Winner of the 2004 ARSC Award for Best Research in Recorded Rock, Rhythm & Blues or Soul, The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles such as the blues, rhythm and blues, soul, funk, and gangsta rap. She looks at Pentecostalism and black secular music, minstrelsy and its portrayal of black religion, the black church, "crossing over" from gospel to R&B, images of the black preacher, and the salience of God in the rap of Tupac Shakur.Traditionally, west European culture has drawn distinct divisions between the secular and the sacred in music. Liturgical music belongs in church, not on pop radio, and artists who fuse the two are guilty of sacrilege. In the West-African worldview, however, both music and the divine permeate every imaginable part of life -- so much so that concepts like sacred and secular were entirely foreign to African slaves arriving in the colonies. The Western influence on African Americans eventually resulted in more polarization between these two musical forms, and black musicians who grew up singing in church were often lamented as hellbound once they found popular success. Even these artists, however, never completely left behind their West-African musical ancestry. Reed's exploration of this trend in African American music connects the work of today's artists to their West-African ancestry -- a tradition that over two-hundred years of Western influence could not completely stamp out.

No part of the Nazi movement contributed more to Hitler's success than the Sturmabteilung (SA) -- the notorious Brown Shirts. Bruce Campbell offers the first in-depth study in English of the men who held the three highest ranks in the SA. Organized on military lines and fired by radical nationalism, the Brown Shirts saw themselves as Germany's paramilitary saviors. Campbell reveals that the homogeneity of the SA leadership was based not on class or status, but on common experiences and training.Unlike other investigations of the Nazi party, The SA Generals and the Rise of Nazism focuses on the military and political activities of the Brown Shirts to show how they developed into SA Leaders. By tracing the activities, both individual and collective, of these men's adult lives through 1945, Campbell shows where members acquired the experience necessary to build, lead, and administer the SA. These men were instrumental in creating the Nazi concept of "political soldiering," combining military organization with political activism.Campbell's enlightening portrait of the SA, its history, and its relationship to the overall Nazi movement reveals how the organization's leaders reshaped the SA over time to adapt to Germany's changing political concerns.

Nationally acclaimed poet, photographer, filmmaker, and novelist James Baker Hall has long been regarded as one of Kentucky's most profound artists. Hall's growing body of work is an essential part of Kentucky's literary tradition, and yet his poetry in particular transcends the borders of the Commonwealth.The Total Light Process collects poems spanning Hall's celebrated career as well as new poems that have never before been published. The subjects of Hall's poems range from humorous and revealing portraits of his fellow writers and friends Wendell Berry, Ed McClanahan, and Gurney Norman, to the traumatic experience of his mother's suicide when he was eight years old, to the Israeli-Palestinian conflict and the tragic murder of Matthew Shepherd.

In the years before and after World War II, there were no bigger voices than those of the Andrews Sisters. Maxene, LaVerne, and Patty charted more top ten Billboard hits than Elvis or the Beatles and went on to become the top-selling female vocal group of all time, selling approximately 100 million records. They recorded such instant hits as "Beer Barrel Polka," "Boogie Woogie Bugle Boy," "Don't Fence Me In," and "I Can Dream, Can't I? " They dominated the music scene for fifteen years with some 600 recordings, appearances in seventeen films, cabaret performances, and countless radio and television appearances.Swing It! is the first published biography of this incredibly popular trio. The book includes many rarely published photos and features extensive career data, including a detailed discography, filmography, and listing of their radio and television appearances between 1938 and 1967. The Andrews Sisters had their big break with the 1937 release of the Yiddish tune "Bei Mir Bist Du Schon (Means that You're Grand)," which sold 350,000 copies in one month and established the trio as successful recording artists. The sisters are now probably best remembered for their work entertaining troops in World War II. They traveled across the U.S. and to Italy and Africa, and their recording of "Boogie Woogie Bugle Boy" for the film Buck Privates became synonymous with the war effort. Part of the reason for the success of the Andrews Sisters was their ability to perform so many different types of music. They repeatedly achieved major hits with melodies derived from many different countries, becoming the first and most prominent artists of their time to bring ethnic-influenced music to the forefront of America's hit parade. The Andrews Sisters separated for two years in the 1950s as the strain of constantly living, working, and playing together for over four decades took its toll. They reunited in 1956 and continued to perform together until LaVerne's death from cancer in 1967.The Andrews Sisters remain the most successful and enduring female vocal group in the history of show business. Theirs are the voices that defined an era.

