In Tales from Kentucky Funeral Homes, William Lynwood Montell has collected stories and reminiscences from funeral home directors and embalmers across the state. These accounts provide a record of the business of death as it has been practiced in Kentucky over the past fifty years. The collection ranges from tales of old-time burial practices, to stories about funeral customs unique to the African American community, to tales of premonitions, mistakes, and even humorous occurrences. Other stories involve such unusual aspects of the business as snake-handling funerals, mistaken identities, and in-home embalming. Taken together, these firsthand narratives preserve an important aspect of Kentucky social life not likely to be collected elsewhere. Most of these funeral home stories involve the recent history of Kentucky funeral practices, but some descriptive accounts go back to the era when funeral directors used horse-drawn wagons to reach secluded areas. These accounts, including stories about fainting relatives, long-winded preachers, and pallbearers falling into graves, provide significant insights into the pivotal role morticians have played in local life and culture over the years.

"A woman was sitting on the witness stand, and the lawyer asked her, 'Did you, or did you not, on the night of June 23rd have sex with a hippie on the back of a motorcycle in a peach orchard?' She thought for a few minutes, then said, 'What was that date again?'" -- from the bookLawyers have long been known as master storytellers, and those from Kentucky are certainly no exception. Veteran oral historian and folklorist Lynwood Montell has collected tales from dozens of lawyers and judges from throughout the Bluegrass State, ranging from the story about the tough Jackson County judge who fined himself for being late to court to unwelcome dogs in the courtroom. Recorded just as they have been told for generations, these stories are sometimes funny, sometimes sad or frightening, sometimes raw and harrowing, but always remarkable.Far more than collection of lawyer jokes, Tales from Kentucky Lawyers recounts the most insightful, entertaining, and occasionally heartbreaking stories ever told by and about Kentucky lawyers and their clients, covering the spectrum from arson to homicide, domestic disagreements to sexual abuse, and everything in between. Tales from Kentucky Lawyers is a valuable resource for folklorists as well as an entertaining and vivid account of the often-surprising legal world.

From frontier times to the present day, Kentucky nurses have served with intelligence and energy, always ensuring that their patients received the best available care. Noted folklorist and oral historian William Lynwood Montell collects nearly two hundred stories from these hard-working men and women in Tales from Kentucky Nurses. From humorous anecdotes to spine-chilling coincidences, tragic circumstances, and heartwarming encounters, the tales in this lively volume are recorded exactly as they were told to Montell. Covering medical practice in the state from the early twentieth century through contemporary times, the episodes related in Tales from Kentucky Nurses reveal the significance of the nursing profession to the Bluegrass state's local life and culture. They include funny tales -- such as the story of an injured stripper who swore her pole had been sabotaged and an anecdote about a surgeon racing between hospitals who paid his speeding ticket twice, knowing he would have to hurry the other way in a few hours. Montell also presents moving stories like the recollections of a nurse who helped a frail cancer patient achieve his last wish of being baptized.This valuable collection also features anecdotes from the famous Frontier Nursing Service, which provided essential care to families in remote areas of the state and whose leader, Mary Breckinridge, is remembered fondly for her wit and kindness. In addition, Montell's interviewees share ghost stories and describe folk remedies like the practice of placing an axe under a woman's pillow during labor to cut the pain. These firsthand accounts not only pay homage to an underappreciated profession but also preserve important aspects of Kentucky's history not likely to be recorded elsewhere.

In an educational era defined by large school campuses and overcrowded classrooms, it is easy to overlook the era of one-room schools, when teachers filled every role, including janitor, and provided a familylike atmosphere in which children also learned from one another. In Tales from Kentucky One-Room School Teachers, William Lynwood Montell reclaims an important part of Kentucky's social, cultural, and educational heritage, assembling a fun and fascinating collection of schoolroom stories that chronicle a golden era in Kentucky.The firsthand narratives and anecdotes in this collection cover topics such as teacher-student relationships, day-to-day activities, lunchtime foods, students' personal relationships, and, of course, the challenges of teaching in a one-room school. Montell includes tales about fund-raising pie suppers, pranks, outrageous student behavior (such as the quiet little boy whose first "sharing" involved profanity), and variety of other topics. Montell even includes some of his own memories from his days as a pupil in a one-room school. Tales from Kentucky One-Room School Teachers is a delightful glimpse of the history of education.

