Since 1941, O’Rourke’s Diner has been a beloved eatery and a second home to generations of Middletown families, Wesleyan students, and diners from all over the Connecticut River Valley. Capturing the magic of the diner itself—classic, hip, eclectic, and full of positive energy—Breakfast at O’Rourke’s is a trove of hearty gourmet recipes from one of Connecticut’s most beloved diners. The book features menus for twenty-three complete O’Rourke’s breakfasts and over eighty recipes, including Irish Soda Bread, Eggs Galway, Bread Pudding French Toast with Caramel Sauce, Firecracker Omelet, Breakfast Cheesecake, Pumpkin Brie Quiche, and Red Flannel Hash. Each main dish is paired with a side, baked good, and sauce—so that cooks at home can recreate their favorite O’Rourke’s brunch. The book is lavishly illustrated with over fifty photographs from food photographer Tom Hopkins, and includes many vegetarian options. This is a must-have cookbook for diner aficionados and food lovers everywhere.

Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.

In the middle of the seventeenth century, judges in the short-lived New Haven Colony presided over a remarkable series of trials ranging from murder and bestiality, to drunken sailors, frisky couples, faulty shoes, and shipwrecks. The cases were reported in an unusually vivid manner, allowing readers to witness the twists and turns of fortune as the participants battled with life and liberty at stake. When the records were eventually published in the 1850s, they were both difficult to read and heavily edited to delete sexual matters. Rendered here in modernized English and with insightful commentary by eminent Judge Jon C. Blue, the New Haven trials allow readers to immerse themselves in the exciting legal battles of America's earliest days.The Case of the Piglet's Paternity assembles thirty-three of the most significant and intriguing trials of the period. As a book that examines a distinctive judicial system from a modern legal perspective, it is sure to be of interest to readers in law and legal history. For less litigious readers, Blue offers a worm's eye view of the full spectrum of early colonial society - political leaders and religious dissidents, farmhands and apprentices, women and children.

Fela: Kalakuta Notes is an evocative account of Fela Kuti - the Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or "sufferheads." In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in Fela's autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues. For the second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artist's music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, Fela's musical children, Fela's Shrine and Kalakuta House, and the annual Felabration. As the dust settles over Fela's fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. Features a new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author.

One of the great "first novels" in world literature is now available in a complete, accurate English translation. Prepared by two of America's leading Verne scholars, Frederick Paul Walter and Arthur B. Evans, this edition honors not only Verne's farseeing science, but also his zest, style, and storytelling brilliance. Initially published in 1863, Five Weeks in a Balloon was the first novel in the author's Extraordinary Voyages series. It tells the tale of a 4,000-mile balloon trip over the mysterious continent of Africa, a trip that wouldn't actually take place until well into the next century. Fusing adventure, comedy, and science fiction, Five Weeks has all the key ingredients of classic Verne: sly humor and cheeky characters, an innovative scientific invention, a tangled plot that's full of suspense and surprise, and visions of an unknown realm. As part of the Early Classics of Science Fiction series, this critical edition features extensive notes, all the illustrations from the original French edition, and a complete Verne biography and bibliography. Five Weeks in a Balloon will be a prized addition to libraries and science fiction reading lists, and a must-read for Verne fans and steampunk connoisseurs.

For the first time in English, readers can now evaluate the extraordinary breadth of César Vallejo's diverse oeuvre that, in addition to poetry, includes magazine and newspaper articles, chronicles, political reports, fictions, plays, letters, and notebooks. Edited by the translator Joseph Mulligan, Selected Writings follows Vallejo down his many winding roads, from Santiago de Chuco in highland Peru, to the coastal cities of Trujillo and Lima, on to Paris, Madrid, Moscow, and Leningrad. This repeated border-crossing also plays out on the textual level, as Vallejo wrote prolifically across genres and, in many cases, created poetic space in extra-literary modes. Informed by a vast body of scholarly research, this compendium synthesizes a restored literary corpus and - in bold translations that embrace the idiosyncratic spirit of the author's writing - puts forth a new representation of this essential figure of twentieth-century Latin American literature as an indispensable alternative to the European avant-garde. Compiling well known versions with over eighty percent of the text presented in English translation for the first time, Selected Writings is both a trove of and tribute to Vallejo's multifaceted work. Includes translations by the editor and Clayton Eshleman, Pierre Joris, Suzanne Jill Levine, Nicole Peyrafitte, Michael Lee Rattigan, William Rowe, Eliot Weinberger, and Jason Weiss.

Mainstream news coverage of the catastrophic earthquake of January 12, 2010, reproduced longstanding narratives of Haiti and stereotypes of Haitians. Cognizant that this Haiti, as it exists in the public sphere, is a rhetorically and graphically incarcerated one, the anthropologist and performance artist Gina Athena Ulysse embarked on a writing spree that lasted over two years. As an ethnographer and a member of the diaspora, Ulysse delivers critical cultural analysis of geopolitics and daily life in a series of dispatches, op-eds and articles on post-quake Haiti. Her complex yet singular aim is to make sense of how the nation and its subjects continue to negotiate sovereignty and being in a world where, according to a Haitian saying, tout moun se moun, men tout moun pa menm (All people are human, but all humans are not the same). This collection contains thirty pieces, most of which were previously published in and on Haitian Times, Huffington Post, Ms Magazine, Ms Blog, NACLA, and other print and online venues. The book is trilingual (English, Kreyòl, and French) and includes a foreword by award-winning author and historian Robin D.G. Kelley.

