In 1979 Robert Penn Warren returned to his native Todd Country, Kentucky, to attend ceremonies in honor of another native son, Jefferson Davis, president of the Confederacy, whose United States citizenship had just been restored, ninety years after his death, by a special act of Congress. From that nostalgic journey grew this reflective essay on the tragic career of Jefferson Davis -- "not a modern man in any sense of the word but a conservative called to manage what was, in one sense, a revolution." Jefferson Davis Gets His Citizenship Back is also a meditation by one of our most respected men of letters on the ironies of American history and the paradoxes of the modern South.

There are many reasons why it is important to study local politics -- political culture, government, political process -- in Communist party states. As in all politics, local politics in Communist party states are the political articulation of the local community. This is the political arena where policies concerning local issues are formulated by the officials. This is where the officials are approached by citizens with their particular demands. This is where citizens articulate their preferences, aspirations, and values through political participation. And this is where officials, both elected and appointed, are recruited.In this volume, Daniel N. Nelson has assembled a team of international scholars to consider local politics in Communist party states including the U.S.S.R., China, Poland, Yugoslavia, and Romania. Together, they explore how local social and political forces are articulated in the national and party organizations; they also reveal how the study of comparative local politics provides vitality for the study of national politics. Rather than treating local communities as receivers and translators of national inputs, the contributors demonstrate that the local dimension and national politics mutually influence one another and illuminate the social reality in communist societies.

In language both spare and colorful, sure in its command of Appalachian dialect and poetic in its evocation of mountain settings, James Still's stories reveal the lives of his people -- lives of privation and struggle, lived with honesty as well as humor. With a foreword by Cleanth Brooks and an afterword by the author, The Run for the Elbertas features thirteen stories from one of America's masters of the short story. Enjoyable and enriching, Still's stories sparkle with wisdom and joy.

Didi, Gogo, Pozzo, Lucky -- the bizarre names stand out strangely against the bare-bones landscape of Waiting for Godot. In an intriguing new study of one of the most haunting plays of this century, Frederick Busi shows that these names serve important dramatic functions, reinforcing the changing roles assumed by the mysterious characters in their tortuous search for -- and avoidance of -- self.Busi also explores Beckett's convoluted literary relationship with James Joyce, especially as revealed in the plays-within-the-play and verbal jigh jinks of Finnegan's Wake, where, as in Godot, the same characters keep dreamily encountering themselves in different disguises, under shifting names. Beckett's strong affinities with Cervantes and the common debt of these two authors to the traditions of commedia dell'arte lead Busi to important insights into the shifting master-slave relationship so prominent in Godot, as in Don Quixote.The religious implications of Godot -- the subject of so much critical debate -- are placed in a new perspective by Busi's provocative observation that certain early Christian heretical works and certain books of the Apocrypha contain not only the idea of the Devil/God, Judas/Jesus identifications implied in Godot but also a number of names that Beckett seems to have had in mind when he wrote his play.Rich in linguistic, historical, and psychological learning, Busi's examination of the names in Godot leads the reader to a fuller awareness of Beckett's extraordinarily complex imagination. As Wylie Sypher writes in the foreword, the book is "an invitation to expand our reading of Beckett in many directions."

Originally published in 1940, Stuart's first novel introduced his reader to one of the most unforgettable characters of American literature--Boliver Tussie, the hard-drinking, happy-go-lucky squatter who works just enough to get by.

Rationality, objectivity, symmetry: were these really principles urged and exemplified by eighteenth-century English prose? In this persuasive study, Robert W. Uphaus argues that, on the contrary, many of the most important works of the period do not actually lead the reader into a new awareness of just how problematical, how unsusceptible to reason, both the world and our easy assumptions about it are. Uphaus discusses a broad range of writers -- Swift, Defoe, Mandeyville, Richardson, Fielding, Sterne, Johnson, and Godwin -- showing that beneath their variety lies a fundamentally similar challenge, addressed to the critical procedure which assumes that the exercise of reason is a sufficient tool for an understanding the appeal of imaginative literature.

