"Forgive state poet #289-128 / for not scribbling illusions / of trickery as if timeless hell / could be captured by stanzas / alliteration or slant rhyme," remarks the speaker, Maryland Department of Corrections prisoner {#289-128}, early in this haunting collection. Three sections -- {#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York -- frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment.These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's Letters to Martha, Wole Soyinka's A Shuttle in the Crypt, and Etheridge Knight's The Essential Etheridge Knight, {#289-128} challenges the language of incarceration -- especially the ways in which it reinforces stigmas and stereotypes.Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. It also illuminates the ways in which we all are relegated to cells or boundaries, whether we want to acknowledge it or not.

Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville's luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. With World War II raging in Europe, the inn is the temporary home of Axis diplomats and their families, who are being held as prisoners of war. Soon, Cowney's refuge becomes a cage when the daughter of one of the residents goes missing and he finds himself accused of abduction and murder. Even As We Breathe invokes the elements of bone, blood, and flesh as Cowney navigates difficult social, cultural, and ethnic divides. After leaving the seclusion of the Cherokee reservation, he is able to explore a future free from the consequences of his family's choices and to construct a new worldview, for a time. However, prejudice and persecution in the white world of the resort eventually compel Cowney to free himself from larger forces that hold him back as he struggles to unearth evidence of his innocence and clear his name.

On March 28, 1966, Peace Corps personnel in Tanzania received word that volunteer Peppy Kinsey had fallen to her death while rock climbing during a picnic. Local authorities arrested Kinsey's husband, Bill, and charged him with murder as witnesses came forward claiming to have seen the pair engaged in a struggle. The incident had the potential to be disastrous for both the Peace Corps and the newly independent nation of Tanzania. Because of the high stakes surrounding the trial, questions remain as to whether there was more behind the final "not guilty" verdict than was apparent on the surface. Peter H. Reid, who served as a Peace Corps volunteer in Tanzania at the time of the Kinsey murder trial, draws on his considerable legal experience to expose inconsistencies and biases in the case. He carefully scrutinizes the evidence and the investigation records, providing insight into the motives and actions of both the Peace Corps representatives and the Tanzanian government officials involved. Reid does not attempt to prove the verdict wrong but critically examines the events of Kinsey's death, her husband's trial, and the aftermath through a variety of cultural and political perspectives. This compelling account sheds new light on a notable yet overlooked international incident involving non-state actors in the Cold War era. Meticulously researched and replete with intricate detail, Every Hill a Burial Place explores the possibility that the course of justice was compromised and offers a commentary on the delicacy of cross-national and cross-cultural diplomacy.

The need to quickly enter into conflict and succeed in the initial engagements is an enduring demand on militaries around the world. Given today's dynamic geopolitical environment, the concept of successful, rapid transition or organizational and mental readiness is more relevant than ever. Using the Israel Defense Forces (IDF) as a case study , Meir Finkel explores four important but generally neglected challenges of a swift transition from peace to wartime operations. He investigates the challenging mental transition from peace or routine security employment to a higher-intensity mode of action in combat. Then, Finkel explains that militaries must be capable of rapidly resolving debated prewar concepts and doctrine even as war breaks out. He also discusses how to integrate and employ new weapons systems delivered at the last minute or during a conflict. Lastly, he delves into methods for managing the tension between the need to win every tactical engagement in low-intensity conflict and the preparation of forces for a high-intensity conflict. With clear applications for the IDF and US armed services, Finkel's study offers specific examples of hard-to-accomplish rapid transitions as well as broad suggestions for how to improve readiness. Military Agility will appeal to military personnel and leadership, strategists, historians with an interest in comparative analysis, and policymakers.

