This book stresses the importance of returning to David Hume’s political thought, focusing on his ideas about the origin of government and political obedience, and his vision of the ideals of liberty, property, political stability, and moderation, all of which represent a precious source of inspiration for the development of political conservatism. Spartaco Pupo outlines the principle, counter-revolutionary features that characterise Hume’s conservatism: political realism; mistrust of sudden and violent innovations; scepticism toward abstractions; opposition to rationalist arrogance; respect for custom and institutional continuity; the need for the preservation of stability; rejection of ideological rhetoric, sectarianism, and dogmatism; constant denial of intellectual subsidies; and the defence of the national interest. In so doing, Pupo argues that Hume’s ‘sceptical’ and ‘secular’ version of conservatism – the fi rst to appear on the political scene of modernity – differs signifi cantly from the Anglo-American conservatism that was to arise a few decades after his death, in the wake of Edmund Burke’s writings.

Martin Kern has a special sensitivity to fonts, a skill that he uses to solve typographical crimes. When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world’s most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin’s hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

War and its aftermath change the lives of everyone they touch. In 1946 the Japanese War Crime Trials begin in Tokyo, where General MacArthur is initiating his grand strategy for converting Japan to a democracy and a bastion against Asian communism. Bill Liston, an Australian law lecturer conscripted to assist in the prosecutions, is embroiled in the dubious legal manoeuverings and questionable summary justice. His fiancée Irene White remains in Brisbane. Both are brought into contact with survivors of the war years – an exotic Dutch commando, a martinet Land Army Officer, teenage prisoners of war rescued from the sinking of HMAS Perth, military and legal careerists, and shattered Japanese civilians. Amongst all of this, Bill and Irene struggle to resolve their relationship and their future.

On Bondi Beach tells the story of a day in Bondi by allowing residents and visitors to tell their stories. The beach changes as the day passes. Different people arrive and leave, and as their lives and stories intersect, those being talked about become those who are talking. This is a book about living in a particular place, but it is also about contemporary Australia, flourishing in transience and diversity.

North American Women Poets in the 21st Century: Beyond Lyric and Language is an important new addition to the American Poets in the 21st Century series. Like the earlier anthologies, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. Among the insightful pieces included in this volume are essays by Catherine Cucinella on Marilyn Chin, Meg Tyler on Fanny Howe, Elline Lipkin on Alice Notley, Kamran Javadizadeh on Claudia Rankine, and many more. A companion web site will present audio of each poet’s work.

The present volume compiles translations of hitherto neglected texts in Asian philosophical traditions, along with several critical essays dealing with the philosophical issues of translating them into western languages. As the inaugural volume to a proposed series dedicated to making hidden primary sources of Asian philosophies available to the wider audience in western academia and beyond, this book treats diverse primary sources written by a broad range of thinkers from various historical periods and intellectual traditions, including the Indian, Chinese, Korean, and Japanese, among others. The translations, accompanied by critical essays, will shed light on major philosophical movements as Confucianism, Hinduism, Buddhism and others, thereby demonstrating multilayered development of intellectual traditions in Asia.

In most Western university studies, Greek philosophy is considered the most ancient kind of wisdom, but the Zoroastrian way of life can be traced back to the second millennium BC. The Gathas, hymns or songs attributed to Zarathustra, hold an existential and practical philosophy avant la lettre. It is based on mental exercises and on rituals that have survived thanks to the Zoroastrian religious communities. Not only does the Persian thinker unveil a mental wisdom for us; he also introduces us to an ecological concern and a social practice. There is a cosmopolite dimension to Zarathustra’s proto-philosophy that we can all apply in a personal way.

The world of the image has traditionally been considered as different and separate from the real world. This separation has been ensured by some kind of framing device, be it the pedestal of a statue, the frame of a painting, or the cinema screen. However, recent developments in image-making techniques have resulted in the production of hyper-realistic, immersive, and interactive virtual environments that make the threshold between image and reality blur, thus eliciting in the experiencer a strong feeling of being incorporated into a quasi-real world. This book introduces the concept of “un-framing” as a key to understanding this radically new iconoscape.

The history of knowledge is a dynamic field of research with bright prospects. In recent years it has been established as an exciting, forward-looking field internationally, with a strong presence in the Nordic countries. Forms of Knowledge is the first publication by the Lund Centre for the History of Knowledge (LUCK). The volume brings together some twenty historians from different scholarly traditions to develop the history of knowledge. The knowledge under scrutiny here is the sort which people have regarded and valued as knowledge in various historical settings. The authors apply different perspectives to this knowledge, maintaining the historicity and situatedness of the production and circulation of knowledge. The book presents the history of knowledge in all its rich diversity. The role of knowledge in the public life is the focus of some chapters, while others concentrate on the importance of knowledge for individuals or local communities; some chart the realities of academic or systematic knowledge, others consider its existential or mundane dimensions. Taken together, they make a significant contribution to the theoretical, conceptual, and methodological advances in the field.

