In the late 1960s, colleges and universities became deeply embroiled in issues of racial equality. To combat this, hundreds of new programs were introduced to address the needs of \u201chigh-risk\u201d minority and low-income students. In the years since, university policies have flip-flopped between calls to address minority needs and arguments to maintain \u201cStandard English. \u201d Today, anti-affirmative action and anti-access sentiments have put many of these high-risk programs at risk. In Interests and Opportunities, Steve Lamos chronicles debates over high-risk writing programs on the national level, and locally, at the University of Illinois at Urbana-Champaign. Using critical race theorist Derrick BellÆs concept of \u201cinterest convergence,\u201d Lamos shows that these programs were promoted or derailed according to how and when they fit the interests of underrepresented minorities and mainstream whites (administrators and academics). He relates struggles over curriculum, pedagogy, and budget, and views their impact on policy changes and course offerings. Lamos finds that during periods of convergence, disciplinary and institutional changes do occur, albeit to suit mainstream standards. In divergent times, changes are thwarted or undone, often using the same standards. To Lamos, understanding the past dynamics of convergence and divergence is key to formulating new strategies of local action and \u201cstory-changing\u201d that can preserve and expand race-consciousness and high-risk writing instruction, even in adverse political climates.

Winner of the 2011 Drue Heinz Literature Prize Shannon Cain’s stories chart the treacherous territory of the illicit. They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment. Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent. In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home. In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life. Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.

Excavations in 2006-8 by MOLA on the site of St Giles Court, on the north side of St Giles High Street, Camden, illustrate the development of this London suburb from the medieval period to the early 20th century. Located opposite the parish church of the former medieval leper hospital of St Giles-in-the-Fields, the site was open ground and gardens until the mid-16th century when residential houses were built along the High Street. St Giles was at the heart of London suburban expansion by the mid-17th century. At this time it was a relatively prosperous district, with houses lining the main streets and businesses developing behind, including the Eagle and Child and Hampshire Hog inns. The numerous objects recovered indicate a varied standard of living among the inhabitants. By the late 18th century the reputation of the St Giles area and its housing had declined and the site lay within the southern core of the area known as the "Rookery" - a notorious late 18th- and 19th-century slum. However, this study reveals that the area's image may not be entirely matched by reality: it found evidence of contrasting lifestyles, households and businesses in this period, including a prosperous family brewery, before the area eventually lost its residential character and became almost purely commercial.

WINNER OF THE 2010 AGNES LYNCH STARRETT POETRY PRIZE“Glenn Shaheen is claiming new ground for American poetry. His poems are about the nightmares of information overload, collapsing infrastructure, ubiquitous violence, and other ills of late empire. The subjects are not happy, but Shaheen's clear vision and crisp—often witty—language offer the pleasures of surprise, discovery, and recognition. ”—Ed Ochester

The burnings from which Coleman culls her work casts a glow and unique warmth that invites the reader to sit by her metaphorical hearth, to laugh and enjoy their \u201cconversation.\u201d The contemplative and philosophical have entered her voice as she continues to explore the conflicts and confusions that shape the aesthetic terrain of Southern California and beyond—as she continues to grapple with cultural bias, malignant domestic neglect, poverty, and the damages of racism, yet broadening her palette of social ills to include the privacies of grief, loss and transcendence. A nominee and finalist for Poet Laureate of California, she continues to reflect the ethnic scramble of Los Angeles, where she has been honored by proclamations from the cityÆs elected officials, including the mayorÆs office, the city council and the Department of Cultural Affairs.

From before the Civil War until his death in 1882, Ralph Waldo Emerson was renowned -- and renounced -- as one of the United States' most prominent abolitionists and as a leading visionary of the nation's liberal democratic future. Following his death, however, both Emerson's political activism and his political thought faded from public memory, replaced by the myth of the genteel man of letters and the detached sage of individualism. In the 1990s, scholars rediscovered Emerson's antislavery writings and began reviving his legacy as a political activist. A Political Companion to Ralph Waldo Emerson is the first collection to evaluate Emerson's political thought in light of his recently rediscovered political activism.What were Emerson's politics? A Political Companion to Ralph Waldo Emerson authoritatively answers this question with seminal essays by some of the most prominent thinkers ever to write about Emerson -- Stanley Cavell, George Kateb, Judith N. Shklar, and Wilson Carey McWilliams -- as well as many of today's leading Emerson scholars. With an introduction that effectively destroys the "pernicious myth about Emerson's apolitical individualism" by editors Alan M. Levine and Daniel S. Malachuk, this volume reassesses Emerson's famous theory of self-reliance in light of his antislavery politics, demonstrates the importance of transcendentalism to his politics, and explores the enduring significance of his thought for liberal democracy.Including a substantial bibliography of work on Emerson's politics over the last century, A Political Companion to Ralph Waldo Emerson is an indispensable resource for students of Emerson, American literature, and American political thought, as well as for those who wrestle with the fundamental challenges of democracy and liberalism.

About Threshold Songs, the voices in these poems perform at the interior thresholds encountered each day, where we negotiate the unfathomable proximities of knowing and not knowing, the gulf of seeing and feeling, the uncanny relation of grief to joy, and the borderless nature of selfhood and tradition. Both conceptual and haunted, these poems explore the asymmetry of the body's chemistry and its effects on expression and form. The poems in Threshold Songs tune us to the microtonal music of speaking and being spoken. Check for the online reader's companion at http://thresholdsongs.site.wesleyan.edu.

