Howard Phillips Lovecraft (1890--1937) has been described variously as the successor to Edgar Allan Poe, a master of the Gothic horror tale, and one of the father of modern supernatural fantasy fiction. Published originally in pulp magazines, his works have grown in popularity since his death, so that more than thirty editions are currently in print.Yet only recently has Lovecraft received serious attention from literary critics. And until now no one has examined his work from a post-structuralist perspective. Donald Burleson fills that void, for the first time in an extended study bringing the resources of deconstruction to bear on the works of this modern gothicist.In an introductory overview, Burleson gives an unusually readable account of deconstruction theory and terminology, a field all too often discussed in densely opaque fashion. He goes on to deconstruct thirteen Lovecraft stories, delving into their fascinating etymological mazes, abundant ambiguities, and shifting levels of meanings. His lively and remarkably jargon-free readings explore Lovecraft's rich figurality to unprecedented depths.At the same time Burleson develops the view that in practicing self-subversion and structural displacement, literary texts perpetuate themselves. His final chapter explores the broad themes running though Lovecraft's fiction, arguing that these themes in themselves prefigure the deconstructive gesture.This insightful and provocative volume will go a long way toward displacing the label of popular writer and establishing Lovecraft as an important figure in American literature.

Alarmed by infringements upon American commerce during the Napoleonic Wars, Kentuckians were early proponents of war with Great Britain. As a frontier state, Kentucky feared exposure to raids by British troops and their Indian allies. And so, when President Madison finally obtained a declaration of war, patriotic Kentuckians rushed to arms. Kentucky's involvement in the agitation for war and in the war itself had political, social, and psychological consequences for the Commonwealth. In this compelling narrative, author James Wallace Hammack, Jr., traces those consequences and Kentucky's role in the developments of the war, which Kentuckians viewed as an effort to secure the American victory won in the Revolution.

From the legendary poet Oisin to modernist masters like James Joyce, William Butler Yeats, and Samuel Beckett, Ireland's literary tradition has made its mark on the Western canon. Despite its proud tradition, the student who searches the shelves for works on Irish women's fiction is liabel to feel much as Virginia Woolf did when she searched the British Museum for work on women by women. Critic Nuala O'Faolain, when confronted with this disparity, suggested that "modern Irish literature is dominated by men so brilliant in their misanthropy. .. [that] the self-respect of Irish women is radically and paradoxically checkmated by respect for an Irish national achievement."While Ann Owen Weekes does not argue with the first part of O'Faolain's assertion, she does with the second. In Irish Women Writers: An Uncharted Tradition, she suggests that it is the critics rather than the writers who have allowed themselves to be checkmated. Beginning with Maria Edgeworth's Castle Rackrent (1800) and ending with Jennifer Johnston's The Railway Station (1980), she surveys the best of the Ireland's female literature to show its artistic and historic significance and to demonstrate that it has its own themes and traditions related to, yet separate from, that of male Irish writers.Weekes examines the work of writers like E.OE. Sumerville and Martin Ross (pen names for cousins Edith Somerville and Violet Martin), Elizabeth Bowen, Kate O'Brien, Mary Lavin, and Molly Keane, among others. She teases out the themes that recur in these writers' works, including the link between domestic and political violence and re-visioning of traditional stories, such as Julia O'Faolain's use of the Cuchulain and Diarmuid and Grainne myths to reveal the negation of women's autonomy. In doing so, she demonstrates that the literature of Anglo- and Gaelic-Irish women presents a unified tradition of subjects and techniques, a unity that might become an optimistic model not only for Irish literature but also for Irish people.

English novelist, short-story writer, playwright and journalist, Graham Greene was one of the most widely read novelist of the 20th-century, a superb storyteller. Adventure and suspense are constant elements in his novels and many of his books have been made into successful films. Although Greene was nominated several times as a candidate for the Nobel Prize for Literature, he never received the award. Graham Greene is a descriptive catalog of first editions of works by Greene, which are currently held in the collection of the University of Louisville. Arranged chronologically by title, Robert H. Miller, also includes letters, radio scripts, pamphlets, and subsequent editions of importance and scarcity.

Kentucky attracted an amazing variety of would-be settlers in pioneer days, but none with brighter talent than John James Audubon. Although his years in the state came long before publication of the monumental Birds of America, he was already painting the scenes from nature that were to make him famous.Audubon: The Kentucky Years is the captivating account of Audubon's sojourn in Kentucky from his arrival in in 1807 as a gregarious twenty-two-year-old storekeeper to his departure in 1819, when his failure in business was about to force him to seek a livelihood from his skill as an artist.

