Irish historians have minimized Daniel O'Connell's role in the Irish liberty movement in favor of later nationalist leaders, largely because of his failure in the 1843 movement for repeal of the Act of Union. In this first detailed study of the final, crucial episode in O'Connell's career, Lawrence J. McCaffrey reassesses his place in Ireland's struggle for independence. The Repeal agitation is viewed as marking a watershed in the course of Irish nationalism.The significance of this study, however, extends beyond the affairs of England and Ireland. It shows Daniel O'Connell to be among the first to develop the now familiar tactics of constitutional democratic political agitation and it also demonstrates the limitations inherent in these tactics.

In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer.By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance.Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction -- that for women readers.What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."

This book is a chronicle of the myopia and gamesmanship that dominated Americans' understanding of their environment on the eve of the nation's ecology crisis. Based almost entirely on primary sources, Elmo Richardson's study examines the interplay between the national policies and programs for development and preservation of natural resources in the centralist Truman administration and the localist, enterprise-oriented Eisenhower administration. He shows that the decade examined brought about very little change in the values held by federal policy makers. Although the development of resources was a prominent issue in the elections of 1948, 1952, and 1956, what emerges from Richardson's account is the shallowness of understanding on the part of the decision makers and the public, and the ease with which policy direction could be deflected. The book demonstrates the persistence of the tradition of development and the nonpartisan character of the movement for preservation, which crossed party lines, regional lines, and economic interest groups.

As one of the outstanding minds of France, the career of George Duhamel reflects the universal range of his interests. A physician turned poet, playwright, novelist, publicist, critic, and world traveler, Duhamel for half a century has sought as a liberal humanist to defend the moral and aesthetic values of Western civilization against the encroachment of a dehumanizing machine age.Duhamel first achieved fame as a writer with two eloquent outcries against war in Vie des Martyrs and Civilisation, written while he was a front-line surgeon during World War I. His later plays and novels continued to deal with the search of the individual for identity in contemporary life, especially in the Salavin series and the ten-volume Chronique des Pasquier, his outstanding works of fiction. Among the commentaries on other cultures arising from his travels, Duhamel's scathing criticism of the United States in Scenes de la vie future aroused particular furor.It is in Duhamel's feeling for humanity, Mr. Keating believes, that one may discover the consistent pattern in Duhamel's work, essentially the passionate reaction of a surgeon-artist to the cruelties of a war-torn world. In this critical biography of Duhamel as writer and thinker, Mr. Keating therefore relates all of Duhamel's many-sided activities to his underlying purpose -- to find a path for individual happiness in the complexities of contemporary life.

British writers of the Restoration and eighteenth century initiated a critique of human knowledge unrivaled in both its scope and its enthusiasm. Author Kevin L. Cope now attempts to provide a coherent, evocative account of explanatory rhetoric in early modern Britain. Critics and historians, Cope argues, have done an admirable job of describing the details of the intellectual movements of this period but they have failed to examine the intellectual, social, and psychological implications of explanation itself. Criteria of Certainty makes up for this shortcoming by treating explanation as a composite literary and philosophical mode, as a kind of "master genre" governing the development of a variety of genres, from pithy maxims and lyric poems to lengthy treatises and epics of explanation.Cope's probing and inventive analyses of seven writers -- Rochester, Halifax, Dryden, Locke, Swift, Pope, and Smith -- shed new light on many major issues in both eighteenth-century studies and critical theory. Discussing the gradual enlargement of the claims of explanatory discourse, Cope explores the problematic psychological relation between "philosophizing" authors and their expansionist, systematizing discourse.By applying the methods of recent literary criticism to philosophical texts, Cope reexamines the possibility of a philosophical reading of literary texts, opens the possibility of "characterizing" an age, and sets a variety of genres on a common intellectual foundation. Drawing on both "canonical" and overlooked authors, he also shows how the writers of the Restoration and eighteenth century may help us to understand the immensity, vitality, and irresistibility of explanatory rhetoric in our own age.

Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal.Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans -- the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function -- and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.

Michel-Guillaume Jean de Crèvecouer, long regarded as a chief figure in American letters of the Revolutionary period, is remembered as the author of Letters from an American Farmer and the posthumous Sketches of Eighteenth Century of America, but his last and most ambitious work has been almost entirely neglected. Published in France as Le Voyage dans la haute Pensylvanie et dans d'état de New York, Crèvecouer's last book was never popular and has not heretofore appeared in English. Yet the Voyage has much to add to Crèvecouer's picture of eighteenth-century America, and to our own picture of the American Farmer as a man and writer. The Voyage, written after Crèvecouer's sojourn in France and his return to America as French consul, records a new phase both in American history and in the author's life.Adams has arrived at a selection of extracts from Voyage which will be of interest to Crèvecouer's many admirers among students of American history and literature. The editor has translated, arranged, and annotated these selections to form a collection will be a fit companion for Crèvecouer's two volumes of English essays and will supplement the earlier books by recording Crèvecouer's final view of the American scene. In his introduction to this collection, Adams presents a thorough analysis of the content and significance of the Voyage and convincingly justifies his contention that, though the work contains much that is not worthy of translation or republication, the selection here published for the first time in English may be regarded as a significant addition to Crèvecouer's writings.

