The New World -- this empty land dazzlingly rich in forests, soils, rainfall, and mineral wealth -- was to represent a new beginning for civilized humanity. Unfortunately, even the best of the European settles had a stronger eye for conquest than for justice. Natives were in the way -- surplus people who must be literally displaced. Now, as ecologist Wes Jackson points out, descendants of those early beneficiaries of conquest find themselves the displaced persons, forced to vacated the family farmsteads and small towns of our heartland, leaving vacant the schools, churches, hardware stores, and barber shops. In a ringing cry for a changed relation to the land, Jackson urges modern Americans to become truly native to this place -- to base our culture and agriculture on nature's principles, to recycle as natural ecosystems have for millions of years. The task is more difficult now, he argues, because so much cultural information has been lost and because the ecological capital necessary to grow food in a sustainable way has been seriously eroded. Where to begin? Jackson suggests we start with those thousands of small towns and rural communities literally falling down or apart. In such places there is much good conservation work to be done. We have no money to pay for the process and little cultural awareness to support it, but here are the places where a new generation of homecomers -- people who want to go to a place and dig in -- can become the new pioneers, operating on a set of assumptions and aspirations different from those of their ancestors. These new pioneers will have to "set up the books" for ecological community accounting. IF they dig deep enough and long enough, urges Jackson, a new kind of economy will emerge. So will rich culture with its own art and artifact.

" The product of original research in newspapers, manuscripts, and secondary sources, Carden's history of music in early Lexington describes an unexplored aspect of the city's cultural heritage."

The Berlin newspaper Der Angriff ( The Attack), founded by Joseph Goebbels in 1927, was a significant instrument for arousing support for Nazi ideas. Berlin was the center of the political life of the Weimar Republic, and Goebbels became an actor upon this frenetic stage in 1926, becoming Gauleiter of Berlin's Nazis. Focusing on the period from 1927 to 1933, a time the Nazis later called "the blood years," Russel Lemmons examines how Der Angriff was used to promote support for Nazism. Some of the most important propaganda motifs of the Third Reich first appeared in the pages of Der Angriff. Horst Wessel, murdered by the German Communist Party in 1930, became the archetypal Nazi hero; much of his legend began on the pages of Der Angriff. Other Nazi propaganda themes -- the "Unknown SA man" and the "myth of resurrection and return" -- made their first appearances in this newspaper. How could the Germans, seemingly among the most cultured people in Europe, hand over their fate to the Nazis? As this book demonstrates, Der Angriff had much to do with the rise of National Socialism in Berlin and the cataclysmic results.

"This first work of fiction by Verna Mae Slone, firmly grounded in her own background, is set in the 1920s and 1930s in a closeknit community in eastern Kentucky, where family roots run deep. At its center stands as strong and resilient a heroine as any in American literature. Verna Mae Slone, a native of Knott County, Kentucky, is the author of several books, including the bestselling memoir, What My Heart Wants to Tell.

In the tradition of Colin Fletcher's The Man Who Walked Through Time and William Least Heat-Moon's Blue Highways, Edward F. Stanton has written a quietly beautiful and engrossing account of his own pilgrimage. Road of Stars to Santiago is a personal story of his journey along what has been called "the premier cultural route of Europe. ""I undertook a five-hundred-mile walk along the ancient Camino de Santiago, from the French Pyrenees to Santiago de Compostella in northwest Spain, the supposed burial site of the apostle St. James the Elder, and beyond to Finisterre, Land's End on the Atlantic coast."On my journey I followed the old road whenever possible, passing through mountains, medieval forests and remote villages, as well as modern towns and cities. I slept in fields, abandoned schools or wherever I could, on a thirty-day trip that brought me into contact with a whole cross-section of Spanish society, and with pilgrims from France, Belgium, Holland, Germany and England."Most of the book has to do with my own trials and joys on the Road: the physical struggle to walk about twenty miles a day in the heat or rain, to find a place to eat and sleep; with the psychological changes that take place when one leaves home, family and routine; with the contradictions inherent to a pilgrimage in the late twentieth centuiy; with experiences that ranged from the spiritual to the picaresque; with the people I met on the way -- from shepherds and peasan ts to astrologers and philosophers. There are plenty of humorous situations and unexpected turns."-- Edward F. Stanton

Serving as tour guide, Fox invites his audience to go with him log rafting down the Kentucky River, bass fishing in the Cumberland Mountains, rabbit hunting in the Bluegrass, and chasing outlaws in the border country of Kentucky and Virginia. Along the route we meet Old South colonels and their ladies, lawless moonshiners and their shy daughters, bloodthirsty preachers, and educated young gentlemen visitors who explore the southern mountains for fun and profit. These sketches offer a delightful blend of macho adventure and sage observation by an erudite young writer who had lived in the two worlds that provide his subject matter-the elegant society of the Bluegrass aristocracy and the hardscrabble feuding clans of mountaineers.

