Castro's communist regime gained control of Cuba in 1959, sparking a surge of immigration to the United States, particularly Miami, as refugees sought a better life. But for many, Cuba will always be home. The island's stories pass from refugee to refugee, immigrant to grandchild, mingling hope for the future with grief for what's lost. Yet these stories also pass down a deep, unconscious desire for the unattainable, which often results in fractured relationships and a loss of purpose for both young and old. Grieving for Guava revels in the unbroken ties between past and future, Havana and Miami, and recounts the unintended generational costs of immigration. Ten stories explore the lives of Cuban refugees in Miami as they grapple with a longing for the past and a fervent need to move forward. Spanning six decades of the Cuban exile, these stories lay bare a collective struggle to overcome the destabilizing effects of migration and to reassemble splintered identities: A journalist returns to the island for a childhood toy. An investment banker leaves Miami to open a bookstore near the Malecon. A girl with cerebral palsy attempts to swim across the ocean to reach her lost home. Cecilia Fernandez artfully weaves together the complicated lives of her characters to produce an overarching sense of yearning for the past, transforming grief into an even more powerful force: communion.Grieving for Guava captures the heartache and hope that are common in the immigrant experience, adding a dynamic, human voice to the politically charged dialogue surrounding immigration.

Miracelle Loving's world comes crashing down when her mother, Ruby, is murdered during a fortune-telling session gone wrong. Not that she had much of a stable world to lose in the first place; the free-spirited mother-daughter duo had never remained in one place for very long. Without the guidance of her mother, Miracelle grows up following the only path she knows, traveling from town to town, sometimes fortune-telling, picking up odd jobs to fill the time and escape the ever-present lostness she can't seem to run far enough away from. Uncertain of what she wants and, indeed, whether she wants anything or anyone at all, the now thirty-something-year-old finds herself working as a card reader in a Knoxville dive bar, selling fictions as futures, when she is confronted with her mother's ghost voice promising to reveal the truth about her shadowy past. Desperate for answers, Miracelle sets out on a magical road trip unlike any other, in search of her own story and a father she's never known.Following snowy highways and backroads, Miracelle stumbles across a museum of oddities and a hole-in-the-road town called Radiant, ultimately wandering into the town of Smyte, where she begins waitressing at the Black Cat Diner. Here, she befriends card-playing has-been Russell Wallen, whom she joins for a series of nighttime adventures, long drives, and after-dark visits to a Holy Roller church. This mythical journey uncovers family secrets and forgotten truths, transforming a familiar story of love and betrayal to reveal the binding power of magic and memory.

Between 1855 and his death in 1867, Charles Baudelaire inaugurated a new - and in his own words "dangerous" - hybrid form in a series of prose poems known as Paris Spleen. Important and provocative, these fifty poems take the reader on a tour of 1850s Paris, through gleaming cafes and filthy side streets, revealing a metropolis on the eve of great change. In its deliberate fragmentation and merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists. In this compelling new translation, Keith Waldrop delivers the companion to his innovative translation of The Flowers of Evil. Here, Waldrop's perfectly modulated mix releases the music, intensity, and dissonance in Baudelaire's prose. The result is a powerful new re-imagining that is closer to Baudelaire's own poetry than any previous English translation.

Far from being the sole mode of explaining, explanation in terms of – mostly probabilistic – causes has nourished a wide debate addressing diseases, what produces them and how. Focusing on causal explanations involves, in turn, getting deeper into conceptions of causation, modelling, and control, and presents a range of relevant issues for research and clinical contexts. The aim of the volume is two-fold. In the first place, its purpose is to stress core features, differences and interactions between various theories belonging to, on the one hand, the mechanical and neo-mechanical approach to explanation, and, on the other hand, the interventionist approach, testing their suitability in medicine. In the second place, and related to the first, a form of pluralism is advocated which is grounded on a deep analysis of specific features of explanatory contexts in the health sciences, especially in cancer and mental health studies.

A miscreant, misanthrope, and misfit, two-nosed Luther Jukes lands in jail for murdering a man who insulted his froglike facial features. As Luther schemes in his cell, "hoosegow scullery maid" Juanita Sparks frets over an unwanted pregnancy. But there may be a bit of magic that can sort out this mess. In the style of underground comix, Ed McClanahan and J. T. Dockery present Juanita and the Frog Prince, an outrageous tale adapted from McClanahan's novella of the same name, originally published in A Congress of Wonders. Set in 1940s Kentucky, Juanita features a cast of characters trying to get ahead at all costs, including the Right Reverend Philander Cosmo Rexroat, redheaded rich boy Warren Harding Skidmore, and "Bad-Cess" Sallie Jukes, the town apothecary rumored to have "access to sinister forces." Rendered in bold strokes of ink that swirl from panel to panel, Luther's and Juanita's stories become further entangled until, in desperation, they attempt to harness the power of a lucky toadstone to create their own fairytale ending -- or do they?Juanita and the Frog Prince is a southern Gothic psychedelic trip of a comic that will enrapture readers until the stroke of midnight -- and the final KLANG of the clocktower bell.

