George Philipps presents the Syriac text and English translation for three ancient texts pertaining to Syriac grammar, orthography and pronunciation.

Robert D. Wilson’s grammar of Syriac includes many excerpts from Syriac literature to help explain grammatical concepts in real syntactical context.

This volume is a ‘phrase book’ for speakers of French and Arabic to learn common words and phrases in modern conversational Syriac.

This volume is an inductive approach to Syriac grammar that focuses on learning through readiing.

Argument by the Norris Professor of Divinity at Cambridge that the spelling of the Syriac version of the Gospels should not be taken as authority for the original Aramaic names.

The book is designed for students who wish to learn the principles of Latin phonetics as well as for more advanced students who wish to review or reevaluate these principles in the light of further philological and linguistic evidence. The body of the book comprises an extensive discussion of the various historical changes that went into the making of Latin, analyzing the development of the vocalic and consonantal systems in light of literary and epigraphical sources.

In 1784 Connecticut laid claim to a territory stretching from Pennsylvania's western border 120 miles along Lake Erie. In 1786 Congress took steps to legitimate this claim, and explicitly recognized it in 1800. The Peopling of New Connecticut presents primary documents that define Connecticut's complex relationship with this territory, known then as the Western Reserve. Using excerpts from previously published official records, diaries, newspapers, periodical journals, pamphlets, and the occasional book that illustrates the process whereby Connecticut transplanted some of its people to a distant, western land, this Acorn Club publication illuminates not only the experience of the emigrants as they journeyed to Ohio and settled in the Western Reserve but also the effect that the emigrants' departure had on the society they left behind. The volume comes with an introduction and commentary about the significance of these republished materials. The Peopling of New Connecticut is a vital, enlightening record of this special chapter in Connecticut's history and provides unique insight into the early westward movement after the Revolutionary War.

To many academics, composition still represents typewritten texts on 8.5\u201d x 11\u201d pages that follow rote argumentative guidelines. In Toward a Composition Made Whole, Jody Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ everyday to compose and communicate their thoughts. Shipka counters current associations that equate multimodality only with computer, digitized, or screen-mediated texts, which are often self-limiting. She stretches the boundaries of composition to include a hybridization of aural, visual, and written forms. Shipka analyzes the work of current scholars in multimodality and combines this with recent writing theory to create her own teaching framework. Among her methods, Shipka employs process-oriented reflection and a statement of goals and choices to prepare students to compose using various media in ways that spur their rhetorical and material awareness. They are encouraged to produce unusual text forms while also learning to understand the composition process as a whole. Shipka presents several case studies of students working in multimodal composition and explains the strategies, tools, and spaces they employ. She then offers methods to critically assess multimodal writing projects. Toward a Composition Made Whole challenges theorists and compositionists to further investigate communication practices and broaden the scope of writing to include all composing methods. While Shipka views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.

Celebrated as the "Dean of Appalachian Literature," James Still has won the appreciation of audiences in Appalachia and beyond for more than seventy years. The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still's friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still's last and perhaps greatest contribution to American literature.Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still's entrancing narrative centers on the boy's experience at the ranch under Anson's watchful eye and Lurie's doting care, highlighting the importance of home, whether it is defined by people or a place.In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still's mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.

This study affords an entirely new view of the nature of modern popular entertainment. American vaudeville is here regarded as the carefully elaborated ritual serving the different and paradoxical myth of the new urban folk. It demonstrates that the compulsive myth-making faculty in man is not limited to primitive ethnic groups or to serious art, that vaudeville cannot be dismissed as meaningless and irrelevant simply because it fits neither the criteria of formal criticsm or the familiar patterns of anthropological study. Using the methods for criticism developed by Susanne K. Langer and others, the author evaluates American vaudeville as a symbolic manifestation of basic values shared by the American people during the period 1885-1930. By examining vaudeville as folk ritual, the book reveals the unconscious symbolism basic to vaudeville-in its humor, magic, animal acts, music, and playlets, and also in the performers and the managers -- which gave form to the dominant American myth of success. This striking view of the new mass man as a folk and of his mythology rooted in the very empirical science devoted to dispelling myth has implications for the serious study of all forms of mass entertainment in America. The book is illustrated with a number of striking photographs.

