Before Jane Austen's novels explored heroines in English society, writers Sarah Fielding and Jane Collier dared to provide commentary on gender and education through self-conscious narratives. Published in 1754 in five parts and divided into three volumes, The Cry stands as one of the most distinctive and intriguing works by women during the florescence of their writing in eighteenth-century England.Strikingly experimental -- mixing fiction and philosophy, drama and exposition, satire and irony, and singular and choral voices -- The Cry revolves around a main character, Portia, who tells a series of stories to an audience that includes Una, the allegorical representation of truth, and "The Cry" itself, a collection of characters who serve as a kind of Greek chorus. A story about the story-making female subject, the novel serves as a catalyst to convey that women are capable of doing all of the things that men can do -- discuss ethics, learn, and think rationally -- and should be allowed to do these things publically. Throughout, editor Carolyn Woodward offers essential historical and editorial context to the work, demonstrating that this novel continues to facilitate discussions about women and public life.

Journalists James Bawden and Ron Miller spent their careers interviewing the greatest stars of Hollywood's golden age. They visited Lee Marvin at home and politely admired his fishing trophies, chatted with Janet Leigh while a young Jamie Lee Curtis played, and even made Elizabeth Taylor laugh out loud.In You Ain't Heard Nothin' Yet, Bawden and Miller return with a new collection of rare interviews with iconic film stars including Henry Fonda, Esther Williams, Buster Keaton, Maureen O'Sullivan, Walter Pidgeon, and many more. The book is filled with humorous anecdotes and incredible behind-the-scenes stories. For instance, Bette Davis reflects that she and Katharine Hepburn were both considered for the role of Scarlett O'Hara but neither was "gorgeous enough" for the part; Janet Leigh analyzes the famous shower scene in Psycho (1960), which was shot in seven days and gave the actress nightmares for years; and Jimmy Stewart describes Alfred Hitchcock as a "strange, roly-poly man, interested only in blondes and murder." Popular horror film stars from Lon Chaney Jr. to Boris Karloff and Vincent Price are also featured in a special "movie monsters" section.With first-person accounts of Hollywood life from some of the most distinguished luminaries in the history of American cinema, this entertaining book will delight classic movie fans.

Growing up next door to his Granny's country store in McCracken County, Kentucky, a very young Bob Thompson had unlimited access to the cold-drink box and shelves of candy. Only later did he realize that the greatest benefit of this arrangement was that his playmates and best friends were all adults who frequented the grocery. As he passed his childhood years on the store's front porch, Thompson internalized the tales and folk traditions conveyed by his grandmother and her customers. These moments allowed him to discover his own passion for storytelling.In Hitchhiker: Stories from the Kentucky Homefront, Thompson offers readers homegrown tales that interweave ghosts of the past with real and imagined worlds. The stories progress from his Tom Sawyer--esque childhood in Western Kentucky through his various incarnations as everything from an incense-burning flower-child hitchhiker to an unrepentant adventurer following the footsteps of Hemingway and the Lost Generation across Europe. This collection brings together coming-of-age tales, family stories of bygone eras, and even true accounts of unsolved murders and mysteries.Hitchhiker is Huckleberry Finn meets The Twilight Zone, with just a taste of The Electric Kool-Aid Acid Test. It is a book that will make you wish you'd paid closer attention to your grandparents' and parents' stories and photo albums, that you'd been less cautious and traveled more, that you'd followed your heart and made time to search for your guides and kindred spirits.

