On January 16, 1944, the submarine rescue vessel USS Macaw (ASR-11) ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier (SS-250). The Flier was pulled free six days later, but another three weeks of salvage efforts, plagued by rough seas and equipment problems, failed to dislodge the Macaw. Then on Saturday, February 12, amid an episode of freakishly enormous waves, the sea accomplished that task, nudging the ship from her perch backward into deeper water. As night fell and the ship slowly sank, the 22 men on board – Lt. Cmdr. Paul W. Burton, USN, the captain, his executive officer and twenty enlisted men—sought refuge in the pilot house. By about 0230 Sunday, that compartment having flooded almost entirely, Burton gave the order to open the portside door and make for the foremast. Three men got to it and climbed it. Most of the rest were swept overboard. Five of the men, including Burton himself, died, as did three sailors from the base at Midway in a pair of unauthorized and effectively suicidal rescue attempts that morning. Drawing on contemporaneous written statements by survivors of that night and interviews conducted over a span of thirty years, this book traces the lives of the Macaw and her enigmatic captain, from birth on San Francisco Bay to death at Midway. It tells a war story short on combat but not on drama, a wartime tragedy in which the conflict is more interpersonal, and perhaps intrapersonal, than international. Ultimately, for Paul Burton and the Macaw the real enemy was the sea, and in a deadly denouement told here in riveting detail, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea: The Wreck of the USS Macaw should engage the military historian and lay reader alike with the previously untold story it tells of struggle, sacrifice, death and survival in the Pacific in World War II.

At a dusty intersection in Baghdad, Sergeant Thomas Kirkland is seconds away from unleashing a hail of bullets on a possible suicide bomber when he's stopped by the unexpected — the piercing dark eyes of a young girl sitting on her mother's lap in the passenger seat. For a split second he'd held the life of this child and her family in his hands. Plagued by fear and anxiety, Sergeant K struggles with his own inner demons as he confronts a population around him that wishes him dead. But he confronts more than just an external enemy, as he discovers the darkness that exists not just within himself, but in his fellow soldiers. A starkly honest and gut-wrenching account of the Iraq war from the perspective of an infantry soldier patrolling the dusty and lethal roads of south-west Baghdad. The threat of IEDs and ambushes are ever-present, but as Sergeant K and his comrades soon learn, modern war can take many shapes and forms. Grappling with a myriad of emotions — fear, anger, confusion, and anxiety — they face many external threats, but they begin to discover that the enemy within themselves can often be more challenging and dangerous than the one they were sent to fight.

In Endurable Infinity, Tony Kitt creates his own tangential surrealism through wonder, intuition, and surprising connections. If the original surrealists of the 1930s sought to unleash the unconscious mind by bringing elements of dreams to the waking world with jarring juxtapositions, Kitt’s poetry is more about transmutation, or leaps, from word to word and phrase to phrase. He takes American poet Charles Borkhuis’s statement that contemporary surrealist poets write “from inside language” as a challenge and a call to action.

Summer 1942, and the nascent French Resistance is asking the Allies for help as they become increasingly active against the German occupiers. Their requests for arms and equipment are urgent, but the Allies are hesitant to respond until they know more about the willingness of the French to fight. The decision is made to parachute special operatives – Jedburghs – into France to determine the state of the Resistance. The Jedburghs follows one of these clandestine three-person commando team attached to the super-secret British Special Operations command. The team parachutes into Nazi-occupied France to lead the local Resistance forces in conducting sabotage and guerrilla warfare against the German occupiers in a deadly kill or be killed series of sabotage operations. The specially selected team members – a combat-hardened U.S. Marine, a tough-as-nails French commando, and a female French émigré out for revenge – must first undergo a series of tests and field operations to determine if they have what it takes to be a behind-the-lines agent. In the process they develop an unbreakable bond of loyalty that unites them as they lead the fractious members of the Resistance against the battle-hardened Germans and face the ultimate test of loyalty when one of their number is captured.

