The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority -- especially the monarchy -- and the printed word.Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down.By linking diverse and unusual topics -- the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College -- Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence.Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility -- conflicts that helped shape the modern state.

This exciting work by a nationally known fitness and health expert is a realistic and practical guide to a healthier and happier lifestyle. Dr. Bryant Stamford, author of the highly acclaimed Fitness Without Exercise and a syndicated health columnist, and co-author Becca Coffin, a registered nurse, show how making the right choices in diet can improve health and reduce fat while allowing people to enjoy a fuller and more varied diet than other weight-loss plans permit. Americans are obsessed with diets and dieting, and yet we grow fatter every year. Traditional diets offer only temporary weight loss through loss of water and muscle and do not address the real problems of dietary fat and poor eating habits. Fat is sinister, wreaking havoc on every system of the body. Eating fat results in fat people, but it also clogs the arteries, raises blood pressure, overloads the bowels, and causes diabetes. To avoid the dangers of dietary fat, we need to change our eating habits. Happily, we don't have to eat less; we just need to make smarter choices about what we eat.The Jack Sprat diet plan uses a guided day-by-day approach geared to gender, size, and physical activity level. Each of the four weeks in the plan starts with a complete grocery list, including daily menus that have been analyzed to show how many calories and grams of fat will be consumed. All menus have been analyzed also to assure fulfillment of RDA guidelines. Recipes are provided for all home-prepared items in the plan, and specially designed "On-Your-Own" tables help with substitutions in the daily menus. There are even sections for including fast foods and a system of "controlled cheating."To help ensure success, Stamford and Coffin provide not only day-by-day and meal-by-meal details of what to eat but also insightful scientific background that explains why. These chapters include information on how much fat one should eat, how to make smart choices when choosing a menu, and the benefits of light exercise. The authors also present a wealth of more specific information on physiology and metabolism, hormones, antioxidants, and phytochemicals, as well as on frauds such as cellulite-reducing creams and diet pills.Stamford and Coffin do not offer miracles or magic, but they do provide sound advice and practical guides that will be invaluable to anyone interested in losing weight and making positive lifestyle changes.

When Stage-Coach Days in the Bluegrass was first published in 1935 by the Standard Press in Louisville, the New York Times reviewer described "this charming work" as "an interesting example of that very useful class of books, local histories, which so rarely get the attention they deserve."Along with his focus on the development of stage-coach travel, Coleman covers details such as pioneer roads, taverns, travelers' experiences, mail carriers, and the coming of the railroad. This fascinating look at an age gone by is truly a work of regional culture.

In her fourth novel of the Kentucky frontier, Giles combines her fascination for the past with her gift for storytelling.Had it not been for the loyalty of men like Giles's fictional hero, Major Cassius Cartwright, General James Wilkinson's 1783 attempt to create a Spanish empire in the West might have succeeded. Interwoven with the Spanish Conspiracy are tales of struggles with Indians, of the birth of a Green River Valley town, and of the two women Cass loves: Rachel, a gentle Quaker, and Tattie, a fiery waif he rescues from Philadelphia slums. Like Giles's earlier historical novels, The Land Beyond the Mountains is an engaging story of adventure and romance. First published in 1958, this reprint gives Giles fans another lively piece of Kentucky's frontier history.Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.

For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts.

Language scholars have traditionally agreed that the development of the English language was largely unplanned. John H. Fisher challenges this view, demonstrating that the standardization of writing and pronunciation was, and still is, made under the control of political and intellectual forces. In these essays Fisher chronicles his gradual realization that Standard English was not a popular evolution at all but was the direct result of political decisions made by the Lancastrian administrations of Henry IV and Henry V. To achieve standardization and acceptance of the vernacular, these kings turned to their Chancery scribes, who were responsible for writing and copying legal and royal documents.Chaucer, a relative of the king, began to be labeled by the government as a master of the language, and it was Henry V who inspired the fifteenth-century tradition of citing Chaucer as the "maker" of English. An even more important link between language development and government practice is the fact that Chaucer himself composed in the English of the Chancery scribes.Fisher discusses the development of Chancery practices, royal involvement in promoting use of the vernacular, Chaucer's use of English, Caxton's use of Chancery Standard, and the nineteenth-century phenomenon of a standard, or "received," pronunciation of English. This engaging and clearly written work will change the way scholars understand the development of English and think about the intentional shaping of our language.

