During the 1982 air strikes on Beirut, Faiz Ahmed Faiz asked his friend Mahmoud Darwish “Why aren’t the poets writing this war on the walls of the city?” Darwish responded, “Can’t you see the walls falling down?” Queer, Muslim, American, Kazim Ali has always navigated complex intersections and interstices on order to make a life. In this scintillating mixture of lyrics, narrative, fragments, prose poem, and spoken word, he answers longstanding questions about the role of the poet or artist in times of political or social upheaval, although he answers under duress. An inquisition is dangerous, after all, especially to Muslims whose poetry and art and spiritual life has always depended not on the Western ideal of a known God or definitive text but on the concepts of abstraction, geometry, vertigo. “Someone always asks ‘where are you from,’” Ali writes, “and I want to say ‘a body is a body of matter flung/from the far corners of the universe and I am a patriot/of breath of sin of the endless clamor/out the window.’” Ali engages history, politics, and the dangerous regions of the uncharted heart in this visceral new collection.

“I'm learning to allow for visions,” the primary speaker of The Trailhead announces, setting out through a landscape populated by swan-killers, war torturers, and kings. Much of the book takes place in the contemporary American West, and these poems reckon with the violence inherent in that history. A “conversion narrative” of sorts, the book examines the self as a “burned-over district,” individual and cultural pain as a crucible in which the book’s sibyls and spinsters are remade, transfigured. Sacralization/is when things become holy, also/when vertebrae fuse," the book tells us, pulling at the tensions between secular and sacred embodiment, exposing the essential difficulty of being a speaking woman. The collection arrives at a taut, gendered calling—a firm faith in the power and worth of the female voice—and a broader faith in poetry not as a vehicle of atonement or expiation, but as bulwark against our frailties and failings.

Manuel de Pedrolo’s widely acclaimed post-apocalyptic novel, which includes a foreword by Kim Stanley Robinson, tells the story of two children who survive the brutal destruction of Earth by alien explorers. The protagonists, Alba and Dídac, retreat to the forest, then journey to the rubble of Barcelona to rescue and preserve the remnants of human civilization in the city’s bombed libraries and cultural institutions. In the absence of the rule of law and social norms, the children create a utopian world of two that honors knowledge and interracial love, to become a new Adam and Eve and try to bring about the world’s second origin. A bestseller and required reading for secondary school students in Catalonia, Typescript of the Second Origin is indispensable to understand how a region of Spain whose language, culture, and institutions were targeted and punished by Francisco Franco. At the same time, Pedrolo’s tale of survival reaches beyond national and cultural borders to offer contemporary international readers a timely warning about the threat of global ecological destruction.Hardcover is un-jacketed.

In Blood Pages George Bilgere continues his exploration of the joys and absurdities of being middle-aged and middle-class in the Midwest. OK, maybe he’s a bit beyond middle-aged at this point, and his rueful awareness of this makes these poems even more darkly hilarious, more deeply aware of the feckless and baffling times our nation has stumbled into. And the fact that Bilgere, relatively late in life, is now the father of two young boys brings a fresh sense of urgency to his work. Blood Pages is a guidebook to the fears, foibles, and beauties of our lovely old country as it makes its blundering, tentative way into the new century.

Winner of the Massachusetts Book Award for Poetry The Wall is a poetic exploration—across time, space, and language, real as well as metaphorical—of the U.S.-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw, etc. ) in history, and of the act of separating people by ideology, class, race, and other subterfuges. It is an indictment of hateful political rhetoric. In the spirit of Virgil’s Aeneid and Spoon River Anthology by Edgar Lee Master, it gives voice in symphonic fashion to an assortment of participants (immigrants, border patrol, soldiers, activists, presidents, people dead and alive) involved in the debate on walls. It brings in elements of literature and pop culture, fashion and cuisine. Poetry becomes a tool to explore raw human emotions in all its extremes.

The poems in What We Did While We Made More Guns investigate the place where economic failure meets a widening acculturation of violence—a kind of Great Acceleration of soul extinction set in this spectacularly uneasy moment in American history. Cutting, comic, sorrowful, at times terrified, at times resolute, the poems tilt along the high cliff’s edge of identity anxiety and American moral uncertainty, where each of us plays our part in the business of dispossession or resistance. Building themselves out of jazzed-up verbal velocities and wounded (in)sincerity, the poems counsel resilience against all forms of battery, mortal, spiritual, financial. They are pattern-makers in the dark. They talk back to God. They take into themselves what cannot be taken back: the news that forty-six million Americans have “slipped” below the poverty line; that guns discharge monstrously banal virility; that a black woman pulled over for a routine traffic violation dies by strangulation in her jail cell; that we buy and sell the myth of the American Dream as though our lives depended on it.

This volume offers a close analysis and textual study of Vico’s complex intellectual trajectory before the Scienze Nuove. Particular attention is devoted to the three books of Diritto Universale, as they mark a significant step in the redefinition of the relationship between metaphysics and philosophical questions of law. In Vico, we witness the connection – rather than the juxtaposition – between natural and historic law, and a new notion of the natural right of people that theorizes the historic right of nations. The modernity of Vico’s thought originates from his attempt to unify human and divine knowledge. As thoroughly discussed in this volume, Vico’s conception of the ‘verum’ aims precisely at combining history with those ‘human ideas’ that constitute a human history lived ethically in the experience of religion.

Travel has always been Barbara Hamby's muse, and in Bird Odyssey she hits the road hard, riding a train across Siberia, taking a car trip from Memphis to New Orleans on Highway 61, and following The Odyssey from Troy to Ithaka. The concatenation of images released include Elvis and Tolstoy cruising through the sky in a pink Cadillac, Homer and Robert Johnson discussing their art in the Underworld, and the women in The Odyssey telling their side of the story, because what's a woman to do in this world of men? She has to strike out on her own, ask the right questions, and tell her own story, translating the world into her own bright lie.