Faced by the disaster of depression, Congress in the early 1930s proved amenable to the far-reaching demands and programs presented to it by the newly elected President, Franklin D. Roosevelt, but by 1937 it showed increasing resistance, even outright opposition, to many New Deal measures. In this study, James T. Patterson examines this resurgence of conservative strength in Congress, focusing upon the personalities and backgrounds of the men involved and upon the key domestic issues which brought them together in an informal coalition opposed to executive plans, especially for the years 1937--1939.From the first the Roosevelt Congress had had its "irreconcilables" -- men like Carter Glass, Millard Tydings, and Harry Byrd -- who viewed the New Deal with dismay, and in the voting on the public utilities holding company bill and the surprise tax measure of 1935 they were joined by a significant number of other congressmen who had hitherto supported the administration. It was, however, Roosevelt's plan to enlarge the Supreme Court that proved to be the turning point. This controversial measure provided a common issue on which conservatives, both Republican and Democratic, could unite -- the "irreconcilables," Republicans like Arthur Vandenberg, others like Charles McNary, and nominal Democratic progressives like Burton K. Wheeler. Following this crucial confrontation, the bipartisan conservative coalition was able to control enough votes to oppose the administration on such key measures as the fair labor standards and housing bills of 1937, the reorganization and tax bills of 1938, and the relief and tax bills of 1939. Incited by grievances over patronage, a feeling that the emergency was past, and fears of radicalism, congressmen increasingly asserted their independence of executive leadership.In this 1966 Organization of American Historians award-winning book, Patterson has provided a new exploration of one of the most significant developments in recent American history-the creation by conservative congressmen of a pattern of cooperation that continues to exert a potent influence upon the course of legislation.

When Spain exploded into civil war in July 1936, a conflict whose roots were deep in the Spanish past became the arena for the violent political passions that divided Europe north of the Pyrenees. Germany, Italy, and the Soviet Union intervened actively in the war, using Spain as a testing ground for their military equipment and techniques and their political ideologies.In this first in-depth study of the politics of the International Brigades in the Spanish Civil War, R. Dan Richardson views the Brigades in the wider context of both the complex political-military alignments of Loyalist Spain and the broader Soviet-Comintern strategy during the Popular Front era. While not denying the generous impulse that led many young men the world over to enlist in the cause of the Spanish Republic, he sees the Brigades primarily as instruments of communist policy. He argues that the directing force behind the enlistment, training, and deployment of the Brigades was the international communist organization -- a compelling example of how the ends of propaganda and politics took precedence over military objectives.Using a wide array of sources in English, Spanish, French, Italian, and German, and a thorough analysis of the Brigades' own voluminous literary output, Richardson clearly shows that the Brigades were a significant political, ideological, and propaganda instrument, which was used effectively by the Comintern for its own purposes, not only in Spain but on the larger world stage.

Di'bil b. 'Alī (765--860) was regarded by his contemporaries as one of the best satirists in the school of Arabic poets which flourished during the early 'Abbāsid age. Leon Zolondek has collected, translated, and annotated 229 fragments of Di'bil's verse and has assembled materials for a reconstruction of his long-lost yet widely quoted Book of the Poets. Arabic texts of the poems and of the citations of Book of the Poets are included.

Collectivization of agriculture is an essential feature of the Communist program for the satellite countries of Eastern Europe. It is a means of extending state control of agriculture as well as the basis for developing large-scale industrial and military power. Irwin T. Sanders has edited this excellent group of papers by specialists on Eastern Europe and American rural social scientists, which collectively serve as an analysis of efforts to regiment the East European peasant.To those for whom the terms "collective farm" and "collectivization" have little meaning, this book will provide an actual picture of Communist effort to organize millions of peasants into a standard pattern of production and control. Such regimentation, these writers show, has led to less efficient agriculture from the standpoint of total production although it facilitates the delivery of produce to state economic enterprises.

