The term metafiction invaded the vocabulary of literary criticism around 1970, yet the textual strategies involved in turning fiction back onto itself can be traced through several centuries. In this theoretical/critical study Robert C. Spires examines the nature of metafiction and chronicles its evolution in Spain from the time of Cervantes to the 1970s, when the obsession with novelistic self-commentary culminated in an important literary movement. The critical portions of this study focus primarily on twentieth-century works. Included are analyses of Unamuno's Niebla, Jarnés's Locura y muerte de nadie and La novia del viento, Torrente Ballester's Don Juan, Cunquiero's Un hombre que se parecía a Orestes, and three novels from the "self-referential" movement of the 1970s, Juan Goytisolo's Juan sin Tierra, Luis Goytisolo's La colera de Aquiles, and Martín Gaite's El cuarto de atrás.Seeking a stronger theoretical basis for his critical readings, Spires offers a sharpened definition of the term metafiction. The mode arises, he declares, through an intentional violation of the boundaries that normally separate the worlds of the author, the fiction, and the reader. Building on theoretical foundations laid by Frye, Scholes, Genette, and others, Spires also proposes a literary paradigm that places metafiction in a position intermediate between fiction and literary theory.These theoretical formulations place Spires's book in the forefront of critical thought. At the same time, his full-scale analyses of Spanish metafictional works will be welcomed by Hispanists and other students of world literature.

Until now, Bergson's widely acknowledged impact on American literature has never been comprehensively mapped. Author Paul Douglass explains and evaluates Bergson's meaning for American writers, beginning with Eliot and moving through Ransom, Penn Warren, and Tate to Faulkner, Wallace Stevens, Henry Miller, William Carlos Williams, and others. It will be a standard point of reference. Bergson was the continental philosopher of the early 1900s, a celebrity, as Sartre would later be. Profoundly influential throughout Europe, and widely discussed in England and America in the Teens, Twenties, and Thirties, Bergson is now rarely read. His current "obsolescence," Douglass argues, illuminates the Western shift from Modern to post- Modern.Ambitious in scope, this book remains admirably close to Bergson himself: what he said, where that fits in the historical context of philosophy, why his ideas moved across the Atlantic, and how he affected American writers. At the book's heart are readings of Eliot's criticism and poetry, analyses of Faulkner's The Sound and the Fury and Light in August, and evaluations of Ransom's, Tate's and Penn Warren's criticism.This impressively researched and beautifully written study will remain of lasting value to students of American literature.

Although there has been a general revival of interest in Ben Jonson's dramatic work in the past twenty years, little critical effort has been directed to his late plays -- dismissed by John Dryden as the "dotages" of an aging mind. Through a close reading of The Devil Is an Ass, The Staple of News, The New Inn, and The Magnetic Lady in light of Jonson's own theories of comedy, author Larry S. Champion demonstrates that they reveal the same precise construction and dramatic control found in his acclaimed masterpieces. Furthermore, these works reflect Jonson's continued emphasis upon realism and satiric attack, though they may not be equal in quality or dramatic effectiveness.The brief and undistinguished stage runs of the late plays are not an accurate gauge of their dramatic merit. Rather than indicating an enfeebled mind, these late plays reveal Jonson to be a continuing innovator -- adapting the forms of the pastoral, the romance, and the morality play to the purposes of comic satire. Previous critics have charged that Jonson was merely desirous of regaining public favor at the expense of his artistic integrity. The present study suggests, however, that Jonson in these plays was in reality burlesqueing the popular fad of exaggerated romantic comedy, which he considered a degradation of the dramatic art.

Death, a perennial problem for philosophers and theologians, is especially crucial in the thought of Martin Heidegger. This penetrating commentary presents the concept of death as a unifying motif that illuminates many of the difficulties and obscurities of Heidegger's philosophy. Heidegger comes to see death as revealing the ultimate meaning not only of human existence, but of being itself. He thus confers upon the concept a force and sharpness, an ontological depth which is found in perhaps no other philosopher.This study corroborates the much-debated "turning" in Heidegger's philosophy. Demslce finds death to be the key not only to Heidegger's treatment of man and being, but also the key to his shift of focus from man to being. All Heidegger's various approaches to the theme of death are considered -- his existential-phenomenological analysis of Dasein, his discussions of art, poetry, history, and language, and his new phenomenological approach to the ordinary things of life.The author approaches Heidegger on his own terms, allowing the philosopher to speak for himself. The present reading of Heidegger grows smoothly out of Heidegger's own intentions. The result is a revealing study of Heidegger's philosophy in its entirety, which answers some persistently perplexing questions about this difficult modern philosopher.

