Winner, 2018 CCCC Outstanding Book AwardSulh is a centuries-old Arab-Islamic peacemaking process. In Shades of Sulh, Rasha Diab explores the possibilities of the rhetoric of sulh, as it is used to resolve intrapersonal, interpersonal, communal, national, and international conflicts, and provides cases that illustrate each of these domains. Diab demonstrates the adaptability and range of sulh as a ritual and practice that travels across spheres of activity (juridical, extra-juridical, political, diplomatic), through time (medieval, modern, contemporary), and over geopolitical borders (Cairo, Galilee, and Medina). Together, the cases prove the flexibility of sulh in the discourse of peacemaking—and that sulh has remarkable rhetorical longevity, versatility, and richness. Shades of Sulh sheds new light on rhetorics of reconciliation, human rights discourse, and Arab-Islamic rhetorics.

Methods in World History is the first international volume that systematically addresses a number of methodological problems specific to the field of world history. Prompted by a lack of applicable works, the authors advocate a considerable sharpening of the tools used within the field of study. Theories constructed on poor foundations run an obvious risk of reinforcing flawed assumptions, and of propping up other, more ideological, constructions. The dedicated critical approach outlined in this volume helps to mitigate such risks. Each author addresses a particular issue of method for source criticism, archaeological evidence or estimates of economies for example discussing the problems, giving practical examples, and offering solutions and ways of overcoming the difficulties involved. The perspectives are varied, the criticism focussed, and a common theme of coalescence is maintained throughout. This unique anthology will be of great use to advanced scholars of world history, and to students entering the field for the first time.

First published in 1979, Common Sense evinces a spare street-wise style rooted in the vernacular of the city. Now something of a cult classic, the book is recognized as an understated masterpiece, pushing at the edges of spoken word. This is the language of everyday, brought onto the page in such a way that we never lose the flow of speech and at the same time we become attuned to its many registers—musical, emotional, ironic. Ted Greenwald’s work has been associated with several major veins of American poetry, including the Language movement and the New York School, but it remains unclassifiable. An online reader’s companion will be available at tedgreenwald.site.wesleyan.edu.

This collection of Ted Greenwald’s poetry, edited by Miles Champion, is a sampler of some of Greenwald’s most breathtaking work. A New York poet with close ties to the New York School and the Language poets, Greenwald has written daily since the early 1960s, and none of the poems in this book are included in any of his books to date. These discrete works were written in advance of or alongside the extended explorations of a mutated triolet form that increasingly occupied him from the late 1970s on. This book can be seen as a companion to Common Sense, and provides further evidence of Greenwald’s ability to think with his ear, to hear what’s said as it arrives as a fresh sound or shape in his head. This work is singular in its pattern-making, its music-making, and its ability to simultaneously follow multiple paths. An online reader’s companion will be available at tedgreenwald.site.wesleyan.edu

Excavations at 1–2 and 3 Redcliff Street, Bristol, crossed a number of historic properties and revealed domestic and industrial remains dating from the establishment of the Redcliffe suburb in the 12th century through to the later post-medieval period. Cloth-dying was the dominant industry in Redcliffe in the 12th and 13th centuries, and the well preserved remains of dye-stuffs as well as leather shoes and off-cuts from a cobbler’s workshop were recovered from water-logged pit fills. The pits also yielded the largest assemblage of pottery of its kind from the city to date. The presence of stone-built dye-vat hearths suggest that cloth dyeing continued into the 14th century, when a pair of substantial town houses were also built. Late 14th-century remains include a furnace for lead-bronze casting, which produced cauldrons, posnets and smaller items, including candlesticks, and heralded a new phase of industry that became the pre-eminent activity for the next 200 years. The reverberatory furnaces are amongst the earliest examples of this advanced form of furnace known in Britain. In the 17th century, historic properties were amalgamated to establish a sugar refinery. Other significant aspects of the site evidence include the re-use of architectural fragments from the medieval church of St Thomas, and a large assemblage of clay-pipe kiln material. The discussion and interpretation of the excavated remains is augmented by documentary and historical research which, combined with evidence from other excavations in Redcliffe, further enriches the story of the urban development and economic history of this important suburb of Bristol.

Praise for Martha Collins: "A dazzling poet whose poetry is poised at the juncture between the lyric and ethics, Martha Collins has addressed some of the most traumatic social issues of the twentieth century . .

A lone building on a small island off Ireland's Donegal coast, St Ernan's is politely known as a "retirement home" for priests. The exiled residents are guilty of such serious offenses as entrepreneurship, criticizing the church, or getting too friendly with the flock. But things take a turn when Fr Matthew McKaye is found dead in the kitchen, a pot of potatoes boiling on the range. Has one of these isolated outcasts committed murder? Starrett soon discovers that ten clergy alone on an island can concoct a great deal of mischief, but what could the young priest have done to get himself murdered? Long-buried grievances are awakened by the ghosts of Starrett's seminarian past, and though Starrett excels at untangling facts from speculation, this investigation is going to require all the procedural discipline he can muster. "Charles makes Starrett's third case leisurely, literate, ingenious… and as old-fashioned as the idea that priests are pillars of private morality." - Kirkus Reviews "In Irish author Charles's atmospheric third Inspector Starrett mystery, Starrett investigates a murder at a home for wayward Catholic priests. They soon find that there are plenty of secrets the inhabitants and surrounding townsfolk would like to keep well buried." - Publisher's Weekly "The reader of St Ernan's Blues will learn a lot about the priests at St Ernan's and a lot about human nature." - Irish American News

