A lone building on a small island off Ireland's Donegal coast, St Ernan's is politely known as a "retirement home" for priests. The exiled residents are guilty of such serious offenses as entrepreneurship, criticizing the church, or getting too friendly with the flock. But things take a turn when Fr Matthew McKaye is found dead in the kitchen, a pot of potatoes boiling on the range. Has one of these isolated outcasts committed murder? Starrett soon discovers that ten clergy alone on an island can concoct a great deal of mischief, but what could the young priest have done to get himself murdered? Long-buried grievances are awakened by the ghosts of Starrett's seminarian past, and though Starrett excels at untangling facts from speculation, this investigation is going to require all the procedural discipline he can muster. "Charles makes Starrett's third case leisurely, literate, ingenious… and as old-fashioned as the idea that priests are pillars of private morality." - Kirkus Reviews "In Irish author Charles's atmospheric third Inspector Starrett mystery, Starrett investigates a murder at a home for wayward Catholic priests. They soon find that there are plenty of secrets the inhabitants and surrounding townsfolk would like to keep well buried." - Publisher's Weekly "The reader of St Ernan's Blues will learn a lot about the priests at St Ernan's and a lot about human nature." - Irish American News

Orbit connects the intimate with what is farthest from us, mixing what we can imagine with what is daily and near. Landscapes stretch from stable and fulfilling domestic interiors to the destiny of our sun as an exploding red giant. That dilemma of human fertility and love facing ultimate destruction is orchestrated by the author's provocative voice and coiled lines, which fondle and handle the reader's heart and mind in a bright light. The book insists on connecting the three eras of human experience – Then, Now, and When – at every turn. Orbit continues the unique aesthetic of Vogelsang's first five award-winning books through its "oddly direct original persona," its "mind – prophetic, wild, loony," its "language of surveillance and trembling," and the poems' ability "to find and magnify the emotion suddenly, instantaneously" (comments draw from other poets' reviews.) Vogelsang's new book Orbit is a dialogue between daily life and transcendent vision, insisting on the reality of each.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

The Book of Landings brings together the second and third parts of Mark McMorris’s visionary trilogy “Auditions for Utopia,”—initiated in Entrepôt—and marks two stages in the evolution of the poet’s conception of space. The first stage of the collection is the entrepôt, a space where disparate vectors of identity congregate, come into conflict, and finally merge into hybrid forms. The poetry follows a trajectory of diaspora, or exile, instigated by conquest, colonialism, wars, and political defeat in the search for Utopia. In The Book of Landings the promised dwelling has been removed from the realm of physical geography, and there is only transition—fragmentary episodes of arrival and departure, in transit from one entrepôt to another. These episodes of transit do not only compose a linear sequence only. Instead, they define a space or surface marked by repeated traversals over time—tracings and, importantly, re-tracings, by explorers, conquerors, migrants, merchants, slaves, refugees, and exiles—a city of palimpsests. An online reader’s companion will be available at markmcmorris.site.wesleyan.edu.

In Energy Corridor, Houston, Texas is the macabre avatar for a nation that has systematically stripped political and economic power from the middle and lower classes. In these poems the speaker wrestles with the guilt and complacency of living in the world's wealthiest nation. It is easy in America to do nothing and suckle the trickling down of the rich, but these poems urge that we have a community responsibility to alter the way we act. Through varied lenses, from Jean-Jacques Rousseau to The Texas Chain Saw Massacre, from Goethe to contemporary electronica, from the 1982 Tylenol Murders to the Stanley Cup, these poems assemble the rhetoric of our cultural landscape into a call to arms. We must change our ways.

In this sixth collection by award-winning poet Sharon Dolin, Manual for Living offers three distinct approaches to life, each one riven by flashes of joy and despair, and all conditions in between. With a fresh slant on the Stoic philosopher Epictetus, the title section offers a part-serious, part tongue-in-cheek series of advice poems. An ekphrastic sequence based on the "black paintings" of Goya follows, as a darker meditation on life. The final section, "Of Hours," is a contemporary sequence of psalms where the possibility for redemption in prayer exists. As in all of her work, Dolin's lyric voice attends to language and the world equally. Her verbal sleights-of-hand offer readers insights for ways to live. Manual for Living is a wise book: drink deeply from it.

