Noted historian Robert G. Kaufman contends that the terrorist attacks of September 11, 2001, shattered the optimism so prevalent in the United States during the tranquil and prosperous 1990s. President George W. Bush's controversial grand strategy for waging a preemptive Global War on Terror has ignited passionate debate about the purposes of American power and the nation's proper role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy of regime change in Iraq. Kaufman connects the Bush Doctrine and current issues in American foreign policy to the deeper tradition of American diplomacy, drawing from positive lessons as well as cautionary tales from the past. Two key premises shape Kaufman's case for the Bush Doctrine's conformity with moral democratic realism. The first premise is the fundamental purpose of American foreign policy since its inception: to ensure the integrity and vitality of a free society "founded upon the dignity and worth of the individual." The second premise is that the cardinal virtue of prudence (the right reason about things to be done) must be the standard for determining the best practicable American grand strategy. In Defense of the Bush Doctrine provides both scholars and lay readers a broader historical context for the post-September 11 American foreign policy that will transform world politics well into the future.In Defense of the Bush Doctrine provides both scholars and lay readers a broader historical context for the post-September 11 American foreign policy that will transform world politics well into the future.

Judge Mac Swinford was one of the longest-serving federal judges in United States history. During his lengthy tenure in the Kentucky courts, he came to know and appreciate the deep complexity of the law, understanding that it could be solid and fluid, broad and narrow, kind and harsh, changeless yet always evolving. In this service to the state and to the law, he felt that it was often his fellow lawyers who touched and educated him most. Kentucky Lawyer presents the most humorous, enlightening, and poignant moments of a remarkable fifty-year career. Judge Swinford offers a unique Kentucky history, recounting instances of the drama and romance of the Kentucky bar. In "A Kentucky Ghost Story," he takes readers to the banks of Crooked Creek in Harrison County, where the spirit of a wrongfully accused man still affects judicial decisions. "Cost of Love" recalls a trial in Carlisle County in which a scorned lover files suit against her ex-fiancé for breach of promise, claiming ten thousand dollars for a broken heart.Remembering some of Kentucky's most revered and respected jurists, Judge Swinford relates American culture in its most intimate and significant sense, through the acts and expressions of local leaders in the everyday affairs of life. His stories of humble commitment highlight the lives of men such as Henry Clay, Lieutenant Governor Rodes K. Myers, and Senator Joe C.S. Blackburn, who championed unpopular cases and stood on the forefront of government and community affairs. Kentucky Lawyer pays tribute to some of Kentucky's "truly great men," with the hope that legend will preserve them for us in memory. Now back in print, this classic book illuminates the varied work and world of the twentieth-century lawyer with elegance and humor.

With a Foreword by Dick Vitale What can the film Hoosiers teach us about the meaning of life? How can ancient Eastern wisdom traditions, such as Taoism and Zen Buddhism, improve our jump-shots? What can the "Zen Master" (Phil Jackson) and the "Big Aristotle" (Shaquille O'Neal) teach us about sustained excellence and success? Is women's basketball "better" basketball? How, ethically, should one deal with a strategic cheater in pickup basketball? With NBA and NCAA team rosters constantly changing, what does it mean to play for the "same team"? What can coaching legends Dean Smith, Rick Pitino, Pat Summitt, and Mike Krzyzewski teach us about character, achievement, and competition? What makes basketball such a beautiful game to watch and play? In Basketball and Philosophy, a Dream Team of twenty-six academics trained in philosophy -- also diehard hoops fans -- proves that basketball is the thinking fan's sport. Whether you play basketball, coach it, or just love to watch it, this book will forever enrich your understanding and appreciation of the game.

On March 7, 1808, President Thomas Jefferson received a long-awaited shipment of approximately 300 fossils from William Clark, who had just completed his westward expedition with Meriwether Lewis. The fossils were unearthed at Big Bone Lick in northern Kentucky, and over the years they had gained the interest of such prominent figures as Daniel Boone, George Washington, and Benjamin Franklin. Jefferson's receipt of the fossils was the realization of more than twenty years of the philosopherstatesman's interest in the site and its natural treasures. Big Bone Lick: The Cradle of American Paleontology recounts the rich history of the fossil site that gave the world the first evidence of the extinction of several mammalian species, including the American mastodon. Big Bone Lick has played many roles: nutrient source, hallowed ground, salt mine, health spa, and a trove of archaeological riches and paleontological wonders. Natural historian Stanley Hedeen presents a comprehensive and accessible narrative of Big Bone Lick from its geological formation forward, explaining why the site attracted first animals, then Native peoples of the region, European explorers and scientists, and eventually American pioneers and presidents. Big Bone Lick is a history of both a place and a scientific discipline: it explores the infancy and adolescence of paleontology from its humble and sometimes humorous beginnings. Hedeen combines elements of history, geology, politics, and biology to make Big Bone Lick an entertaining story as well as a valuable historical resource.