The image of the family farm as storehouse of the traditional values that built this nation -- self-reliance, resourcefulness, civic pride, family strength, concern for neighbors and community, honesty, and friendliness -- persists, as many recent surveys show. But the reality of this rich tradition is rapidly changing, eroding the security once represented by these nostalgic images of rural America.Although the United States is still by far the world's leading overall producer of agricultural products, the number of American families making their livelihood through farming is much diminished, and if our demographers are correct, the number of family-operated farms is destined to fall still further in the coming decades as consolidation, cycles of boom and bust, and corporate invasions redefine who will farm the land. Harvest of Hope is a story of farm family life through the words of those who live it. The saga of the generations who have lived and worked on Basin Spring farm in western Kentucky is the thread that binds together the stories of eighty other farm families. They talk about their family businesses, their way of life, and the forces reshaping their lives.The challenges of making a living in farming either strengthen families or break them. Technology, government programs, and community changes that are supposed to be the hope for their future often come with unexpected drawbacks. The stories in this book -- tales of growing up in farming, working in a multifamily business, juggling jobs on and off the farm, and struggling to maintain financial security and comfortable working relationships -- reveal what American farming families know about hope and survival in a changing world.The authors offer a multifaceted view of the present situation, as well as suggestions for ways of enhancing the positive elements that have enriched and inspired Americans in the past. It is an analysis that highlights the myths and realities of a business and way of life that has a powerful hold on the American imagination. The reader comes away from this work with a clear idea of the tribulations farming families endure and the delicate balance between the spiritual and other rewards of farm life.

Religion permeated the day-to-day life of antebellum Kentucky. This engaging account of Kentucky's various Christian denominations, first published as part of the Kentucky Bicentennial Bookshelf, traces the history of the Great Revival of 1800--1805, the subsequent schism in Protestant ranks, the rise of Catholicism, the development of a distinctive black Christianity, and the growth of a Christian antislavery tradition.Paying special attention to the role of religion in the everyday life of early Kentuckians and their heritage, John B. Boles provides a concise yet enlightening introduction to the faith and the people of the Bluegrass State. Religion In Antebellum Kentucky is an excellent survey of religion and its significance in the first eighty-five years of Kentucky's history.

The Kentucky Irish American began life in 1898 as one of many ethnic newspapers in America, but by its final years it attracted an avid national audience of many ethnicities. From 1925, the KIA was owned and edited by the Barry family of Louisville: by John J. Barry to 1950, and by his son Michael to its demise in 1968. This anthology focuses on the Mike Barry years -- a time of Cold War and Vietnam, of Kennedy, Nixon, McCarthy, Goldwater, and Happy Chandler. Under Mike's brilliant editorship, the KIA offered its readers a richly textured, pungent voice that combined humor with a constant push for social improvement in Kentucky and in the nation.Always the KIA was strong in its support of all things Irish, Catholic, and American. It was also an acerbic commentator on the absurdities of Kentucky politics. But the KIA was notable -- and noticed -- for its strong positions on national and international issues.Red Smith once described the KIA as "all the excuse any man needs for learning to read." Today's readers can now discover the pleasures of a livelier era in journalism.

In July 1992 Senator Robert C. Byrd (D-WV) angrily suggested during floor debate..

Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product.By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.

A warm and humorous account of the trials of creating a place to call home. To longtime Giles fans and new readers alike, these reminiscences of family, friends, a river, and a roof offer a charming visit to rural Kentucky in the late 1950s.

A fascinating guide which tells you what you need to know to bring more bluebirds into your life In this detailed how-to book, bluebird expert Wayne H. Davis tells how to attract and care for this beautiful and gentle bird and offers solutions to the most common bluebird problems. Since bluebirds are almost entirely dependent on people for providing nesting sites, the book contains plans for erecting a structure that will attract bluebirds to a safe habitat. Instructions for building and maintaining a "bluebirds trail," complete with drawings of various bluebirds houses and guards against predators, are also included. Davis shares his plans for his specially designed Kentucky Bluebird Box -- a unique bird house attractive to the Eastern Bluebird but unsuitable for the bluebird's rivals -- as well an a variety of other plans for using materials as inexpensive as milk cartons and scavenged pipes. A chapter by professional photographer Philippe Roca offers tips on photographing bluebirds. Lavishly illustrated and written in an accessible style, this book will aid in the conservation of tone of America's most beloved birds. Whether you are a beginning birder or an expert, Davis will help ensure your success in attracting and raising bluebirds.