Leading one of the two great political parties in the United States between 1834 and 1856, the Whigs battled their opponents, the Jacksonian Democrats, for offices, prestige, and power. Boasting such famous members as Henry Clay, Daniel Webster, and William Henry Seward, the party supported tariffs, banks, internal improvements, moral reform, and public education. However, because the Democrats were more successful in controlling the White House, they have received more attention from historians. In The Whig Promise, Joseph W. Pearson provides a counterbalance to this trend through an attentive examination of writings from party leaders, contemporaneous newspapers, and other sources. Pearson explores a variety of topics, including the Whigs' understanding of the role of the individual in American politics, their perceptions of political power and the rule of law, and their impressions of the past and what should be learned from history. Throughout, he shows that the party attracted optimistic Americans seeking achievement, community, and meaning through collaborative effort and self-control in a world growing more and more impersonal. Pearson effectively demonstrates that, while the Whigs never achieved the electoral success of their opponents, they were rich with ideas. His detailed study adds complexity and nuance to the history of the antebellum era by illuminating significant aspects of a deeply felt, shared culture that informed and shaped a changing nation.

From her first appearances on the stage and screen, Maureen O'Hara (b. 1920) commanded attention with her striking beauty, radiant red hair, and impassioned portrayals of spirited heroines. Whether she was being rescued from the gallows by Charles Laughton (The Hunchback of Notre Dame, 1939), falling in love with Walter Pidgeon against a coal-blackened sky (How Green Was My Valley, 1941), learning to believe in miracles with Natalie Wood (Miracle on 34th Street, 1947), or matching wits with John Wayne (The Quiet Man, 1952), she charmed audiences with her powerful presence and easy confidence. Maureen O'Hara is the first book-length biography of the screen legend hailed as the "Queen of Technicolor." Following the star from her childhood in Dublin to the height of fame in Hollywood, film critic Aubrey Malone draws on new information from the Irish Film Institute, production notes from films, and details from historical film journals, newspapers, and fan magazines. Malone also examines the actress's friendship with frequent costar John Wayne and her relationship with director John Ford, and he addresses the hotly debated question of whether the screen siren was a feminist or antifeminist figure.Though she was an icon of cinema's golden age, O'Hara's penchant for privacy and habit of making public statements that contradicted her personal choices have made her an enigma. This breakthrough biography offers the first look at the woman behind the larger-than-life persona, sorting through the myths to present a balanced assessment of one of the greatest stars of the silver screen.

In August 1974, while Richard Nixon resigned and Gerald Ford began a prolonged battle with Congress over executive power, a crisis was occurring in Cyprus. Desperate to shore up its declining popularity with a foreign policy triumph, the military government of Greece tried to overthrow the government of the independent island nation. In response, the Republic of Turkey invaded Cyprus in order to protect Turkish Cypriots. The invasion led to the downfall of the junta in Athens, the beginning of a United States embargo on arms sales to its ally Turkey, and years of increased tension and mistrust between the two nations. In his book, James F. Goode offers a revolutionary analysis of the complex factors leading to the imposition and continuance of the Turkish Arms Embargo. He demonstrates that, alone, the human rights issues surrounding the invasion fail to explain the resulting US-Turkish estrangement. Instead, he contends, factors including deep-seated "Turkophobia," growing concern about a deadly heroin epidemic in the United States, and pro-Greek lobbies played important roles in heightening tensions and extending the embargo.Goode draws on newly available archival materials from the Gerald Ford and Jimmy Carter Presidential Libraries as well as the personal papers of key senators and congressmen to present the most complete analysis of the affair to date. This timely study will not only change how this period is understood, but it will also provide valuable insights into the future of international relations.

Although the game is known by many names around the world - football, fútbol, Fußball, voetbal - soccer is a universal language. Throughout the past century, governments have used soccer to further their diplomatic aims through a range of actions including boycotts, carefully orchestrated displays at matches, and more. In turn, soccer organizations have leveraged their power over membership and tournament decisions to play a role in international relations. In Soccer Diplomacy, an international group of experts analyzes the relationship between soccer and diplomacy. Together, they investigate topics such as the use of soccer as a tool of nation-state - based diplomacy, soccer as a non-state actor, and the relationship between soccer and diplomatic actors in subnational, national, and transnational contexts. They also examine the sport as a conduit for representation, communication, and negotiation.Drawing on a wealth of historical examples, the contributors demonstrate that governments must frequently address soccer as part of their diplomatic affairs. They argue that this single sport - more than the Olympics, other regional multisport competitions, or even any other sport - reveals much about international relations, how states attempt to influence foreign views, and regional power dynamics.

