From archaeological field work to heritage organisations and museums, increasingly CAD files and three-dimensional CAD models comprise a unique component of our digital archives - and one which it may not be possible to reproduce on paper. This Guide offers a basic description of computer-aided drafting or computer-aided design (CAD) software, discussions on the use of CAD in a variety of situations, descriptions of data acquisition methods including field survey and direct object scanning, and good practices in the use of the software. As well as providing a source of useful generic information, the guide emphasises the processes of long-term preservation, archiving, and effective data re-use. An important aim of the Guide is to introduce practitioners to areas and issues for which applicable standards and frameworks already exist and to identify the relevant sources of information that may be consulted.

This selection of twelve papers from the twelfth annual Theoretical Roman Archaeology Conference illustrates the broad range of different theoretical approaches applied to Roman archaeology today; one trend, though, is apparent: a wider engagement with interdisciplinary research, drawing theoretical ideas from many diverse fields of study, including philosophy, psychology, history of art, and consumer theory.

A selection of eleven papers from the eleventh annual Theoretical Roman Archaeology Conference; these papers are representative of the broad range of Roman archaeology today, and share a commitment to a theoretically informed approach to the subject.

This monograph presents the revolutionary results of ten years of excavation and research in the Neolithic village of Sha'ar Hagolan, Jordan Valley, Israel. Sha'ar Hagolan is dated to the Pottery Neolithic period and is the type-site for the Yarmukian culture, which occupied large parts of the Mediterranean climatic zones of Israel, Jordan and Lebanon during the sixth millennium BC. Recent excavations at the site have far-reaching implications for the entire Neolithic period, as well as for the history of agriculture, art and cult and other aspects of material culture in the ancient Near East. The evidence for the architecture and village planning, material culture and remarkable art objects shows what was previously considered to be an era of decline was a time of cultural evolution and development in the Levant.

Reprint of another classic Neolithic Studies Group volume. 'It is a sign of the intellectual health of a specialist study group that its deliberations can generate collections of papers of general interest. The topical issue of landscape is addressed, although with the added complication of attempting to focus on the domestic as opposed to ceremonial aspects of Neolithic life'.

The first ever publication of the Neolithic Studies Group, containing papers on the `structures' of Neolithic Europe.Contributions include: Neolithic houses in mainland Britain and Ireland - a sceptical view (Julian Thomas); Houses in context: Building as process (Alasdair Whitlle); A Central European Perspective (Jonathon Last); Neolithic houses in Ireland (Eoin Grogan); Neolithic buildings in Scotland (Gordon Barclay); Neolithic buildings in England, Wales and the Isle of Man (Tim Darvill); Mesolithic or later houses at Bowmans Farm, Romsey Extra, Hampshire (Francis Green); Ballygalley houses, co.Antrim (Derek Simpson); Later Neolthic Structires at Trelystan, Powys (Alex Gibson); Life, times and works of House 59, Tell Ovcharovo, Bulgaria (Douglass Bailey); Structure ans ritual in Neolithic houses (Peter Topping); Architecture and Cosmology in the Balinese house: life is not that simple (Colin Richards); Houses in the Neolithic imagination: an Amazonian Example (Christine Hugh-Jones).

This volume is the second produced by the Dakhleh Oasis Project devoted to reporting the preliminary results of its field work. The volume is divided into two parts: the first part includes reports on the study of various prehistoric and historic sites; the second part is devoted to the work on the settlement of Ismant el-Kharab, ancient Kellis, and two of its cemeteries. The latter papers include a description of the excavations, a discussion of the architectural evolution of the Main Temple Complex and the significance of the Large East Church, an attempt to reconstruct the Temple of Tutu using 3D computer modelling, and a study of the main wall paintings found in the Main Temple Complex. Several papers also present the results of research carried out on specific categories of artefacts and materials, such as the textiles, basketry and leather goods, ceramics, metals and metallurgy, oils, terracotta figurines, and the flora and fauna of ancient Kellis.

Performing arts' covers a vast range of interests and skills, involving as it does designers, directors, actors and performers, musicians, critics, technicians, analysts, administrators, theorists. A central tenet of this Guide is to encourage professionals in the performing arts to consider some of the advantages that digital resources may now offer. It is noticeably different from its predecessors in the series. Not so much a manual of 'how to do it' it is primarily intended to encourage you to use the available technology in the first place. All the contributors have directed successful projects involving various aspects of digital resources related to the performing arts. In some instances it was for documentation purposes, in some for teaching purposes, in some for research purposes, in some for all three. The guide includes a comprehensive glossary of terminology.

In this biography of Sir Cyril Fox (1882-1967), Charles Scott-Fox discovers that his father was an extraordinary man, an inspiring teacher, an effective administrator, a humanist and an influential archaeologist during the golden years of 20th century archaeology. This book begins as it should with Fox's early childhood and his schooling, before moving on to his university education and his early interest in archeology, initially as a hobby. The excavations and surveys that he carried out, especially in the Cambridgeshire region, the numerous appointments that he held and the number of major and influential publications that he produced, including his doctoral thesis Archaeology of the Cambridge Region , the Personality of Britain , and Monmouthshire Houses , testify to the `extraordinary' life and career of this man.