Additional burial areas for the parish of St James Westminster in the 17th to 18th century were excavated in 2008–9. As the northern part of the parish around Soho grew and its population increased from the mid 17th century, pressure mounted on burial space in the churchyard on Piccadilly and on existing support structures for the least fortunate members of society. In response, the lower ground (the early extramural burial ground, 1695–1733) and the upper ground (the later extramural burial ground, 1733–90) were opened in succession, along with the new workhouse complex (1725–1913) and the workhouse burial ground (1733–93). In the later 19th to 20th century public baths were constructed over part of the site and the workhouse was repurposed and then redeveloped.The three burial areas were used intensively and a total of 2553 burials were recorded. Intra-site comparisons exploring demographic and health profiles show a higher proportion of adult females in the workhouse population and a disproportionately low number of childhood deaths across all three grounds. Full osteological analysis of 1786 skeletons revealed the wide range of conditions afflicting the buried population. Higher overall rates of pathological bone conditions, including infectious disease and trauma, were identified, however, in the workhouse burials when compared to the extramural grounds. Together with historical and archaeological evidence, these results and those from comparative contemporary sites help place the lives of the urban poor and destitute within the wider context of the 17th and 18th centuries.

Often, the process of modern state formation is founded on the marginalisation of certain groups, and Latin America is no exception. In The Language of the In-Between, Erika Almenara contends that literary production replicates this same process. Looking at marginalised communities in Chile and Peru, particularly writers who are travesti, trans, cuir/queer, and Indigenous, the author shows how these writers stake a claim for the liminal space that is neither one thing nor the other. This allows a freedom to expose oppression and to critique a national identity based on erasure. By employing a language of non-normative gender and sexuality to dispute the state projects of modernity and modernisation, the voice of the poor and racialised travesti evolves from powerlessness to become an agent of social transformation.

A refereed journal published annually by the Canadian Society for Syriac Studies.

Blessing the Exoskeleton is a southerner’s book about Michigan. Written over a two-year period in Kalamazoo, Andrew Hemmert’s poems address climate change, labor, love, and his attempts to live joyfully in a deteriorating world. Though the majority of these poems are narrative, they approach their stories in roundabout and slanted ways. A meditation on job seeking begets a story about the author’s father attempting to catch an owl in a fishing net. A fire down the road from the author’s apartment begets a meditation on telemarketing. Personal histories collide with headlines, resulting in poems that convey everyday experience and seek to praise it. Despite the northern cold and the tyranny of the news, Hemmert develops his own theories for navigating his life, finding beauty in an unfamiliar landscape and climate.

In the Current Where Drowning Is Beautiful is a meditation on water, land, women, and violent environmental changes as they affect both the natural world and human migration. The poet reckons with the unsettling realities that women experience, questioning the cause and effect of events and asking why stories of oppression are so often simply accepted as the only stories. Alutiiq language is used throughout these poems that are in conversation with history, ancestors, and an uncertain future, in imagery that moves in waves, returning again and again to the ocean, and a deep visioning of the "current. "

Although little known, Richard Price’s A Review of the Principal Questions in Morals (1758) is one of the most important texts of eighteenth-century moral philosophy. Hastings Rasdhall described it “as the best work published on Ethics till quite recent times” because it “contains the gist of the kantian doctrine without Kant’s confusions”; C. D. Broad pointed out in this regard that “until Ross published his book The Right and the Good in 1930” there existed “no statement and defence of what may be called the ‘rationalistic type’ of ethical theory comparable in merit to Price’s”; and W.

Territorial explores the bargains that women make to stay safe from violence. Set in a landscape of looming ecological ruin, the poems bear witness to the effects of drought on the California chaparral region and delve into difficult personal terrain to reveal patterns of abuse we inflict on the earth and each other. How can we emerge from a devastated landscape into a sense of healing and repair? Using the characteristics of violence - repetition and escalation - the collection connects subjects that range from the dawn of recorded sound to the mapping of myths onto constellations, the ecosystem of a leach pond, and the photographs of Alfred Stieglitz. In tracing the ways narratives of predation imprint onto the body, memory, environment, and future generations, Territorial finds resilience in the powers of language to reshape experience.