"You see, some folks has albums to put folks' pictures in to remember them by, and some folks has a book and lorites down the things that happen every day so they won't forget them; but, honey, these quilts is my albums and my diaries."Aunt Jane is a fictional character well known for her gentle folk wisdom and her vivid descriptions of a picturesque and almost vanished way of life in the rural South of the last century. Her words recall lavish Sunday dinners, courtships, quilting bees, church meetings, and county fair competitions. Yet Aunt Jane of Kentucky is more than a collection of reminiscences about the region of Western Kentucky where Eliza Caroline Obenchain (who published under the name Eliza Calvert Hall) was born and raised. She writes about strong women and the ways in which they make their voices heard. Obenchain was a dedicated suffragist who worked to win rights for women in the areas of property ownership and divorce, and her interest in the social condition of women is evident throughout her fictional work. In one of the most popular stories in the collection, "Sally Ann's Experience," Sally Ann refuses to agree that women should be silent in church; she tells her male audience, "Now it's my time to talk and yours to listen."Aunt Jane of Kentucky, first published in 1907, is a delightful example of regional fiction that will also serve as a valuable document for those interested in the history of women's issues.

Few people in America today live with the dangers and deprivations that Appalachian coal mining families experience. But to the eighteen West Virginia women Carol Giesen interviewed for this book, hard times are just everyday life.These coal miners' wives, ranging in age from late teens to eighty-five, tell of a way of life dominated by coal mining -- and shadowed by a constant fear of death or injury to a loved one. From birth to old age, they experience the social and economic pressures of the coal mining industry. Few families in these communities earn their living in any job outside a coal mine, and most young men and women find no advantage in completing their education.Women whose stresses and strengths have seldom been disclosed reveal here their personal stories, their understanding of the dangers of coal mining, their domestic concerns, the place of friends and faith in their lives, and their expectations of the future.What emerges is a deeply moving story of determination in the face of adversity. Over and over, these women deal with the frustrations caused by strikes, layoffs, and mine closings, often taking any jobs they can find while their husbands are out of work. Endlessly; their home concerns revolve around protecting their husbands from additional work or worry. Always there is fear for their husbands' lives and the pervasive anger they feel toward the mining companies. For some, there is also the pain of losing a loved one to the mines. Behind these women's acceptance of their circumstances lies a pragmatic understanding of the politics of mining and of the communities in which they live.Giesen's insights into the experiences of miners' wives contribute much to our understanding of the impact of industry, economics, and politics on women's lives.

From Gone with the Wind to Designing Women, images of southern females that emerge from fiction and film tend to obscure the diversity of American women from below the Mason-Dixon line. In a work that deftly lays bare a myriad of myths and stereotypes while presenting true stories of ambition, grit, and endurance, Margaret Ripley Wolfe offers the first professional historical synthesis of southern women's experiences across the centuries.In telling their story, she considers many ordinary lives -- those of Native-American, African-American, and white women from the Tidewater region and Appalachia to the Mississippi Delta to the Gulf Coastal Plain, women whose varied economic and social circumstances resist simple explanations. Wolfe examines critical eras, outstanding personalities and groups -- wives, mothers, pioneers, soldiers, suffragists, politicians, and civil rights activists -- and the impact of the passage of time and the pressure of historical forces on the region's females.The historical southern woman, argues Wolfe, has operated under a number of handicaps, bearing the full weight of southern history, mythology, and legend. Added to these have been the limitations of being female in a patriarchal society and the constraining images of the "southern belle" and her mentor, the "southern lady." In addition, the specter of race has haunted all southern women. Gender is a common denominator, but according to Wolfe, it does not transcend race, class, point of view, or a host of other factors.Intrigued by the imagery as well as the irony of biblical stories and southern history, Wolfe titles her work Daughters of Canaan. Canaan symbolizes promise, and for activist women in particular the South has been about promise as much as fulfillment. General readers and students of southern and women's history will be drawn to Wolfe's engrossing chronicle.