Shortlisted for 2020 Center for Fiction's First Novel PrizeCorey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirt introduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles's body lags behind his ambitions, and recruiters tell him he is not big enough to compete at the top level. His dreams come true when a letter arrives from King College.The elite southern school boasts one of the best educations in America and one of the worst Division One football programs. King football is filled with obscure, ignored players like Miles -- which is why he and the sports world in general are shocked when the country's top recruit, Reshawn McCoy, also chooses to attend the college. As brilliant a student as he is a player, the intensely private Reshawn refuses to explain why he chose King over other programs.Miles is as baffled as everyone else, and less than thrilled when he winds up rooming with the taciturn Reshawn. Initially at odds with each other, the pair become confidants as the win-at-all-costs program makes brutal demands on their time and bodies. When their true selves and the identities that have been imposed on them by the game collide, both young men are forced to make life-changing choices.

CAMINO IMAGINADO Blue leaves, hojas rotas in the shape of stars.Ni un "no" en tu vocabulario but for others;blue in place of green in the shape of Spain.Ojos the color of dirt, chocolate, coffee, time,azules las horas, hojas de horas van y se van,ni una palabra, ni una queja, nor broken bita tu lado beside me andamos walking, sí walkingcaminamos caminos like these, such streets, whatcity. 7/15/95 Paris Xicancuicatl collects the poetry of leading avant-garde Chicanx poet Alfred Arteaga (1950–2008), whom French philosopher Gilles Deleuze regarded as "among those rare poets who are able to raise or shape a new language within their language." In his five published collections, Arteaga made crucial breakthroughs in the language of poetry, basing his linguistic experiments on the multilingual Xicanx culture of the US Southwest. His formal resources and finely tuned ear for sound patterns and language play remain astonishing. His poetical work, presented as a whole here for the first time, speaks more than ever to a moment in which border-crossing, cultural diversity, language-mixing and a multi-cultural vision of America are critical issues.

Simonides of Keos was one of the most important praise-poets of the early fifth century BCE, ranking alongside Pindar and Bacchylides. In Simonides Lyricus, a group of leading international experts revisit familiar questions about his lyric poetry, and pose new ones. Themes discussed include textual criticism and attribution of fragments; poetic genre and the place of the poet’s melic fragments in his larger oeuvre; the historical, cultural and political background of the poems; and Simonides’ afterlife in the biographical and anecdotal traditions that formed around his name. The volume makes a substantial contribution to modern discussions of Simonides’ place in Greek literary and cultural history and to the understanding of this poet’s often fragmentary and difficult texts.

Journal of the Association for the Study of Language in Prehistory.

The British Library possesses one of the most important collections of Syriac manuscripts in the world, with large numbers dating back to the second half of the first millennium CE. The publication of important Syriac texts from these manuscripts has been going on for some 180 years and still continues. The aim of the present volume is to provide a guide to these scattered publications: following the sequence of the shelf-marks (call numbers), for each manuscript indication is given of what texts have been published from it. For convenience, a concordance between Wright’s Catalogue numbers and shelf-marks is provided, along with a list of palimpsests and of joins with manuscripts in other libraries, in particular with those still in the Library of Dayr al-Surian in Egypt, the monastery which was the source of over 500 manuscripts and fragments purchased by the British Museum in the mid nineteenth century.

As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the ‘people of the house’ (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn’s son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story.

In this sixth installment of the long Homily 71, On the Six Days of Creation, Jacob treats the events of the sixth day.Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homilies on the Six Days of Creation. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press’s The Metrical Homilies of Mar Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.In this sixth installment of the long Homily 71, On the Six Days of Creation, Jacob treats the events of the sixth day, the creation of the large beasts and other land animals, and then the creation of man and woman in the persons of Adam and Eve.

"Forgive state poet #289-128 / for not scribbling illusions / of trickery as if timeless hell / could be captured by stanzas / alliteration or slant rhyme," remarks the speaker, Maryland Department of Corrections prisoner {#289-128}, early in this haunting collection. Three sections -- {#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York -- frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment.These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's Letters to Martha, Wole Soyinka's A Shuttle in the Crypt, and Etheridge Knight's The Essential Etheridge Knight, {#289-128} challenges the language of incarceration -- especially the ways in which it reinforces stigmas and stereotypes.Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. It also illuminates the ways in which we all are relegated to cells or boundaries, whether we want to acknowledge it or not.

