The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.

What is the connection between a compass and a couch? It is the meeting of a mechanical gadget used for geographical orientation on the planet, together with another artifact, one of furniture, which has become the icon of the psychoanalytic practice. Both objects allow us to orient ourselves in uncertainty and in darkness with regard to our own subjective, intimate or physical position. Within an effort to encompass the heterogeneous, Mariano Horenstein provides specific conceptual tools that examine different meanings of the notions of “place” and “encounter” from a psychoanalytic perspective. Through an interdisciplinary approach that combines the fields of topology, architecture, geography, and archaeology, this book enables an in-depth understanding of the idea of “space” and explores new aspects in the current debate of this timely issue.

What are the limits of tolerance in constitutional or liberal democracies today? This is a crucial question, for if there were no limits to tolerance, it would ultimately destroy itself by accepting the intolerable. The concept of tolerance has to be assessed from a political point of view, thus questioning to what extent its potential achievement does not suppose any moral mutation in humanity. For instance, if people were all already ‘virtuous’ according to a commonly held moral framework, there would be simply no need to speak of tolerance. Conversely, if it were the case that people could be made ‘virtuous’, then tolerance would be the matter of an improbable utopia. Ultimately, we need to consider how tolerance can be conceptualised in a way that is relevant to people and their societies as they actually are. In a time when a growing amount of political demands touches on themes of cultural identity and rights, and while we witness a mounting wave of religious fundamentalism, what should democracies accept and what should they refuse?

East and West have long stood as towering edifices dividing history and the world into separate spheres. In fact, the two poles have not only shared a multitude of connections over the centuries, they have also played essential roles in shaping the identities of their oppositional others. Cultural exchange, mutual imaginings, and other forms of interaction have contributed to both the construction of an exotic other and a framing and definition of the self. The essays in this collection explore the construction and transformation of self image through the encounter between East and West from a variety of disciplinary approaches. Scholars from Japan and Europe apply methodologies and concerns from history, literature, art history, aesthetics, sociology, political science, law, and anthropology to issues of identity formation and transformation at the nexus of East Asia and Europe.

From the late 1960s until the present day, a significant number of women playwrights have emerged in Scottish theatre who have made a pioneering contribution to dramatic innovation and experimentation. Despite the critical reassessment of some of these authors in the last twenty years, their invaluable achievement in playwriting, within and outside Scotland, still deserves more thorough investigations and fuller acknowledgement. This work explores what is still uncharted territory by examining a selection of representative texts by Ann Marie di Mambro, Marcella Evaristi, Sue Glover, Jackie Kay, Liz Lochhead, Sharman Macdonald, and Joan Ure. The three macro-thematic areas of the book – the rewriting of the Shakespearean canon; the representation of female communities and minorities; and the conflicts between the self and society – find significant and paradigmatic expression in their dramas. All seven writers examined in this book have explored new theatrical methods, introduced aesthetic innovations and opened new perspectives to engage with the complexities of national, community and individual identities. This study will surely contribute to wider recognition of their achievement, so that their work can never again be described as “uncharted territory”.

How can we restore fundamental values on a political and cultural level? Taking this question as a starting point, the book identifies the notion of sociological imagination as a suitable method to address the widespread disorientation within the human and social sciences. In particular, the three essays included in this volume focus on the role of sociology as a tool to achieve a constructive representation of reality. Through a sharp analysis of the current, growing dismissal of cultural structures and the lack of an ethical view in the interpretation of social phenomena, the author offers new perspectives in order to recover authentic human commitments that are able to re-establish meaningful relationships between people.

"For the will desires not to be dark, and this very desire causes the darkness” (Jacob Boehme). Moving through the fundamental question of this paradox, this book offers a constellation of theoretical and critical essays that shed light on the darkness of the will: its obscurity to itself. Through in-depth analysis of medieval and modern sources - Augustine, Pseudo-Dionysius, Eriugena, Dante, Meister Eckhart, Chaucer, Nietzsche, Cioran, Meher Baba - this volume interrogates the nature and meaning of the will, along seven modes: spontaneity, potentiality, sorrow, matter, vision, eros, and sacrifice. These multiple lines of inquiry are finally presented to coalesce around one fundamental point of agreement: the will says yes, yet only a will that knows how to say no to itself, entering the silence of its own darkness, will ever be free.

The book explores the latest debates in the field of social epistemology, concerning epistemic justification of democracy. On the one hand, we find those who support a standard approach, assuming that democratic legitimacy must be grounded on the production of epistemically high-quality decisions (true, truth-sensitive, truth-conductive, correct, justified, rational, epistemically responsible and so on). On the other hand, there are those who don’t deem epistemic justification as either necessary or conducive to democratic legitimacy, and those who accept the necessity of the epistemic justification of democracy while rejecting its reduction to the production of true or justified decisions. Fundamentally, this range of positions is highly influenced by their respective stances regarding the status of experts within the democratic decision-making process. This book offers both a unique perspective on this debate and registers the challenge of a new discipline of applied, ‘real world’ epistemology.

