In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths.This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles.The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end.Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.

" Golden Kite Award winner, 1989 Booklist, Editor's Choice School Library Journal, Best Books of 1988 Publisher's Weekly, Best Books of 1988 Twelve-year-old Amanda Perritt is pitched head-first into adult responsibilities when she has to quit school to care for her newborn brother and invalid mother. She gets an excape, she thinks, when she's offered a trip to stay with her grandmother and her sophisticated Aunt Laura in Memphis. But during the visit, she discovers unexpected parallels between her mother's childhood and her own and comes to understand her own individuality as well as what it means to be part of a family.

For centuries, rumors have circulated in England that Lord Protector Oliver Cromwell did not die of natural causes. Now, in a fascinating book that reads like a historical whodunit, we have a motive, a means, a murderer (complete with his own deathbed confession), and a supporting cast that includes John Milton and Andrew Marvell.Almost from the moment of Cromwell's death in 1658, writers and biographers have dismissed suspicions of foul play as little more than the result of a powerful person's unexpected demise. They have assumed that at age fifty-nine Cromwell was in generally poor health and that his government's collapse was inevitable. But his family was generally long-lived and, contrary to royalist wishes, his government was becoming established. As the crucial first step toward the restoration of the Stuart monarchy in 1660, his death proved to be a turning point in British history.In a wide-ranging investigation that draws upon the fields of history, toxicology, medical forensics, and literature, H.F. McMains offers a fresh reading of evidence that has sat quietly in libraries and archives for more than two centuries. He examines the development of Cromwell's illness in 1658, analyzes his symptoms, and evaluates persons with motive, method, and opportunity to do him harm. The result is a reassessment of Cromwell's relationship with the English people and their government and a convincing investigation of his mysterious death.

The Reform'd Coquette (1724) tells the story of Amoranda, a good but flighty young woman whose tendency toward careless behavior is finally tamed. Familiar Letters Betwixt a Gentleman and a Lady (1725), a satire of both political debate and women's place in society, portrays a Tory man and a Whig woman who find themselves discussing love, even though they have pledged to remain platonic friends. The Accomplish'd Rake (1727) follows the exploits of Sir John Galliard from youth to manhood, when he is forced to accept responsibility for his actions. Mary Davys (1674?-1732) was one of the earliest female novelists in Britain, and after the death of her husband she supported herself by writing and running a coffeehouse. Her writing sparkles, especially in its witty dialogue. Although these three short epistolary novels are framed in a clear moral universe in which virtue is rewarded and transgressions is punished, her works are not overtly religious and punishment is as likely to come from society as from providence.

Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.

New Strangers in Paradise offers the first in-depth account of the ways in which contemporary American fiction has been shaped by the successive generations of immigrants to reach U.S. shores. Gilbert Muller reveals how the intersections of peoples, regions, and competing cultural histories have remade the American cultural landscape in the aftermath of World War II.Muller focuses on the literature of Holocaust survivors, Chicanos, Latinos, African Caribbeans, and Asian Americans. In the quest for a new identity, each of these groups seeks the American dream and rewrites the story of what it means to be an American. New Strangers in Paradise explores the psychology of uprooted peoples and the relations of culture and power, addressing issues of race and ethnicity, multiculturalism and pluralism, and national and international conflicts.Examining the groups of immigrants in the cultural and historical context both of America and of the lands from which they originated, Muller argues that this "fourth wave" of immigration has led to a creative flowering in modern fiction. The book offers a fresh perspective on the writings of Vladimir Nabokov, Sual Bellow, William Styron, Maxine Hong Kingston, Amy Tan, Oscar Hijuelos, Jamaica Kincaid, Bharati Mukherjee, Rudolfo Anaya, and many others.

Under the Bombs tells the story of the civilian population of German cities devastated by Allied bombing in World War II. These people went to work, tried to keep a home (though in many cases it was just a pile of rubble where a house once stood), and attempted to live life as normally as possible amid the chaos of war. Earl Beck also looks at the food and fuel rationing the German people endured and the problems of trying to make a public complaint while living in a totalitarian state.

In this captivating tale, Randolph Paul Runyon follows the trail of the first woman imprisoned for assisting runaway slaves and explores the mystery surrounding her life and work. In September 1844, Delia Webster took a break from her teaching responsibilities at Lexington Female Academy and accompanied Calvin Fairbank, a Methodist preacher from Oberlin College, on a Saturdary drive in the country. At the end of their trip, their passengers--Lewis Hayden and his family--remained in southern Ohio, ticketed for the Underground Railroad. Webster and Fairbank returned to a near riot and jail cells. Webster earned a sentence to the state penitentiary in Frankfort, where the warden, Newton Craig, married and a father, became enamored of her and was tempted into a compromising relationship he would come to regret. Hayden reached freedom in Boston, where he became a prominent businessman, the ringleader in the courthouse rescue of a fugitive slave, and the last link in the chain of events that led to the Harpers Ferry Raid. Webster, the focal point at which these lives intersect, remains an enigma. Was she, as one contemporary noted, "A young lady of irreproachable character?" Or, as another observed, "a very bold and defiant kind of woman, without a spark of feminine modesty, and, withal, very shrewd and cunning?" Runyon has doggedly pursued every historical lead to bring color and shape to the tale of these fascinating characters.