The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American prototype?In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit" -- a character of untainted blood who joined the virtues of the two races in his manner of life -- was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto.This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.

Written by a beloved American author who grew up in the foothills of the Appalachians, these twenty-one short stories explore the daily lives and activities of Kentucky mountaineers. Life, animate existence, absorbs Jesse Stuart. Never is it more vital than when juxtaposed with death, hence the contrasting motifs of life and death permeating his work. In this book, Stuart tells the stories of the hills and the men who live there. They "curse the mountains," but love them too, he says. Existing in dimensions of real geography and elaborate imagination, Stuart moves easily between autobiography and fiction and often does not bother to distinguish one from the other. Greenup County, Kentucky blends into Greenwood County, and W-Hollow in both fiction and fact is subject to the proprietorship of the bard of Appalachia.

Stuart's first book of short stories remains haunting, powerful, and humorous.

First published in 1940, James Still's masterful novel has become a classic. It is the story, seen through the eyes of a boy, of three years in the life of his family and their kin. He sees his parents pulled between the meager farm with its sense of independence and the mining camp with its uncertain promise of material prosperity. In his world privation, violence, and death are part of everyday life, accepted and endured. Yet it is a world of dignity, love, and humor, of natural beauty which Still evokes in sharp, poetic images. No writer has caught more effectively the vividness of mountain speech or shown more honestly the trials and joys of mountain life.

This informative book shows how the influence of Kentucky Standard breeding spread across the nation and finally around the world. Here is the story of the horses and farms, the men and women who made it possible. Rich with anecdote and founded on a unique store of learning, it will delight both the newcomer to the sport and the lifelong devotee.

This volume presents a record of the Ford administration. From among the many public speeches delivered by Wendell Ford during the three years he served as Governor, W. Landis Jones has chosen a representative sample that reflects the wide-ranging concerns of the Ford administration. Arranged topically, the volume covers subjects from government reorganization and party politics to health and welfare, education, highways, and energy and environment.This selection does not include executive orders or proclamations, since they are part of the preserved public record. The cross section of public speeches and press releases that are included provides an easily accessible source for historians to view the broad spectrum of issues that faced the people of the Commonwealth during the early years of the 1970s.Included also are appendixes that provide a complete listing of speeches delivered by Governor Ford during his term of office, a chart that shows the organization of Kentucky government at the end of the Ford administration, and a synopsis of the administration by Thomas L. Preston.

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation.In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and -- far more important -- indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.

Mysterious vanishing hitchhikers, travelers beset by headless dogs, and long-dead moonshiners come alive in this collection of ninety-six Appalachian folktales. Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This ghostly collection, with source information and bold illustrations, will thrill longtime lovers of supernatural lore.

Shantyboat is the story of a leisurely journey down the Ohio and Mississippi rivers to New Orleans. For most people such a journey is the stuff that dreams are made of, but for Harlan and Anna Hubbard it became a cherished reality. In the fall of 1944 they built a houseboat, small but neatly accommodated to their needs, on the bank of the Ohio near Cincinnati, and in it after a pause of two years they set out to drift down the river. In their small craft, the Hubbards became one with the flow of the river and its changing weathers. An artist by profession, Harlan Hubbard records with graceful ease the many facets of their life on the river-the panorama of fields and woods, summer gardening, foraging expeditions for nuts and berries, dangers from storms and treacherous currents, the quiet solitude of the mists of early morning. Their life is sustained by the provender of bank and stream, useful things made and found, and mutual aid and wisdom from people met along the journey. It is a life marked by simplicity and independence, strenuous at times, but joyous, with leisure for painting and music, for observation and contemplation.

In this concise yet comprehensive, thoroughly researched, and crisply written study, The Improbable Era places developments over the last three decades in Southern economics, politics, education, religion, the arts, and racial revolution into a disciplined framework that brings a measure of order to the perplexing chaos of this era of fundamental change in Southern life.