Nineteen months before the D-day invasion of Normandy, Allied assault forces landed in North Africa in Operation TORCH, the first major amphibious operation of the war in Europe. Under the direction of Gen. Dwight D. Eisenhower, AUS, Adm. Andrew B. Cunningham, RN, Admiral H. Kent Hewitt, USN, and others, the Allies kept pressure on the Axis by attacking what Winston Churchill dubbed "the soft underbelly of Europe." The Allies seized the island of Sicily, landed at Salerno and Anzio, and established a presence along the coast of southern France.With Utmost Spirit takes a fresh look at this crucial naval theater of the Second World War. Barbara Brooks Tomblin tells of the U.S. Navy's and the Royal Navy's struggles to wrest control of the Mediterranean Sea from Axis submarines and aircraft, to lift the siege of Malta, and to open a through convoy route to Suez while providing ships, carrier air support, and landing craft for five successful amphibious operations. Examining official action reports, diaries, interviews, and oral histories, Tomblin describes each of these operations in terms of ship to shore movements, air and naval gunfire support, logistics, countermine measures, antisubmarine warfare, and the establishment of ports and training bases in the Mediterranean. Firsthand accounts from the young officers and men who manned the ships provide essential details about Mediterranean operations and draw a vivid picture of the war at sea and off the beaches.

At the end of World War II, Gen. Dwight D. Eisenhower, fearing that retreating Germans would consolidate large numbers of troops in an Alpine stronghold and from there conduct a protracted guerilla war, turned U. S. forces toward the heart of Franconia, ordering them to cut off and destroy German units before they could reach the Alps. Opposing this advance was a conglomeration of German forces headed by SS-Gruppenführer Max Simon, a committed National Socialist who advocated merciless resistance. Under the direction of officers schooled in harsh combat in Russia, the Germans succeeded in bringing the American advance to a grinding halt.Caught in the middle were the people of Franconia. Historians have accorded little mention to this period of violence and terror, but it provides insight into the chaotic nature of life while the Nazi regime was crumbling. Neither German civilians nor foreign refugees acted simply as passive victims caught between two fronts. Throughout the region people pressured local authorities to end the senseless resistance and sought revenge for their tribulations in the "liberation" that followed.Stephen G. Fritz examines the predicament and outlook of American GI's, German soldiers and officials, and the civilian population caught in the arduous fighting during the waning days of World War II. Endkampf is a gripping portrait of the collapse of a society and how it affected those involved, whether they were soldiers or civilians, victors or vanquished, perpetrators or victims.

When Slavery Was Called Freedom uncovers the cultural and ideological bonds linking the combatants in the Civil War era and boldly reinterprets the intellectual foundations of secession. John Patrick Daly dissects the evangelical defense of slavery at the heart of the nineteenth century's sectional crisis. He brings a new understanding to the role of religion in the Old South and the ways in which religion was used in the Confederacy. Southern evangelicals argued that their unique region was destined for greatness, and their rhetoric gave expression and a degree of coherence to the grassroots assumptions of the South. The North and South shared assumptions about freedom, prosperity, and morality. For a hundred years after the Civil War, politicians and historians emphasized the South's alleged departures from national ideals. Recent studies have concluded, however, that the South was firmly rooted in mainstream moral, intellectual, and socio-economic developments and sought to compete with the North in a contemporary spirit.Daly argues that antislavery and proslavery emerged from the same evangelical roots; both Northerners and Southerners interpreted the Bible and Christian moral dictates in light of individualism and free market economics. When the abolitionist's moral critique of slavery arose after 1830, Southern evangelicals answered the charges with the strident self-assurance of recent converts. They went on to articulate how slavery fit into the "genius of the American system" and how slavery was only right as part of that system.

