Vernon and Irene Castle popularized ragtime dancing in the years just before World War I and made dancing a respectable pastime in America. The whisper-thin, elegant Castles were trendsetters in many ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue. Irene was also a fashion innovator, bobbing her hair ten years before the flapper look of the 1920s became popular. From their marriage in 1911 until 1916, the Castles were the most famous and influential dance team in the world. Their dancing schools and nightclubs were packed with society figures and white-collar workers alike. After their peak of white-hot fame, Vernon enlisted in the Royal Canadian Flying Corps, served at the front lines, and was killed in a 1918 airplane crash. Irene became a movie star and appeared in more than a dozen films between 1917 and 1922. The Castles were depicted in the Fred Astaire--Ginger Rogers movie The Story of Vernon and Irene Castle (1939), but the film omitted most of the interesting and controversial aspects of their lives. They were more complex than posterity would have it: Vernon was charming but irresponsible, Irene was strong-minded but self-centered, and the couple had filed for divorce before Vernon's death (information that has never before been made public). Vernon and Irene Castle's Ragtime Revolution is the fascinating story of a couple who reinvented dance and its place in twentieth-century culture.

As part of its effort to rid the nation of Communist influence and infiltration, the House Un-American Activities Committee subpoenaed hundreds of actors, screenwriters, producers, and directors with suspected "Red" leanings in 1947. Some of these film industry veterans, including screenwriter Paul Jarrico (1915--1997), refused to testify on Capitol Hill and were denied subsequent employment. In The Marxist and the Movies, Larry Ceplair illuminates the life, career, and political activism of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick, and Harry (1941) and the producer of the only film ever blacklisted, The Salt of the Earth. Although the story of the Hollywood Ten has been told, The Marxist and the Movies is a unique look at Communist activities during this seminal period in American history. Ceplair recounts Jarrico's struggles against both personal demons and the prevailing power structures of his era. Through firsthand accounts from Jarrico himself and interviews with those closest to him, as well as congressional records and statements from those on both sides of the Red Scare, Ceplair provides an intimate view of Paul Jarrico's life, set in historical and cultural context.

Paranormal investigator Joe Nickell is equally at home when recreating the mysterious Nasca lines at a remote site in Kentucky as he is in his research lab at the office of the Committee for Skeptical Inquiry. He has traveled the world, seeking to understand its strange mysteries. Nickell does not engage in hype or sensationalism, yet he avoids the instinctive dismissiveness of many skeptics. Instead, he scientifically investigates the claims he encounters with the intention of finding the truth. Guided by the notion that the extent of the evidence must be commensurate with the extent of the claim, and by the principle of Occam's Razor -- that the simplest tenable explanation is most likely correct -- Nickell has spent his career uncovering the truth behind seemingly inexplicable phenomena. In Adventures in Paranormal Investigation, Nickell presents the case files of his examinations of claims ranging from alien abductions to zoological enigmas. He investigates snake charmers, alien autopsies, crystal skulls, a Russian girl with X-ray eyes, Jack the Ripper, and a haunted gas chamber at Dachau, among many others. He even reveals how intuition has changed his life, causing him to meet the daughter he never knew he had. Nickell brings his trademark skepticism to each investigation, carefully observing each claim and using scientific methods honed over many years to discover the real stories behind these fascinating tales.

Had there been no Civil War, the eminent American author known as Mark Twain would likely have spent his life as Sam Clemens, the Mississippi River steamboat pilot. When the war came and the steamboats stopped running, Clemens served two weeks in the Missouri State Guard before he fled west to begin his career as a writer. After the Civil War dramatically altered the course of Twain's life and career, his thoughts and stories about the war were published widely. Mark Twain's Civil War marks the first occasion for readers to survey the full range of his Civil War writings in one volume. The book contains autobiographical pieces as well as fiction, appealing to both Twain enthusiasts and Civil War scholars.

More than three decades after the withdrawal of American troops from Southeast Asia, the Vietnam War still resonates in political and cultural discourse and still motivates vibrant historical inquiry. The eminent scholars featured in The War That Never Ends present the newest perspectives on the war in Vietnam, from the homefront to Ho Chi Minh City, from the government halls to the hotbeds of activist opposition. The seventeen essays compiled by David L. Anderson and John Ernst examine Vietnamese as well as American experiences of the grueling conflict, breaking new ground on questions relating to gender, religion, ideology, media, and public opinion. The War That Never Ends sheds new light on the evolving historical meanings of the Vietnam War, its enduring influence on current matters of global significance, and its potential to influence American foreign policy, in times of peace and war.

