Billy Bishop was the top Canadian flying ace in the First World War, credited officially with a record-breaking 75 victories. He was a highly skilled pilot and an accurate shot. Bishop went from being the most decorated war hero in Canadian history to a crusader for peace, writing the book Winged Peace, which supported international control of global air power. Author Dan McCaffery presents the life and accomplishments of Bishop through information he gathered from interviews and archival sources.This new illustrated edition of Dan McCaffery's book contains more than 50 photos of Bishop and other First World War fliers including German and British air aces, plus artefacts from the collection now on display at Billy Bishop airport, Toronto.

This book offers a close-up look at the First World War as it was experienced by ordinary Canadian soldiers. It portrays the war experience of tens of thousands of young Canadians. Reading their accounts offers a no-holds-barred picture of fighting, life in the trenches, the human cost in lives lost, and the physical and emotional aftermath for survivors. This new edition is extensively illustrated with photos and artists' drawings and paintings.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

In the richly musical and boldly imaginative poems of The Dean of Discipline, Michael Waters explores the confluences of the sensual and the spiritual, and renders their mysteries with precision and clarity. The title evokes the rigorous consciousness that prods the artist to deepen into his craft. Line by line, Waters delivers the passionate eloquence and intensity that distinguish his poems.

Becker celebrates the interconnectedness of creatures and places—never losing sight that much will turn out precarious, illusory, provisional. These poems speak, in ardent voices, about our affinities: an articulate, black bear mourns habitat loss; a frail man and failing dog become one; a scientist and her African grey parrot research language acquisition for thirty years. Ecologies interlace, as when a troubled family “sacrifices one member,/ as plants surrender leaves in times of drought. ” Becker responds with rage and wit to corporate excess and intractable geo-politics. Love and friendship empower in wry narratives, though time “mows” down our days, though we may never escape “original cruelties.” Tragedies permeating our enmeshed, global identities haunt the book: the massacre of gay youth in Orlando; the terrors facing Cambodian teenagers working fishing boats. Wise, capacious, by turns unsettling and joyous, The Black Bear Inside Me incorporates histories and losses into a luminous present.

The philanthropist and philosopher Strachan Donnelley (1942--2008) devoted his life to studying the complex relationship between humans and nature. Founder and first president of the Center for Humans and Nature, Donnelley was a pioneer in the exploration and promotion of the idea that human beings individually and collectively have moral and civic responsibilities to natural ecosystems.In this wide-ranging volume, Donnelley traces the connections between influential figures such as Aldo Leopold and Charles Darwin, as well as lesser-known but original thinkers that he met during the course of a full life -- ministers at his church, friends with whom he fished, and colleagues who shared his passion for research and writing. He grounds his work in classic philosophers such as Descartes, Spinoza, and Whitehead and reinterprets their writings about the natural world to develop a conservation-centered philosophy, which he dubs "democratic ecological citizenship."Edited by his daughter, Ceara Donnelley, and Bruce Jennings, Frog Pond Philosophy illuminates the dominant strands of Donnelley's intellectual identity as a philosopher, naturalist, agitator, and spiritualist. Despite his often grim depiction of the current state of the environment, Donnelly never surrenders his faith in humanity's ability to meet its ethical obligations to conserve, respect, and nurture the complexity and diversity of the natural world. His vivid and personal essays, rooted in everyday experiences, offer a distinctive perspective on questions of urgent contemporary importance.

It is commonly believed that in medieval and post-medieval towns and cities death outnumbered births and that these urban centres could only survive through the influx of migrants; a concept which has come to be known as the urban graveyard effect. Whether this was indeed the case for all cities and towns is still debated, but it is certain that urban citizens were more used to death that we are today. The medieval graveyards in which the deceased were interred, then still located within town limits, are an invaluable source of knowledge for reconstructing past lives. Systematic archaeological and osteoarchaeological research of urban graveyards has become the norm in the Netherlands and Belgium since the 1980s. However, many of the studies remain unpublished and larger, overarching publications in which comparisons are made between different studies are still lacking. The urban graveyard presents several studies in which the results of older archaeological and osteoarchaeological research are compared to more recent excavation data from several Dutch, Belgian and Danish cities and towns. Both the archaeological data concerning burial position, orientation, and grave goods as well as osteoarchaeological data such as demographic information and pathological observations are discussed. This well-illustrated volume is a starting point and source of inspiration for more (inter)national comparative research.

Four-year old Jacqueline Clancy leads a carefree existence in the friendly town of Toorandulla until one day her mother disappears. Filled with unanswered questions, Jacqueline must adjust to life with her formidable Auntie Mina and the possibility of a new step-mother, all while continuing a desperate search to retrieve her lost mother. Almost forty years later, Jacqueline’s husband has left her for a younger woman. Despite the number of men who come knocking at her door, Jacqueline resolves to stay faithful to her estranged husband. However, when Auntie Mina returns, Jacqueline must decide whether she will allow her inability to say goodbye to an old love to rule her life. Complex and emotionally driven, Hello Love seamlessly weaves together the voice and viewpoint of a young child with that of a woman well into adulthood. Bursting with vivid descriptions and detailed dialogue, Carmen Cullen’s second novel centres around the thought-provoking question: can a person trust in love, when it has been taken away from her before?

