This book is about two islands off the coast of Continental Europe, the seas that surrounded them, and the ways in which they were used over a period of three thousand years. Instead of the usual emphasis on finds in the intertidal zone, it focuses on parts of Britain and Ireland where traces of the prehistoric shoreline survive above sea level. It explores a series of Neolithic and Early Bronze Age sites which were investigated in the nineteenth and early twentieth centuries and have been largely forgotten. These places were very different from the Iron Age ports and harbours studied in recent years. How can we identify these special sites, and what are the best ways of interpreting them? The book considers the evidence for travel by sea between the settlement of the earliest farmers and the long distance movement of metalwork. It emphasises the distinctive archaeology of a series of coastal locations. Little of the information is familiar and some of the most useful evidence was recorded many years ago. It is supplemented by new studies of these places and the artefacts found there, as well as reconstructions of the prehistoric coastline. The book emphasises the important role of 'enclosed estuaries', which were both sheltered harbours and special places where artefacts were introduced by sea. Other items were made there and exchanged with local communities. It considers the role played by these places in the wider pattern of settlement and their relationship to major monuments. The book describes how the character of coastal sites changed in parallel with developments in maritime technology and trade. The main emphasis is on Neolithic and Early Bronze Ages uses of the seashore, but the archaeology of the Middle and Later Bronze Age provides a source of comparison.

This book concerns textile production at the fringes of north-western Europe – areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life – to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails – all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing textile production from the remains of tools and textiles in varied landscapes and settings – Viking Age graves and in-situ workplaces from the whole period – and combining this with textual information, many layers of information are exposed about technology and qualities as well as gender, gender roles, social relations, power and networks. By combining tools, textiles and texts in various settings, this book aims to contextualise dispersed archaeological finds of tools and textiles to uncover patterns across larger areas and in a long-term perspective of half a millennium. Related to the overall societal changes from the early Viking Age raids, colonisation to centralisation to urbanisation in the Middle Ages, the tools and textiles reveal diversity, as well as stability and change.

Why are some things valuable while others are not? How much effort does it take to produce valuable objects? How can one explain the different appraisal of certain things in different temporal horizons and in different cultures? Cultural processes on how value is attached to things, and how value is re-established, are still little understood. The case studies in this volume, originating from anthropology and archaeology, provide innovative and differentiated answers to these questions. However, for all contributions there are some common basic assumptions. One of these concerns the understanding that it is rarely the value of the material itself that matters for high valuation, but rather the appreciation of the (assumed or constructed) origin of certain objects or their connection with certain social structures. A second of these shared insights addresses the ubiquity of phenomena of 'value in things'. There is no society without valued objects. As a rule, valuation is something negotiated or even disputed. Value arises through social action, whereby it is always necessary to ask anew which actors are interested in the value of certain objects (or in their appreciation). This also works the other way round: Who are those actors who question corresponding objective values and why?

According to one narrative that received almost canonical status a century ago with Francis Haverfield, the orthogonal grid was the most important development of ancient town planning, embodying values of civilisation in contrast to barbarism, diffused in particular by hundreds of Roman colonial foundations. Its main legacy to subsequent urban development was the model of the grid city, spread across the New World in new colonial cities. This book explores the shortcomings of that all too colonialist narrative and offers new perspectives. It explores the ideals articulated both by ancient city founders and their modern successors; looks at new evidence for Roman colonial foundations to reassess their aims; and considers the many ways post-Roman urbanism looked back to the Roman model with a constant re-appropriation of the idea of the Roman.