In her three previous, award-winning collections of blues poetry, Honorée Fanonne Jeffers has explored themes of African American history, Southern culture, and intergenerational trauma. Now, in her fourth and most accomplished collection, Jeffers turns to the task of seeking and reconciling the blues and its three movements - identification, exploration, and resolution - with wisdom. Poems in The Glory Gets ask, "What happens on the road to wisdom? What now in this bewildering place?" Using the metaphor of "gets" - the concessional returns of living - Jeffers travels this fraught yet exhilarating journey, employing unexpected improvisations while navigating womanhood. The spirit and spirituality of her muse, the late poet Lucille Clifton, guide the poet through the treacherous territories other women have encountered and survived yet kept secret from their daughters. An online reader's companion will be available.

The Lives of Robert Ryan provides an inside look at the gifted, complex, intensely private man whom Martin Scorsese called "one of the greatest actors in the history of American film." The son of a Chicago construction executive with strong ties to the Democratic machine, Ryan became a star after World War II on the strength of his menacing performance as an anti-Semitic murderer in the film noir Crossfire. Over the next quarter century he created a gallery of brooding, neurotic, and violent characters in such movies as Bad Day at Black Rock, Billy Budd, The Dirty Dozen, and The Wild Bunch. His riveting performances expose the darkest impulses of the American psyche during the Cold War.At the same time, Ryan's marriage to a liberal Quaker and his own sense of conscience launched him into a tireless career of peace and civil rights activism that stood in direct contrast to his screen persona. Drawing on unpublished writings and revealing interviews, film critic J.R. Jones deftly explores the many contradictory facets of Robert Ryan's public and private lives, and how these lives intertwined in one of the most compelling actors of a generation.

In Wesleyan University, 1910 - 1970, David B. Potts presents an engaging story that includes a measured departure from denominational identity, an enterprising acquisition of fabulous wealth, and a burst of enthusiastic aspirations that initiated an era of financial stress. Threaded through these episodes is a commitment to social service that is rooted in Methodism and clothed in more humanistic garb after World War II. Potts gives an unprecedented level of attention to the board of trustees and finances. These closely related components are now clearly introduced as major shaping forces in the development of American higher education. Extensive examination is also given to student and faculty roles in building and altering institutional identity. Threaded throughout these probes within in the analytical narrative is a close look at the waxing and waning of presidential leadership. All these developments, as is particularly evident in the areas of student demography and faculty compensation, travel on a pathway through middle-class America. Within this broad context, Wesleyan becomes a window on how the nation's liberal arts colleges survived and thrived during the last century. This book concludes the author's analysis of changes in institutional identities that shaped the narrative for his widely praised first volume, Wesleyan University, 1831 - 1910: Collegiate Enterprise in New England. His current fully evidenced sequel supplies helpful insights and reference points as we encounter the present fiscal strain in higher education and the related debates on institutional mission.

The Cinema of Errol Morris offers close analyses of the director's films - from box office successes like The Thin Blue Line and The Fog of War to Morris's early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha's reappraisal of Morris's films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality - in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage.

Heather Christle's stunning fourth collection blends disarming honesty with keen leaps of the imagination. Like the boundary between our sun's sphere of influence and interstellar space, from which the book takes its name, the poems in Heliopause locate themselves along the border of the known and unknown, moving with breathtaking assurance from the page to the beyond. Christle finds striking parallels between subjects as varied as the fate of Voyager 1, the uncertain conception of new life, the nature of elegy, and the decaying transmission of information across time. Nimbly engaging with current events and lyric past, Heliopause marks a bold shift and growing vision in Christle's work. An online reader's companion will be available.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities - to their portrayal in the media - and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.

Voices of Civil War soldiers rise from the pages of Heroes for All Time. This book presents the war straight from the minds and pens of its participants; rich passages from soldiers' letters and diaries complement hundreds of outstanding period photographs, most previously unpublished. The soldiers' moving experiences, thoughts, and images animate each chapter. Written accounts by nurses and doctors, soldiers' families, and volunteers on the home front add intriguing details to our picture of the struggle, which claimed roughly 6,000 Connecticut lives. Rare war artifacts - a bone ring carved on the battlefield or a wad of tobacco acquired from a rebel picket - connect the reader to the men and boys who once owned them. From camp life to battle, from Virginia to Louisiana, from the opening shot at Bull Run to the cheering at Appomattox, Heroes for All Time tells the story of the war through vivid, personal portrayals.

What do "self" and "it" have in common? In Rae Armantrout's new poems, there is no inert substance. Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem "Price Points" where a man conducts an imaginary orchestra but "gets no points for originality." In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens - even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http://raearmantrout.site.wesleyan.edu.

As long as people have lived along Rhode Island's meandering coast, the ocean has provided them with a ready supply of food. Whether Native American or European transplants, fishermen sought to move beyond capturing individual fish to ensnaring entire schools. Searching for increasingly efficient ways to capture their prey, the trapping technologies that they invented evolved over time, and primitive stake traps gave way to fykes and weirs, much as they had along the entire New England coast. Fishermen from Rhode Island experimented with new designs capable of withstanding the punishing wind and waves, eventually creating a unique floating trap system. Today only four companies still use this ancient but effective technique. Author Markham Starr spent time on the docks, went to sea with the fishermen, and photographed them at work. His striking black-and-white images are accompanied by oral histories, poignantly documenting the industry. This book documents a tradition now hundreds of years old, the spirit and work ethic that drives these fishermen, and the austere beauty of working life on the coast.