E Pornô, tem pornô? represents a panorama of both Brazilian Porn Industry and studies. From the early Pornochanchadas’ productions – that were more erotical than explicitly pornographical, playing with a highly sexualized culture and flair for the sarcastical and comical – to the contemporary ambience of the netporn; with its amateur performanes and selfpornifications. The articles presented in this book are more than a survey of the history of Brazilian Porn, they are also a statement of a theoretical, political and historical field of studies that has been developing within the last decade. The feminine issues in Brazilian Porn are stressed by most of the articles of the book, focusing on a case study of the Women in Prision films - a subgenre that was very popular during late 1970s and begining of the 1980s. This panorama represents an important and groundbreaking mapping of a peculiar and popular domain of productions as well as theoretical and political field of studies.

Drawing on the relationship between Derrida and Levinas and on the unresolved tension between their philosophical corpuses, this book aims to offer new possible interpretations on the future of democracy. What philosophical and political ideals can emerge from a parallel reading of these two acclaimed thinkers, and from their ‘philosophical alliance’? This volume attempts to re-imagine and to re-engage the realm of politics, by offering new perspectives on the multiple crises that traverse the contemporary age. This book includes the following interviews: Penser aujourd’hui with Emmanuel Levinas by Catherine ChalierUne éthique de la mémoire. Un entretien à Yad Vashemwith Jacques Derrida by Michal Ben NatftaliAccueil, éthique, droit, politique with Jacques Derrida by Michel WieviorkaUne hospitalité sans condition with Jacques Derrida

During a period of over five years of work in the Biblioteca Ambrosiana in Milan, the author has examined the majority of its Arabic manuscripts in order to provide some elementary codicological data. This monograph describes the Kitāb Ġurar al-fawāyd by aš-Šarīf al-Murtaḍā contained in manuscript MS.1665 (H 43) and other copies of the same text preserved in some Western European libraries, with regard to their historical, linguistic, artistic and bibliographic aspects.

Roberto Marchesini presents a timely proposal within post-human philosophy in order to overcome the centuries of separation between human beings, non-human animals and technology. This book highlights the inspiring nature of the relationship with non-human beings – what Marchesini calls “Epiphany” – and how its enhancement can open new existential dimensions. Technology is also reinterpreted, no longer as a performative tool, but as a virus that infiltrates the human dimension and changes its predicates. Technopoietic events are not just the product of human intelligence, but they arise from an epiphany (a becoming alterity), thus positioning technology well within the ontological and somatic dimension of human beings. This book lays the foundations for a new and non-anthropocentric Humanism, which is able to recognize the essential role that non-human alterities have had throughout our history.

Atmospheres are omnipresent and they are frequently used in everyday language. Yet, when do we perceive atmospheres and how can we explore them? The concept of atmosphere extends aesthetics to aisthesis and comprehends perception as a relation bound to the present and with regard to others. In this context, the astonishing atmosphere is identified as a watershed moment when the object of perception becomes the object of discourse. Surveying Benjamin’s definitions of aura, one becomes aware of two modes of perception, which are crucial for the understanding of atmospheres. The “atmospheric portfolio”, therefore, provides for the possibility to explore the particular features of the phenomenon. It is a collection of studies and research methods, which, on the one hand, reflects on the terms and concepts, and, which, on the other, allows for exemplary experiments of the empirical approaches to the phenomenon.

What is an “Atmosphere”? As part of the book series “Atmospheric Spaces”, this volume analyses a new phenomenological and aesthetic paradigm based on the notion of the "Atmosphere", conceived as a feeling spread out into the external space rather than asa private mood. The idea of "Atmosphere" is here explored from different perspectives and disciplines, in the context of a full valorization of the so-called “affective turn” in Humanities.

The Odyssey is rightly celebrated as a story that goes far beyond the scope of epic poetry. It is an open window to an entire era and its social systems as well as its theological, cultural, economic and political structures, while running simultaneously in the register of the earthly and of the divine. Within The Odyssey, the episode of the Sirens stands out as an exceptionally evocative example of this kind of achievement. This volume is dedicated to exploring the myriad levels of analysis that are allowed by this famous episode, following in the footsteps of celebrated readers of The Odyssey such as Adorno, Horkheimer, Lukàcs, Auerbach, Kerény, Bloch, Auden, Pound, Tolstoj, Elster and Steiner. By looking at the brief encounter between Ulysses and the Sirens, the reader of this volume will discover the roots of our modern concept of middle class rationality and its profound ramifications stretching between economy, politics, and the divine.

Since antiquity, Epicurus’ thought has been compared to a powerful drug able to cure the pains of the soul that have always tormentedman preventing him from living a peaceful existence: but we know that the Greek term pharmakon can be interpreted in its two opposite meanings of medicine and poison; and indeed, the same duplicity animates Epicurus’ philosophy which, by acting as a medicine for the human soul, also has the effect of a poison, destroying from within, philosophy traditionally conceived as a disinterested contemplation of truth. The philosophical revolution undertaken by Epicurus as a fracture with respect to all the previous tradition, from Thales to Aristotle, coincides with an inversion of the traditional relation between man and cosmos, between theory and practice: the classic question “what is reality made of?” is replaced by the Epicurean question that is at the basis of his philosophical anthropocentrism: “how must reality be made and how should one understand it in order to be happy? ”. Each specific articulation of Epicurean philosophy is subordinate to the task of achieving a happy existence that is in no way inferior to any of the divine realities’.