This book tells the story of an important experiment in international cooperation and inter-university collaboration in educational development. A team of educational and agricultural specialists from the University of Kentucky (called Kenteam in the book) lived and worked inBogor, Indonesia, from 1957 through 1965. Their purpose -- to work with the Agricultural University in Bogor to develop a complete college of agriculture to the level of capability for self-regeneration and growth. Working against a background of political and economic turmoil, Kenteam succeeded in helping the Indonesians build an institution capable of achieving its goals once the restraints of a struggling economy could be removed. This heartening story is replete with sociological insight but free of sociological jargon.Written in a reportorial and evaluative style, the book interweaves ideas of organizational development with close- ups of the interagency and human problems involved, telling an absorbing story of international cooperation in technical assistance. It will be read with interest by Asian specialists and the many people concerned with social change and economic and educational development.

In the Balkans today Communism, with its dynamic drive for power and sense of mission, is charging against the Balkan peasant mass, a patient, religious, tradition-bound people tilling their beloved soil. Dragalevtsy, the Balkan village described by Mr. Sanders, brings this struggle into focus. The book details the way of life of a tranquil rural folk clinging to a Bulgarian mountainside, in the shadow of a twelfth- century monastery -- their history, economic system, marriage customs, family life, and reluctant yielding to the ways of the western world. On September 6, 1944, Dragalevtsy peasants awoke to find posters in the streets proclaiming the advent of Communism. The concluding chapters of the book give a vital, personalized insight into the economic and social forces now at work in the Balkans.

Australia as a Western society in the Orient faces a unique and paradoxical challenge in her relations with her close but unfamiliar neighbors of Southeast Asia. Explicitly dependent upon British foreign policy until the fall of Singapore in 1942, Australia has reluctantly and painfully begun the task of developing a policy of her own.The Japanese conquest of Southeast Asia and many of the Pacific islands during the Second World War awakened Australia to the need to secure her own defenses and later, when Britain began a gradual withdrawal from Southeast Asia, Australia was thrown upon her own resources in dealing with her politically unstable and volatile neighbors and also with the larger Asian threat posed by Communist China. In Australia Faces Southeast Asia, Amry and MaryBelle Vandenbosch trace Australia's attempts to reconcile her cultural heritage and her geography.

During the quarter of a century before the thirteen colonies became a nation, the northwest quadrant of North Carolina had just begun to attract permanent settlers. This seemingly primitive area may not appear to be a likely source for attractive pottery and ornate silverware and furniture, much less for an audience to appreciate these refinements. Yet such crafts were not confined to urban centers, and artisans, like other colonists, were striving to create better lives for themselves as well as to practice their trades. As Johanna Miller Lewis shows in this pivotal study of colonial history and material culture, the growing population of Rowan County required not only blacksmiths, saddlers, and tanners but also a great variety of skilled craftsmen to help raise the standard of living.Rowan County's rapid expansion was in part the result of the planned settlements of the Moravian Church. Because the Moravians maintained careful records, historians have previously credited church artisans with greater skill and more economic awareness than non-church craftsmen. Through meticulous attention to court and private records, deeds, wills, and other sources, Lewis reveals the Moravian failure to keep up with the pace of development occurring elsewhere in the county.Challenging the traditional belief that southern backcountry life was primitive, Lewis shows that many artisans held public office and wielded power in the public sphere. She also examines women weavers and spinsters as an integral part of the population. All artisans -- Moravian and non-Moravian, male and female -- helped the local market economy expand to include coastal and trans-Atlantic trade.Lewis's book contributes meaningfully to the debate over self-sufficiency and capitalism in rural America.

Appalachian women have been the subject of song, story, and report for nearly two centuries. Now for the first time a fully annotated bibliography makes accessible this large body of literature. Works covered include novels, short stories, magazine articles, manuscripts, dissertations, surveys, and oral history tapes -- altogether over 1,200 items. The annotated listings are grouped under broad subject headings, including biography, coal mining, education, fiction, health care, industry, migrants, music, poetry, and religion. An author/title/subject index provides easy access to the listings.

In this collection of fourteen essays, scholars of Appalachian culture and society examine how the people contend with and adapt to the pressures of change thrust upon them. Appalachia and America will appeal to a broad range of people interested in the southern mountains or in the policy issues of social welfare. It deals cogently with the newest form of conflict affecting not only communities in Appalachia, but urban and rural communities in America at large -- the struggle for local values and ways of life in the face of distant and powerful bureaucracies.

Tennessee played a critical and vital role in national politics in the mid-nineteenth century. Two Tennesseans, for example, served as president and two others were presidential candidates. Such prominence be-speaks the importance of politics in the state's antebellum culture. For the first time in its history Tennessee developed a two-party system, one that was vigorous and exciting.In his study Paul H. Bergeron examines the development of this two-party competition by focusing on statewide contests. Two-party politics in Tennessee was marked by intense and evenly balanced competition, so much so that the outcome of virtually every election was un-certain. In such an environment each party worked diligently to stir the voters; that they were successful is indicated by the exceedingly high levels of turnout for elections.Paul H. Bergeron, the first scholar to study the development of the two-party system in Tennessee, presents a detailed narrative of this period coupled with a quantitative analysis of electoral behavior. He relates the peculiarities of Tennessee's experiences to other states during the antebellum decades. Bergeron also offers fresh insights and information on Tennessee's defections from Jacksonianism in the pre-Civil War period. His book is an important contribution to the growing list of state studies, north and south, that are steadily building a greater appreciation of the complexities of politics in Jacksonian America.