Gesher Benot Ya'aqov, located in the Dead Sea Rift valley, is one of the oldest non-African sites to have yielded evidence for the activities of groups of hominin hunter-gatherers. The excavations recovered thousands of Acheulian period stone tools and animal bones that had accumulated in and around an ancient lake about 780, 000 years ago. The deposits have remained waterlogged virtually ever since, and this unusual circumstance resulted in the preservation of plant macrofossils, including pieces of wood and bark that can be identified to the level of individual plant species. Most of the pieces probably accumulated naturally around the lake, but a few show signs of hominin modification - making them the oldest wooden artefacts yet discovered. The unique contribution of the Gesher Benot Ya'aqov palaeobotanical assemblage, however, lies in its value for the palaeoenvironmental reconstruction of a pre-agricultural age - an age that predates changes induced by intensive human activity. This monograph describes the geological and archaeological context of the ancient wood, the criteria for its identification, and its implications for the woods surrounding Gesher Benot Ya'aqov in Lower to Middle Pleistocene times. They include detailed descriptions of the different wood taxa, discuss the present habitats of the identified species, and consider the possible mechanisms by which the wood was deposited. They also provide a survey of the wood fragments that have occasionally been found at other ancient Palaeolithic sites. This volume is the first in a series of monographs which will focus on different aspects of the multidisciplinary investigations at Gesher Benot Ya'aqov.

A basic `how to' for those using audio materials in the creation of digital resources. The guide addresses issues of copyright, the choice of appropriate equipment, presenting and delivering audio material, data management and methodological procedure.

The twenty-five papers, taken from a Cardiff conference in 1998, are concerned with Insular art in its broadest sense, encompassing studies of metalwork, manuscripts, sculpture and textiles, both recent discoveries and new investigations of well-known objects. They include material associated with Anglo-Saxon England as well as early Medieval Scotland, Wales and Ireland, and discoveries of Insular metalwork in Scandinavia. They are divided into five themes which reflect the many recent advances in the study of Insular art.

This is a volume no Palaeolithic archaeologist should be without. It is offered to Derek Roe by his friends and colleagues as a tribute to his enthusiasm, support and encouragement over many years. The twenty-seven papers range from Africa to the Near East and beyond, to Kazakhstan and Korea, and across southern Europe to Britain, the Thames Valley, East Anglia and Pontnewydd. The list of authors and the range of topics they write about are a reflection of Derek Roe's influence throughout the Palaeolithic world.

This first volume in a series of works on Tell Kosak Shamali focuses on the Chalcolithic deposits at the site, or the Ubaid period. Located on the east bank of the Euphrates the site held an important strategic position and one which had a diverse set of resources available. Investigated since the 1980s and most recently by the University of Tokyo, this volume reports on the results of the excavations, detailing the geographical and cultural setting of the site, the architecture and stratigraphy, the radiocarbon dates, the nature of the finds and the history of the site in the Palaeolithic, Neolithic and Chalcolithic. Evidence from Kosak Shamali provides important insights into the transition from Neolithic agrarian societies to more complex, increasingly urban societies of the Chalcolithic.

The University Orator's job is to create formal presentations, in Latin, to mark historic moments in academic life or, most commonly, to present the honorary degrees which Oxford periodically awards to leading international figures. The distinguished Classical scholar Godfrey Bond, who held the post of Orator between 1980 and 1992, was a master at creating concise biographical portraits in clear, beautifully-constructed Latin. This book contains a collection of his addresses to famous figures, including Kiri te Kanawa, Cardinal Basil Hume, King Juan Carlos of Spain, Archbishop Desmond Tutu, Prince Naruhito of Japan, Joseph Brodsky and Sir Vidia Naipaul. In all of these elegant orations, the charm and the wit of the man who translated jumbo jets as balanenae ballistariae (`catapulted whales') shines through.

In rare instances prehistoric peoples and/or their most fragile creations are preserved when they become accidentally or intentionally entombed in environments that have remained constantly wet, dry, or frozen. The finds are particularly informative when skeletons retain flesh, internal organs, and clothes, and when they are accompanied by items of personal adornment or weaponry made of wood, cordage or bone in addition to the more common stone and pottery objects. Well-known examples of this kind of survival include the bog-bodies of northern Europe, the Iceman of the Alps, Egyptian and Peruvian mummies, Swiss lake settlements, and in North America, the Ozette Village on the Olympic Peninsula, and Key Marco on Florida's lower Gulf Coast. These organic materials provide an invaluable window on the past, yet the fact that wetlands contain thousands of years of environmental and cultural history has not risen to the consciousness of the public, the scientific community, or governments. These twenty-seven papers on wetland research across the world, from America, Europe and Australasia, aim to raise the profile of these fragile environments and the potential they have for shedding light on the past.