A critique of rationalism, this book aims to explain both its powerful contributions to mathematics and the physical sciences, where our arithmetical, geometrical, and mechanical intuitions have had a highly productive role in the development of pure theory, and its disastrous failures in cosmology and the moral sciences. In these supposed sciences, rationalism has all but destroyed the social conscience of the West by creating the disastrous political philosophy of neoliberalism. To reset our moral compasses, we must develop new, socially just versions of the old welfare states. And to restore democracy we must return to Keynesian economic management.

Should we blame our neighbour for forgetting to water our plants? To what extent are people responsible for the consequences of their actions? When is it fair to condemn a wrongdoer? Practical philosophy has a long-standing interest in the mechanisms that drive responsibility ascriptions (how and why should we hold people responsible?), and in the conditions that make those ascriptions legitimate (when is it fair to do so?). By default, healthy adults whose behaviour is interpretable by reference to their psychological makeup are held responsible for their actions. However, in the last few decades in particular, the scope and meaning of the notion of responsibility have been targeted by growing scepticism. In its first part, this volume explores and discusses the most promising accounts of responsibility emerging in the philosophical debate on the topic. In the second part, the book outlines a novel proposal about the enabling conditions, the meaning and the intersubjective role of responsibility ascriptions.

Steven Pinker’s book 'Enlightenment Now' establishes that great progress has been made on the aims of the European Enlightenment. However, the minds of many economists, moralists and political thinkers in the West are still set firmly in the eighteenth century. Progress has been due mainly to the physical scientific revolutions of the 19th and 20th centuries, and the industrial revolutions they generated. A new enlightenment is needed to overcome this poverty of social theory, and bring our economists and political theorists up to date in the socially connected, commercially integrated and existentially threatened world of the 21st century.

In March 1856, a dead body washed onto the shore of the Mississippi River. Nothing out of the ordinary. In those days, people fished corpses from the river with alarming frequency. But this body, with its arms and legs tied to a chair, struck an especially eerie chord. The body belonged to a man who had been a passenger on the luxurious steamboat known as the Ohio Belle, and he was the son of a southern planter. Who had bound and pitched this wealthy man into the river? Why? As reports of the killing spread, one newspaper shuddered, "The details are truly awful and well calculated to cause a thrill of horror."Drawing on eyewitness accounts, Murder on the Ohio Belle uncovers the mysterious circumstances behind the bloodshed. A northern vessel captured by secessionists, sailing the border between slave and free states at the edge of the frontier, the Ohio Belle navigated the confluence of nineteenth-century America's greatest tensions. Stuart W. Sanders dives into the history of this remarkable steamer -- a story of double murders, secret identities, and hasty getaways -- and reveals the bloody roots of antebellum honor culture, classism, and vigilante justice.

Despite the stereotypes and misconceptions surrounding Appalachia, the region has nurtured and inspired some of the nation's finest writers. Featuring dozens of authors born into or adopted by the region over the past two centuries, Writing Appalachia showcases for the first time the nuances and contradictions that place Appalachia at the heart of American history.This comprehensive anthology covers an exceedingly diverse range of subjects, genres, and time periods, beginning with early Native American oral traditions and concluding with twenty-first-century writers such as Wendell Berry, bell hooks, Silas House, Barbara Kingsolver, and Frank X Walker. Slave narratives, local color writing, folklore, work songs, modernist prose -- each piece explores unique Appalachian struggles, questions, and values. The collection also celebrates the significant contributions of women, people of color, and members of the LGBTQ community to the region's history and culture. Alongside Southern and Central Appalachian voices, the anthology features northern authors and selections that reflect the urban characteristics of the region. As one text gives way to the next, a more complete picture of Appalachia emerges -- a landscape of contrasting visions and possibilities.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

Hailed by Milan Kundera as “an heir of Joyce and Kafka,” Prix Goncourt winner Patrick Chamoiseau is among the leading Francophone writers today. With most of his novels having appeared in English, this book opens a new window on his oeuvre. A moving poetic essay that bears witness to the forgotten history of the French penal colony in French Guiana, French Guiana: Memory Traces of the Penal Colony (Guyane: Traces-Mémoires du bagne) is accompanied by more than sixty evocative color photographs by Rodolphe Hammadi and translated, here for the first time, deftly by Matt Reeck.

Patricia Crone reassesses one of the most widely accepted dogmas in contemporary accounts of the beginnings of Islam: the supposition that Mecca was a trading center. In addition, she seeks to elucidate sources on which we should reconstruct our picture of the birth of the new religion in Arabia.

In 1773, a young, African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, and her marriage to the enigmatic John Peters. Woven throughout are poems about Wheatley’s “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history.