At age 36, Laurence S. Kuter (1905--1979) became the youngest general officer since William T. Sherman. He served as deputy commander of allied tactical air forces in North Africa during World War II and helped devise the American bombing strategy in Europe. Although his combat contributions were less notable than other commanders in the Eighth Air Force, few officers saw as many theaters of operation as he did or were as highly sought-after. After World War II, he led the Military Air Transport Service, Air University, Far East Air Forces, and served as commander-in-chief of the North American Air Defense Command (NORAD). Despite these accomplishments and others, however, Kuter remains widely underappreciated.In Architect of Air Power, Brian D. Laslie offers the first biography of this important but unsung pioneer whose influence can be found in every stage of the development of an independent US Air Force. From his early years at West Point to his days at the Air Corps Tactical School to his leadership role at NORAD, Kuter made his mark with quiet efficiency. He was an early advocate of strategic bombardment rather than pursuit or fighter aviation -- fundamentally changing the way air power was used -- and later helped implement the Berlin airlift in 1948. In what would become a significant moment in military history, he wrote Field Manual 100-20, which is considered the Air Force's "declaration of independence" from the Army.Drawing on diaries, letters, and scrapbooks, Laslie offers a complete portrait of this influential soldier. Architect of Air Power illuminates Kuter's pivotal contributions and offers new insights into critical military policy and decision-making during the Second World War and the Cold War.

"Humor is merely tragedy standing on its head with its pants torn." -- Irvin S. CobbBorn and raised in Paducah, Kentucky, humorist Irvin S. Cobb (1876--1944) rose from humble beginnings to become one of the early twentieth century's most celebrated writers. As a staff reporter for the New York World and Saturday Evening Post, he became one of the highest-paid journalists in the United States. He also wrote short stories for noted magazines, published books, and penned scripts for the stage and screen.In Irvin S. Cobb: The Rise and Fall of a Southern Humorist, historian William E. Ellis examines the life of this significant writer. Though a consummate wordsmith and a talented observer of the comical in everyday life, Cobb was a product of the Reconstruction era and the Jim Crow South. As a party to the endemic racism of his time, he often bemoaned the North's harsh treatment of the South and stereotyped African Americans in his writings. Marred by racist undertones, Cobb's work has largely slipped into obscurity.Nevertheless, Ellis argues that Cobb's life and works are worthy of more detailed study, citing his wide-ranging contributions to media culture and his coverage of some of the biggest stories of his day, including on-the-ground reporting during World War I. A valuable resource for students of journalism, American humor, and popular culture, this illuminating biography explores Cobb's life and his influence on early twentieth-century letters.

Jane Gentry (1941--2014) possessed an uncanny ability to spin quietly expansive and wise verses from small details, objects, and remembered moments. The hallmarks of her work are insight into nature, faith, the quotidian, and -- perhaps most prominently -- the grounding of her home and family in the state of Kentucky. This innovative poet and critic was for many years one of the animating spirits of literary life in the region. Gentry and her daughters collaborated with editor Julia Johnson to organize this definitive collection. The result is an important literary anthology that assembles Gentry's most celebrated poems alongside new, previously unpublished works. Johnson uses Gentry's own methodology to arrange the poems in sequences comparable to those found in her previous collections. This organization showcases the range of the poet's work and the flexibility of her style, which is sometimes ironic and humorous; sometimes poignant; but always clear, intelligent, and revelatory.This volume includes two full-length collections of poetry in their entirety -- A Garden in Kentucky and Portrait of the Artist as a White Pig. The final section features Gentry's unpublished work, bringing together her early poems, verses written for loved ones, and a large group of more recent work that may have been intended for future collections. Alternately startling and heart-wrenching, The New and Collected Poems of Jane Gentry offers a valuable retrospective of the celebrated poet's work.

"Mrs. Robinson, you're trying to seduce me. Aren't you? " These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931--2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards.In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel brings together interviews with dozens of her friends and colleagues, never-before-published family photos, and material from film and theater archives to present a portrait of an artist who raised the standards of acting for all those who followed. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft. Her talent (and good timing) led to a breakthrough role in Two for the Seesaw, which made her a Broadway star overnight. The role of Helen Keller's devoted teacher in the stage version of The Miracle Worker would follow, and Bancroft also starred in the movie adaption of the play, which earned her an Academy Award. She went on to appear in dozens of film, theater, and television productions, including several movies directed or produced by her husband, Mel Brooks. Anne Bancroft: A Life offers new insights into the life and career of a determined actress who left an indelible mark on the film industry while remaining true to her art.