The global threat of nuclear weapons is one of today's key policy issues. Using a wide variety of sources, including recently declassified information, Nathan E. Busch offers detailed examinations of the nuclear programs in the United States, Russia, China, Iraq, India, and Pakistan, as well as the emerging programs in Iran and North Korea. He also assesses the current debates in international relations over the risks associated with the proliferation of nuclear weapons in the post--Cold War world.Busch explores how our understanding of nuclear proliferation centers on theoretical disagreements about how best to explain and predict the behavior of states. His study bridges the gap between theory and empirical evidence by determining whether countries with nuclear weapons have adequate controls over their nuclear arsenals and fissile material stockpiles (such as highly enriched uranium and plutonium). Analyzing the strengths and weaknesses of various systems of nuclear weapons regulation, Busch projects what types of controls proliferating states are likely to employ and assesses the threat posed by the possible theft of fissile materials by aspiring nuclear states or by terrorists.No End in Sight provides the most comprehensive and up-to-date analysis of issues at the forefront of contemporary international affairs. With the resurgence of the threat of nuclear terrorism, Busch's insights and conclusions will prove critical to understanding the implications of nuclear proliferation.

In the past thirty years, Congress has dramatically changed its response to unpopular deficit spending. While the landmark Congressional Budget Act of 1974 tried to increase congressional budgeting powers, new budget processes created in the 1980s and 1990s were all explicitly designed to weaken member, majority, and institutional budgeting prerogatives. These later reforms shared the premise that Congress cannot naturally forge balanced budgets without new automatic mechanisms and enhanced presidential oversight. So Democratic majorities in Congress gave new budgeting powers to Presidents Reagan and Bush, and then Republicans did the same for President Clinton.Passing the Buck examines how Congress is increasing delegation of a wide variety of powers to the president in recent years. Jasmine Farrier assesses why institutional ambition in the early 1970s turned into institutional ambivalence about whether Congress is equipped to handle its constitutional duties.

War hero. Lawyer. U. S. Senate candidate. Horse lover. Farm boy. Fundraiser. To this impressive list add one more role ably filled by Philip Ardery: master storyteller.Heroes and Horses presents a series of delightful vignettes evoking a way of life almost beyond recall. Bourbon County, the touchstone for Ardery's life, is the center that holds together the tales in the collection. Stories about Ardery's family home, "Rocclicgan," boyhood activities on the farm, and the servants' kitchen gossip paint vivid portraits of a lost time in Kentucky's history.Though the Ardery family and most of their neighbors were not horse people, all ages were united in their devotion to the sport of racing, with excitement reaching a crescendo each spring at Derby time. At the 1930 Derby, in which Bourbon County favorite Tannery finished eighth, losses from wagering on the horse hit the county harder than the stock market crash of the previous year. Ardery regales us with memories of hitchhiking to Louisville in 1933, sneaking into the Downs, and witnessing one of the most famous stretch runs of all time. He also tells about Claiborne Farms and its 1984 Derby and Belmont winner, Swale -- a story that takes us from the heights of euphoria to the depths of despair.Despite Ardery's spring trips to Louisville, home base for this collection remains pastoral Bourbon County, northeast of Lexington, the very heart of the Bluegrass. Ardery gives us a personal account of the rise and fall of Edward F. Prichard Jr., whose life "seems something of a Greek tragedy." We hear the story of Reuben Hutchcraft, the county's greatest hero of World War I. We learn the history of Barton Stone and the Cane Ridge Meeting House, where the Disciples of Christ denomination was born before the Civil War. And in one of the most moving stories in the book, Ardery tells of his respect and admiration for the wisdom of Cap'n, a former slave who worked on the family's farm during Ardery's boyhood.Written by one of Kentucky's favorite sons, Heroes and Horses will delight anyone with even a passing interest in the Bluegrass State or who enjoys a good story well told.

" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.

" The South continues to be the most distinctive region in American politics. Over the last half century, Democratic dominance in the South has given way to the emergence of a truly competitive two-party system that leans Republican in presidential elections. In some ways, the region is increasingly like the rest of the country, yet even the degree of change and the speed with which it occurred give the South a distinctive air. The contributors to Southern Political Party Activists examine both the development of American political party organizations and the changing political character of the South, focusing on grassroots party activists-those who are involved in party organizations at the county level. John A. Clark is associate professor of political science at Western Michigan University. Charles L. Prysby is professor of political science at the University of North Carolina at Greensboro.

Some of the nation's most respected scholars of international affairs examine the debates over U.S. grand strategy in light of U.

A historical novel of prejudice and plague, The Scourges of Heaven sweeps gracefully, joyfully, painfully across centuries and generations. Through Cynthia Anne Ferguson, orphaned aboard a vessel carrying immigrants, hopes, dreams, and cholera from the Old World to the New, David Dick paints a world where the causes of disease are little understood, where faith is not always a comfort, where human questioning often goes unanswered, and where unexpected death is frequently attributed to the wrath of an angry God. Cynthia's story unfolds in the midst of the first of four great cholera epidemics to sweep America in the mid-nineteenth century, and her journey through life, from New Orleans up the Mississippi and Ohio rivers and across the Bluegrass to Lexington, parallels the track followed by the deadly scourge. More powerfully told than any factual, statistical, or scientific account could ever manage, yet based upon historical events, this tale of disease, ignorance, and narrow-mindedness is supported by a central theme of hope that ultimately brings redemption.

Listen Here: Women Writing in Appalachia is a landmark anthology that brings together the work of 105 Appalachian women writers, including Dorothy Allison, Harriette Simpson Arnow, Annie Dillard, Nikki Giovanni, Denise Giardina, Barbara Kingsolver, Jayne Anne Phillips, Janice Holt Giles, George Ella Lyon, Sharyn McCrumb, and Lee Smith. Editors Sandra L. Ballard and Patricia L. Hudson offer a diverse sampling of time periods and genres, established authors and emerging voices. From regional favorites to national bestsellers, this unprecedented gathering of Appalachian voices displays the remarkable talent of the region's women writers who've made their mark at home and across the globe.

The Civil War and Reconstruction were characterized by two lasting legacies -- the failure to bring racial harmony to the South and the failure to foster reconciliation between the North and South. The nation was left with a festering race problem, as a white-dominated society and political structure debated the +proper role for blacks. At the national level, both sides harbored bitter feelings toward the other, which often resulted in clashes among congressmen that inflamed, rather than solved, the race problem. No Congress expended more energy debating this issue than the Fifty-First, or "Billion Dollar," Congress of 1889-1891. The Congress debated several controversial solutions, provoking discussion far beyond the halls of government and shaping the course of race relations for twentieth-century America.Legislating Racism proposes that these congressional debates actually created a climate for the first truly frank national discussion of racial issues in the United States. In an historic moment of unusual honesty and openness, a majority of congressmen, newspaper editors, magazine contributors, and the American public came to admit their racial prejudice against not only blacks, but all minority races. If the majority of white Americans -- not just those in the South -- harbored racist sentiments, many wondered whether Americans should simply accept racism as the American way. Thomas Adams Upchurch contends that the Fifty-First Congress, in trying to solve the race problem, in fact began the process of making racism socially and politically acceptable for a whole generation, inadvertently giving birth to the Jim Crow era of American history.