During the eight decades preceding the Civil War, Kentucky was the scene of tremendous building activity. Located in the western section of the original English colonies, midway between North and South, Kentucky saw the rise of an architecture that combined the traditions of nationally known designers, eager to achieve the refinements of their English mother culture, alongside the innovativeness and bold originality proper to the frontier. Tradition thus provided a tangible link with world architectural development, while innovation offered refreshing variations. The result was a distinctive regional architecture.In his newest look at Kentucky architecture, Clay Lancaster broadens his scope to include analyses of significant structures from throughout the commonwealth, illustrating the entire range of stylistic development. Like his acclaimed earlier book Antebellum Houses of the Bluegrass, the current volume provides historical background as well as drawings, photographs, and floor plans, showing both general features and details.Among the many Kentucky buildings discussed are examples by such well-known early American architects as Benjamin Henry Latrobe, Thomas Jefferson, James Dakin, Isaiah Rogers, Alexander J. Davis, and Francis Costigan, as well as the work of local master builders such as Matthew Kennedy, Micajah Burnett, Gideon Shryock, Thomas Lewinski, and John McMurtry. Also included are Kentucky buildings designed from nationally distributed architectural books and builders' guides.Lancaster gives special attention to the Geometric Style, which evolved further and produced more noteworthy monuments in Kentucky than anywhere else in America. Such buildings, in turn, bestowed a simplicity and straightforwardness on structures in later styles.As Lancaster shows, the architecture that resulted from Kentucky's fertile eclecticism constitutes a rich and rewarding architectural heritage. All lovers of fine architecture will treasure this handsome and informative book.

The ante bellum homes of Lexington and Fayette County, Kentucky, are both more numerous and more distinctive in design than those of many communities of similar age. Founded in 1775, Lexington by the turn of the century had become the chief cultural center north of New Orleans and west of the Alleghenies. During the eight decades between the Revolution and the Civil War, Fayette County was the focus of converging streams of immigration, and a phenomenal amount of building activity took place in Lexington and the surrounding area. Although local builders followed the trends of national architecture, they were not primarily concerned with "correctness," and developed a provincial style which was distinguished by originality and a high level of craftsmanship.In Ante Bellum Houses of the Bluegrass, Clay Lancaster seeks to define the indigenous character of Fayette County building, which he concludes is of unusually distinguished quality. A second aim is the presentation of authentic data as a guide for intelligent restoration of existing old buildings, many of which have been defaced by unnecessary changes and inappropriate additions. He traces the development of house building in this restricted area from the first crude log cabins, through frame, stone, and early brick residences, to the substantial homes built by wealthy landowners and merchants in the mid-nineteenth century.The text is supplemented by 200 line drawings which present the essential features of each building free from the later alterations and decay which would be recorded by the camera. These illustrations have been compiled on the basis of intensive research, from old photographs, maps, drawings, and other records. An album of halftone illustrations, many of which are reproductions of old photographs of buildings which have been altered or demolished, supplements these illustrations.

With the rapid development of computer science and the expanding use of computers in all facets of American life, there has been made available a wide range of instructional and informational films on automation, data processing, and computer science. Here is the first annotated bibliography of these and related films, gathered from industrial, institutional, and other sources.This bibliography annotates 244 films, alphabetically arranged by title, with a detailed subject index. Information is also provided concerning the intended audience, rental-purchase data, ordering procedures, and such specifications as running time and film size.

Andrey Bely, novelist, essayist, theoretician, critic, and poet, was a central figure in the Russian Symbolist movement of the 1920s, the most important literary movement in Russia in this century. Bely articulated a Symbolist aesthetic and originated a new approach to the study of Russian metrics and versification, giving rise to a new scholarly discipline that still thrives in the West.Although regarded by some critics, including Vladimir Nabokov, as the author of the greatest Russian novel of this century, Bely has been nearly forgotten in his native country for ideological reasons. In the West he remains little known and generally under-valued. But with recent English translations of Kotik Letaev and his masterpiece, Petersburg, interest in Bely is increasing. Janecek's book brings together some of the best modern scholarship on Bely and the Russian Symbolist movement of the 1920s.

Eight well-known political scientists, economists, and sociologists here explore the interrelationships between the various levels of economic strength and political stability attended by newly emerged nations and the formulation of their foreign policies. These essays provide testimony not only to the importance of these problems, but also to contributions that can be made by various methodological approaches by scholars from the different social sciences. Contributing to the volume are Rupert Emerson, Benjamin Higgins, Gayl Ness, Ivo and Rosalind Feierabend, Henry Bienen, Lloyd Jensen, and Wilson C. McWilliams.