The nineteenth century was a time when the world was becoming increasingly connected through global forces and networks. Colonial and capitalist expansion was bringing the world into closer contact, while nationalism and forms of indigenous resistance were shaping and moulding the world on more local and regional scales. This dynamic environment was the backdrop for a time when childhood was becoming significantly elaborated as a cultural category of identity. Institutions, objects, and places specifically designed for children were multiplying at an unprecedented rate; writing about children in fiction and non-fiction became increasingly prolific; and the concern for children’s health and well-being in life and death was paramount in many communities. Scholarship on the nineteenth century spans many disciplines and areas of interest and utilizes diverse and abundant source material to study a period recognized as foundational for our modern, globalized world. This volume brings together scholars from archaeology, art history, bioarchaeology, educational history, history, literary studies, and theatre history to present studies of nineteenth century children and childhood in Australia, the Bahamas, Canada, England, Ireland, Native North America, Romania, Russia, and the United States. The interdisciplinary focus of this volume illustrates the wealth of sources, methods, and perspectives that can be used to develop our understandings of childhood in the nineteenth century, and the international scope of the studies offers a platform to engage commonalities in an increasingly globalized world alongside an appreciation for local, regional, and national variations in the cultural creation and experiences of childhood.

The Appalachian region stretches from Mississippi to New York, encompassing rural areas as well as cities from Birmingham to Pittsburgh. Though Appalachia's people are as diverse as its terrain, few other regions in America are as burdened with stereotypes. Author Frank X Walker coined the term "Affrilachia" to give identity and voice to people of African descent from this region and to highlight Appalachia's multicultural identity. This act inspired a group of gifted artists, the Affrilachian Poets, to begin working together and using their writing to defy persistent stereotypes of Appalachia as a racially and culturally homogenized region.After years of growth, honors, and accomplishments, the group is acknowledging its silver anniversary with Black Bone. Edited by two newer members of the Affrilachian Poets, Bianca Lynne Spriggs and Jeremy Paden, Black Bone is a beautiful collection of both new and classic work and features submissions from Frank X Walker, Nikky Finney, Gerald Coleman, Crystal Wilkinson, Kelly Norman Ellis, and many others. This illuminating and powerful collection is a testament to a groundbreaking group and its enduring legacy.

Billy Bishop was the top Canadian flying ace in the First World War, credited officially with a record-breaking 75 victories. He was a highly skilled pilot and an accurate shot. Bishop went from being the most decorated war hero in Canadian history to a crusader for peace, writing the book Winged Peace, which supported international control of global air power. Author Dan McCaffery presents the life and accomplishments of Bishop through information he gathered from interviews and archival sources.This new illustrated edition of Dan McCaffery's book contains more than 50 photos of Bishop and other First World War fliers including German and British air aces, plus artefacts from the collection now on display at Billy Bishop airport, Toronto.

This book offers a close-up look at the First World War as it was experienced by ordinary Canadian soldiers. It portrays the war experience of tens of thousands of young Canadians. Reading their accounts offers a no-holds-barred picture of fighting, life in the trenches, the human cost in lives lost, and the physical and emotional aftermath for survivors. This new edition is extensively illustrated with photos and artists' drawings and paintings.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

In the richly musical and boldly imaginative poems of The Dean of Discipline, Michael Waters explores the confluences of the sensual and the spiritual, and renders their mysteries with precision and clarity. The title evokes the rigorous consciousness that prods the artist to deepen into his craft. Line by line, Waters delivers the passionate eloquence and intensity that distinguish his poems.

Becker celebrates the interconnectedness of creatures and places—never losing sight that much will turn out precarious, illusory, provisional. These poems speak, in ardent voices, about our affinities: an articulate, black bear mourns habitat loss; a frail man and failing dog become one; a scientist and her African grey parrot research language acquisition for thirty years. Ecologies interlace, as when a troubled family “sacrifices one member,/ as plants surrender leaves in times of drought. ” Becker responds with rage and wit to corporate excess and intractable geo-politics. Love and friendship empower in wry narratives, though time “mows” down our days, though we may never escape “original cruelties.” Tragedies permeating our enmeshed, global identities haunt the book: the massacre of gay youth in Orlando; the terrors facing Cambodian teenagers working fishing boats. Wise, capacious, by turns unsettling and joyous, The Black Bear Inside Me incorporates histories and losses into a luminous present.

The philanthropist and philosopher Strachan Donnelley (1942--2008) devoted his life to studying the complex relationship between humans and nature. Founder and first president of the Center for Humans and Nature, Donnelley was a pioneer in the exploration and promotion of the idea that human beings individually and collectively have moral and civic responsibilities to natural ecosystems.In this wide-ranging volume, Donnelley traces the connections between influential figures such as Aldo Leopold and Charles Darwin, as well as lesser-known but original thinkers that he met during the course of a full life -- ministers at his church, friends with whom he fished, and colleagues who shared his passion for research and writing. He grounds his work in classic philosophers such as Descartes, Spinoza, and Whitehead and reinterprets their writings about the natural world to develop a conservation-centered philosophy, which he dubs "democratic ecological citizenship."Edited by his daughter, Ceara Donnelley, and Bruce Jennings, Frog Pond Philosophy illuminates the dominant strands of Donnelley's intellectual identity as a philosopher, naturalist, agitator, and spiritualist. Despite his often grim depiction of the current state of the environment, Donnelly never surrenders his faith in humanity's ability to meet its ethical obligations to conserve, respect, and nurture the complexity and diversity of the natural world. His vivid and personal essays, rooted in everyday experiences, offer a distinctive perspective on questions of urgent contemporary importance.