The tank revolutionized the battlefield in World War II. In the years since, additional technological developments--including nuclear weapons, ballistic missiles, computer assisted firing, and satellite navigation--have continued to transform the face of combat. The only complete history of U. S. armed forces from the advent of the tank in battle during World War I to the campaign to drive Iraq out of Kuwait in 1991, Camp Colt to Desert Storm traces the development of doctrine for operations at the tactical and operational levels of war and translates this fighting doctrine into the development of equipment.

With illustrations by Paul Brett JohnsonSporty Creek is a series of short stories set in the Kentucky hills. Narrated by a young boy (a cousin of the narrator of Still's classic novel River of Earth), the book tells the story of his family during the Great Depression. With work in the coal mines sporadic, they move from place to place, trying to earn a living the best they can. The story is told with gentleness and humor.

William R. Buster, born in Harrodsburg, Kentucky, knew a soldier's combat experience and left a first hand account of it. He graduated from West Point in 1939, just in time to serve through one of the most crucial periods in national and world history. His story includes accounts of the incredible expansion, arming, and training of the US Army, as well as his experience in the great conflict itself, from North Africa and Sicily to the hedgerow country of Normandy, the Battle of the Bulge, and on to Berlin. For his service, he received the Silver Star with Oak Leaf Cluster, the Bronze Star, the Air Medal, and the French Croix de Guerre.

The eighteenth century saw the birth of the concept of literature as business: literature critiqued and promoted capitalism, and books themselves became highly marketable canonical objects. During this period, misogynous representations of women often served to advance capitalist desires and to redirect feelings of antagonism toward the emerging capitalist order. Misogynous Economies proposes that oppression of women may not have been the primary goal of these misogynistic depictions. Using psychoanalytic concepts developed by Julia Kristeva, Mandell argues that passionate feelings about the alienating socioeconomic changes brought on by capitalism were displaced onto representations that inspired hatred of women and disgust with the female body. Such displacements also played a role in canon formation. The accepted literary canon resulted not simply from choices made by eighteenth-century critics but also, as Mandell argues, from editorial and production practices designed to stimulate readers' desires to identify with male poets.Mandell considers a range of authors, from Dryden and Pope to Anna Letitia Barbauld, throughout the eighteenth century. She also reconsiders Augustan satire, offering a radically new view that its misogyny is an attempt to resist the commodification of literature. Mandell shows how misogyny was put to use in public discourse by a culture confronting modernization and resisting alienation.

One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.

Harris maintains that Lincoln held a fundamentally conservative position on the process of reintegrating the South, one that permitted a large measure of self-reconstruction, and that he did not modify his position late in the war. He examines the reasoning and ideology behind Lincoln's policies, describes what happened when military and civil agents tried to implement them at the local level, and evaluates Lincoln's successes and failures in bringing his restoration efforts to closure.

In The Young Philosopher, George Delmont embraces an agrarian life and devotes himself to the pursuit of knowledge. But it is George's love Medora Glenmorris and her mother Laura who provide the emotional core of the novel. Contrasting the pain and suffering of individuals with the idealism of the French Revolution and the hope provided by glimpses of life in America, Smith exposes philosophical enlightenment as an ineffective weapon for fighting the widespread corruption of English society. The early novels of Charlotte Smith (1749-1806) were precursors of the gothic tradition that came to dominate the Romantic period. Her later fiction, including The Young Philosopher (1798), were more political in nature and influenced both the form and substance of works by nineteenth-century novelists such as Austen and Dickens.

" Freddie Maas's revealing memoir offers a unique perspective on the film industry and Hollywood culture in their early days and illuminates the plight of Hollywood writers working within the studio system. An ambitious twenty-three-year-old, Maas moved to Hollywood and launched her own writing career by drafting a screenplay of the bestselling novel The Plastic Age for ""It"" girl Clara Bow. On the basis of that script, she landed a staff position at powerhouse MGM studios. In the years to come, she worked with and befriended numerous actors and directors, including Norma Shearer, Joan Crawford, and Eric von Stroheim, as well as such writers and producers as Thomas Mann and Louis B. Mayer. As a professional screenwriter, Fredderica quickly learned that scripts and story ideas were frequently rewritten and that screen credit was regularly given to the wrong person. Studio executives wanted well-worn plots, but it was the writer's job to develop the innovative situations and scintillating dialogue that would bring to picture to life. For over twenty years, Freddie and her friends struggled to survive in this incredibly competitive environment. Through it all, Freddie remained a passionate, outspoken woman in an industry run by powerful men, and her provocative, nonconformist ways brought her success, failure, wisdom, and a wealth of stories, opinions, and insight into a fascinating period in screen history.