The Danubian provinces represent one of the largest macro-units within the Roman Empire, with a large and rich heritage of Roman material evidence. Although the notion itself is a modern 18th-century creation, this region represents a unique area, where the dominant, pre-Roman cultures (Celtic, Illyrian, Hellenistic, Thracian) are interconnected within the new administrative, economic and cultural units of Roman cities, provinces and extra-provincial networks. This book presents the material evidence of Roman religion in the Danubian provinces through a new, paradigmatic methodology, focusing not only on the traditional urban and provincial units of the Roman Empire, but on a new space taxonomy. Roman religion and its sacralised places are presented in macro-, meso- and micro-spaces of a dynamic empire, which shaped Roman religion in the 1st-3rd centuries AD and created a large number of religious glocalizations and appropriations in Raetia, Noricum, Pannonia Superior, Pannonia Inferior, Moesia Superior, Moesia Inferior and Dacia. Combining the methodological approaches of Roman provincial archaeology and religious studies, this work intends to provoke a dialogue between disciplines rarely used together in central-east Europe and beyond. The material evidence of Roman religion is interpreted here as a dynamic agent in religious communication, shaped by macro-spaces, extra-provincial routes, commercial networks, but also by the formation and constant dynamics of small group religions interconnected within this region through human and material mobilities. The book also presents for the first time a comprehensive list of sacralised spaces and divinities in the Danubian provinces.

This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.

Archaeoastronomy and archaeology are two distinct fields of study which examine the cultural aspect of societies, but from different perspectives. Archaeoastronomy seeks to discover how the impact of the skyscape is materialised in culture, by alignments to celestial events or sky-based symbolism; yet by contrast, archaeology's approach examines all aspects of culture, but rarely considers the sky. Despite this omission, archaeology is the dominant discipline while archaeoastronomy is relegated to the sidelines. The reasons for archaeoastronomy’s marginalised status may be found by assessing its history. For such an exploration to be useful, archaeoastronomy cannot just be investigated in a vacuum but must be contextualised by exploring other contemporaneous developments, particularly in archaeology. On the periphery of both, there are various strands of esoteric thought and pseudoscientific theories which paint an alternative view of monumental remains and these also play a part in the background. The discipline of archaeology has had an unbroken lineage from the late 19th-century to the present. On the other hand, archaeoastronomy has not been consistently titled, having adopted various different names such as alignment studies, orientation theory, astro-archaeology, megalithic science, archaeotopography, archaeoastronomy and cultural astronomy: names which depict variants of its methods and theory, sometimes in tandem with those of archaeology and sometimes in opposition. Similarly, its academic status has always been unclear, so to bring it closer to archaeology there was a proposal in 2015 to integrate archaeoastronomy research with that of archaeology and call it skyscape archaeology. This volume examines how all these different variants came about and consider archaeoastronomy's often troubled relationship with archaeology and its appropriation by esotericism, to shed light on its position today.

The Greco-Roman world is identified in the modern mind by its cities. This includes both specific places such as Athens and Rome, but also an instantly recognisable style of urbanism wrought in marble and lived in by teeming tunic-clad crowds. Selective and misleading this vision may be, but it speaks to the continuing importance these ancient cities have had in the centuries that followed and the extent to which they define the period in subsequent memory. Although there is much that is mysterious about them, the cities of the Roman Mediterranean are, for the most part, historically known. That the names and pasts of these cities remain known to us is the product of an extraordinary process of remembering and forgetting stretching back to antiquity that took place throughout the former Roman world. This volume tackles this subject of the survival and transformation of the ancient city through memory, drawing upon the methodological and theoretical lenses of memory studies and resilience theory to view the way the Greco-Roman city lived and vanished for the generations that separate the present from antiquity. This book analyses the different ways in which urban communities of the post-Antique world have tried to understand and relate to the ancient city on their own terms, examining it as a process of forgetting as well as remembering. Many aspects of the ancient city were let go as time passed, but those elements that survived, that were actively remembered, have shaped the many understandings of what it was. The volume assembles specialists in multiple fields to bring their perspectives to bear on the subject through eleven case studies that range from late Antiquity to the mid-20th century, and from the Iberian Peninsula to Iran. Through the examination of archaeological remains, changing urban layouts and chronicles, travel guides and pamphlets, they track how the ancient city was made useful or consigned to oblivion.