The fate of the USS Flier is one of the most heroic stories of the Second World War. On August 13, 1944, the submarine struck a mine and sank to the bottom of the Sulu Sea in less than one minute, leaving only fourteen of its eighty-six crewmen alive. After enduring eighteen hours in the water, the eight remaining survivors swam to a remote island controlled by the Japanese. Deep in enemy territory and without food or drinking water, the crewmen soon realized that their struggle for survival had just begun. Noted historian Michael Sturma's vivid recounting of the harrowing story of the USS Flier has all the elements of a classic World War II survival tale: sudden disaster, physical deprivation, a ruthless enemy, friendly guerrillas, and a dramatic escape from behind enemy lines. The eight sailors who survived the disaster became the first Americans of the Pacific conflict to escape from a sunken submarine and return safely to the United States. Though some of the Flier's mysteries remain with the submarine beneath the sea, this account sheds light on the nature of underwater warfare and naval protocol and demonstrates the high degree of cooperation that existed among submariners, coast watchers, and guerrillas in the Philippines. Sturma fills a historical gap by detailing this important episode of the Second World War.

Kentucky Bourbon: The Early Years of Whiskeymaking tells the story of bourbon's evolution, debunking many popular myths along the way. Back in print for the first time in twenty five years, Kentucky Bourbon looks at a variety of subjects from the role of alcohol in colonial America and in the lives of frontiersmen to the importance of the Kentucky product in the Revolutionary War. Like a fine liquor, the book has aged well in its elegance and complexity.

A sequel to the award-winning Buffalo Dance, Frank X Walker's When Winter Come: The Ascension of York is a dramatic reimagining of Lewis and Clark's legendary exploration of the American West. Grounded in the history of the famous trip, Walker's vibrant account allows York -- little more than a forgotten footnote in traditional narratives -- to embody the full range of human ability, knowledge, emotion, and experience. Knowledge of the seasons unfolds to York "like a book," and he "can read moss, sunsets, the moon, and a mare's foaling time with a touch. " During the journey, York forges a spiritual connection and shares sensual delights with a Nez Perce woman, and Walker's poems capture the profound feelings of love and loss on each side of this ill-fated meeting of souls. As the perspectives of Lewis, Clark, Sacagawea, and others in the party emerge, Walker also gives voice to York's knife, his hunting shirt, and the river waters that have borne thousands of travelers before and after the Lewis and Clark expedition. The alternately heartbreaking and uplifting poems in When Winter Come are told from multiple perspectives and rendered in vivid detail. When Winter Come exalts the historical persona of a slave and lifts the soul of a man; York ascends out of his chains, out of oblivion, and into flight.

Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Although the mainstream American film industry accepted the form of censorship known as "prior restraint," the independent distributors and exhibitors challenged the government censors in court. In Freedom of the Screen, Laura Wittern-Keller tells the story of those who fought prior restraint on movies. By drawing attention to this inequity -- film was the only medium so constricted by the 1950s -- the distributors pushed a reluctant judiciary to square its interpretation of movie expression with the rights of other media. As these legal interpretations gradually became more sympathetic to artistic freedom -- largely because of the independent distributors' lawsuits -- Hollywood was free to discard its outmoded restraints and deliver provocative, relevant movies to American audiences.

The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, including such shows as Dragnet, The Fugitive, Miami Vice, The X-Files, CSI, and 24.

Containing Communism was the primary goal of American foreign policy for four decades, allowing generations of political leaders to build consensus atop a universally accepted foundation. From Berlin to Baghdad dissects numerous attempts, after communism's collapse, to devise a new grand strategy that could match containment's moral clarity and political efficacy. In the 1990s, the Bush and Clinton administrations eventually acknowledged that they could not reduce America's multifaceted post--Cold War objectives to a single fundamental precept. After 9/11, George W. Bush promoted the war on terror as America's new global mission, but this potential successor to containment lost much of its strength as conflicts in the Middle East weakened public morale. From Berlin to Baghdad sheds new light on America's search for purpose in the politically volatile new world of the twenty-first century.

The temperance movement first appeared in America in the 1820s as an outgrowth of the same evangelical fervor that fostered a wide range of reform campaigns and benevolence societies. Like many of these movements, temperance was confined primarily to the northeastern United States during the antebellum period. Viewed with suspicion by Southerners because of its close connection to the antislavery movement, prohibition sentiment remained relatively weak in the antebellum South. In the decades following the Civil War, however, southern evangelicals embraced the movement with unprecedented fervor, and by 1915, liquor had been officially banned from the region as a result of their efforts. Liquor in the Land of the Lost Cause examines how southern evangelical men and women transformed a Yankee moral reform movement into an ideology that was compatible with southern culture and values.