Anna Eikenhout (1902-1986) was an honors graduate of Ohio State University, a fine-arts librarian, a skilled pianist, and an avid reader in three languages. Harlan Hubbard (1900-1988), a little-known painter and would-be shantyboater, seemed an unlikely husband, but together they lived a life out of the pages of Thoreau's Walden. Much of what is known about the Hubbards comes from Harlan's books and journals. Concerning the seasons and the landscape, his writing was rapturous, yet he was emotionally reticent when discussing human affairs in general or Anna in particular. Yet it was through her efforts that their life on the river was truly civilized. Visitors to Payne Hollow recall Anna as a generous, gracious hostess, whose intelligence and artistry made the small house seem grander than a mansion.

Outspoken Appalachian writer Harry M. Caudill analyzes the exploitation and decline of the eastern Kentucky mountain lands, which have rendered "no people in the nation..

While religious diversity is often considered a relatively recent phenomenon in America, the Cape Fear region of North Carolina has been a diverse community since the area was first settled. The Cape Fear River and the port city of Wilmington were more urban than the rest of the state; thus the region provided people with opportunities seldom found in other parts of North Carolina. These opportunities drew residents from many ethnic backgrounds, and the residents brought their religious traditions with them. In A Coat of Many Colors, Walter H. Conser Jr. explores how religious and racial diversity in the Cape Fear region have functioned as a microcosm for the South and examines the ways in which religion can affect such diverse aspects of life as architecture and race relations.

The old tools and wooden objects illustrated in this book are homely reminders of a time when the majestic forests of the frontier were the source not only of the pioneer's house, barn, and fences, but of his children's toys, his wife's egg basket, and a hundred other necessities and pleasures. More than fifty delicate line drawings by Ira Kohn and the clear, nontechnical discussion by Kenneth Clarke of the making and uses of these humble objects -- many of them unfamiliar to the eyes of the current generation of Kentuckians -- give the reader new insight into the life of the pioneer.

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South -- from sensitive analysis to outraged indictment -- in response to the Civil Rights Movement.Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces.With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.

Tennessee History Book Award Finalist The Upper Cumberland region of Kentucky and Tennessee, often regarded as isolated and out of pace with the rest of the country, has a far richer history and culture than has been documented. The contributors to Rural Life and Culture in the Upper Cumberland discuss an extensive array of subjects, including popular music, movies, architecture, folklore, religion, and literature. Seventeen original essays by prominent scholars such as Lynwood Montell, Charles Wolfe, Allison Ensor, and Jeannette Keith uncover fascinating stories and personalities as they explore topics including wartime hero Alvin C. York, Socialist Party Tennessee gubernatorial candidate Kate Brockford Stockton, and even a thriving nudist colony, the Timberline Lodge.

In the early years of World War II, it was an amazing feat for an Allied airman shot down over occupied Europe to make it back to England. By 1943, however, pilots and crewmembers, supplied with "escape kits," knew they had a 50 percent chance of evading capture and returning home. An estimated 12,000 French civilians helped make this possible. More than 5,000 airmen, many of them American, successfully traveled along escape lines organized much like those of the U.S. Underground Railroad, using secret codes and stopping in safe houses. If caught, they risked internment in a POW camp. But the French, Belgian, and Dutch civilians who aided them risked torture and even death.Sherri Ottis writes candidly about the pilots and crewmen who walked out of occupied Europe, as well as the British intelligence agency in charge of Escape and Evasion. But her main focus is on the helpers, those patriots who have been all but ignored in English-language books and journals.To research their stories, Ottis hiked the Pyrenees and interviewed many of the survivors. She tells of the extreme difficulty they had in avoiding Nazi infiltration by double agents; of their creativity in hiding evaders in their homes, sometimes in the midst of unexpected searches; of their generosity in sharing their meager food supplies during wartime; and of their unflagging spirit and courage in the face of a war fought on a very personal level.