Memoirs by sailors, soldiers and pilots who fought in World War II abound, but here is a rarity: a personal account by a woman who served in both the Women's Army Auxiliary Corps and the American Red Cross during the war and after the occupation.The Women's Army Auxiliary Corps was established in 1942, allowing American women for the first time to serve, in supporting roles, in the military. The following year, Violet A. Kochendoerfer, an independent and adventurous young Minnesota woman, joined the WAACs. Always alert to new opportunities, she soon left for a job with the American Red Cross and saw much of World War II in the European Theater of Operations as she served as director of service clubs attached to military units in Britain, France, and Germany.Kochendoerfer tells of enduring buzz bombs in London as her 315th Troop Carrier Group took part in D-Day operations; of providing service clubs for the 82nd Airborne Division as it forced the last bridgehead of the war; of witnessing the final surrender of the main German Army and the liberation of a concentration camp; and of meeting and celebrating with the Russians after the Germans surrendered.Her story, some of it told through letters she wrote home, provides a woman's unique perspective on historic events usually recounted only by men.

Each chapter is a biographical sketch of an influential black woman who has written for American newspapers or television news, including Maria W. Stewart, Mary Ann Shadd Cary, Gertrude Bustill Mossell, Ida B. Wells-Barnett, Josephine St. Pierre Ruffin, Delilah L. Beasley, Marvel Cooke, Charlotta A. Bass, Alice Allison Dunnigan, Ethel L. Payne, and Charlayne Hunter-Gault.

Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures -- Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron -- as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist.Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.

When Franklin D. Roosevelt was sworn in as president, the South was unmistakably the most disadvantaged part of the nation. The region's economy was the weakest, its educational level the lowest, its politics the most rigid, and its laws and social mores the most racially slanted. Moreover, the region was prostrate from the effects of the Great Depression.Roosevelt's New Deal effected significant changes on the southern landscape, challenging many traditions and laying the foundations for subsequent alterations in the southern way of life. At the same time, firmly entrenched values and institutions militated against change and blunted the impact of federal programs.In The South and the New Deal, Roger Biles examines the New Deal's impact on the rural and urban South, its black and white citizens, its poor, and its politics. He shows how southern leaders initially welcomed and supported the various New Deal measures but later opposed a continuation or expansion of these programs because they violated regional convictions and traditions. Nevertheless, Biles concludes, the New Deal, coupled with the domestic effects of World War II, set the stage for a remarkable postwar transformation in the affairs of the region.The post-World War II Sunbelt boom has brought Dixie more fully into the national mainstream. To what degree did the New Deal disrupt southern distinctiveness? Biles answers this and other questions and explores the New Deal's enduring legacy in the region.

The first book of its kind, Putting Folklore to Use provides guidance to folklorists but also informs practitioners in other fields about how to use folklore studies to augment their own studies. How can acting like a folklore fieldworker help a teacher reduce inter-group stereotyping and increase student's self-esteem? How can adopting a folklore fieldworker's point of view when interviewing patients help practitioners render health care more effectively? How can using folklore research help rural communities survive and thrive?Thirteen folklorists provide answers to these and other questions and demonstrate the many ways folklore can be put to use. Their essays, commissioned for this volume and edited by Michael Owen Jones, apply the methods and insights of modern folklore research to thirteen different professions and areas of practical concern. The authors, all of whom have themselves put folklore to use in the fields they describe, consider applications in detail and explain how folkloristic concepts and techniques can enhance the work of various professions. They explore applications in such areas as museums, aiding the homeless, environmental planning, art therapy, designing public spaces, organization development, tourism, the public sector, aging, and creating an occupation's image.In an extensive introduction to the volume, Jones provides an overview of applied folkloristics that defines the field, surveys its history in the United States, and scrutinizes its basic issues and premises. Part I of the book shows how to promote learning, problem solving, and cultural conservation through folklore and its study. Part II deals with folklorists helping to improve the quality of life. Part III reveals folklore's role in enhancing identity and community.

