This book assesses the role of urban ethnic groups, particularly in terms of the rise of the Democratic Party to national predominance between 1928 and 1932. It builds quantitative and qualitative models for the study of ethnic groups in terms of political behavior. Focusing clearly upon political change and the role of ethnicity, the work advances the hypothesis that Chicago's ethnic groups responded as ethnic groups, rather than on socio-economic or other bases, when they shifted their party allegiances in the late twenties. This ethnic realignment was a major factor in the redistribution of power between parties Chicago.Employing a variety of quantitative measures and a number of conceptual tools from the social sciences, Mr. Allswang has utilized simple statistical procedures with clarity and discrimination. His statistical data is based on thorough research in unpublished census material and election returns. His qualitative data is based in part on a comprehensive examination of the foreign language press, supplemented by materials from other newspapers, personal interviews, and manuscript sources.The book studies nine ethnic groups over a generation of political development, affording insights into urban politics and history, and into dominant-minority and interethnic relations in politics and in the city.Crisp in style, thorough, methodologically innovative, A House for All Peoples will become a model for studies of United States political history.

Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius -- the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater.A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.

This unique guide to the herbaceous wildflowers and ferns of Kentucky's fields and forests contains 500 full-color plates accompanied by descriptive captions. Each species has been photographed to show its distinctive features for easy identification. The accompanying text gives a concise description of the plant, including distinguishing features, variations sometimes found, similar and related species, habitat, frequency, distribution, and flowering time. A simple-to-follow key enables the layman to identify nearly 700 wildflowers and ferns with minimal effort. Reliable and authoritative, A Guide to the Wildflowers and Ferns of Kentucky will provide the user with many hours of pleasure in the field or at home.

Many artists have fought in wars, and renowned painters have recorded heroic scenes of great battles, but those works were usually done long after the battles were waged. Artists have also been commissioned to visit, briefly, war-torn areas and make notes of the devastation and horror. Yet few artists who were members of any armed services have drawn or painted daily while they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. He was shelled, mortared, and strafed. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful mistress cut down from the gas station where they had been hanged by their heels. That same day he witnessed at first hand the spectacle of a large German army force holed up in a high-rise office tower, waiting for the chance to surrender to the proper American brass for fear of falling into the hands of the vengeful partisans.Reep's recollections of such desperate days are made more memorable in Combat Artist by the many painfully vivid paintings and drawings that accompany the text. Reep's battlefield drawings show us, with unrelenting honesty, the horrors and griefs -- and the bitter comedy -- of that war fought to end wars that only spawned more.

Here is a virtually complete list of persons identifiable as Jews in America by 1800, the result of a thorough search of manuscript materials and published literature for the names of Jews who lived in America (including Canada up to 1783) during the seventeenth and eighteenth centuries. No other study provides comparable information for such an ethnic group in this country.Each entry in this dictionary is accompanied by birth and death dates and places and other biographical data so far as they are available. The biographies vary from two lines recording the birth of an unnamed stillborn child or the presence of a transient in New York City to half-column summaries of the careers of well-known persons. Included are converts to Christianity and, in some instances, their children. Persons whose names or associations have resulted in their being incorporated into earlier lists of "Jews" are noted also, with an attempt to ascertain their identity.Especially noteworthy is the small number of Jews in America during the two centuries before 1800. Only about 4,000 Jews, of whom 1,500 were native-born, have been identified in this dictionary -- and not all of these positively. Perhaps another 800 have been omitted, Rosenbloom points out, because their names are not included in extant records. Even so, it would appear that the percentage of Jews in the total colonial population (less than three million in 1783) was infinitesimal.Students of the American colonial period will find this book a useful tool for ascertaining the national origins of American Jews, their occupations, their part in the Revolution, their places of settlement, and other historical and sociological data.

"So wise were our elders!" Thus exclaims Mariano Chicunque, himself an elder, expressing in a single phrase the thrust of the mythic narrative tradition he simultaneously presents and represents in his storytelling.A remarkable body of mythology is documented for the first time in this volume. John Homes McDowell's study revolves around thirty-two mythic narratives of the Kamsá Indians who live in the Sibundoy Valley of the Colombian Andes, collected by the author from several renowned Kamsá storytellers. Each myth is given in the native language with parallel English translations that seek to capture the flavor of the original performances. Textual annotation and commentary assess the grounding of the myths in the language and culture of the Kamsá indigenous community.Introductory chapters describe the process of transcription and translation and highlight important characteristics of the collection. McDowell stresses the collaborative nature of the enterprise, which benefits from the shared vision of the ethnographer and of indigenous consultants who were involved in every step of the process. The narratives are portrayed as a residual mythology in transit toward folktale but still evocative of a traditional cosmos. The myths are much more than inert "literary" objects, and under McDowell's scrupulous analysis they emerge as a storehouse of narrative potential whose performances still have meaning in Kamsá society and culture today."So Wise Were Our Elders" is a companion volume to McDowell's Sayings of the Ancestors: The Spiritual Life of the Subundoy Indians (1989).

Is the United States seriously overcommitted in its worldwide relationships? This book provides the answers to that question. It will be essential reading for makers of American foreign and national security policy, for journalists reporting on international affairs, for scholars seeking better ways to analyze United States foreign policy objectives, and for informed citizens who ask why the United States is involved militarily in all parts of the world.