One of the defining features of United States foreign policy since World War II has been the nation's special relationship with Israel. This informal alliance, rooted in shared values and culture, grew out of a moral obligation to promote Israel's survival in the aftermath of the Holocaust as US policymakers provided military aid, weapons, and political protection. In return, Israel served American interests through efforts to contain communism and terrorism in the region. Today, the US provides almost four billion dollars in military aid per year, which raises questions regarding interest and propriety: At what point does US support for Israel exceed the boundaries of the countries' unconventional relationship and become counterproductive to other national interests, including the pursuit of peace in the Middle East? Kenneth Kolander provides a vital new perspective on the US-Israel bond by focusing on Congress's role in developing and maintaining the special relationship during a crucial period. Previous studies have focused on the executive branch, but Kolander demonstrates that US-Israel relations did not follow a course preferred by successive presidential administrations, especially in the 1960s and 1970s. Instead, he illuminates how influential lobbies, America's affinity for Israel and antipathy towards Arabs, and economic pressures influenced legislators and inspired congressional action in support of Israel. In doing so, he presents an essential investigation of the ways in which legislators exert influence in foreign policy and adds new depth to the historiography of an important dynamic in postwar world politics.

Between 1820 and 1913, approximately 16,000 black people left the United States to start new lives in Liberia, Africa, in what was at the time the largest out-migration in US history. When Tolbert Major, a former Kentucky slave and single father, was offered his own chance for freedom, he accepted. He, several family members, and seventy other people boarded the Luna on July 5, 1836. After they arrived in Liberia, Tolbert penned a letter to his former owner, Ben Major: "Dear Sir, We have all landed on the shores of Africa and got into our houses.... None of us have been taken with the fever yet."Drawing on extensive research and fifteen years' worth of surviving letters, author Susan E. Lindsey illuminates the trials and triumphs of building a new life in Liberia, where settlers were free, but struggled to acclimate themselves to an unfamiliar land, coexist with indigenous groups, and overcome disease and other dangers. Liberty Brought Us Here: The True Story of American Slaves Who Migrated to Liberia explores the motives and attitudes of colonization supporters and those who lived in the colony, offering perspectives beyond the standard narrative that colonization was driven solely by racism or forced exile.

In 1880, forty-three women walked into the president's office at the University of Kentucky (UK) and signed the student register, becoming the first female students at a public college in the commonwealth. But gaining admittance was only the beginning. For the next sixty-five years -- encompassing two world wars, an economic depression, and the ratification of the Nineteenth Amendment -- generations of women at UK claimed and reclaimed their right to an equitable university experience. Their work remains unfinished.Drawing on yearbooks, photographs, and other private collections, Our Rightful Place: A History of Women at the University of Kentucky, 1880--1945 examines the struggle for gender equity in higher education through the lens of one major institution. In the face of shifting resistance, pioneering women constructed opportunities for themselves. Terry L. Birdwhistell and Deirdre A. Scaggs highlight three women -- Sarah Blanding, Frances Jewell McVey, and Sarah Bennett Holmes -- who fought for access to basic facilities that were denied to UK women for decades, including housing and study spaces. By examining the trials and triumphs of UK's first female undergraduates, faculty, and administrators, this book uncovers the lasting impact women had on higher learning in the early days of coeducation.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks. No director of his era surpassed his ability to capture an audience's imagination.In Picturing Peter Bogdanovich: My Conversations with the New Hollywood Director, journalist and critic Peter Tonguette offers a film-by-film journey through the director's life and work. Beginning with a string of 1970s classics, Tonguette explores well-known films such as Saint Jack (1979), They All Laughed (1981), and Noises Off (1992), as well as the director's work on stage and television. Drawing on interviews conducted over sixteen years, Tonguette pairs his analysis with an extensive, previously unpublished series of Q&As with Bogdanovich. These exclusive interviews reveal behind-the-scenes details about the director's life, work, and future plans. Part memoir, part biography, this book offers a uniquely intimate portrait of one of Hollywood's most underappreciated directors.