Charles Pierce Roland ranks as one of the most distinguished and respected historians of the Civil War and the American South. A former president of the Southern Historical Association, Roland is the author of nine books, including An American Iliad: The Story of the Civil War, the definitive biography of Confederate general Albert Sidney Johnston, and a history of the South since World War II. History Teaches Us to Hope collects Roland's most important work -- some previously unpublished -- on secession and the Civil War, Civil War leadership, and the South in fact and myth, and also includes personal reflections by Roland about his own life and career.

Though it may come as a surprise to both cinema lovers and industry professionals who believe that 3-D film was born in the early 1950s, stereoscopic cinema actually began in 1838, more than 100 years before the 3-D boom in Hollywood was created by the release of Arch Oboler's African adventure film, Bwana Devil, filmed in "Natural Vision" 3-D. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, is a comprehensive prehistory of the stereoscopic motion picture. In the late nineteenth century, stereoview cards were popular worldwide, and soon filmmakers wanted to capture these "living pictures" with motion, sound, and color. Writing a new chapter in the history of early cinema, Ray Zone not only discusses technological innovation and its cultural context but also examines the aesthetic aspects of stereoscopic cinema in its first century of production.

Vernon and Irene Castle popularized ragtime dancing in the years just before World War I and made dancing a respectable pastime in America. The whisper-thin, elegant Castles were trendsetters in many ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue. Irene was also a fashion innovator, bobbing her hair ten years before the flapper look of the 1920s became popular. From their marriage in 1911 until 1916, the Castles were the most famous and influential dance team in the world. Their dancing schools and nightclubs were packed with society figures and white-collar workers alike. After their peak of white-hot fame, Vernon enlisted in the Royal Canadian Flying Corps, served at the front lines, and was killed in a 1918 airplane crash. Irene became a movie star and appeared in more than a dozen films between 1917 and 1922. The Castles were depicted in the Fred Astaire--Ginger Rogers movie The Story of Vernon and Irene Castle (1939), but the film omitted most of the interesting and controversial aspects of their lives. They were more complex than posterity would have it: Vernon was charming but irresponsible, Irene was strong-minded but self-centered, and the couple had filed for divorce before Vernon's death (information that has never before been made public). Vernon and Irene Castle's Ragtime Revolution is the fascinating story of a couple who reinvented dance and its place in twentieth-century culture.

As part of its effort to rid the nation of Communist influence and infiltration, the House Un-American Activities Committee subpoenaed hundreds of actors, screenwriters, producers, and directors with suspected "Red" leanings in 1947. Some of these film industry veterans, including screenwriter Paul Jarrico (1915--1997), refused to testify on Capitol Hill and were denied subsequent employment. In The Marxist and the Movies, Larry Ceplair illuminates the life, career, and political activism of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick, and Harry (1941) and the producer of the only film ever blacklisted, The Salt of the Earth. Although the story of the Hollywood Ten has been told, The Marxist and the Movies is a unique look at Communist activities during this seminal period in American history. Ceplair recounts Jarrico's struggles against both personal demons and the prevailing power structures of his era. Through firsthand accounts from Jarrico himself and interviews with those closest to him, as well as congressional records and statements from those on both sides of the Red Scare, Ceplair provides an intimate view of Paul Jarrico's life, set in historical and cultural context.

Paranormal investigator Joe Nickell is equally at home when recreating the mysterious Nasca lines at a remote site in Kentucky as he is in his research lab at the office of the Committee for Skeptical Inquiry. He has traveled the world, seeking to understand its strange mysteries. Nickell does not engage in hype or sensationalism, yet he avoids the instinctive dismissiveness of many skeptics. Instead, he scientifically investigates the claims he encounters with the intention of finding the truth. Guided by the notion that the extent of the evidence must be commensurate with the extent of the claim, and by the principle of Occam's Razor -- that the simplest tenable explanation is most likely correct -- Nickell has spent his career uncovering the truth behind seemingly inexplicable phenomena. In Adventures in Paranormal Investigation, Nickell presents the case files of his examinations of claims ranging from alien abductions to zoological enigmas. He investigates snake charmers, alien autopsies, crystal skulls, a Russian girl with X-ray eyes, Jack the Ripper, and a haunted gas chamber at Dachau, among many others. He even reveals how intuition has changed his life, causing him to meet the daughter he never knew he had. Nickell brings his trademark skepticism to each investigation, carefully observing each claim and using scientific methods honed over many years to discover the real stories behind these fascinating tales.