CARE Dress like you care!Eat like you care!Care like you care! You don't thinkapples just grow on trees,do you? * A fish taps a clamagainst a bony knobof coralto crack its shell – which demonstrates intelligenceyes, butis the fishpleased with itself? * Alone in your crib,you form syllables. Are you happy when oneis like another? Add yourselfto yourself. Now you have someone Rae Armantrout has always taken pleasure in uncertainties and conundrums, the tricky nuances of language and feeling. In Conjure that pleasure is matched by dread; fascination meets fear as the poet considers the emergence of new life (twin granddaughters) into an increasingly toxic world: the Amazon smolders, children are caged or die crossing rivers and oceans, and weddings make convenient targets for drone strikes. These poems explore the restless border between self and non-self and ask us to look with new eyes at what we're doing.

Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville's luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. With World War II raging in Europe, the inn is the temporary home of Axis diplomats and their families, who are being held as prisoners of war. Soon, Cowney's refuge becomes a cage when the daughter of one of the residents goes missing and he finds himself accused of abduction and murder. Even As We Breathe invokes the elements of bone, blood, and flesh as Cowney navigates difficult social, cultural, and ethnic divides. After leaving the seclusion of the Cherokee reservation, he is able to explore a future free from the consequences of his family's choices and to construct a new worldview, for a time. However, prejudice and persecution in the white world of the resort eventually compel Cowney to free himself from larger forces that hold him back as he struggles to unearth evidence of his innocence and clear his name.

July 30TiānwēiCelestial AweHe carried no iron into battle.When he lifted his hand,he brandished the sky.How do we honor the dead? How do we commit them to memory? And how do we come to terms with the way they died? To start, we can name them. When schools collapsed in an earthquake in China, burying over 5,000 children, the government brutally prevented parents from learning who had died. Artist Ai Weiwei, at risk to his own safety, gathered the names of these children, and their names are the subject of this book. Each poem is a poetic meditation on the image and concept suggested by the etymology in the Chinese characters. This act of poetic translation is both a heartbreaking tribute to people whose names have been erased, and a healing meditation on how language suggests a path forward.

Testimonyfor Tamir Rice, 2002-2014 Mr. President,After they shot me they tackled my sister.The sound of her knees hitting the sidewalkmade my stomach ache. It was a bad pain.Like when you love someoneand they lie to you. Or that time Mikaela criedall through science class and wouldn't tell anyone why.This isn't even my first letter to you,in the first one I told you about my roomand my favorite basketball teamand asked you to come visit me in Clevelandor send your autograph. In the second oneI thanked you for your responsible citizenship.I hope you are proud of me too.Mom said you made being black beautiful againbut that was before someone killed Trayvon.After that came a sadness so big it made everyonelook the same. It was a long time before we couldgo outside again. Mr. President it took one whole dayfor me to die and even though I'm twelve and not afraid of the darkI didn't know there could be so much of itor so many other boys here. Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes - linguistic, cultural, racial, familial - of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

The Gorgias Illustrated Learner's Syriac English, English-Syriac Dictionary is both a convenient academic resource and a door into the world of Modern Literary Syriac. With 13,000 entries drawn from the major existing works, alongside dozens of explanatory boxes on biblical, historical, theological, liturgical, cultural, as well as grammatical topics, and over 80 colored illustrations, it is a practical tool for those that wish to access all but the most specialized Classical Syriac texts.

Meticulously using contemporary newspaper reports, court records, published memoirs, private letters and diaries, Michael Wilding tells the story of three troubled geniuses of Australian writing and their world of poetry and poverty, alcohol and opiates, horse-racing and theatre, journalism and publishing. Gordon shot himself, unable to pay the printer of his poems; Kendall ended up in a mental hospital after forging a cheque, and Clarke died bankrupt for a second time.

After the success of the Antioch Bible, this publication is a new, historic edition of the Syriac-English New Testament in a single volume. The English translations of the New Testament Syriac Peshitta along with the Syriac text were carried out by an international team of scholars.

Pat and Ruth Beckett have retired from Sydney to the sublime landscape of the far south coast. To their garden, to their books, to their island in the lake. They want no part of the madness of Harbourside Grammar, monstrous celebrity billionaire Buckets Barrington, or the sinister Magnareach Corporation. But the madness wants a part of them. Can great books, small black ducks, perfectly formed compost and proper placement of the apostrophe be enough to defend their paradise?