In this biography of Algie Martin Simons, a major figure in the Socialist party of America, Kent and Gretchen Kreuter show the widely ranging social activities that brought Simons into touch with many of the movements and personalities of his time. As a propagandist and historian, Simons wrote the first thoroughgoing Marxist account of American history. As a journalist, he furnished Upton Sinclair with much of the material that he used in The Jungle, and as a party politician, Simons was a significant force in unifying the party, in establishing the International Workers of the World (IWW), and in trying to make socialism an acceptable alternative for the American voter. Although he broke with the party in 1917, Simons, as a teacher and a writer on industrial relations, continually struggled with the major problems that faced industrial society in the twentieth century.

Louis D. Brandeis is a figure of perennial significance in American history. Brilliant lawyer, innovative reformer, seminal thinker, and judicial giant, he left few significant issues in American society untouched during the course of his long and productive career. The last several decades have been particularly rich in Brandeis historiography, creating the need for a work surveying current scholarship and addressing critical issues. Brandeis and America more than meets this need.Six distinguished Brandeis scholars -- David J. Danelski, Nelson L. Dawson, Allon Gal, David W. Levy, Philippa Strum, and Melvin I. Urofsky -- offer richly analytical essays illuminating key aspects of Brandeis's impact on American life: his relationship to the Progressive movement, his involvement in Zionism, his role as a New Deal advisor, and his significance in constitutional law.In addition, the book contains a comprehensive survey of Brandeis historiography, a reference chronology of his life, and an exploration of the deeply controversial issue of judicial propriety. It should prove a powerful stimulus to future Brandeis research. These essays not only contribute to an understanding of Brandeis himself but also cast light on vital political, social, and economic issues in twentieth-century America, issues that are sure to be with us well into the next century.

Few European nations are so little known to the world at large as Belorussia. For centuries this Eastern European country has served as a pawn in the power plays of predatory neighbors. In this, the first detailed study of Belorussia's recent history, the author depicts the successive invasions of German, Polish, and Russian armies in two world wars and the upheavals stemming from the Russian Revolution. The Belorussian Soviet Socialist Republic, established in 1919, progressed culturally, educationally, and economically during Lenin's lifetime. Under Stalin, however, her leaders were liquidated in a series of purges, and hundreds of thousands of her people were shot or exiled to Siberia. Thousands more died in the famine that followed the forced collectivization of agriculture. Although Stalin gained the admission of Belorussia to the United Nations, the author concludes that Russian hegemony over Belorussia is as complete today under the Communists as it was for a century under the tsars.

The Nouvelles Récréations et Joyeaux Devis of Bonaventure des Périers are here translated for the first time into modern English. The translators have been successful in retaining the vitality of this important French Renaissance satirist, turning his colloquial sixteenth-century French into equally colloquial and lively American. The translation of the 129 tales is prefaced by a biographical study of des Périers both as man and artist, and a critical bibliography is also included.

The Inner Bluegrass Region of Kentucky is a shining jewel of geography -- synonymous in the minds of many with the state of Kentucky. It is unique in many respects: the character of its land, its native vegetation, and its indigenous animal life. The way of life developed by its human inhabitants over the past two hundred years, especially its focus on the Thoroughbred horse, is also unique. The interaction of these two forces -- natural and human -- is the focus for this important work.The book includes color plates of representative plant and animal species and typical habitats. The annotated lists of 474 animal and nearly 1,200 plant species describe habitat, frequency, and distribution.Bluegrass Land and Life is a book that will delight all who share an interest in the Bluegrass region's past and present and a concern for its future.

Ebenezer Hiram Stedman, whose lively reminiscences of antebellum Kentucky were written as a series of letters to his daughter, was one of the pioneer papermakers of the state. Stedman paints a vivid picture of the life of the numerous and thriving middle class who sought opportunity in the expanding economy of the new West. The vivid detail of Stedman's personal experiences is supplemented by a more formal account of early Kentucky papermaking.

Tracing the evolution of the Ashland Oil & Refining Company whose growth was phenomenal even in a rapidly expanding industry, author Joseph L. Massie attributes the success of the company to the flexible management policies of Paul G. Blazer.

What was the role of the black church in the rise of militancy that marked the sixties? Was it a calming influence that slowed that rise? Or did it contribute a sense of moral purpose and thus help inspire a wider participation in the civil rights movement? In Black Church in the Sixties the Nelsens attack the view that the church tended to inhibit civil rights militancy. The Nelsens reach their conclusions through the examination of thirty data sets derived from published surveys and from their own research conducted in Bowling Green, Kentucky. The data, subjected to Multiple Classification Analysis, reflect the attitudes of many different population groups and span the decade of the 1960s. The many tables make possible the presentation of an impressive amount of hard evidence.

In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy." The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life, characters can experience a second time of joy and peace, and the audience's conventional expectations about reality and literature are challenged and enlarged. In the late tragedies of King Lear and Antony and Cleopatra, Uphaus finds the tragic structure augmented by elements that will later contribute to the form of the romances. Turning then to the romances themselves, he sees these plays as forming a profession in which Pericles is a brilliant outline of the conventions of romance and Cymbeline is romance taken to its dramatic limits, in fact to the point of parody. Through his fresh and provocative readings of the plays we experience anew the delight of Shakespearean romance and glimpse the world of renewal at its heart.