The Yom Kippur War pitted Israel against Syria in the north and Egypt in the south in October 1973. Caught by surprise and surrounded by enemies, Israel relied on the flexibility and creative thinking of its senior field commanders. After Israeli forces halted the Egyptian troops on the Sinai Peninsula, Major General Ariel Sharon seized the opportunity to counterattack. He split the Egyptian army and cut off its supply lines in a maneuver known as Operation Stouthearted Men. Sharon's audacious, controversial decision defied his superiors and produced a major victory, which many believe helped win the war for Israel.At the Decisive Point in the Sinai is a firsthand account of the Yom Kippur War's most intense engagement by key leaders in Sharon's division. Jacob Even, deputy division commander of the 143rd Division, and Simcha Maoz, a staff officer, recount the initial stages of the Suez crossing, examine the Israel Defense Forces' (IDF) response to Egypt's surprise attack, and explain Sharon's role in the transition from defense to offense. They detail Sharon's struggle to convince his superiors of his plan and argue that an effective division commander is revealed not only by his leadership of subordinates, but also by his ability to influence his senior officers.The strategic failure of the Israeli high command during the Yom Kippur War has been widely studied, but At the Decisive Point in the Sinai is one of the few works to examine the experiences of field-level commanders. Even and Maoz challenge students of military leadership by offering a case study on effective generalship.

General Fritz von Lossberg (1868--1942) directed virtually all the major German defensive battles on the Western Front during the First World War. Hailed as "the Lion of the Defensive," he was an extremely influential military tactician and, unlike many other operations officers of his era, was quick to grasp the changes wrought by technology.Now available for the first time in English, Lossberg's memoir explains how he developed, tested, and implemented his central principles -- flexibility, decentralized control, and counterattack -- which were based on a need to adapt to shifting conditions on the battlefield. Lossberg first put his theory of elastic defense combined with defense-in-depth into practice during the Battle of Arras (April--May 1917), where it succeeded. At the Battle of Passchendaele (June--November 1917), his achievements on the field proved the feasibility of his strategy of employing a thinly manned front line that minimized the number of soldiers exposed to artillery fire. Lossberg's tactical modernizations have become essential components of army doctrine, and Lossberg's War: The World War I Memoirs of A German Chief of Staff will take readers inside the mind of one of the most significant military innovators of the twentieth century.

Soldier, journalist, and Soviet spy Robert S. Allen (1900--1981) was a deeply controversial figure. After serving in France during World War I, he left the military, forged a successful career as a syndicated columnist, and even rose to become the Washington, DC, bureau chief for the Christian Science Monitor. During this period, he developed a sideline as a paid informant for the KGB. Still, Allen returned to the army following America's entry into World War II and served as General George S. Patton's chief of situation and executive officer for operations. He was considered such an authority on Patton after the war that Twentieth Century-Fox asked him to develop a film script about the general.In Forward with Patton, John Nelson Rickard presents a complete, annotated edition of Colonel Allen's World War II diary for 1944-1945. The entries reflect Allen's private thoughts on his experiences, provide insight into the employment of the Third Army staff, and survey the strengths and weaknesses of individual staff members. They also provide an invaluable and rare perspective of Patton, with whom Allen worked closely while gathering intelligence, and whom he deeply admired. At times objective and at others intensely personal, Forward with Patton offers a distinctive eyewitness account of one of the US military's most important armies by one of its most colorful soldiers.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, Dominé has not only opened his mind to the idea of paranormal phenomena but also turned it into popular tours and a bestselling collection of books, which have brought new attention to this iconic neighborhood. In Phantoms of Old Louisville: Ghostly Tales from America's Most Haunted Neighborhood, Dominé recounts a horrifying encounter at the Spalding Mansion and the long history of the kindly spirit Avery, who guards the iconic Pink Palace. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, Dominé has not only opened his mind to the idea of paranormal phenomena but also turned it into popular tours and a bestselling collection of books, which have brought new attention to this iconic neighborhood. In Haunts of Old Louisville, he takes readers inside the opulent Ferguson Mansion -- where a phantom tosses books off shelves -- and introduces them to the spectral stable hand who lurks around Campion House. He also examines historic tales pulled out of the headlines and even explores the claim that a winged demon haunts the ornate towers of Walnut Street Baptist Church. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, David Dominé not only embraced the possibility of supernatural phenomenon but also turned it into a popular tour series and best-selling collection of books, which have brought new attention to this iconic neighborhood. The book that launched the guided tours, Ghosts of Old Louisville, introduced readers to the hauntingly beautiful Lady of the Stairs and the Widow Hoag, who waits eternally near Fountain Court for a lost child who will never return. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