An illustrated introduction to internationally acclaimed glass artist Stephen Rolfe Powell's career, this book charts the evolution of Powell's remarkable body of work. Dazzling photographic close-ups not only detail the luminous murrini patterns that have become Powell's signature but also reveal new ways of appreciating the complex interplay of color and texture in his art. Biographical and analytical essays by Mark Lucas, Laurie Winters, and James Yood explore such topics as the teamwork that is so critical to Powell's unique glassmaking process; his teaching and learning experiences on the road, from the former Soviet Union to Salt Lake City during the Olympics; and the story of the two freak injuries that deeply affected his work and how he thinks about it. Reflections by Kenn Holsten, Marvin Lipofsky, Dante Marioni, Bonnie Marx, John Roush, and Lino Tagliapietra further supplement the book. The book's stunning photographs encourage the viewer to see Powell's work from different viewpoints, and they highlight the unique interactions between transparent, opaque, and translucent glass and Powell's bold color combinations. Stephen Rolfe Powell: Glassmaker vividly portrays the tension and excitement involved in the artist's nontraditional, collaborative approach to working with molten glass.

The folklore surrounding history's towering figures often overshadows actual scholarship, both in terms of quantity and in terms of prevalence in the public consciousness. As one might expect with a revered national icon, nearly every facet of Abraham Lincoln's life has been subject to mythmaking as well as academic inquiry of widely varying quality and accuracy. In Lincoln Legends, noted historian and Lincoln expert Edward Steers Jr. carefully scrutinizes some of the most notorious tall tales and distorted ideas about America's sixteenth President. Did Abraham Lincoln write his greatest speech on the back of an envelope on the way to Gettysburg? Did he appear before a congressional committee to defend his wife against charges of treason? Was Lincoln an illegitimate child? Was he gay? Edward Steers weighs the evidence in these and other heated debates about the Great Emancipator. Steers's conclusions will satisfy some and disappoint others, and he just might settle some of these enduring questions once and for all.

One in ten American college students joins a fraternity or sorority, and Greek social organizations produce a disproportionately large percentage of power brokers in business and politics. Statistics show that while these future leaders are on campus, they are much more likely than non-Greek students to engage in binge drinking and to be either the perpetrators or victims of sexual assault. In Inside Greek U. , Alan D. DeSantis takes an in-depth look at the lessons that Greek organizations teach their members about gender, drawing on evidence gathered in hundreds of focus-group sessions and personal interviews and from his years of experience as a Greek faculty advisor. Inside Greek U reveals a Greek culture that imbues its members with the sense that "real men" must be unemotional, promiscuous, violent, and aggressively masculine, while "nice girls" should be nurturing, passive, domestic, and purely feminine. These rigid formulations contribute to maladaptive behaviors and beliefs, such as eating disorders, body image distortions, homophobia, and date rape and other sexual misconduct. Inside Greek U. aims to reform the Greek system rather than tear it down or sanction contempt for its members. DeSantis identifies narrow definitions of gender that impede Greek students' intellectual and emotional development and seeks to broaden these definitions, thereby expanding the range of acceptable choices available to fraternity and sorority members before and after graduation.

In 1907, the author, poet, essayist, and folk art historian Eliza Calvert Hall (1856--1935) published Aunt Jane of Kentucky, a collection of stories about rural life infused with the spirit and gentle good humor of its elderly narrator, Aunt Jane. The book and several sequels achieved wide popularity and placed Hall in the front ranks of "local color" fiction writers of her time. As Hall struggled to balance her writing career with the duties of a nineteenth-century wife and mother, suffragist Laura Clay was lobbying for every woman's right to vote. Hall joined the battle, writing fearlessly in support of suffrage and equality. While her passionate essays served as a direct appeal for this cause, her creative writing also carried a feminist spirit, celebrating the strength, humor, love, and art of the common woman. In Eliza Calvert Hall, Lynn E. Niedermeier tells the story of this remarkable Kentucky woman for the first time.

Although Sidney Saylor Farr is renowned in the field of Appalachian studies, her own fascinating personal history has been little known until now. My Appalachia is Farr's story of growing up in the mountains of southeastern Kentucky, where her devotion to her family led her to accept crushing responsibilities that steered her away from her own goals. Her intense determination, however, compelled her to find her own path in life and gave her the strength to become one of the most influential figures in her discipline. At the age of twelve, Farr was forced to leave school to care for her ailing mother and several younger siblings. Given the responsibilities of adulthood early in life, she pushed herself through countless challenges, including poverty, discrimination, and personal loss. Yet she managed to thrive -- she educated herself, raised two sons, and became a voice for her family, community, and culture. In My Appalachia, Farr shares the stories of her struggles and triumphs to create a vivid picture of a culture as enduring as the mountains. Composed of a rich mix of folklore, family history, and spiritual and intellectual exploration, My Appalachia reveals the beauty at the heart of life in Appalachia.