Having taken great risks -- to immigrate to America, to take monastic vows -- Bengali physician Meena Chatterjee and Brother Flavian are each seeking safety and security when they encounter Johnny Faye, a Vietnam vet, free spirit, and expert marijuana farmer. Amid the fields and forests of a Trappist monastery, Johnny Faye patiently cultivates Meena's and Flavian's capacity for faith, transforming all they thought they knew about duty and desire. In turn they offer him an experience of civilization other than war and chaos. But Johnny Faye's law-breaking sets him against a district attorney for whom the law is a tool for ambition rather than justice. Their confrontation leads to a harrowing reckoning that ensnares Dr. Chatterjee and Brother Flavian, who must make a life-or-death choice between an act of justice that may precipitate their ruin or a betrayal that offers salvation.Inspired by the real-life state police kidnapping and murder of a legendary storyteller and petty criminal, The Man Who Loved Birds engages pressing contemporary issues through a timeless narrative of ill-fated romance. Celebrated author Fenton Johnson has woven a seamless, haunting fable exploring the eternal conflicts between free will and destiny, politics and nature, the power of law and the power of love.

David Hernandez's Dear, Sincerely is his most intimate and dynamic collection to date, bringing the reader into poems that are simultaneously personal and universal, and sometimes political. With his characteristic dreamlike imagery, inventive rhythms, and biting wit, Hernandez's voice reaches toward us with an accessible profundity. Dear, Sincerely is an imaginative book that explores the Self, the collective We, the cosmos, and the murky division that separates one from the other.

This volume contains articles in the fields of translation theory. Litlerature and linguistics, and will appeal to international specialists in the humanities, especially in English and Icelandic studies.

We'd not slept in days, or else we were/ still sleeping—who could tell?" someone asks in the opening poem of Eternity & Oranges. The voices we encounter in this book speak on the verge of disappearance, from places marked by disintegration and terror. Christopher Bakken's poems are acts of conjuring. They move from the real political landscapes of Greece, Italy, and Romania, into more surreal spaces where history comes alive and the summoned dead speak. In the formally diverse long poem, "Kouros/Kore," but also in this book's terse and harrowing dream songs, Bakken writes with devastating force, at every turn "Guilty of the crime of praise" while "begging for an antidote to beauty.

Taking Dante and other catalogers of failure and ruin (Baudelaire, Trakl, Rimbaud) as its guiding lights, Scarecrow charts situations of extremity and madness: “Are you / insistent? Are you dead? / Are you guilty? Has your / name been lifted, a vein / of earth from earth?” It also charts the insistence of time’s passing and with it the awakening to both new and foreclosed possibilities. What will remain for us after the disaster? How will we rebuild? To whom will we address ourselves and with what voice? Also a love poem, one of desire and hope, Scarecrow aligns a tragic sensibility with a faith in the other and in the redemptive power of forgiveness. Within the beauty and strangeness of this work rests an imperative that captures the directive of poetry at its best: “Present yourself / in the full radiance of captivation.” In its mystery and defiance, Robert Fernandez’s collection does precisely this. An online reader’s companion will be available at robertfernandezsite.wesleyan.edu.

Make no mistake: Martha Bragg Picket is a headstrong southern woman with a rebellious spirit, a characteristic her son Michael shares. Yet to see her after almost twenty years of marriage, it might no longer seem clear. A Yankee contractor's arrival in town catalyzes her dissatisfaction, leading her to turn her life upside down -- unaware that her son will follow suit. Both heartfelt and shrewdly humorous, this widely acclaimed first novel from author Fenton Johnson is an affecting look at one woman's reawakening and her son's coming of age in the heartland of America.

Along with his siblings, Raphael Hardin left his childhood home in rural Kentucky. Grappling with an AIDS diagnosis, he returns to care for his dying father. Told from the perspectives of Raphael, his family, and their lifelong neighbor, Fenton Johnson's landmark novel reveals the blood struggles and binding loves of a broken family made whole.

