The chapters in Emerging Horizons: 21st Century Approaches to the Study of Midrash pertain to an intriguing midrash that appears in a Masoretic context, the Qur’anic narrative of the red cow, midrashic narratives that rabbinise enemies of Israel, the death of Moses, emotions in rabbinic literature, and yelammedenu units in midrashic works.

The boat journey is central to the narrative of Mediterranean migration of the undocumented. The boat itself is flimsy, fragile, unstable, and easily breakable. It is trifling and insubstantial. But it has captured the attention of the world - after all, the boat and its aftermath have produced recurring images of migrants washing up along southern Europe's picturesque beaches in the visual archive of undocumented migration. But the boat has also sharply put into relief the divides of the Mediterranean. After all, the few miles of the Mediterranean separating Africa's northern shore and Europe's southern shore is a common observation in migrant narratives. At the same time, they also reflect on how the Mediterranean has been imagined as starkly divided into two incommensurable spaces and civilizational models - North and South (in actuality, by colonial powers in the modern period). Much Mediterranean migrant literature indeed captures the Mediterranean's fossilized binaries, North and South. But, The Two-Edged Sea also reveals that one inheres within the other. While the book explores two Mediterraneans, with asymmetrical power relations that reflect the sea's northern and southern shores, it also delves into how they are and have been in dialogue with each other, effectively deconstructing the binary.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

A refereed journal published annually by the Canadian Society for Syriac Studies.

Life is full of absurdities, and human misperception of such absurdities leads to a state of unrest and fear that require meaning and direction for a happy life. F. Pasqualino addresses here samples of existential absurdities, and discusses solutions offered: Taoism offers in its paradoxes a natural self-help resource. Buddhism offers a natural wisdom that is informed by a supernatural impersonal Absolute. Hinduism offers a plethora of personal gods who embody the impersonal Absolute. The Judeo-Christian-Islamic wisdom teaches a personal Absolute God whose being is distinct from, but involved with human and non-human beings. The unifying feature of these wisdoms is: Obedience to, and love of, the Absolute can rectify human misperception of life’s absurdities, dissipate fear, and provide meaning, value and a serene life. Jesus Christ, the incarnate Absolute in Christian theology, chose to become an exemplar innocent victim for love, thus giving the most absurd but victoriously redeeming love that provides a new and sublime perspective on life’s absurdities. G. Lahood’s translation and commentary make the Italian masterpiece available to an English-speaking audience.

Different parts of the Life of the Blessed Virgin Mary are known from the second century onwards. Translations and adaptations into Syriac and other languages also became available from very early centuries. The compilation in the Syriac language was translated into Malayalam in 1925, but an English translation containing the full text did not exist at all. This gap has been filled now by this work. Sebastian Brock’s Foreword gives important information on the background and authenticity of the different sources that form the basis of the text. This biography is unique in that it brings together some very early accounts of the birth of Mary, the birth of Jesus, the flight into Egypt, and most importantly, the very rare account of the ‘Dormition’ or ‘falling asleep’ of the Blessed Mother.

1978 – a chance meeting on a remote military airbase between two Green Berets involved in the same operation leads to a partnership that will last over forty years. Four years after that meeting, Nick Brokhausen and Jeff Miller leave the service withing a few weeks of each other and begin an odyssey that takes them to dozens of countries on five continents. Along with a small coterie of fellow former Special Operations and intelligence community veterans like Penguini, Max, Reek, The Spider Woman and a score of others – some heroes and some villains - they undertake a variety of missions for the government, other governments, large multi-national corporations mostly in the aerospace or resource development industries, and occasionally just for suffering individuals who cannot find help anywhere else. In the process they lay the groundwork for an entire new industry of private military contractors. Two men sadly just a bit ahead of their time. Every episode in this book actually happened. Not always precisely as described herein, but close. Changes have been made sometimes to make the narrative flow more smoothly, some to obfuscate events that might be flirting with classification issues… Names have been changed, not always to protect the innocent. But the underlying story is, for the most part, the reality as they lived it.

Elegiac and searching, poems written in the long shadow of immigration The poems in Wendy Xu's third collection, The Past, fantasize uneasily about becoming a palatable lyric record of their namesake, while ultimately working to disrupt this Westernized desire. Born in Shandong, China, in 1987, Wendy Xu immigrated to the United States in 1989, three days ahead of the events of Tian'anmen Square. The Past probes the multi-generational binds of family, displacement, and immigration as an ongoing psychic experience without end. Moving spontaneously between lyric, fragment, prose, and subversions in "traditional" Chinese forms, the book culminates in a centerpiece series of "Tian'anmen Square sonnets" (and their subsequent erasures), to conjure up the irrepressible past, and ultimately imagine a new kind of poem: at once code and confession. "Tian'anmen Sonnet" (dead air in air ... ) Dead air in airThe anniversary of languageholds you back againstbucolic dreaming, down streamfrom here is runninga miraculous color, elegy bursts like a ribbon in airThinking again of the Square todayBold sky, passing episodes of cloudVegetation mutters in the Far West A column of ghostsgoing violet over timeFamiliar song looping overheadLines pressed in air

"Chinese Internet Vernacular," a complex of novel language varieties associated with the Chinese internet, is usually thought to consist of an increasing host of linguistic memes currently or once virally spread. Focusing on the vernacular's most prominent character - meaning change, this book attempts to account for the different dimensions and aspects that contribute to the memes' meaning and function variations, based on the quantitative and qualitative data meticulously collected by following and recording the various memes' diffusions on Chinese social media over four years. Through the discussion of four comprehensive case studies, what we experience as noticeable meaning change throughout a viral meme's diffusion may in fact be indexical to, under different circumstances, interpersonal communicative effects, collective identities, and community affiliations, as well as larger sociocultural values and ideologies, all of which can be reflexively performed, enacted, and calibrated in social media interactions. With such efforts, this book hopes to do justice to the complexities and dynamics of the "Chinese Internet Vernacular" as a holistic sociolinguistic phenomenon.