In 1804, while Lewis and Clark were still making their way up the Missouri River, Thomas Jefferson formulated a plan for a similarly ambitious exploration that would proceed from the Mississippi up the Red River "to the tops of the mountains" and then return by way of the Arkansas River. The man he selected to lead this venture was William Dunbar (1750--1810) of the Mississippi Territory. The Scottish-born Dunbar was a man of many abilities and professions -- surveyor, botanist, zoologist, astronomer, planter, architect, inventor. He perfected the cotton bale, learned how to put cottonseed oil to use, and he improved agricultural implements to increase production. In addition, he published many scientific articles in American Philosophical Society journals. In William Dunbar: Scientific Pioneer of the Old Southwest, Arthur DeRosier finally gives Dunbar's fascinatingly varied life and career the recognition they deserve.

In his first inaugural address, Abraham Lincoln declared that as president he would "have no lawful right" to interfere with the institution of slavery. Yet less than two years later, he issued a proclamation intended to free all slaves throughout the Confederate states. When critics challenged the constitutional soundness of the act, Lincoln asserted that he was endowed "with the law of war in time of war. " In Act of Justice, Burrus M. Carnahan contends Lincoln was no reluctant emancipator; he wrote a truly radical document that treated Confederate slaves as an oppressed people rather than merely as enemy property. In this respect, Lincoln's proclamation anticipated the intellectual warfare tactics of the twentieth and twenty-first centuries.

In the 1930s radio stations filled the airwaves with programs about rural Americans struggling through the Great Depression. One of the most popular of these shows was Lum and Abner, the brainchild of two young businessmen from Arkansas. Chester "Chet" Lauck and Norris "Tuffy" Goff based Pine Ridge, the community they created on the air, on the hamlet of Waters, Arkansas. The title characters, who are farmers, local officials, and keepers of the Jot 'Em Down Store, manage to entangle themselves in a variety of hilarious dilemmas. In Lum and Abner: Rural America and the golden Age of Radio, historian Randal L. Hall contributes an extended introduction explaining the history and importance of the program, its creators, and its national audience and then presents a treasure trove of twenty-nine previously unavailable scripts from the show's earliest period.

In late 1994, wells in Pie, West Virginia, began to go dry, leaving many residents of the small coal-mining town without potable water. When local housewife Trish Bragg made a few phone calls in an effort to solve this problem, she had no idea that her inquiries would eventually lead to her becoming the named plaintiff in a major lawsuit, a summa cum laude college graduate, and a hero of her community. Moving Mountains recounts the struggle of Trish Bragg and other ordinary West Virginians for fair treatment by the coal companies that dominate the local economies of southern West Virginia. The collateral effects of mountaintop removal, deep mining, and other mining practices are felt most profoundly in the communities that supply much of the labor for these mining operations, which results in divided loyalties among families that have made their living from coal mining for generations. Author Penny Loeb spent nine years chronicling the triumphs and setbacks of people in the West Virginia coalfields--people caught between the economic opportunities provided by coal and the detriments to health and to quality of life that are so often the by-products of the coal industry. The result of her work is an account of the human and environmental costs of coal extraction, and the inspirational grassroots crusade to mitigate those costs.

To whom should we look for moral guidance during times of global violence, scarcity, and corruption? For two millennia, Aristotle's writings have taught that the ethically "good life" is the highest purpose of human existence. In In Search of the Good Life, renowned philosopher Fred Dallmayr traces the development of this notion, illuminating the connections between Greek philosophy, Judeo-Christian tradition, Eastern religions, and postindustrial social criticism. Dallmayr searches the writings of Bonaventure, Nicolaus of Cusa, Leibniz, Montesquieu, and others, for models of the good life. In Search of the Good Life, however, is not merely an academic exercise. Dallmayr's investigations apply directly to a number of contemporary issues: the relevance of the classics, the global spread of democracy, appropriate responses to evil, and the public role of religion in a democracy. Dallmayr reinvigorates the notion of the good life as a hallmark of personal conduct, civic virtue, and political engagement, seeking to roust a complacent and self-indulgent citizenry out of a fog of modern amusements and distractions.

" WITH A FOREWORD BY MARION WRIGHT EDELMAN The award-winning biography of black civil rights activist Fannie Lou Hamer. ""Riveting. Provides a history that helps us to understand the choices made by so many black men and women of Hamer's generation, who somehow found the courage to join a movement in which they risked everything. "" --New York Times Book Review ""One is forced to pause and consider that this black daughter of the Old South might have been braver than King and Malcolm."" --Washington Post Book World ""An epic that nurtures us as we confront today's challenges and helps us Keep Hope Alive.'"" --Jesse L. Jackson ""Not only does This Little Light of Mine recount a vital part of America""s history, but it lights our future as readers are inspired anew by Mrs. Hamer's spirit, courage, and commitment."" --Marian Wright Edelman ""This book is the essence of raw courage. It must be read."" --Rep. John Lewis