Three friends go to the library one day and check out a book titled Good vs. Evil. They start reading the book, but soon they find themselves in the story. Find out about the adventures they endure to get out of the book and back into their own world.

Things Come On is a broken and sutured hybrid of forms, combining poetry, prose narration, primary documents, dramatic dialogue, and pictures. The narrative is woven around the almost exact concurrence of the Watergate scandal and the dates of the poet's mother's illness and death from breast cancer, and weaves together private and public tragedies-showing how the language of illness and of political cover-up powerfully resonate with one another. The resulting "amneoir" (a blend of "memoir" and "amnesia") explores a time for which the author must rely largely on testimony and documentary evidence-not unlike the Congress and the nation did during the same period. Absences, amnesia, and silences count for at least as much as words. As the double tragedy unfolds, it refuses to become part of an overarching system, metaphor, or metanarrative, but rather raises questions of memory and evidence, gender and genre, personal and political, and expert vs. lay language. This haunting experimental biography challenges our assumptions about the distance between individual experience and history. A reader's companion is available at http://thingscomeonreader.site.wesleyan.edu/

In this translation based on the original Arabic text, Averroes defends the compatibility of philosophical investigation and Islam.

Address draws us into visible and invisible architectures, into acts of intimate and public address. These poems are concentrated, polyvocal, and sharply attentive to acts of representation; they take personally their politics and in the process reveal something about the way civic structures inhabit the imagination. Poisonous plants, witches, anthems, bees-beneath their surface, we glimpse the fragility of our founding, republican aspirations and witness a disintegrating landscape artfully transformed. If a poem can serve as a kind of astrolabe, measuring distances both cosmic and immediate, temporal and physical, it does so by imaginative, nonlinear means. Here, past and present engage in acts of mutual interrogation and critique, and within this dynamic Willis's poetry is at once complexly authoritative and searching: "so begins our legislation." Check for the online reader's companion at http://address.site.wesleyan.edu.

Everyone would agree that urban development, especially when involving the building of residential areas, should be accompanied by sufficient and good public infrastructure and facilities. We all want neighbourhoods with the necessary roads, green areas, social facilities, affordable housing and public spaces of high quality. At the same time, nowadays, governments are facing severe cuts in public expenditure. So who is going to pay for all that quality? In the Netherlands and in many other countries, achieving these public goals has become a problem, especially in the regeneration of deteriorated inner-city sites. This book offers insight in how the economic value increase that arises from urban development can serve to finance the quality we want, without the need for public subsidies. The findings and recommendations made in this book focus on Western Europe, mainly on successful and alternatively less successful recent experiences in Spain, England and the Netherlands. Public bodies can use the recommendations to create the necessary conditions to improve the involvement of property developers and landowners in the financing of infrastructure and facilities. Property developers and landowners can find formulas for private-public partnership that can lead to lower development costs and risks, allowing them to pay for good infrastructure and facilities while maintaining profitability. Scholars will find here the theoretical backgrounds for this relevant topic. The author has both an academic and a professional background in the practice of urban development.

Wesleyan University Press is pleased to present a special miniature edition of this best-selling volume of poetry by Robert Bly. Originally published in 1962, Silence in the Snowy Fields was Bly's first book, and one of the first volumes of poetry published by Wesleyan. Silence in the Snowy Fields disarmed readers and critics with its clear-sighted intelligence and apparent simplicity. Unlike much of the academically based American poetry of its time, this poetry aimed at a kind of Eastern balance in which human beings participate in but do not dominate nature. Many still find this one of Bly's most healing books. The entire book is reproduced in this irresistable small format.