The Maps of Antietam breaks down the entire operation into 21 map sets or “action-sections” enriched with 124 full-colour original full-page maps. These spectacular cartographic creations bore down to the regimental and battery level and include the march into Maryland, the Harpers Ferry Operation, the Battle of South Mountain, the battle at Antietam, the retreat, and the fighting at Shepherdstown, as well as important marches and events. Each “action-section” is accompanied by as many as ten maps, and opposite each map is a full facing page of detailed, footnoted text describing the units, personalities, movements, and combat, including quotes from eyewitnesses, making the story of Lee’s raid into Maryland come alive. This original presentation masterfully leads readers on a journey through the campaign that many historians believe marked the beginning of the end for the Confederacy. Gottfried begins with the position of the opposing armies after the Second Bull Run Campaign before detailing their joint movements into Maryland. Readers will stand with D. H. Hill atop South Mountain as General McClellan tries to force his way through the mountain passes; surround, lay siege to, and capture Harpers Ferry (and ride with Col. Benjamin Davis’s cavalry on its breakout); fight blow-by-blow outside the small town of Sharpsburg (53 maps) through the bloodiest day in American history; retreat from the battlefield; and revisit the final bloodshed spilled at Shepherdstown.Perfect for the easy chair or for walking hallowed ground, The Maps of Antietam is a seminal work that, like Gottfried’s earlier Gettysburg and First Bull Run studies, belongs on the bookshelf of every serious and casual student of the Civil War.

Poetry in America offers extravagantly formed lyric and narrative poems that function like works of social realism for our times: hard times, wartime, divorce, times of downturn and dissipated resources. Where, in such times, can poetry emerge, the book asks—and answers—again and again. Largely set in rural places and small towns, these poems are politically committed but deeply sensuous, emotionally complex and compassionate. They take up the everyday in meaningful ways, and deliver it with blunt force, yet not without hope or bright humor.

Winner of the 2010 Donald Hall Prize in PoetryIn her third poetry collection, Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. In the long poem \u201cmeditations\u201d Barry examines her own guilt in initially supporting the invasion of Iraq. Throughout the manuscript she investigates war and its aftermath by negotiating between geographically disparate landscapes—from the genocide in the Congo—to a series of pros poem \u201csnapshots\u201d of modern day Vietnam. Despite the gravity of war, Barry also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.

From February 2003 to March 2005, Oxford Archaeology (OA) carried out a programme of archaeological work in King's Lynn comprising evaluation, strip and map, excavation and watching brief integrated with the redevelopment of the Vancouver Centre and the construction of the Clough Lane multi-storey car park. The work was carried out on behalf of Alfred McAlpine Capital Projects. Despite extensive modern construction, archaeological features, structures and deposits of medieval date (12th-15th centuries) were recorded along the existing frontages of Broad Street and New Conduit Street. Archaeological deposits, building foundations and yard surfaces of late medieval/post-medieval date (15th and 16th-18th centuries) were recorded in localised areas in the car parks to the rear of Sainsburys, the rear of Broad Street and to the south west of New Conduit Street. Piezometers were installed in order to carry out a two-year monitoring programme on the physical and chemical effects of the development's piled construction on the underlying, and otherwise unexposed, reclaimed marine and estuarine sediments. Evaluation of the Clough Lane car park site revealed an intact marine sediment sequence underlying all of the development area as well as localised medieval structures and features.

This volume introduces the letters of the Syriac alphabet a few at the time, and each set of letters is accompanied by guides to pronunciation and the correct way to write the letters, including helpful charts and illustrations. Practice exercises at the end of each section provide the user with copious opportunities for review to facilitate rapid acquisition. This volume will be helpful to all who want to learn the basics of Syriac pronunciation and orthography without being inundated with technical linguistic jargon.

Practical Water is, like Brenda Hillman's previous two books, Cascadia and Pieces of Air in the Epic, both an elemental meditation and an ecopoetics; this time her subject is water: Taoist water, baptismal water, water from the muses' fountains, the practical waters of hydrology from which we draw our being-and the stilled water in a glass in a Senate chamber. Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also-because it is about many kinds of power-is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.

Isaac Taylor (1829-1901) is best known for his archaeological and philological works, especially his detailed study of the alphabets published in 1883. This book on the Semitic alphabets comprises the first volume of Taylor’s 1883 study. Taylor begins with a discussion on the invention of writing and the origin of the alphabet, then gives a discussion of three alphabetic families, what he calls the Phoenician alphabet, the Aramean alphabets (covering Palmyra, Hebrew, Syriac, Mongolian, and Arabic), and the south Semitic alphabets (covering Sabean and Ethiopic).

This volume studies the strophic patterns used by Ephrem the Syrian, which the author divides into five types. An appendix deals with possible relationships between Byzantine (esp. Romanos) and Syriac poetic forms.

The present work, Michel Feghali’s doctoral dissertation, is the first large scale investigation of the survival of Syriac linguistic features in Arabic dialects; he examines in particular, the Lebanese dialects.