Brenda Hillman begins her new book in a place of mourning and listening that is deeply transformative. By turns plain and transcendent, these poems meditate on trees, bacteria, wasps, buildings, roots, and stars, ending with twinned elegies and poems of praise that open into spaces that are both magical and archetypal for human imagination: forests and seashores. As always, Hillman’s vision is entirely original, her forms inventive and playful. At times the language turns feral as the poet feels her way toward other consciousnesses, into planetary time. This is poetry as a discipline of love and service to the world, whose lines shepherd us through grief and into an ethics of active resistance. Hillman’s prior books include Practical Water and Seasonal Works with Letters on Fire, which received the Griffin Prize for Poetry. Extra Hidden Life, Among the Days is a visionary and critically important work for our time. A free reader’s companion is available online at http://brendahillman.site.wesleyan.edu.Hardcover is un-jacketed.

Historians have long been interested in knowledge - its nature and origin, and the circumstances under which it was createdbut it has only been in recent years that the history of knowledge has emerged as an academic field in its own right. In Circulation of Knowledge, a group of Nordic scholars explore a range of theoretical and methodological approaches to this new and exciting area of historical research. The question of knowledge in motion is central to their investigations, and especially how knowledge is transformed when it circulates between different societal arenas, literary genres, or forms of media. Reflecting on twelve empirical studies, from sixteenth-century cartography to sexology in the 1970s, the authors make a significant contribution to the growing international research on the history of knowledge.

Jewellery is often viewed as a feminine preoccupation, but in Tudor and Jacobean England men wore just as much (if not more) jewellery as their female counterparts. Jewels themselves were valued not merely for their intrinsic monetary worth, but also for their ability to reflect status and lineage, as well as sustain social bonds and networks of reciprocity. Bejewelled offers an in-depth discussion of the contexts in which jewellery in Tudor and Jacobean England was circulated from a male perspective, considering the jewels as valid items of material culture worthy of study and attention, rather than as mere trifles of adornment. Amongst other subjects, the book analyses the social and historical contexts in which jewellery was acquired, owned and circulated, interrogating the meanings that these jewels had for their male owners. The publication will highlight artefacts from the British Museum’s collection, such as the magnificent Lyte Jewel from the Waddesdon Bequest and the sealing devices of Sir Thomas Smith and Sir Walter Ralegh, as well as lesser-known objects such as the rings of the serjeants-at-law and a group of bronze plaquettes. By including material that has been discovered in archaeological contexts, along with evidence from inventories and wills as well as portraits showing these jewels being worn, this publication seeks to reposition jewellery, presenting it not merely as a concern of the elite but as something that was owned, worn and valued by a range of men across English society.

Two brothers learn their father was murdered by their stepfather. Upon learning this, they both depart on journeys of self discovery leading them to the extremes of traditional Greenlandic culture and, finally, transcendence.

Everything we know about what goes on in the world comes to us through reports, information transmitted through human communication. We rely on reports, which can take any number of forms, to convey useful information, and we derive knowledge from that information. It's no surprise, then, that reporting has many philosophical dimensions. Because it plays such a major role in knowledge management, as Nicholas Rescher argues, the epistemology of reporting not only deserves our attention but also sheds important light on how we understand the theory of knowledge. This book offers a clear, accessible introduction to the theory of reporting, with a special emphasis on national security, particularly military and diplomatic reporting, drawing on examples from historical accounts of espionage and statecraft from the Second World War. Rescher explores the various issues and problems related to the production and reception of reports—including reporter expertise and trustworthiness, transmission modalities, confidentiality, cognitive importance, and the interpretation, evaluation, and utilization of reports—providing readers with a distinctive and well organized philosophical clarification of some central features of the theory of reporting.

Sarah Blake follows up her previous book of poetry, Mr. West, with a stunning second collection about anxieties and injury. Blake uses self-consciousness as a tool for transformation, looking so closely at herself that she moves right through the looking glass and into the larger world. Fear becomes palpable through the classification of monsters and through violences made real. When the poems find themselves in the domestic realm, something is always under threat. The body is never safe, nor are the ghosts of the dead. But these poems are not about cowering. By detailing the dangers we face as humans, as Americans, and especially as women, these poems suggest we might find a way through them. The final section of the book is a feminist, science fiction epic poem, “The Starship,” which explores the interplay of perception and experience as it follows the story of a woman who must constantly ask herself what she wants as her world shifts around her.

This first critical book of essays on the poetry of Peter Gizzi shows how his work extends the traditions of nineteenth- and twentieth-century modernism while also reclaiming the living presence of the “lyric” in its capacity to sing of the human predicament. Gizzi is author of seven critically acclaimed books of poetry, including most recently Threshold Songs and Archeophonics, a finalist for the National Book Award in 2016. Lauded contributors, including Ben Lerner, Michael Snediker, Marjorie Perloff, and Charles Altieri, explore Gizzi’s poetry for its embodiment of an American tradition—extending the poetics of Whitman, Dickinson, and Stevens, amongst others—while also exhibiting a twenty-first-century sensibility, perpetuating a new grammar and syntax to capture our place in the world today. Each essayist, in turn, works through close-readings of some of the most important poems of our times, enriching our understanding of a poetry of the mind which never loses track of what it means to feel.