Some Glad Morning, Barbara Crooker’s ninth book of poetry, teeters between joy and despair, faith and doubt, the disconnect between lived experience and the written word. Primarily a lyric poet, Crooker is in love with the beauty and mystery of the natural world, even as she recognizes its fragility. But she is also a poet unafraid to write about the consequences of our politics, the great divide. She writes as well about art, with ekphrastic poems on paintings by Hopper, O’Keeffe, Renoir, Matisse, Cézanne, and others. Many of the poems are elegaic in tone, an older writer tallying up her losses. Her work embodies Bruce Springsteen’s dictum, “it ain’t no sin to be glad we’re alive,” as she celebrates the explosion of spring peonies, chocolate mousse, a good martini, hummingbirds’ flashy metallics, the pewter light of September, Darryl Dawkins (late NBA star), saltine crackers. While she recognizes it might all be about to slip away, “Remember that nothing is ever lost,” she writes, and somehow, we do.

The destruction on the morning of All Saints Day 1755 of the heart of the city of Lisbon by an earthquake, tidal wave and the urban fires that followed was a tragedy that divides the 18th century in Portugal. One casualty on that fatal morning was the Royal Library, one of the most magnificent libraries in Europe at the time. The Lost Library of the King of Portugal tells the story of the lost library – its creation, collection and significance. This 18th-century library was founded by the Bragança monarch Dom João V shortly after he came to the throne in 1706, and was housed at the heart of the royal palace, the Paço da Ribeira in Lisbon. The king’s abiding ambition was to create one of Europe’s great court libraries and, at the time of his death in 1750, it was reputed to be one of the most magnificent libraries in Europe. The Royal Library was also composed of a Cabinet of Prints and Drawings, medals and scientific instruments as well as a Cabinet of Natural History with specimens from across Portugal’s global empire. This documented study describes the creation of the library, its cultural significance in 18th-century Portugal, the acquisition of single volumes as well as entire libraries from across Europe and the role in this of Portugal’s most talented diplomats. It include the collection of manuscripts from the celebrated library of Charles Spencer, 3rd Earl of Sunderland and the unpublished correspondence that was exchanged during the negotiations between London and Lisbon. Throughout his reign, the devout Dom João V set out to conjure up his own vision of Rome and the papal court he never saw. Two chapters are devoted to Italy – one to the talented archaeologist Francesco Bianchini at the papal court, including the unpublished correspondence between him and his royal patron Dom João V, as well as the guides to Rome and art and architecture at the ducal courts of northern Italy, both commissioned by the king. When the library was destroyed in 1 November 1755 by the earthquake, tidal wave and the fires that followed, only a few books, manuscripts and albums of prints were saved, and the author traces their final journey with the royal family and court to Brazil on the eve of the invasion by Napoleon’s army in November 1806.

DI Christy Kennedy returns in Departing Shadows, a deceit-laden tale of intrigue, which takes him from London to Brighton and back, and into the arms of the West End's most celebrated up-and-coming actress, Nealey Dean. But all's not well in vibrant Camden Town, as Kennedy investigates a death just outside a diplomatic compound, and finds his investigation immediately stymied by the invocation of diplomatic privilege. The deceased, an actress of a different sort, hostess and social media influencer Gabriella Byrne, left behind a world of mystery, where even those who knew her best did not know her well. As Kennedy interviews witnesses and checks alibis, his investigation brings him from London's hallowed palaces of power to seamy gentlemen's clubs, each with smoke and mirrors of their own. Along the way, he discovers just how far some people will go to protect their darkest secrets, in this, the 11th DI Christy Kennedy mystery. About the series: The Christy Kennedy Mysteries are mostly set round and about Camden Town and Primrose Hill. Just as in real police work there is usually more than one crime being investigated in each book. Detective Inspector Christy Kennedy is an Ulsterman living in leafy Primrose Hill and working in vibrant Camden Town. Kennedy loves the art of detection, he's addicted to the puzzle of the crime; it's his only drug. He's a bit of a loner and doesn't socialise a lot. He's clean-cut, dresses well, very well, but he doesn't have a drink problem. Not really a career policeman, he's content to work away while others trip over each other as they leapfrog over him for promotion. He's not bothered about the career ladder at all, as long as the powers that be allow him to get on with solving the crime. Kennedy's around about thirty-eight years old, loves tea and the music of the Beatles, Ray Davies and Jackson Browne and not necessarily in that order. He has recently met Ann Rea whom he considers to be his soul mate. He is desperate for this relationship to work. He has spent his entire life waiting for the someone special to come along and now she has, he feels ill equipped to deal with the politics of love.

Philosophical News is the official publication of the European Society for Moral Philosophy. It is a semi-annual journal of philosophy born from the collaboration of a number of international scholars as well as an intense editorial effort. The aim of the journal is to promote research and reflection with special regard to the contemporary debate in all its different cultural manifestations.

This volume is the outcome of the Ninth International Indology Graduate Research Symposium held at Ghent University in September 2017, the fifth publication of proceedings from this series of symposiums. Like previous volumes, the current edition presents the results of recent research by early-career scholars into the texts, languages, as well as literary, philosophical and religious traditions of South Asia. The articles here collected offer a broad range of disciplinary perspectives on a wide array of subject. In addition, in the lines of the well-established tradition of research in Jainism at Ghent University, this edition has a more specific “Jains and the others” main theme. The purpose of such a theme is to contribute to determine the input of Jainism in the broader framework of South Asian traditions, as well as to invite the reader to think beyond boundaries of religious or cultural identity. In this dynamic, two papers deal with Jain adaptations of famous Puranic narratives and two others with the relation between textual tradition and soteriological practices in Jainism. In concert, other innovative papers elaborate on Puranic and kāvya literature, include technical discussions on linguistics and engage in philosophical studies. Finally, set in the historical context of the hosting institution, this volume opens with a history of Indology in Belgium.

Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.Understanding Relations Between Scripts II: Early Alphabets is the first volume in this series, bringing together ten experts on ancient writing, languages and archaeology to present a set of diverse studies on the early development of alphabetic writing systems and their spread across the Levant and Mediterranean during the second and first millennia BC. By taking an interdisciplinary perspective, it sheds new light on alphabetic writing not just as a tool for recording language but also as an element of culture.

Fred Rogers is an American cultural and media icon, whose children’s television program, Mister Rogers’ Neighborhood, ran for more than thirty years (1967-2001) on the Public Broadcasting System (PBS). In this highly original book, Alexandra C. Klarén shows how Rogers captured the moral, social, and emotional imaginations of multiple generations of Americans. She explores the nuanced complexity of the thought behind the man and the program, the dialogical integration of his various influences, and the intentional ethic of care behind the creation of a program that spoke to the affective, socio-cultural, and educational needs of children (and adults) during a period of cultural upheaval. Richly informed by newly available archival materials, On Becoming Neighbors chronicles the evolution of Rogers’ thought on television, children, pedagogy, and the family through a rhetorical, cultural, and ethical lens. Klarén probes how Rogers creates the conditions for dialogue in which participants explore possibilities and questions relating to the social and material world.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.

This book serves to correct the now accepted understanding of Irenaeus’s theodicy. This assumption of Hick’s theodicy as legitimately “Irenaean” remains due the gulf between Irenaean scholarship and discussion of the problem of evil. The present work offers a bridge between the two to allow for the continued discussion of both theologian’s distinct views.

Judy Young (1940--2015) was a gifted but private poet. Over the years, she established provisional collections of her best work but refrained from seeking publication due to her trepidation with sharing her deeply personal poems with an audience. She found her voice in a collective group of creatives that included Susan Starr Richards, Mary Ann Taylor-Hall, and the late Donna Boyd, Jane Gentry, Audrey Robinson, and Carolyn Hisel. This illustrious circle of friends met monthly for almost thirty years and gave her the courage to share her work -- a lyrical medley of pain, beauty, strength, and redemption.Revealed is the story of a woman's inner life -- an intimate tale of abuse and personal struggle -- from a traumatic childhood through marriage, parenthood, and lifelong friendships. Based on the final manuscript that was drafted before the author's death, this compilation traces the path of a woman finding her poetic voice in middle age, returning to an often-harrowing upbringing while closely observing the natural world -- especially the populations of birds moving through the space between her back porch and the lake below -- and meditating on the nature of creativity. With a submerged narrative behind the poems and several calls to nature through repeated motifs, the poet shares seminal emotions and experiences.A Careful Hunger is the last creative testament of this extraordinary artist -- her final act of fearlessness in a troubled yet joyful life. In the words of the poet: "I am alive and must say so / one way or another."

As this collection adeptly illustrates, nursery rhymes not only evoke innocence, discovery, and joy for children of all ages, but they also can educate and celebrate tradition. Ring Around the Moon features original rhyming poems in a time-honored Appalachian style that acknowledges the importance of the region and its rich heritage while introducing readers to the whimsical and enchanting world of Mommy Goose.With Kentucky-flavored language and subject matter, this volume brings together the words, art, and music of Appalachia. The poems present classic Appalachian subjects -- leaving the homeplace to find work, mountain folklore, country life versus city life -- and touch on a wide range of broader themes, such as bullying, gender roles, the power of language, and the power of kindness. This work is illustrated with more than 170 hand-painted carvings by renowned folk artist Minnie Adkins, often referred to as America's most important female wood carver. With sheet music for the original song "Ring Around the Moon" complementing the text, this multifaceted book entertains while capturing the spirit and expanding the range of traditional Appalachian nursery rhymes to reach a new generation of readers.

Because What Else Could I Do is a sequence of fifty-five untitled short poems, almost all of them addressed to the poet’s husband during the six months following his sudden and shocking death. Perhaps best known for her historical explorations of sociopolitical issues, Martha Collins did not originally intend to publish these poems. But while they are intensely personal, they make use of all of her poetic attention and skills. Spare, fragmented, musical even in their most heartbreaking moments, the poems allow the reader to share both an intimate expression the poet’s grief and a moving record of her attempt to comprehend the events surrounding her loss.

A tour de force, Aaron Smith’s fourth collection of poetry, The Book of Daniel, resists the easy satisfactions of Beauty while managing the contemporary entanglements of art, sex, and grief. Part pop-thriller, part queer rage, and part mourning, these poems depict not only the complications of representation in the age of social media but a critique of identity. Taking on subjects as diverse as the literary canon, his mother’s incurable cancer diagnosis, gay bashing, celebrity gossip, bigotry, violence on TV, and Alexander McQueen’s suicide, Smith proves that the confessional lyric is not dead. In tangents as wild as they are reigned, with his characteristic blend of directness, vulnerability and humor, these poems take on the world as it is, a world we love even as it resists all intimacy.