Summer in Paris. British art student Adam King undertakes an internship at a contemporary art museum. An encounter with an unusual collective of young people looking to change the world, along with a strange revelation in front of The Mona Lisa, sees him facing much more than his own coming-of-age. Against a backdrop of late capitalism, media and surveillance, 'The Eleven Associates of Alma-Marceau' not only asks questions about how people’s images, words and lives are given a platform, used and manipulated in the digital era, but alsoinvites readers to question the very nature of what they perceive. Within this modern-day story about painting, visual communication and how creative ideas are responded to by society, Leonardo, of course, is still ahead of the game, more than five hundred years after his death... ********** The Old School Writers Circle is a group of friends who periodically meet up to discuss art, writing and books. The current members studied at the same school in Birmingham, UK, in the late 1980s and early 1990s, and now live in various locations around England. Famous literary alumni of the school include, somewhat eclectically, J.R.R. Tolkien, Lee Child and Jonathan Coe, all of whom are on the circle’s ever-growing list of influences. Projects can be serious as well as playful, confronting unusual and challenging themes through stories that do not necessarily fit squarely within conventional genres. For their debut publication, 'The Eleven Associates of Alma-Marceau', the starting point was a shared love of Paris and The Louvre – inspired in part by numerous trips across the Channel by members of the circle over the past twenty-five years. The other driving force was the long-standing interest of circle member Matt Price in esoterica and unusual optical phenomena in the history of painting – ideas explored and brought together by the circle in the form of this curious, engaging and thought-provoking novel. 'The smart move here is to pursue meaning in painting through the medium of fiction' ––Nicholas Alfrey, Art Historian

Mezzaluna gathers poems from all nine of Michele Leggott’s prior books. In complex lyrics, sampling thought and song, voice and vision, Leggott creates lush textured soundscapes. Her poetry covers a wide rage of topics rich in details of her New Zealand life, full of history and family, lights and mirrors, the real and the surreal.

Edges & Fray is an embodied meditation that cultivates receptivity and deep listening to the ways we inhabit language and its ethereal resilience. Combining close observation of birds’ nests and the writing process, Danielle Vogel brings the reader into communion with language as a mode of presence. Experimental and deeply grounded, its construction is intuitive and masterful, its many threads interwoven and intrinsically linked. This is a beautiful and inspiring book at the intersection of poetry, somatics, ecology, and divination.

For more than a century, Friedrich Hölderlin has been considered one of the key figures in modern European literature. The translations in Odes and Elegies, including poems never before available in English, render forcefully and directly the deep longing and heartbreak of Hölderlin's poetic world. A bilingual edition, this book is the first major translation of these poems since the 1960s. Odes and Elegies opens to the English reader the unique poetic voice that marks Hölderlin's achievement and continuing influence on poetry and philosophy today.

This book is a critical study of the interaction between Russian Church and society in the late nineteenth and early twentieth century. At a time of rising nationalist movement throughout Europe, Orthodox patriots advocated for the place of the Church as a unifying force, central to the identity and purpose of the burgeoning, yet increasingly religiously diverse Russian Empire. Their views were articulated in a variety of ways. Bishops such as Metropolitan Antony Khrapovitsky - a founding hierarch of the Russian Orthodox Church outside Russia - and other members of the clergy expressed their vision of Russia through official publications (including ecclesiastical journals), sermons, the organization of pilgrimages and the canonization of saints. On the other hand, religious intellectuals (such as the famous philosopher Vladimir Soloviev and the controversial former-Marxist Sergey Bulgakov) promoted what was often a variant vision of the nation through the publication of books and articles. Even the once persecuted Old Believers, emboldened by a religious toleration edict of 1905, sought to claim a role in national leadership. And many - in particularly famous painter Mikhail Vasnetsov - looked to art and architecture as a way of defining the religious ideals of modern Russia. Whilst other studies exist that draw attention to the voices in the Church typified as “liberal” in the years leading up to the Revolution, this work introduces the reader to a wide range of “conservative” opinion that equally strove for spiritual renewal and the spread of the Gospel. Ultimately neither the “conservative” voices presented here nor those of their better-known “liberal” protagonists were able to prevent the calamity that befell Russia with the Bolshevik revolution in 1917. Grounded in original research conducted in the newly accessible libraries and archives of post-Soviet Russia, this study is intended to reveal the wider relevance of its topic to an ongoing discussion of the relationship between national or ethnic identities on the one hand and the self-understanding of Orthodox Christianity as a universal and transformative Faith on the other.

This monograph explores the distinct ways in which four discourse devices participate in establishing coherence in Biblical Hebrew texts. Bringing together linguistics, literary analysis, pragmatics, and translation methodology, de Regt demonstrates how a thorough understanding of the functions of devices of linguistic coherence beyond the sentence level should be integrated into biblical translation methodology and Biblical Hebrew pedagogy.

Seattle, 2116. The world is divided into a network of vast corporations (Corpos), each controlled by a triumvirate of elderly Chinese. The masses are conditioned to extol the virtues of utilitarianism, with society dominated by the power of 'the numbers'. Men, who have previously caused the collapse of society, must stay at home and raise children while women rule - with dispassionate ruthlessness. Enter Li, a 'career boy' tele-sales manager in Ireland-corpo. After years of sleeping around and getting high - and into trouble - his life takes an unexpected turn when he meets a mysterious young woman, Tattoo. Are his troubles behind him - or only beginning? As with all the best science-fiction, Number Games gives hints of what our world might become. With echoes of Bladerunner, The Man in the High Castle and The Time Machine, this superbly crafted novel makes for a compelling - and sometimes chilling - read.