano, religion, secular ideology, and politics live in and illuminate the present. Chapters include "The Jews of Italy" (history viewed in the autobiographical perspective of the Momigliano family), "The Disadvantages of Monotheism for a Universal State," "How to Reconcile Greeks and Trojans," and "The Theological Efforts of the Roman Upper Classes in the First Century B.C."A new book by Arnaldo Momigliano is always a scholarly event.

Sonnets to Orpheus is Rainer Maria Rilke's first and only sonnet sequence. It is an undisputed masterpiece by one of the greatest modern poets, translated here by a master of translation, David Young.Rilke revived and transformed the traditional sonnet sequence in the Sonnets. Instead of centering on love for a particular person, as has many other sonneteers, he wrote an extended love poem to the world, celebrating such diverse things as mirrors, dogs, fruit, breathing, and childhood. Many of the sonnets are addressed to two recurrent figures: the god Orpheus (prototype of the poet) and a young dancer, whose death is treated elegiacally.These ecstatic and meditative lyric poems are a kind of manual on how to approach the world - how to understand and love it. David Young's is the first most sensitive of the translations of this work, superior to other translations in sound and sense. He captures Rilke's simple, concrete, and colloquial language, writing with a precision close to the original.

"Five Black Lives is a collection of ex-slave narratives which spans 150 years in time, from 1729 to 1870, and some thousands of miles in geographical area from Africa to Connecticut. The autobiographies include the lives of Venture Smith, a native of Africa who ended his days as a resident of East Haddam, Connecticut; James Mars, born a slave near Norfolk, Connecticut in 1790, and freed at twenty-five by state law; William Grimes, a native of Virginia, who became Connecticut's first known runway when he arrived in New Haven about 1808; G.W. Offley, from Maryland, who was bought free by his father and later settled in Hartford; and James L. Smith, of Virginia birth, who escaped from slavery and settled in Norwich, Connecticut."-Victor B. Howard, The New England Quarterly

Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane's Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers' Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the "drunk dancing" of Fred Astaire.

Rivers, rains, oceans, floods-an abiding fascination with the sea-inspire much of the imagery and musicality in this first book by A.E. Stringer. In Channel markers, Stringer explores the delicate balance between the island of himself and his fluid surrounding environment, embarking on a voyage to find himself and the others-a blind man, a sailor, and a bum-around him. He discovers that solid ground is a place of only tentative security, both threatened and enchanted by the power of the sea.

When Sam Ray was killed at nineteen in an accident, his father began writing poetry dedicated to his memory. Sam's Book is a collection of these elegies and other poems written during Sam's lifetime. "How should I mourn? " David Ray asks. By recalling poignant events from the past he transcends his grief. He remembers Sam's first bath, a "holy/Rite"; tying the shoelaces of the "little man"; traveling to Greece, where Sam is "the first.../to see the holy moon." With painful wit and regret he summons up the image of his son's blue Toyota, fastidiously transformed by Sam and his girlfriend into a "love nest." Ray muses on what he taught Sam and what Sam taught him. Originally published in 1987, Sam's Book won the 1988 Maurice English Poetry Award.

An outstanding examination of the Crises that lead to the colonial rebellions of 1689.

A shocking and extreme interpretation of the father of psychoanalysis.

Poetic Diction, first published in 1928, begins by asking why we call a given grouping of words "poetry" and why these arouse "aesthetic imagination" and produce pleasure in a receptive reader. Returning always to this personal experience of poetry, Owen Barfield at the same time seeks objective standards of criticism and a theory of poetic diction in broader philosophical considerations on the relation of world and thought. His profound musings explore concerns fundamental to the understanding and appreciation of poetry, including the nature of metaphor, poetic effect, the difference between verse and prose, and the essence of meaning. CONTRIBUTOR: Howard Nemerov.

It's been a pilgrimage for Annie Dillard: from Tinker Creek to the Galapagos Islands, the high Arctic, the Pacific Northwest, the Amazon Jungle-and now, China. This informative narrative is full of fascinating people: Chinese people, mostly writers, who encounter American writers in various bizarre circumstances in both China and the U.S. There is a toasting scene at a Chinese banquet; a portrait of a bitter, flirtatious diplomat at a dance hall; a formal meeting with Chinese writers; a conversation with an American businessman in a hotel lobby; an evening with long-suffering Chinese intellectuals in their house; a scene in the Beijing foreigners' compound with an excited European journalist; and a scene of unwarranted hilarity at the Beijing Library. In the U.

This is the book of an urban mystic, someone who believes that the streets he walks, the incidents he sees and in which he sometimes plays a part have significance; he understands that the hidden beauty and music of New York City. Madison Avenue, the Brooklyn Bridge, Central Park appear and reappear as though they, the poet, and the work were inseparable. The people he recalls - a bag lady, E. E. Cummings - are as familiar to us as the city itself, but here they are lyrical and light, these poems also hold love, loss, melancholy, and tenderness -they reflect the incessant rhythms between a man and his surroundings.

This is the first comprehensive critical examination in any language of the German national tradition of historiography. It analyzes the basic theoretical assumptions of the German historians of the nineteenth and twentieth centuries and relates these assumptions to political thought and action. The German national tradition of historiography had its beginnings in the reaction against the Enlightenment and the French Revolution of 1789. This historiography rejected the rationalistic theory of natural law as universally valid and held that all human values must be understood within the context of the historical flux. But it maintained at the same time the Lutheran doctrine that existing political institutions had a rational basis in the will of God, though only a few of these historians were unqualified conservatives. Most argued for liberal institutions within the authoritarian state, but considered that constitutional liberties had to be subordinated to foreign policy - a subordination that was to have tragic results. Mr. Iggers first defines Historismus or historicism and analyzes its origins. Then he traces the transformation of German historical thought from Herder's cosmopolitan culture-oriented nationalism to exclusive state-centered nationalism of the War of Liberation and of national unification. He considers the development of historicism in the writings of such thinkers as von Humboldt, Ranke, Dilthey, Max Weber, Troeltsch, and Meinecke; and he discusses the radicalization and ultimate disintegration of the historicist position, showing how its inadequacies contributed to the political débâcle of the Weimar Republic and the rise of National Socialism. No one who wants to fully understand the political development of national Germany can neglect this study.

The White Rose tells the story of Hans Scholl and Sophie Scholl, who in 1942 led a small underground organization of German students and professors to oppose the atrocities committed by Hitler and the Nazi Party. They named their group the White Rose, and they distributed leaflets denouncing the Nazi regime. Sophie, Hans, and a third student were caught and executed. Written by Inge Scholl (Han's and Sophie's sister), The White Rose features letters, diary excerpts, photographs of Hans and Sophie, transcriptions of the leaflets, and accounts of the trial and execution. This is a gripping account of courage and morality.CONTRIBUTORS: Dorthe Solle.