Acclaimed author Richard Tood has a bad case of writer's block. When his publisher sends an attractive young editor to help him with his latest book, the inevitable happens. This chance meeting changes everyone's lives – in ways they never expected. But Richard's troubles are only beginning. Hearing voices in your head is rarely a good thing, and having an assassin walk into your life whenever he wants, is definitely bad news. Will Richard be able to get his head straightened out before things run away from him completely? A remarkable portrait of a modern midlife crisis, which combines the best aspects of historical and psychological fiction, THE GARFIELD CONSPIRACY is a superb novel by a major new voice in Irish fiction.

Stories of gods, heroes and monsters permeated discourses of national selfhood in the nineteenth century. During this tumultuous time, Europe’s modern nations arose from the misty waters of long-forgotten national pasts – or so was the perception at the time. Each embedded in their particular national and political contexts, towering cultural figures – N. F.S. Grundtvig, Jacob Grimm, Jonás Halgrímsson, William Morris, Adam Oehlenschläger and many more – were catalysts for the formation of national discourses of belonging, built upon the mythological story-worlds of Europe’s non-classical vernacular pasts. This interdisciplinary book offers new perspectives on the uses of pre-Christian mythologies in the formation of national communities in nineteenth-century Northern and Western Europe. Through theoretical articles and case studies, it puts forth new understandings of how cultural thinkers across Europe utilized pre-Christian mythologies as symbolic resources in the forging of national communities. Perceptions of national identity were thus shaped, many of which are still at play today.

Despite the flourishing of epichoric studies on the Archaic Greek scripts in the 1960s, embodied by archaeologists Lilian Hamilton Jeffery and Margherita Guarducci, most scholarship on early alphabetic writing in Greece has focused on questions around the origin of ‘the Greek alphabet’ instead of acknowledging the diversity of alphabetic systems that emerged in Geometric and Archaic times. The present book proposes to bring back the epichoric approach by focusing on the different ways in which the earliest epigraphic evidence represents the spoken Greek dialects. However, instead of continuing the palaeographic methodology of previous studies, this analysis follows the latest trends in grapholinguistics, more specifically the methodology of comparative graphematics. By examining the grapheme-phoneme relationships across Greek-speaking regions, it is possible to recognise that diversity and to draw connections with neighbouring contemporaneous alphabets, such as those for Phrygian, Eteocretan and Etruscan. This work, carried out within the Contexts of and Relations between Early Writing Systems (CREWS) project, aims to contribute towards the conceptualisation of the so-called epichoric scripts as independent alphabets, as well as their framing within the ecology of ancient Mediterranean writing systems. Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.

This is a new edition of Birthday Deathday & Other Stories by Padma Perera, first published by The Women's Press, England, 1985, with international reviews from the UK, USA, Europe, and the Commonwealth countries. Additional material now provides more oral history from the first four decades just before and after India's Independence, 1940s-1980s. The story "Doctor Salaam" was included in Salman Rushdie's Mirrorwork, an anthology of the best Indian fiction in English during the fifty years after India’s Independence.

In poems of compassion and social justice, Mihaela Moscaliuc probes borders and memory to work through, and further complicate, understandings of belonging - from places (including her native Romania) and histories, to ways of knowing, loving, and grieving. If the wounded populate these poems, so too do goats, black swans, centipedes, dismembered dolls, and wandering wombs. The ekphrastic sequence on Rousseau's The Sleeping Gypsy honors stories of Roma people while addressing issues of (mis)representation and epistemic violence. As in previous collections, cemeteries become sites of power, holding the living accountable.

When her Florida apartment is damaged by the ferocity of Hurricane Irma, Duhamel turns to Dante and terza rima, reconstructing the form into the long poem "Terza Irma." Throughout the book she investigates our near-catastrophic ecological and political moment, hyperaware of her own complicity, resistance, and agency. She writes odes to her favorite uncle - who was "green" before it was a hashtag - and Mother Nature via a retro margarine commercial. She writes letters to her failing memory as well as to America's amnesia. With fear of the water below and a burglar who enters through her second story window, she bravely faces the story under the story, the second story we often neglect to tell.

In The Blues of Heaven, Barbara Ras delivers her characteristic subjects with new daring that both rattles and beguiles. Here are poems of grief over her brother's death; doors to an idiosyncratic working-class childhood among Polish immigrants; laments for nature and politics out of kilter. Ras portrays the climate crisis, guns out of control, the reckless injustice and ignorance of the United States government. At the same time, her poems nimbly focus on particulars - these facts, these consequences - bringing the wreckage of unfathomable harm home with immediacy and integrity. Though her subjects may be dire, Ras also weaves her wise humor throughout, moving deftly from sardonic to whimsical to create an expansive, ardent, and memorable book.