The British Library possesses one of the most important collections of Syriac manuscripts in the world, with large numbers dating back to the second half of the first millennium CE. The publication of important Syriac texts from these manuscripts has been going on for some 180 years and still continues. The aim of the present volume is to provide a guide to these scattered publications: following the sequence of the shelf-marks (call numbers), for each manuscript indication is given of what texts have been published from it. For convenience, a concordance between Wright’s Catalogue numbers and shelf-marks is provided, along with a list of palimpsests and of joins with manuscripts in other libraries, in particular with those still in the Library of Dayr al-Surian in Egypt, the monastery which was the source of over 500 manuscripts and fragments purchased by the British Museum in the mid nineteenth century.

As Abû ʿAbd Allâh al-Ḥusayn, son of ʿAlî and Fâṭima and grandson of Muḥammad, moved inexorably towards death on the field of Karbalâʾ, his sister Zaynab was drawn ever closer to the centre of the family of Muḥammad, the ‘people of the house’ (ahl al-bayt). There she would remain for a few historic days, challenging the wickedness of the Islamic leadership, defending the actions of her brother, initiating the commemorative rituals, protecting and nurturing the new Imâm, al-Ḥusayn’s son ʿAlî b. al-Ḥusayn b. ʿAlî b. Abî Ṭâlib, until he could take his rightful place. This is her story.

In this sixth installment of the long Homily 71, On the Six Days of Creation, Jacob treats the events of the sixth day.Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homilies on the Six Days of Creation. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press’s The Metrical Homilies of Mar Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.In this sixth installment of the long Homily 71, On the Six Days of Creation, Jacob treats the events of the sixth day, the creation of the large beasts and other land animals, and then the creation of man and woman in the persons of Adam and Eve.

"Forgive state poet #289-128 / for not scribbling illusions / of trickery as if timeless hell / could be captured by stanzas / alliteration or slant rhyme," remarks the speaker, Maryland Department of Corrections prisoner {#289-128}, early in this haunting collection. Three sections -- {#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York -- frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment.These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's Letters to Martha, Wole Soyinka's A Shuttle in the Crypt, and Etheridge Knight's The Essential Etheridge Knight, {#289-128} challenges the language of incarceration -- especially the ways in which it reinforces stigmas and stereotypes.Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. It also illuminates the ways in which we all are relegated to cells or boundaries, whether we want to acknowledge it or not.

CARE Dress like you care!Eat like you care!Care like you care! You don't thinkapples just grow on trees,do you? * A fish taps a clamagainst a bony knobof coralto crack its shell – which demonstrates intelligenceyes, butis the fishpleased with itself? * Alone in your crib,you form syllables. Are you happy when oneis like another? Add yourselfto yourself. Now you have someone Rae Armantrout has always taken pleasure in uncertainties and conundrums, the tricky nuances of language and feeling. In Conjure that pleasure is matched by dread; fascination meets fear as the poet considers the emergence of new life (twin granddaughters) into an increasingly toxic world: the Amazon smolders, children are caged or die crossing rivers and oceans, and weddings make convenient targets for drone strikes. These poems explore the restless border between self and non-self and ask us to look with new eyes at what we're doing.

July 30TiānwēiCelestial AweHe carried no iron into battle.When he lifted his hand,he brandished the sky.How do we honor the dead? How do we commit them to memory? And how do we come to terms with the way they died? To start, we can name them. When schools collapsed in an earthquake in China, burying over 5,000 children, the government brutally prevented parents from learning who had died. Artist Ai Weiwei, at risk to his own safety, gathered the names of these children, and their names are the subject of this book. Each poem is a poetic meditation on the image and concept suggested by the etymology in the Chinese characters. This act of poetic translation is both a heartbreaking tribute to people whose names have been erased, and a healing meditation on how language suggests a path forward.

Testimonyfor Tamir Rice, 2002-2014 Mr. President,After they shot me they tackled my sister.The sound of her knees hitting the sidewalkmade my stomach ache. It was a bad pain.Like when you love someoneand they lie to you. Or that time Mikaela criedall through science class and wouldn't tell anyone why.This isn't even my first letter to you,in the first one I told you about my roomand my favorite basketball teamand asked you to come visit me in Clevelandor send your autograph. In the second oneI thanked you for your responsible citizenship.I hope you are proud of me too.Mom said you made being black beautiful againbut that was before someone killed Trayvon.After that came a sadness so big it made everyonelook the same. It was a long time before we couldgo outside again. Mr. President it took one whole dayfor me to die and even though I'm twelve and not afraid of the darkI didn't know there could be so much of itor so many other boys here. Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes - linguistic, cultural, racial, familial - of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

The Gorgias Illustrated Learner's Syriac English, English-Syriac Dictionary is both a convenient academic resource and a door into the world of Modern Literary Syriac. With 13,000 entries drawn from the major existing works, alongside dozens of explanatory boxes on biblical, historical, theological, liturgical, cultural, as well as grammatical topics, and over 80 colored illustrations, it is a practical tool for those that wish to access all but the most specialized Classical Syriac texts.

