This is a new edition of Birthday Deathday & Other Stories by Padma Perera, first published by The Women's Press, England, 1985, with international reviews from the UK, USA, Europe, and the Commonwealth countries. Additional material now provides more oral history from the first four decades just before and after India's Independence, 1940s-1980s. The story "Doctor Salaam" was included in Salman Rushdie's Mirrorwork, an anthology of the best Indian fiction in English during the fifty years after India’s Independence.

In poems of compassion and social justice, Mihaela Moscaliuc probes borders and memory to work through, and further complicate, understandings of belonging - from places (including her native Romania) and histories, to ways of knowing, loving, and grieving. If the wounded populate these poems, so too do goats, black swans, centipedes, dismembered dolls, and wandering wombs. The ekphrastic sequence on Rousseau's The Sleeping Gypsy honors stories of Roma people while addressing issues of (mis)representation and epistemic violence. As in previous collections, cemeteries become sites of power, holding the living accountable.

When her Florida apartment is damaged by the ferocity of Hurricane Irma, Duhamel turns to Dante and terza rima, reconstructing the form into the long poem "Terza Irma." Throughout the book she investigates our near-catastrophic ecological and political moment, hyperaware of her own complicity, resistance, and agency. She writes odes to her favorite uncle - who was "green" before it was a hashtag - and Mother Nature via a retro margarine commercial. She writes letters to her failing memory as well as to America's amnesia. With fear of the water below and a burglar who enters through her second story window, she bravely faces the story under the story, the second story we often neglect to tell.

In The Blues of Heaven, Barbara Ras delivers her characteristic subjects with new daring that both rattles and beguiles. Here are poems of grief over her brother's death; doors to an idiosyncratic working-class childhood among Polish immigrants; laments for nature and politics out of kilter. Ras portrays the climate crisis, guns out of control, the reckless injustice and ignorance of the United States government. At the same time, her poems nimbly focus on particulars - these facts, these consequences - bringing the wreckage of unfathomable harm home with immediacy and integrity. Though her subjects may be dire, Ras also weaves her wise humor throughout, moving deftly from sardonic to whimsical to create an expansive, ardent, and memorable book.

Life, love, death, and laughs in a small American town. The second novel of the Darby Chronicles follows Ollie Jordan, a man with no education, no mentors, and a serious Freudian hang-up. A family history of poverty, stubborn pride, and a culture that runs contrary to mainstream society have robbed Ollie and his people of opportunity, even hope. They live by a culture of "succor and ascendancy." When Ollie is evicted from his shack, he breaks his drinking rules and heads out into the wilderness with his disabled son, Willow, literally chained to him. Father and son are doomed. How that doom plays itself out, as experienced by the disturbed but insightful Ollie Jordan, is what makes A Little More Than Kin unique in contemporary American literature. Hebert gives his rural underclass protagonist the depths of a tragic hero. Though A Little More Than Kin is action-packed and its prose is clean, hard, lyrical, and sometimes very funny, the book is at its heart an exploration into a brilliant mind that has laid waste to itself. This novel will appeal to readers who enjoy prose that explores the human psyche at its most perverse.

Life, love, death, and laughs in a small American town. His life had come to this: save a few deer from the jaws of dogs. He was a small man sent to perform a small task. Howard Elman is a man whose internal landscape is as disordered as his front yard, where native New Hampshire birches and maples mingle with a bullet-riddled washer, abandoned bathroom fixtures, and several junk cars. Howard, anti-hero of this first novel in Ernest Hebert's highly acclaimed Darby Chronicles, is a man who is tough and tender. Howard's battle against encroaching change symbolizes the class conflict between indigenous Granite Staters and citified immigrants with "college degrees and big bank accounts." Like the winter-weakened deer threatened by the dogs of March - the normally docile house pets whose instincts arouse them to chase and kill for sport - Howard, too, is sorely beset. The seven novels of Hebert's Darby Chronicles cover 35 years in the life of a small New England town as seen through the eyes of three families - the Elmans, the Salmons, and the Jordans - each representing a distinct social class. It all starts with The Dogs of March, cited for excellence in 1980 by the Hemingway Foundation (now the Pen Faulkner Award for Fiction).

Life, love, death, and laughs in a small American town. Part Falstaff, part King Lear, but all American, Howard Elman was a fifty-something workingman when he burst onto the literary scene in The Dogs of March, the first novel of the Darby Chronicles. Now in this, its seventh installment, the Darby constable is an eighty-something widower who wants to do "a great thing" before he motors off into the sunset. Maybe Howard achieves this goal, but he manages it in strange, wonderful, and dangerous ways. On his quest he's aided, abetted, hindered, and befuddled by his middle-aged children, his hundred-year-old hermit friend Cooty Patterson, a voice in his head, and the person he loves most, his grandson, Birch Latour. At 24, Birch has returned to Darby with his friends to take over the stewardship of the Salmon Trust and to launch a video game, Darby Doomsday. At stake is the fate of Darby. And the world? Maybe. Howard Elman's Farewell begins as a coming of (old) age story, morphs into a murder mystery, expands into a family saga, and in the end might just follow Howard Elman into the spirit world. This is a novel for people who like New England fiction with humor, pathos, and just a touch of magical realism. Howard Elman's Farewell establishes Howard Elman - mill worker, trash man, town cop - as the most fully developed working class character in American fiction.