In The Great Powers and Global Struggle, Karen A. Rasler and William R. Thompson focus on two themes: the rise and fall as well as the relative decline of major world powers over the past five hundred years, and the way in which these processes have set the stage for the outbreak of global war. Their interdisciplinary approach encompasses political science, economics, sociology, geography, and history.The most significant wars occur when regional leaders -- historically in Western Europe -- challenge global leaders. By studying the wars of Napoleon, Louis XIV, Phillip II and the Italian/Indian Ocean wars of the sixteenth century through World Wars I and II to the present, the authors challenge the long-held idea that prosperity leads to over-consumption and underinvestment and thus decline -- a theory, traceable to ancient times, that remains the principal explanation for global decline today. Arguments about global structural change and its implications abound, but rarely is the abstract translated into concrete historical terms with emphases on specific actors and empirical documentation.Rasler and Thompson reinterpret the past five hundred years of major-power warfare and provide extensive tests of the eighteen generalizations critical to their argument. They conclude that those who argue that global war and repositioning are no longer a concern among the major powers lack critical understanding of the behavior that contributes to such conflict.

"I just begin to find out that whaling will never do for me and have determined to leave the ship here if possible." That sentiment, expressed by a foremast hand aboard the ship Caroline in 1843, is one shared by many of the whalemen in this fascinating book. Interest in Herman Melville's Moby Dick has contributed to a substantial literature on the history and lore of the industry. But not until now has the vast body of surviving whaleship logs and journals been used to paint an encompassing picture of the difficult but colorful life aboard nineteenth-century American whaling vessels.Briton Cooper Busch, author of a definitive history of the American sealing industry, in this book only incidentally discusses the actual chase for whales. His focus instead is the life of whalemen at sea, and particularly the harsh discipline that kept men aboard through long and often dispiriting years. Busch depicts the complex social world aboard ship, defining and detailing such issues as crime and punishment, competing racial elements, the social distance between officers and men, sexual behavior, and the role of women aboard ships.For oppressed, discouraged, or simply bored whalemen, several escapes existed, from the rarest of all mutiny through labor protests of various types, to individual desertion or appeal to an American consul abroad. To each of these topics Busch devotes a chapter. He also provides glimpses of those occasional moments of relief such as a Fourth of July celebration and such somber moments as a death at sea.Fascinating details and original quotations from individual whalemen make this book more than a study of general trends. For anyone with even a casual interest in whaling, it is indispensable.

In the 1950s Centralia was a small town, like many others in the anthracite region of Pennsylvania. But since the 1960s, it has been consumed, outwardly and inwardly by a fire that has inexorably spread in the abandoned mines beneath it. The earth smokes, subsides, and breathes poisonous gases. No less destructive has been the spread of dissension and enmity among the townspeople. The Real Disaster Above Ground tells the story of the fire and the tragic failure of all efforts to counter it.This study of the Centralia fire represents the most thorough canvass of the documentary materials and the community that has appeared. The authors report on the futile efforts of residents to reach a common understanding of an underground threat that was not readily visible and invited multiple interpretations. They trace the hazard management strategies of government agencies that, ironically, all too often created additional threats to the welfare of Centralians. They report on the birth and demise of community organizations, each with its own solution to the problem and its diehard partisans. The final solution, now being put into effect, is to abandon the town and relocate its people.Centralia's environmental disaster, the authors argue, is not a local or isolated phenomenon. It warns of the danger lurking in our own technology when safeguards fail and disaster management policy is not in place to respond to failure, as the examples of Chernobyl and Bhopal have clearly demonstrated.The lessons in this study of the fate of a small town in Pennsylvania are indeed sobering. They should be pondered by a variety of social scientists and planners, by all those dealing with the behavior of people under stress and those responsible for the welfare of the public.

For most of his fellow Kentuckians, the accomplishments of Thomas Hunt Morgan have been overshadowed by the Civil War exploits of his uncle, the Confederate raider. Thomas Hunt Morgan: Pioneer of Genetics shows that feats performed on the frontiers of science can be as exciting as battlefield heroics, and that the "other Morgan" was as colorful a man as the general.Thomas Hunt Morgan's most noted work, done between 1910 and 1920 at Columbia University, revealed many of the secrets if genetics. Studying hundreds of generations of the fruit fly Drosophilia melanogaster, he and the other scientists in the laboratory called the Fly Room made basic discoveries about chromosomes and the mechanism of inheritance. For these discoveries, which profoundly affected biological theory, Morgan was awarded a Nobel Prize -- the first ever given for research in genetics.Morgan was interested in many other problems in biology as well. His embryological and regeneration studies were of fundamental importance, and they too bear the mark of a scientist convinced that nature herself will provide answers to the fundamental questions of life, provided that a suitable experimental approach can be devised. Yet, despite his deep-rooted connections to Kentucky and his achievements as a Nobel prize-winning scientist, Thomas Hunt Morgan remains one of the least-known famous Kentucky sons.