When examining history, one must be careful not to blame rapid political change solely on famine, war, economic inequality, or structural disfunctions alone. These conditions may linger for decades without social upheaval. Successful revolution requires two triggering elements: a crisis or conjuncture and revolutionary actors who are organized in a dedicated revolutionary party, armed with a radical ideology, and poised to act. While previous revolutions were ignited by small collectives, many in the twentieth century relied on strategic relationships between two exceptional leaders: Marx and Engels (Communism), Lenin and Trotsky (Russia), Ghandi and Nehru (India), Mao and Zhou (China), and Castro and Guevara (Cuba). These partnerships changed the world.In Revolutionary Pairs: Marx and Engels, Lenin and Trotsky, Gandhi and Nehru, Mao and Zhou, Castro and Guevara, Larry Ceplair tells the stories of five revolutionary struggles through the lens of famous duos. While each relationship was unique -- Castro and Guevara bonded like brothers, Mao and Zhou like enemies -- in every case, these leaders seized the opportunity for revolution and recognized they could not succeed without the other. The first cross-cultural exploration of revolutionary pairs, this book reveals the undeniable role of personality in modern political change.

When the United States entered World War I, President Woodrow Wilson declared to Congress that the objective was not merely to bring "a new balance of power," but rather to bring a "just and secure peace" to the world by the end of the conflict. In this famous speech, known as "The Fourteen Points," Wilson offered the world a road map toward a more equitable international system in the midst of unprecedented global conflict, including ideas on the interconnectedness of democracy, trade, and the concept of a forum for peaceably resolving international disputes. Even decades after the end of the First World War, Wilson's ideas remained important and influenced many of his successors. But now, in the twenty-first century, there are forces at work in the world that Wilson could never have imagined, and those forces call for a new plan toward peace.In Fourteen Points for the Twenty-First Century: A Renewed Appeal for Cooperative Internationalism, Richard H. Immerman and Jeffrey A. Engel bring together a diverse group of thinkers who take up Wilson's call for a new world order by exploring fourteen new directions for the twenty-first century. The contributors -- scholars, policymakers, entrepreneurs, poets, doctors, and scientists -- propose solutions to contemporary challenges such as migration, global warming, health care, food security, and privacy in the digital age. Taken together, these points challenge American leaders and policymakers to champion an international effort, not to make America great again, but to work cooperatively with other nations on the basis of mutual respect.

The Second World War in Yugoslavia is notorious for the brutal struggle between the armed forces of the Third Reich and the communist-led Partisans. Less known is the fact that the two sides negotiated prisoner exchanges throughout the war. Under extraordinary circumstances, these early communications evolved into a formal exchange agreement centered on the creation of a neutral zone - quite possibly the only such area in occupied Europe - where prisoners were regularly exchanged until late April 1945, saving thousands of lives. The leadership on both sides used these points of contact to hold secret political talks, for which they were nearly branded as traitors by their superiors in Berlin and Moscow. Parleying with the Devil is the first comprehensive analysis of prisoner exchanges and the attendant contacts between the German occupation authorities and the Yugoslav Partisans. Trifković argues that prisoner exchange had a decisive influence on prisoner of war policies on both sides and helped reduce the levels of violence for which this theater of war became infamous. Parleying with the Devil reveals that these points of contact, contrary to some claims, did not lead to collusion between these two parties against other Yugoslav factions or the Western Allies.

During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning theBest Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a doublesided reputation as a “woman’s director. ” While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood’s constraints. Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor’s award-winning and lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-ina- generation director who produced some of the best films in history.