Like most of the nation during the 1930s, St. Louis, Missouri, was caught in the stifling grip of the Great Depression. For the next thirty years, the "Gateway City" continued to experience significant urban decline as its population swelled and the area's industries stagnated. Over these decades, many African American citizens in the region found themselves struggling financially and fighting for access to profitable jobs and suitable working conditions. To combat ingrained racism, crippling levels of poverty, and sub-standard living conditions, black women worked together to form a community-based culture of resistance -- fighting for employment, a living wage, dignity, representation, and political leadership.Gateway to Equality investigates black working-class women's struggle for economic justice from the rise of New Deal liberalism in the 1930s to the social upheavals of the 1960s. Author Keona K. Ervin explains that the conditions in twentieth-century St. Louis were uniquely conducive to the rise of this movement since the city's economy was based on light industries that employed women, such as textiles and food processing. As part of the Great Migration, black women migrated to the city at a higher rate than their male counterparts, and labor and black freedom movements relied less on a charismatic, male leadership model. This made it possible for women to emerge as visible and influential leaders in both formal and informal capacities.In this impressive study, Ervin presents a stunning account of the ways in which black working-class women creatively fused racial and economic justice. By illustrating that their politics played an important role in defining urban political agendas, her work sheds light on an unexplored aspect of community activism and illuminates the complexities of the overlapping civil rights and labor movements during the first half of the twentieth century.

Acclaimed author and Catholic thinker Flannery O'Connor (1925--1964) penned two novels, two collections of short stories, various essays, and numerous book reviews over the course of her life. Her work continues to fascinate, perplex, and inspire new generations of readers and poses important questions about human nature, ethics, social change, equality, and justice. Although political philosophy was not O'Connor's pursuit, her writings frequently address themes that are not only crucial to American life and culture, but also offer valuable insight into the interplay between fiction and politics. A Political Companion to Flannery O'Connor explores the author's fiction, prose, and correspondence to reveal her central ideas about political thought in America. The contributors address topics such as O'Connor's affinity with writers and philosophers including Eric Voegelin, Edith Stein, Russell Kirk, and the Agrarians; her attitudes toward the civil rights movement; and her thoughts on controversies over eugenics. Other essays in the volume focus on O'Connor's influences, the principles underlying her fiction, and the value of her work for understanding contemporary intellectual life and culture.Examining the political context of O'Connor's life and her responses to the critical events and controversies of her time, this collection offers meaningful interpretations of the political significance of this influential writer's work.

As long as there have been wars, victors have written the prevailing histories of the world's conflicts. An army that loses -- and especially one that is destroyed or disbanded -- is often forgotten. Nevertheless, the experiences of defeated forces can provide important insights, lessons, and perspectives not always apparent to the winning side. In Wars of Modern Babylon, Pesach Malovany provides a comprehensive and detailed history of the Iraqi military from its formation in 1921 to its collapse in 2003. Malovany analyzes Iraqi participation in the 1948, 1967, and 1973 Arab wars against Israel as well as Iraq's wars with the Kurds during the twentieth century. His primary focus, however, is the era of Saddam Hussein (1979--2003), who implemented rapid and significant military growth and fought three major wars: against Iran from 1980 to 1988, and against coalition forces led by the United States in 1991 and 2003. He examines the Iraqi military at the strategic, operative, and tactical levels; explains its forces and branches; and investigates its use of both conventional and unconventional weapons.The first study to offer a portrait of an Arab army from its own point of view, Wars of Modern Babylon features interviews with and personal accounts from officers at various levels, as well as press accounts covering the politics and conflicts of the period. Malovany also analyzes books written by key figures in the Iraqi government and the army high command. His definitive chronicle offers English speakers new and overlooked perspectives on critical developments in twentieth-century history. The book won the Israel Yitzhak Sade Award for Military Literature in 2010.