The dot is used for everything in Syriac from tense to gender, number, and pronunciation, and unsurprisingly represents one of the biggest obstacles to learning the language. Using inscriptions, early grammars, and experiments with modern scribes, Dr. Kiraz peels back the evolution of the dot layer by layer to explain each of its uses in detail and to show how it adopted the wide range of uses it has today.

In this interactive work, you are U.S. Army Second Lieutenant, Bruce Davis. Your light infantry battalion has been airlifted into the Middle East on short notice, and now your platoon must defend Wafi Al Sirree against the superior might of an advancing enemy's mechanized force. The stakes are high; the odds are long. Your knowledge and judgment will determine your success. If you are wrong, defeat and death may be your fate. Success will let you savor the sweet taste of victory and live to fight another day.The scenario is highly realistic and is supported by maps and appendices with detailed specifications of the equipment and forces involved. The choices you must make are those that would face a rifle platoon leader in combat. You must win the respect of your troops, ensure the security of your positions, obtain intelligence of the enemy, and accomplish everything else required to survive and win in a hostile environment.Whether you’re a serving infantryman or armchair enthusiast, this is the best crash course in light infantry tactics you will find, short of a rotation through the National Training Center.

In this micro-book, acclaimed “Poetry-Witch” Annie Finch harvests her Spells, spun at the intersection of magic, word, and world. These ritual poems invite readers to experience words not just in the mind, but also in the body and spirit. Celebrated for her extraordinary love and knowledge of poetic craft and commitment to female, earth-centered spirituality, Finch has created a haunting innovative voice and radically traditional aesthetic.

This book explores the apocalyptic influence upon the Two Ways metaphor in antiquity and more particularly the influence of the Two Ways in the Didache as veering from an apocalyptic worldview. The argument includes essential critical evaluation of the apocalyptic genre and assesses the apocalyptic features in ancient Two Ways texts. The predominant focus of the book will document and critically assess how the Didache veers from maintaining an apocalyptic worldview in its expression of the Two Ways (Did. 1–6).

Hyper-aware Denny, a young American in Dublin, makes his tentative way towards adulthood with a supporting cast of oddball friends. Denny hopes for a big love, the 'girl named Ireland'. Akin to a Joycean ramble, Oh When the Saints follows a sensitive boy on the reluctant verge of manhood, who cannot help endlessly analyzing his own - and others' - place in the stream of life. His heart is ‘a sack of air’ until he meets a trainee librarian with ambitions to be wild. This is a strange, elliptical novel of ideas, told in punchy, poetic prose; Peter Money's is a vivid, fresh and welcome voice.

Shortly before his death, Mr Timmons, the only partner in Kilcreddin law firm Timmons & Associates, made a handwritten note of a meeting with a key client. Now the client, Lord Barrington, along with his wife, Lady Barrington, are dead, and the note is a key piece of evidence in the investigation. Is Timmons’s own death related to those of the Barringtons?

The essays presented in this volume investigate the relationship between cinema and ontology. This investigation unfolds, on the one hand, through an ontological understanding of cinema, that is, an understanding of the specificity of if its being. On the other hand, it highlights the ways in which cinema can help us to shed some light on the domain of ontology, namely, what exists. The five sections of this volume, each containing a pair of complementary essays, analyse the following topics: the place of cinema in the system of the arts, the connection between cinematic realism and philosophical realism, the transition from analog to digital cinema, the specificity of films made through cell phones, and the representation of non-human animals in films.

In recent decades crime fiction has enjoyed a creative boom. Although, as Alison Young argues in her book Imagining Crime (1996), crime stories remain strongly identified with specific locations, the genre has acquired a global reach, illuminating different corners of the world for the delectation of international audiences. The recent fashion for Nordic noir has highlighted the process by which the crime story may be franchised, as it is transposed from one culture to another. Crime fiction has thus become a vehicle for cultural exchange in the broadest of senses; not only does it move with apparent ease from one country to the next, and in and out of different languages, but it is also reproduced through various cultural media. What is involved in these processes of transference? Do stories lose or gain value? Or are they transformed into something else altogether? How does the crime story that originates in a specific society or culture come to articulate aspects of very different societies and cultures? And what are the repercussions of this cultural permeability?