Following the success of his collections of stories from funeral directors, schoolteachers, doctors, and lawyers, folklorist William Lynwood Montell presents a new volume of tales from Kentucky sheriffs. Montell collected stories from all areas of the state to represent the diversity of social and economic backgrounds in the various communities the officers serve.Tales from Kentucky Sheriffs covers elections, criminal behavior, and sheriff's mistakes in a lighthearted and often humorous manner. The book includes accounts of a drunk driver who thought he was in a different state, a sheriff running a sting operation with the U.S. Marshals, and a woman reporting a tomato thief in her garden. Other accounts involve procedural errors with serious consequences, such as the tale of a sheriff who mistakenly informs a man that his son has committed suicide. Together, these firsthand narratives preserve important aspects of Kentucky's history not likely to be recorded elsewhere.

Lawyers have long been known as master storytellers, and those from Tennessee are certainly no exception. Veteran oral historian and folklorist William Lynwood Montell has collected tales from dozens of lawyers and judges from throughout the Volunteer State, ranging from stories of a custody battle over a family dog that garnered national media attention to the self-proclaimed "smartest man in Clay County." Recorded exactly as the lawyers tell them, these stories are sometimes funny, sometimes sad, sometimes raw and harrowing, but always remarkable. Far more than a collection of lawyer jokes, Tales from Tennessee Lawyers recounts the most insightful, entertaining, and occasionally heartbreaking stories ever told by and about Tennessee lawyers and their clients, covering the spectrum from arson to homicide, domestic disagreements to sexual abuse, and everything in between. Tales from Tennessee Lawyers is a valuable resource for folklorists as well as a vivid account of the often-surprising legal world.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts.In the tradition of Montell's previous Kentucky ghost books ( Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling.

Children's Children is a collection of fifteen short stories which cast a darkly humorous and oftentimes acidic eye, over life in post-conflict Northern Ireland. The stories contained in the collection are an eclectic selection of pieces which vary from traditional literary fiction to magic realism and subtle experiments with the short story form. They deal with the theme of legacy; the achievements, issues and problems this generation has inherited from the previous. Disillusioned street preachers, adulterous grocery shoppers, robotic brothers and child burglars are all given voice to express their experiences of life in contemporary Northern Ireland as Carson blurs the line between social commentary and modern parable.

Dublin 2010: Neil, twenty-six, unemployed, disaffected and disillusioned with Ireland, plans to emigrate and join his girlfriend in Canada. But having deferred his flight to attend his grandfather's funeral, he stays behind to aid his grieving grandmother. Dublin 1916: Harry Colley is a Pathe Newsreel cameraman, recently back from London, with a Cinemachine and four newsreels ready to capture the events of Easter Week. This is his life's work: to chronicle the Irish struggle for independence and share it with the world. Neil accepts her grandmother's request to read her father's memoir. As he reads the reminiscences, he realizes that the newsreels spoken of in the text still exist. After viewing the reels, he sets off on a journey that will change his life, and the lives of all those around him, forever. A timeless story of lost love and broken dreams that brilliantly counterpoints today's globalized generation with Ireland's nationalist revolutionaries of 1916, Citizens creates a conversation across a century in a unique novel that has echoes of Don DeLillo's Libra and Transatlantic by Colum McCann.