Life, love, death, and laughs in a small American town. The struggle between the rural working class and the upper crust intensifies in this turning-point novel of the Darby Chronicles as Freddy Elman, son of the town trash collector, and Lilith Salmon, daughter of a prestigious family, embark on their ill-fated love affair. Seeing Darby through new eyes, Freddy comes to realize that "the kind of people who hunkered down among these tree-infested, rock-strewn hills" is "dying out, replaced by people with money, education, culture, people 'wise in the ways of the world. '" As that world increasingly intervenes, the lovers' attempt to bridge the chasm that divides their class-alienated families inevitably collapses in Hebert's tragic tale that echoes Shakespeare's Romeo and Juliet. This is a book for anyone interested in local politics, privilege, and poverty, all embedded in a story of love and death in the woods and on the ledges of the Granite State.

From the foreword: "In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains even though I've been country all my life. The twang in my voice has moved downhill to the flat land a time or two. " Perfect Black is a book of poems and legends about ancestry, culture, and the terrain of a Black girl becoming. It is a narrow and spacious terrain that enters the bloodstream of this black writing girl's body early. It is a country that she never truly exits even though different zip codes continue to fly through her wild, wondrous, winding life. We read and we hold on too.

Life, love, death, and laughs in a small American town. After almost fifteen years, Hebert has returned to this rich literary landscape for a new novel of the changing economic and social character of New England. Hebert's previous Darby book, Live Free or Die, recounted the ill-fated love between Freddie Elman, son of the town trash collector, and Lilith Salmon, child of Upper Darby gentility. At its conclusion, Lilith died giving birth to their son. As Spoonwood opens, Freddie, consumed by grief and anger and struggling with alcoholism, is not prepared to be a father to Birch. But as both his family and Lilith's begin to maneuver for custody of the child, Freddie embarks on a course of action that satisfies none of them. Once again, Hebert masterfully conveys the natural and social landscape of contemporary rural New England. Grounded in complex, fully realized characters, Spoonwood offers Hebert's most optimistic vision yet of acceptance and accommodation across class lines.

An innovative suite of poems for the drone age The Blue Split Compartments is a complex and powerful sequence of lyric poems exploring the relationships between military drone operators and their victims. Drawing on chatroom logs, military policy manuals, pattern of life archives, and accounts by witnesses around the world, these poems document the consequences of the perpetual and 'everywhere war.' With its sophisticated interplay of diction, rhetoric, syntax, positioning, allusion, and sonic quality, this book offers a linguistically virtuosic and deeply humane x-ray of the discursive and militaristic systems that join us in mutual dissolution. Excerpt from "Opened" This is the box, frozen against hierarchyat a value of some $10m, simply a form of being; surgeon's box, patient's wound,an idea of enclosure that can fit any medium. The gaze is on the side of things. The angel of evil could not have done that. A child is in heaven. The box is empty, saying nothing but "construction." It really islike swatting flies; we can do it forevereasily and you feel nothing.

Life, love, death, and laughs in a small American town. A major character in earlier Darby novels, Estelle takes center stage in The Passion of Estelle Jordan. Presently she is sliding into late middle age, drawn to two lovers who could not be more different: the widowed farmer Avalon Hillary and a mysterious young punk Estelle calls Trans Am in honor of the car he drives. And there's a threat, not to Estelle - she can take care of herself - but to Noreen Cook, a younger woman Estelle sees as a version of her own secret, vulnerable self. Putting herself in Noreen's shoes to save her, Estelle may be in for way more than she bargained for. The Passion of Estelle Jordan, like that of Christ, is rife with sin, suffering, sacrifice, and perhaps redemption. The Passion of Estelle Jordan is for anyone going through a change of life.

Life, love, death, and laughs in a small American town. The institution of town meeting, the beauty of the landscape, and the enduring qualities of the architecture all give the New England town the power to shape the identity of its inhabitants - in a good way. This premise is put on trial - and to a vote - in Whisper My Name, the third novel in Hebert's Darby Chronicles. The story unfolds as seen through the eyes of three men: the reporter Roland LaChance, the farmer Avalon Hillary, and the founder of a land trust, Raphael "Reggie" Salmon. Magnus Mall, a national corporation, wants to buy the Hillary farm and transform the property into a mall to serve western New Hampshire and eastern Vermont. The aging Hillary is torn between the traditions of his family and "the thought of the money." LaChance is not only chasing down leads in his reportage on the mall - he's chasing down the story behind his own origins. Along the way he falls in love with Sheila "Soapy" Rayno, an aphasic girl from Darby whose origins are equally mysterious. As usual, the Jordan clan plays a pivotal role in this rousing tale of greed, power, and lust. This third novel in the Darby Chronicles will appeal to anyone interested in the clash of cultures in small-town America.

A translation of Beatrix Potter's Tale of Peter Rabbit in Koine Greek, using only vocabulary found in the Greek New Testament and Septuagint (including the Apocrypha), and illustrated with Potter's original drawings.

Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homily on Edessa and Jerusalem. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press's Complete Homilies of Saint Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.

When the refugee boy, Kasir, appears in the little Swedish town of Klippsby, twelve-year-old Julia realises at once that something about her new classmate is a bit strange. But she doesn’t realise just how different he is until one fateful night when they are attacked by terrifying living shadows. Along with her little brother Edvin and an old vagrant called the Troubadour, they are forced to flee through a magical portal to Kasir's homeland. It is a world of boundless beauty, where art comes alive – but the shadows threaten to destroy all its wonders. While Julia and Edvin struggle with a new language, a new culture and unknown perils, they discover that they have a secret link to Kasir’s world. Perhaps they might even have the power to save it. Click here for a teachers' guide to using this book:https://www.casematepublishing.co.uk/pdfs/The_Darkenstar_teachers_guide.pdf