Black college presidents in the era of segregation walked a tightrope. They were expected to educate black youth without sufficient state and federal funding. Yet in the African American community they were supposed to represent power and influence and to be outspoken advocates of civil rights, despite the continual risk of offending the white politicians on whom they were dependent for funding. The dilemmas they faced in balancing these conflicting demands have never been fully examined. Gerald Smith's study of the long-time president of Kentucky State College helps fill that void.From 1929 to 1962, Rufus Ballard Atwood served as president of Kentucky State. As chief administrator of the state's foremost black institution, he worked closely with black educational organizations and was often chosen by whites to represent the African American community on various boards and commissions. These appointments gave him access to the state's political and educational power structure, and Atwood proved to be a skilled diplomat; but his influence was frequently at risk.In his ground-breaking study, Smith examines Atwood's political relationships with state officials and his efforts to improve education for African Americans in Kentucky and the nation. He also appraises Atwood's contributions to Kentucky State and his relationship with faculty and students, and evaluates his contributions to the civil rights movement in Kentucky. Most important, Smith compares Atwood's style of leadership and the circumstances he confronted in Kentucky with those of black college presidents in other southern states.A Black Educator in the Segregated South offers an important look at a complex role played out by a remarkable man in an era of change and conflict.

The "State Line Country" of this book is a rugged area of small farms on the Kentucky-Tennessee border. Historically the area has had a homicide rate more than ten times the national average.In this gripping and penetrating study of violence and death in the State Line Country, Lynwood Montell examines the local historical and social conditions, as well as the prevailing attitudes and values, that gave rise and support to rowdy behavior and homicidal acts from the Civil War to the 1930s. The area fostered, he thinks, a culture of violence. Drawing from vivid oral accounts, which he recorded from present-day residents, Montell describes more than fifty killings that took place in the area, locating them against a background of farming, moonshining, and sawmilling activities common in that country. In addition to reconstructing the homicides, he analyzes their key features, including the circumstances under which they took place, the relationships of the persons involved, the presence of precipitating factors (such as deadly weapons and alcohol) in the culture, and attitudes toward law enforcement officers and the courts.This close examination of homicide in the State Line Country, which views the tradition from regional and national perspectives, adds a significant dimension to the study of homicide in the South.

A major phenomenon in the post-World War II world is the rise of Japan as a leading international economic and industrial power. This advance began with American aid in rebuilding the nation after the war, but it has now seen Japan rival and even outstrip the United States on several fronts. The relations between the two powers and the impact that they have on economic and political factors during the postwar years are the focus of this important book. The editors, Akira Iriye and Warren I. Cohen, themselves noted authorities on Asian affairs, have gathered here contributions from a distinguished group of American and Japanese scholars. The resulting collection represents a unique blend of viewpoints from each side of the American-Japanese relationship.

This is the first full-scale biography of Gwendolyn Brooks, one of America's major poets. George E. Kent, a longtime friend and literary associate of the poet in Chicago, was given exclusive access to Brooks' early notebooks, which she kept from the age of seven. Kent also interviewed Brooks, her mother, and other family members in Chicago and elsewhere. He scoured records and correspondence with her publishers, editors, and agent. He participated in the poet's literary enterprises and in her wide circle of literary and family friends. The study reveals intimate acquaintance with the Harlem Renaissance, with the Chicago literary scene and its leading figures from the thirties on, with historical developments in black culture and consciousness, and with the significant figures and activities that impressed the poet's life and art. It places Brooks' work in the context of the civil rights movement, the black arts movement, and black nationalism. Gwendolyn Brooks won the Pulitzer Prize for poetry in 1950 for Annie Allen and is today widely recognized as one of the nation's leading poets, yet her work has received less than its due from mainstream critics. Kent's authoritative book has been one step in correcting that neglect.

Barry Bingham, Sr., was one of this country's most influential journalists. Under his half-century of leadership, the Louisville Courier-Journal became one of America's leading newspapers, as attested by six Pulitzer Prizes. In this illuminating oral history, Samuel Thomas weaves together excerpts from more than a dozen interviews with Bingham, along with selections from his writings and comments by his wife, Mary Caperton Bingham.Barry Bingham's influence was voiced principally through newspaper journalism, but, besides owning the Courier-Journal and its evening companion, the Louisville Times, the family enterprises included WHAS radio and television and Standard Gravure Corporation, which also produced Sunday supplements for dozens of newspapers. Bingham's enterprises laid on the doorsteps of Kentuckians, and brought to them over the airwaves, insightful reporting and examination of state and local matters as well as in-depth coverage of national and world events.Bingham espoused many causes, including mental health, military preparedness, press freedom, and liberal politics. He championed civil rights, the performing arts, better education, historic preservation, and land conservation.By training and predilection, Bingham was first and foremost a writer, but he was equally articulate as a conversationalist and public speaker. His recorded interviews, excerpted here, are clear and concise, expressive and informative. From these selections emerges a portrait of a man of extraordinary vision who used his wealth and power for the good of his community, his state, and his nation.