Colin Austin (1941–2010), Professor of Greek at Cambridge and distinguished editor of poetic texts, was renowned for the precision and brilliance of his scholarship. This collection of studies, offered by some of his pupils, aims to honour his memory. The papers combine philology and textual criticism with a strong interest in setting the works under examination in their literary and cultural context. Individual contributions are devoted to the establishment of the text of the comic poet Menander and the epigrammatist Posidippus of Pella, while one chapter offers a new critical edition of and the first detailed commentary on a number of erotic epigrams. Other essays explore poetic, performative and narratological features in Socratic works of Plato and Xenophon. The volume also includes an analysis of the trope of pathetic fallacy in the bucolic poem Epitaph for Bion and a study of the concept of ‘frigidity’ in ancient literary criticism.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

"The work of this institution has only begun I want to see this faculty continue to develop in not only teaching ability, but heart power—the ability to lead and inspire I want to see the fullest opportunities furnished to students I want to see young men and women who will become effective leaders I want to see all of these things and more" – Dr. John W. Carr, First President of Murray State University, April 1, 1926 When Murray State University was founded shortly after World War I, it was a modest, one-building teachers' college with a mandate to prepare better-trained educators for schools in the Jackson Purchase area of Western Kentucky. Now Murray State has grown to become a major university with nearly (or approximately) 10,000 students from all over the world. Over the past century, this institution has indelibly shaped the lives of generations of talented young people who went on to enjoy remarkable careers at NASA, the Kentucky Supreme Court, in Hollywood, the NBA, and elsewhere. In The Finest Place We Know, authors Robert L Jackson, Sarah Marie Owens, and Sean J. McLaughlin celebrate the 100-year story of Murray State University by looking back on the people, places, and events which have shaped the institution's history. This comprehensive, pictorial history features hundreds of images from the Progue Special Collections Library and is accompanied by stories that explore everything from the school's first student-produced weekly newspaper The College News that began publication on June 24, 1927, the hiring of Ernest T. Brooks, its first Black professor, in 1970, and the appointment of Dr. Kala Stroup, the first woman president of any Kentucky university. This work – equal parts history and celebration – presents an in depth account of one of Kentucky's prosperous public universities.

During World War I, Major William Orpen, a highly successful commercial painter in Ireland and the UK, takes up a posting as official British war artist. Full of high hopes he sets off to the front with a Rolls-Royce and a driver. But nothing in his privileged life prepared him for the horrors he encounters. Based in Amiens, he is initially unable to capture on canvas the sights that haunt him, but eventually his inspired output becomes prolific – Tommies in rat-infested, water-sodden trenches; men charging across the tortured earth with fixed bayonets; generals in luxurious quarters; nurses ministering gently to the wounded in the hell-hole hospitals. Commissioned to paint the Paris Peace Conference he settles in Paris with Yvonne, his model and muse. His epic, To the Unknown British Soldier in France, is hailed by some as ‘symbolic’; but by others as a ‘blasphemous disgrace’. Disheartened at the ending of the war, he is consumed by its futility and what he sees as the fighting men’s betrayal by the politicians. At war with himself, he divides his time between Paris and London but suffers from depression and ill health. Alienated from his family, he dies in 1931 of alcohol-related complications. This illustrated biographical novel – featuring dozens of Orpen’s paintings and B&Wdrawings – will enthral anyone interested in the brutal reality of World War I, and help us to appreciate one artist’s remarkable personal and creative journey.

Stylistically innovative, deeply moving, carefully researched, Martha Collins's eleventh volume of poetry combines her well-known attention to social issues with the elegiac mode of her previous book. She focuses here on race, gun violence, recent wars, and, in an extended sequence, the history of coal - first as her ancestors mined it, then from its geological origins to our ecologically threatened present. Casualty Reports is both indictment and lament, a work that speaks forcefully to our troubled history and our present times.