Meticulously using contemporary newspaper reports, court records, published memoirs, private letters and diaries, Michael Wilding tells the story of three troubled geniuses of Australian writing and their world of poetry and poverty, alcohol and opiates, horse-racing and theatre, journalism and publishing. Gordon shot himself, unable to pay the printer of his poems; Kendall ended up in a mental hospital after forging a cheque, and Clarke died bankrupt for a second time.

After the success of the Antioch Bible, this publication is a new, historic edition of the Syriac-English New Testament in a single volume. The English translations of the New Testament Syriac Peshitta along with the Syriac text were carried out by an international team of scholars.

Pat and Ruth Beckett have retired from Sydney to the sublime landscape of the far south coast. To their garden, to their books, to their island in the lake. They want no part of the madness of Harbourside Grammar, monstrous celebrity billionaire Buckets Barrington, or the sinister Magnareach Corporation. But the madness wants a part of them. Can great books, small black ducks, perfectly formed compost and proper placement of the apostrophe be enough to defend their paradise?

In this collection acclaimed Australian author, playwright, screenwriter Louis Nowra shows his breathtaking range that takes us from Venice to Lord Howe Island, from the chaos of contemporary Moscow to Sydney high society, from Edwardian London to a mysterious island full of beauty and terror in Far North Queensland. In these highly imaginative stories and novellas, odd balls, society matrons, prime ministers, obsessives, drunks, the vengeful, the innocents and other vivid characters feature in stories that are disturbing, moving and comic. This extraordinary collection is a testament to Nowra’s unique and unsettling vision.

In poetic vignettes set against the fascinating exotics of Australia and France, Chandani Lokugé weaves a haunting and meditative story on the spectral gains and losses of travel, the nature of its transience. Through it, she dignifies with grace and tenderness, our unassuageable yearning, when we have lost everything and even ourselves, to anchor to something, someone, somewhere, and the unexpected moment of our arrival.

Keys to the past; Gallipoli reimagined. Athens, November 1915. A city buffeted by the chaos of the war, a city swarming with spies and opportunists. When a British counter espionage unit is contacted by a man from Smyrna, it seems that a bold new plan is afoot to cut through the Turkish defences at nearby Gallipoli …. until the finding of the man’s body in a room set aside for the meeting. An Australian-born agent Robert Kaub is drawn into the investigation, and is soon forced to confront memories of love and betrayal in pre-war Athens. An ominous note, an old coin from Ephesus, cryptic cables – Robert’s discoveries bring him eventually to a place where things could go either way for the Allied cause. Aegean battlefields. A besieged city. Deaths foretold. These are mirrored in a mystery shaped by the ill-fated attempt to capture Constantinople, a story tinted by the truths and untruths of war, a tragic tale akin to myth.

It’s October 2048 and an Islamist political Party has swept to power in Britain’s general elections. Overnight the country is transformed by the introduction of the blasphemy laws. An Australian history teacher who lost his wife and daughter in a terror attack arrives in London to make contact with the leader of the Resistance. When he becomes involved with a homeless young woman, he discovers the possibility of a new life for both of them far from the dangers of the new London.

A compelling drama… a verdict just in time. A newcomer to Broome in Western Australia, Colin Everett is drawn into a fierce dispute about native title known as ‘the Bradshaw case’. The disappearance of a key witness points to threats of blackmail, or even worse. To win the case for the Aboriginal claimants, Colin and his fellow lawyers have to find the witness, get the better of their opponents, and probe the origin of ancient rock art in the Kimberley region. The case ends in a swirl of controversy and a crucial verdict. It offers a poignant glimpse of how the future can be shaped by half-truths and human failings, by contested versions of the past. Joseph Bradshaw, an explorer and pastoralist, gave his name to rock art of great beauty, uniqueness and antiquity. Little is known of the people who created it many thousands of years ago.