Constellated When the atoms in my body return to stars They will not remember this five am out my window, neither the moor asleep on the horizon, nor, across her darkened hips, the scatters of bright yellow gorse.

The Failure of Latin America is a collection of John Beverley’s previously published essays and pairs them with new material that reflects on questions of post-colonialism and equality within the context of receding continental socialism. Beverley sees an impasse within both the academic postcolonial project and the Bolivarian idea of Latin America. The Pink Tide may have failed to permanently reshape Latin America, but in its failure there remains the possibility of an alternative modernity not bound to global capitalism. Beverley proposes that equality, modified by the postcolonial legacy, is a particularly Latin American possibility that can break the impasse and redefine Latin-Americanism.

Socialization in childhood and at a young age is marked, not only by measurable factors such as age, sex, ethnic group, religion or parents’ income, but also by variables such as depression, aggressiveness, inner calm or serenity. It makes all the difference whether a child experiences during their development an atmosphere of acceptance, gladness and emotional warmth, or one of depreciation, indifference and emotional coldness. The atmosphere in which a child is brought up shapes them as people, at least as much as the measurable factors of their social context. By discussing in detail how the atmosphere in the family, the kindergarten or at school can affect a child’s well-being, this book calls for the importance of shaping such atmospheres so to produce a positive influence on children living and learning together.

Writing a biography about Pessoa is a seemingly impossible task. The great Portuguese poet did not have just one life, but his existence virtually exploded in over a hundred different personalities. Only by placing oneself close to Pessoa, only by becoming almost one with him, is it possible to trace the life of this poet who was himself a multitude. José Paulo Cavalcanti has done such a thing, sewing together a path that runs through Pessoa's multiple voices and personalities, seamlessly moving in and out of the poet's work, daily habits and interactions. Following the great success of the Brazilian edition, "Pessoa. A quasi Memoir" is the first English translation of the book, and it provides new insights on the complex nature of the Portuguese poet.

Translation of a Russian novel, providing a fictionalized account of the assassination of grand duke Sergei Alexandrovich, written by the leader of the terrorist cell who actually organized the real murder.

Over the past two decades, Latin America has seen an explosion of experiments with autonomy, as people across the continent express their refusal to be absorbed by the logic and order of neoliberalism. The autonomous movements of the twenty-first century are marked by an unprecedented degree of interconnection, through their use of digital tools and their insistence on the importance of producing knowledge about their practices through strategies of self-representation and grassroots theorization. The Book in Movement explores the reinvention of a specific form of media: the print book. Magalí Rabasa travels through the political and literary underground of cities in Mexico, Bolivia, Argentina, and Chile to explore the ways that autonomous politics are enacted in the production and circulation of books.

Latin American Adventures in Literary Journalism explores the central role of narrative journalism in the formation of national identities in Latin America, and the concomitant role the genre had in the consolidation of the idea of Latin America as a supra-national entity. This work discusses the impact that the form had in the creation of an original Latin American literature during six historical moments. Beginning in the 1840s and ending in the 1970s, Calvi connects the evolution of literary journalism with the consolidation of Latin America’s literary sphere, the professional practice of journalism, the development of the modern mass media, and the establishment of nation-states in the region.

The complex relationship between life and the arts has always been a crucial topic in philosophical discourse. The essays in this book discuss fundamental issues of modern and contemporary aesthetics, drawing upon the work of the French philosopher Jean- Pierre Cometti, a key figure in the studies of aesthetics, pragmatism, and Austrian philosophy. The volume covers a wide-range of topics, from the examination of fundamental principles of art and literary criticism to a new understanding of the Modernist notion of art. It proposes an anthropological aesthetics using Musil’s The Man Without Qualities or the analysis of literary characters such as Tolstoj’s Hadji Murat and Cervantes’ Don Quixote as a tool to cast light on themes in Wittgenstein’s philosophy. Editors Carla Carmona and Jerrold Levinson have brought together renowned voices in the field of philosophy to offer a window onto Cometti’s philosophical work, as well as an in-depth analysis of contemporary artistic and aesthetic practices, in an effort to overcome what can sometimes appear as a gulf between art and life.