Orbit connects the intimate with what is farthest from us, mixing what we can imagine with what is daily and near. Landscapes stretch from stable and fulfilling domestic interiors to the destiny of our sun as an exploding red giant. That dilemma of human fertility and love facing ultimate destruction is orchestrated by the author's provocative voice and coiled lines, which fondle and handle the reader's heart and mind in a bright light. The book insists on connecting the three eras of human experience – Then, Now, and When – at every turn. Orbit continues the unique aesthetic of Vogelsang's first five award-winning books through its "oddly direct original persona," its "mind – prophetic, wild, loony," its "language of surveillance and trembling," and the poems' ability "to find and magnify the emotion suddenly, instantaneously" (comments draw from other poets' reviews.) Vogelsang's new book Orbit is a dialogue between daily life and transcendent vision, insisting on the reality of each.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

The Book of Landings brings together the second and third parts of Mark McMorris’s visionary trilogy “Auditions for Utopia,”—initiated in Entrepôt—and marks two stages in the evolution of the poet’s conception of space. The first stage of the collection is the entrepôt, a space where disparate vectors of identity congregate, come into conflict, and finally merge into hybrid forms. The poetry follows a trajectory of diaspora, or exile, instigated by conquest, colonialism, wars, and political defeat in the search for Utopia. In The Book of Landings the promised dwelling has been removed from the realm of physical geography, and there is only transition—fragmentary episodes of arrival and departure, in transit from one entrepôt to another. These episodes of transit do not only compose a linear sequence only. Instead, they define a space or surface marked by repeated traversals over time—tracings and, importantly, re-tracings, by explorers, conquerors, migrants, merchants, slaves, refugees, and exiles—a city of palimpsests. An online reader’s companion will be available at markmcmorris.site.wesleyan.edu.

In Energy Corridor, Houston, Texas is the macabre avatar for a nation that has systematically stripped political and economic power from the middle and lower classes. In these poems the speaker wrestles with the guilt and complacency of living in the world's wealthiest nation. It is easy in America to do nothing and suckle the trickling down of the rich, but these poems urge that we have a community responsibility to alter the way we act. Through varied lenses, from Jean-Jacques Rousseau to The Texas Chain Saw Massacre, from Goethe to contemporary electronica, from the 1982 Tylenol Murders to the Stanley Cup, these poems assemble the rhetoric of our cultural landscape into a call to arms. We must change our ways.

In this sixth collection by award-winning poet Sharon Dolin, Manual for Living offers three distinct approaches to life, each one riven by flashes of joy and despair, and all conditions in between. With a fresh slant on the Stoic philosopher Epictetus, the title section offers a part-serious, part tongue-in-cheek series of advice poems. An ekphrastic sequence based on the "black paintings" of Goya follows, as a darker meditation on life. The final section, "Of Hours," is a contemporary sequence of psalms where the possibility for redemption in prayer exists. As in all of her work, Dolin's lyric voice attends to language and the world equally. Her verbal sleights-of-hand offer readers insights for ways to live. Manual for Living is a wise book: drink deeply from it.

Having taken great risks -- to immigrate to America, to take monastic vows -- Bengali physician Meena Chatterjee and Brother Flavian are each seeking safety and security when they encounter Johnny Faye, a Vietnam vet, free spirit, and expert marijuana farmer. Amid the fields and forests of a Trappist monastery, Johnny Faye patiently cultivates Meena's and Flavian's capacity for faith, transforming all they thought they knew about duty and desire. In turn they offer him an experience of civilization other than war and chaos. But Johnny Faye's law-breaking sets him against a district attorney for whom the law is a tool for ambition rather than justice. Their confrontation leads to a harrowing reckoning that ensnares Dr. Chatterjee and Brother Flavian, who must make a life-or-death choice between an act of justice that may precipitate their ruin or a betrayal that offers salvation.Inspired by the real-life state police kidnapping and murder of a legendary storyteller and petty criminal, The Man Who Loved Birds engages pressing contemporary issues through a timeless narrative of ill-fated romance. Celebrated author Fenton Johnson has woven a seamless, haunting fable exploring the eternal conflicts between free will and destiny, politics and nature, the power of law and the power of love.

David Hernandez's Dear, Sincerely is his most intimate and dynamic collection to date, bringing the reader into poems that are simultaneously personal and universal, and sometimes political. With his characteristic dreamlike imagery, inventive rhythms, and biting wit, Hernandez's voice reaches toward us with an accessible profundity. Dear, Sincerely is an imaginative book that explores the Self, the collective We, the cosmos, and the murky division that separates one from the other.

This volume contains articles in the fields of translation theory. Litlerature and linguistics, and will appeal to international specialists in the humanities, especially in English and Icelandic studies.

We'd not slept in days, or else we were/ still sleeping—who could tell?" someone asks in the opening poem of Eternity & Oranges. The voices we encounter in this book speak on the verge of disappearance, from places marked by disintegration and terror. Christopher Bakken's poems are acts of conjuring. They move from the real political landscapes of Greece, Italy, and Romania, into more surreal spaces where history comes alive and the summoned dead speak. In the formally diverse long poem, "Kouros/Kore," but also in this book's terse and harrowing dream songs, Bakken writes with devastating force, at every turn "Guilty of the crime of praise" while "begging for an antidote to beauty.