Rural Limerick takes center stage in Mike MacDomhnaill's debut short story collection. Every nook and cranny of this small town locale is explored to discover the effects that emigration, abuse, rural changes, and the 'Troubles' have had on the area. Along the way the universal themes of death, grieving, family, and the power of stories are uncovered. Sifting's characters have a familiarity to them that is intrinsically Irish. MacDomhnaill places them in a world of small town politics where they struggle to find their place in the social constructions that were built to exclude them. These fifteen short stories show that people have faced similar struggles throughout time – with the wonders of life come sorrows and the author forces us to reconcile the two. Mike MacDomhnaill also brings a sense of urgency to these tales; calling on the reader to shed their prejudices from the past and open their arms to change.

El Diccionario Gorgias Siriaco-Español, basado en el Gorgias Concise Syriac-English, English-Syriac Dictionary de Brock y Kiraz, ha sido concebido como un recurso académico, concebido tanto para el siriaco clásico como para el siriaco literario moderno. A Concise Syriac-Spanish Dictionary. Based on Brock and Kiraz's 2015 Gorgias Concise Syriac-English, English-Syriac Dictionary, it is designed to be a convenient academic resource for Classical Syriac.

The Little Edges is a collection of poems that extends poet Fred Moten’s experiments in what he calls “shaped prose”—a way of arranging prose in rhythmic blocks, or sometimes shards, in the interest of audio-visual patterning. Shaped prose is a form that works the “little edges” of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten’s poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader’s companion is available at http://fredmoten.site.wesleyan.edu.

This book presents a comprehensive and systematic description of the underlying pedagogy inherent in doctoral supervision and its institutional context. It argues that doctoral supervision relies on an advanced form of pedagogy that is often tacit for both students and supervisors. The target audience for this book includes doctoral supervisors and students, people conducting research and developmental work in the field of doctoral education, and stakeholders and intellectual leaders in a broader academic context. The author of this book presents the results of an extensive study of the research on doctoral supervision and education together with his own empirical findings from qualitative observation and interview studies at both Danish and British universities.

The present book comprises thirteen chapters written by Nordic scholars in the human and social sciences, and developed out of conference papers presented at regular winter and summer symposia held by two research groups emanating from the Nordic Summer University. Born within and informed by this specific milieu, the chapters address significant sociopolitical implications for contemporary societies emerging from the ethical reflections of leading 20th century thinkers (e.g. Michel Foucault and Jürgen Habermas), important procedural as well as substantive aspects of democracy, and pivotal ethico-political issues arising from the abstract logic and concrete manifestations of market economies. Though by no means devoid of their own economic, cultural and political problems, the Nordic countries are still paramount examples of humane prosperity, democratic civility, environmentally sound policy, and peaceful resolution of social and industrial conflicts. Year after year, if not decade after decade, they keep topping the international charts for socio-economic indicators about sostainable development, healthcare quality and accessibility, educational levels, crime control, preceived happiness and much else. As such, the scholarly and scientific reflections orginating within the Nordic Summer University might prove to be useful sources of insight for policy-makers, intellectuals and interested persons outside the Nordic context, and not solely inside it.

The aim of this collection of essays is to explore “negative characters” in espionnage narratives of some of the most esteemed English writers, such as Conrad, Maugham, Ambler, Greene, Fleming, MacEwan, among others. The role of women will be analysed, in particular with the figure of Mata Hari, so as to provide a gender perspective on women as villains and /or double agents. The relationship between literature and film studies will also be considered in a comparative approach.

This volume reassesses the field of Chicana/o literary studies in light of the rise of Latina/o studies, the recovery of a large body of early literature by Mexican Americans, and the "transnational turn" in American studies. The chapters reveal how "Chicano" defines a literary critical sensibility as well as a political one and show how this view can yield new insights about the status of Mexican Americans, the legacies of colonialism, and the ongoing prospects for social justice. Chicana/o literary representations emerge as significant examples of the local that interrogate globalization's attempts to erase difference. They also highlight how Chicana/o literary studies' interests in racial justice and the minority experience have produced important intersections with new disciplines while also retaining a distinctive character. The recalibration of Chicana/o literary studies in light of these shifts raises important methodological and disciplinary questions, which these chapters address as they introduce the new tools required for the study of Chicana/o literature at this critical juncture.