This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times. In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose. The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

The majority of literature about the Viking period, based on artefacts or written sources, covers battles, kings, chiefs and mercenaries, long distance travel and colonisation, trade, and settlement. Less is said about the life of those that stayed at home, or those that immigrated into Scandinavia, whether voluntarily or by force. This book uses results from the examination of a substantial corpus of Swedish osteological material to discuss aspects of demography and health in the Viking period – those which would have been visible and recognisable in the faces or physical appearances of the individuals concerned. It explores the effects of migration, from the spread of new diseases such as leprosy to patterns of movement and integration of immigrants into society. The skeletal material also allows the study of levels of violence, attitudes towards disablement, and the care provided by Viking communities. An overview of the worldwide phenomenon of modified teeth also gives insight into the practice of deliberate physical embellishment and body modification. The interdisciplinary approach to questions regarding ordinary life presented here will broaden the knowledge about society during the Viking Age. The synthesis of the Swedish unburnt human skeletal remains dated to the Viking age will be a valuable resource for future research, and provides an in-depth view on Viking age society.

The metaphor of the palimpsest has been increasingly invoked to conceptualise cities with deep, living pasts. This volume thinks through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodisation and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterised by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travellers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.

This book shows how a military colony became a large, impressive and prosperous city. Legendary for its walls and port, it was able to play a basic role in the great strategy of ancient Rome between the Po and the Danube, spanning the centuries from its foundation (181 BC) to the fateful days of blood and violence of its fall (AD 452). Based on a study of ancient sources, contemporary literature and the latest archaeological research, and written in a fast-paced and accessible style, the book provides a portrait of Aquileia in a diachronic key, under various aspects; it sets the city in the complex societal and political system of the time, gives a thorough account of the great events of which it was a protagonist or victim and offers detailed portraits of key figures, whether famous or less well-known, and analyses of epic battles. Combining academic scholarship with storytelling, biographies of important personalities and stories of political intrigue, assassinations and full-scale warfare which narrate the evocative epic of the rise, decline and disappearance of ancient cities, the volume highlights a significant topic in Roman political, social, economic, religious and military history, but one which has been inexplicably neglected in the Anglo-Saxon world until now.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.

The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.

Explores the Irish Mesolithic - the period after the end of the last Ice Age when Ireland was home to hunter-gatherer communities, mostly from about 10,000-6,000 years ago. At this time, Ireland was an island world, with striking similarities and differences to its European neighbours - not least in terms of the terrestrial ecology created by its island status. To understand the communities of hunter-gatherers who lived there, it is essential that we consider the connections established between people and the other beings and materials with which they shared the world and through which they grew into it. Understanding the Mesolithic means paying attention to the animals, plants, spirits and things with which hunting and gathering groups formed kinship relationships and in collaboration with which they experienced life. The book closes with a reflection on hunting and gathering in Ireland today. The overriding aim of the book is to provide a point of entry into the lives of the Irish Mesolithic, to show the different ways in which people have lived on this island, and to show how we might narrate those lives.

This volume provides an ambitious synopsis of the complex, colourful world of textiles in ancient Mediterranean iconography. A wealth of information on ancient textiles is available from depictions such as sculpture, vase painting, figurines, reliefs and mosaics. Commonly represented in clothing, textiles are also present in furnishings and through the processes of textile production. The challenge for anyone analysing ancient iconography is determining how we interpret what we see. As preserved textiles rarely survive in comparable forms, we must consider the extent to which representations of textiles reflect reality, and critically evaluate the sources. Images are not simple replicas or photographs of reality. Instead, iconography draws on select elements from the surrounding world that were recognisable to the ancient audience, and reveal the perceptions, ideologies, and ideas of the society in which they were produced. Through examining the durable evidence, this anthology reveals the ephemeral world of textiles and their integral role in the daily life, cult and economy of the ancient Mediterranean.