Playing hopscotch in the schoolyard or hide-and-seek in the woods, Appalachian children once recited traditional nursery rhymes from memory. As kids do, they frequently altered the original rhymes, making them even more colorful in the process.In Mommy Goose: Rhymes from the Mountains, author Mike Norris honors this special piece of American heritage with a one-of-a-kind collection of fifty original nursery rhymes celebrating Appalachian tradition and speech. Illustrated with art-quality photographs of more than one hundred new hand-carved and -painted works by renowned folk artist Minnie Adkins, this enchanting book introduces readers of all ages to the whimsical world of Mommy Goose and shares her love of the rare music of Appalachian speech and of words in general.Mommy Goose is designed to engage young children with a series of simple and often humorous verses that gradually become more challenging as the book progresses. Readers can advance to longer, more complex rhymes as their skills develop -- at home or with the guidance of teachers. Featuring sheet music for the original song "Tell me, Mommy Goose," this multidimensional book is certain to entertain while introducing a new generation to hallowed folk traditions.

Morphology is the general theory of form and formation, which can be seen as the innovative and fruitful point of intersection of the scientific and the humanistic cultures. The three papers presented in the book by Olaf Breidbach, Pietro Corvaja and Angelo Vianello respectively illustrate different features of morphology from the epistemic viewpoints of history of science, mathematics and biology. The texts were produced in the context of the second meeting of the “Centro Interdipartimentale di Morfologia F. Moiso”, which took place in Udine on 14 December 2007.

Excavation of approximately a third of a hectare in the north-western part of the historic core of Worcester revealed evidence for activity dating from the Roman to the post-medieval and early modern period. The deepest deposits were recorded in geotechnical and archaeological boreholes, and in two sondages: the rest of the site was excavated to the depth of formation level for development.The earliest feature was a Roman road running on the approximate alignment of the present-day Newport Street. Deposits relating to road construction and ground consolidation comprised metal-working waste, with finds of later 2nd to 3rd-century date. No in situ evidence of Roman occupation was excavated. These levels were sealed by alluvial deposits. In the early 13th century the area was divided by boundaries, which were consolidated during the subsequent medieval and post-medieval periods into building plots with frontages onto both Newport Street and Dolday. The Newport Street frontage was developed with substantial stone and timber buildings, some over stone-built cellars. A series of ovens, hearths, structures and surfaces suggest a mixture of craft and domestic activities took place in the back plots of these properties. The style, construction and layout of some of the medieval buildings, coupled with artefactual and environmental evidence, suggest the occupants were relatively prosperous.The major plot boundaries changed little throughout the post-medieval and early modern period, although documentary research indicates a complex history of ownership and holdings featuring sub-division, amalgamation and multiple occupancy. The street frontages of both Newport Street and Dolday continued to be occupied throughout the post-medieval and early modern periods. Open spaces and structural remains, including wells, hearths, ovens and cess pits, in the back plots reflect a variety of activities associated with trade and domestic activity. Finds and environmental evidence has helped to link some of these structures to trades associated with the owners and occupants known from historical records. The remains of bread-ovens, a bake-house, a malthouse and a warehouse for hemp have been identified, and there is more tentative archaeological evidence for cordwaining, cloth-making, brewing and distilling, the latter trades replacing cloth-making as that trade declined in the 17th and 18th centuries. The sub-division of properties and the crowding of small cottages into the back plots during the 18th and 19th centuries reflect the increase in residential occupancy that resulted in over-crowding and a decline in status for this area of the city.The excavations represent the first large-scale archaeological investigation of this part of Worcester. The results complement those of previous major investigations of the Roman and medieval town and provide valuable insights into the economic and social status of the medieval town’s expansion onto the former floodplain. An integrated approach, analysing all aspects of the archaeological evidence in combination with detailed study of the available documentary and historical sources, has been particularly valuable in achieving an understanding of the site in later periods, providing the first major archaeological study of the post-medieval development of the city.