Most social studies of older people in the United States have focused upon problems and conditions encountered in urban centers. In Older Rural Americans sixteen social scientists representing various regions examine in depth the circumstances of older people in rural America.The authors first consider older people in the contexts of work, the family, and the community, discussing their social outlook, their place in these contexts, and the profound changes they face as they move away from an active part in these areas of life. Later chapters analyze the distribution of the rural aged population and their economic, housing, and health status. Of particular interest are essays treating the place and condition of older rural people in three major subcultures of the United States -- the American Indian, the Spanish-speaking people of the Southwest, and African Americans. Finally, the authors trace the development of local, state, and federal programs designed to assist the aged.The authors argue that an understanding of rural life some sixty years ago is of the utmost importance, for it is the values of that time that have largely formed the attitudes and outlooks of today's rural aged.

Through the first decade of the twentieth century, Americans looked upon industrial accidents with callous disregard; they were accepted as an unfortunate but necessary adjunct to industrial society. A series of mine disasters in December 1907 (including one in Monongah, West Virginia, which took a toll of 361 lives) shook the public, at least temporarily, out of its lethargy.In this award-winning study, author William Graebner traces the development of mine safety reform in the years immediately following these tragic events. Reform activities during the Progressive period centered on the Bureau of Mines and an effort to obtain uniform state legislation; the effect of each was minimal. Mr. Graebner concludes that these idealistic solutions of the time were at once the great hope and the great failure of the Progressive coal-mining safety movement.

Spanning most of the years of the one-party South, the public career of Virginian Claude A. Swanson, congressman, governor, senator, and secretary of the navy, extended from the second administration of Grover Cleveland into that of Franklin Roosevelt. His record, writes Henry C. Ferrell, Jr., in this definitive biography, is that of "a skillful legislative diplomat and an exceedingly wise executive encompassed in the personality of a professional politician."As a congressman, Swanson abandoned Cleveland's laissez faire doctrines to become the leading Virginia spokesman for William Jennings Bryan and the Democratic platform of 1896. His achievements as a reform governor are equaled by few Virginia chief executives. In the Senate, Swanson worked to advance the programs of Woodrow Wilson. In the 1920s, he contributed to formulation of Democratic alternatives to Republican policies. In Roosevelt's New Deal cabinet, he helped the Navy obtain favorable treatment during a decade of isolation.The warp and woof of local politics are well explicated by Ferrell to furnish insight into personalities and events that first produced, then sustained, Swan-son's electoral success. He examines Virginia educational, moral, and social reforms; disfranchisement movements; racial and class politics; and the impact of the woman's vote. And he records the growth of the Hampton Roads military-industrial complex, which Swanson brought about.In Virginia, Swanson became a dominant political figure, and Ferrell's study challenges previous interpretations of Virginia politics between 1892 and 1932 that pictured a powerful, reactionary Democratic "Organization," directed by Thomas Staples Martin and his successor Harry Flood Byrd, Sr., defeating would-be progressive reformers. A forgotten Virginia emerges here, one that reveals the pervasive role of agrarians in shaping the Old Dominion's politics and priorities.

Historical and systematic in its treatment, this work reviews the idea of progress in Western thought as it relates to civilization, in a more comprehensive survey than is to be found in previous writings on the subject. In the author's view, the history of civilization reveals an increasing range of human capacity, both for good and for evil, depending upon men's choice between contending values.From this standpoint, the work proceeds to the exploration of such fields of social activity as the evolution of the family, the emancipation of women, economic conditions and technology, intellectual and aesthetic values, moral and religious experience. Civilization and Progress is marked by balanced and judicious treatment, very broad learning, and a lucid and forceful style. The author asks us to consider the alternatives we face and to reflect on the choices which men have made in the past, which confront us in the present world crisis, and on which our destiny hangs in the future. Seminal in scholarship and creativity, this work will interest those concerned with the Western intellectual tradition and with the condition of mankind.

This study explores the theater actually known and frequented by Dickens in order to show in terms of concrete structural analysis of his novels the nature of the predominantly "dramatic" or "theatrical" quality of his genius. Author William F. Axton finds that the three principal dramatic modes or "voices" that were characteristically Victorian were burlesquerie, grotesquerie, and the melodramatic, and that the novelist's vision of the world around him was drawn from ways of seeing transformed from those elements in the popular playhouse of his day -- as revealed in the structure and theme of Sketches by Boz, Pickwick Papers, Oliver Twist, and other novels. The last half of the study analyzes representative passages from the novels to illustrate the way in which the principal modes of nineteenth-century theatrical style are transmuted into the three important "voices" of the novelist's prose style. The first two voices -- the burlesque and the grotesque -- are identified by their exploitation of the stylistic features of farce, extravaganza, and harlequinade, of incongruous likeness and deliberate confusion between realms. The melodramatic voice, on the other hand, seeks to exploit in prose the musically rhythmic and poetic resources of the theater for the purpose of atmosphere, moral commentary, and structural unity.