• Winner of the 1987 William Carlos Williams Award presented by the Poetry Society of AmericaWith The Imaginary Lover, Alicia Suskin Ostriker takes her place among the most striking and original poets whose work is informed by feminist consciousness. Her characterization of the best poetry by women, in the New York Times Book Review, aptly describes this book: “intimate rather than remote, passionate rather than distant, defying divisions between emotion and intellect, private and public, life and art, writer and reader.” To read her poems is to “discover not only more of what it means to be a woman but more of what it means to be human. ”

In Evidence is a collection of poems in the voices of allied troops who liberated Nazi concentration camps in Europe in the sprong of 1945. Barbara Helfgott Hyett heard poems in the eyewitness testimony of United States soldiers. She has shaped the words of thirty speakers into a songle narrative, a single voice.

This book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the \u201cboom\u201d of the 1960s, especially in the experimental nueva novella.Duncan views the work of six writers in the context of more well known writers of the period (Ruflo, Fuentes, and Del Paso), and concludes with a chapter on other recent innovators in Mexican literature. Despite their diversity, these texts share many common features, and unlike social realism, the works are not openly political, but at the same time they question assumptions about reality itself-and the relation of fiction to truth.

Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation.Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.

Shakespeare was clearly fascinated by the relationship between fathers and daughters, for this primal bond of domination and defiance structures twenty-one of his comedies, tragedies, and romances. In a conflict that is at once social and interpersonal, Shakespeare's fathers demand hierarchical obedience while their daughters affirm the new, more personal values upheld by Renaissance humanists and Puritans.In her penetrating analysis of this compelling relationship, Diane Dreher examines the underlying psychological tensions as well as the changing concepts of marriage and the family during Shakespeare's time. She points to the pain and conflict caused by sex role polarization. Shakespeare's possessive fathers tyrannize over their daughters, unwilling to relinquish their "masculine" power and control and leaving these young women with only two alternatives: paternal domination or defiance and loss of love. The logic of Shakespeare's plays repudiates traditional stereotypes, showing how women like Ophelia and Desdemona are destroyed by conforming to the passive Renaissance ideal.The book concludes with a consideration of Shakespeare's androgynous characters -- dynamic women in doublet and hose, and fathers who become sensitive, caring, and empathetic. Shakespeare's balanced characters thus reconcile the polarities within themselves and bring greater harmony to their world.Domination and Defiance is the first book on this most provocative relationship in Shakespeare. Shedding new light on the complex father-daughter bond, character, and motivation, it makes a major contribution to literary studies.

Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression.The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence.Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes.In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.

This book is characterized by narrative vitality and emotional range. In Wetherell’s stories a suburban retiree’s assumptions about the ethos of Long Island life are challenged and dismissed by a younger generation, a young English woman achieves miracles by dancing with wounded soldiers during World War II, a tennis-mad bachelor plays an interior game as real to him as an actual match, and a black drifter converts an Asian couple to his bleak vision of American life and finds strange kinship with them.

The disagreement of philosophers is notorious. In this book, Rescher develops a theory that accounts for this conflict and shows how the basis for philosophical disagreement roots in divergent 'cognitive values'-values regarding matters such as importance, centrality, and priority. In light of this analysis, Rescher maintains that, despite this inevitable discord, a skeptical or indifferentist reaction to traditional philosophy is not warranted, seeing that genuine value-conflicts are at issue. He argues that philosophy is an important and worthwhile enterprise, notwithstanding its inability to achieve rationally constrained consensus on the issues. Given the nature of the enterprise, consensus is not a realistic goal, and failure to achieve it is not a defect. Accordingly, Rescher argues against the revisionist views proposed by Richard Rorty and Robert Nozick. His discussions are devoted to providing a clear view of why philosophical problems arise and how philosophers address them.

Since the appearance of his first book in 1972, Larry Levis has been one of the most original and most highly praised of contemporary American poets. In Winter Stars, a book of love poems and elegies, Levis engages in a process of relentless self-interrogation about his life, about losses and acceptances. What emerges is not merely autobiography, but a biography of the reader, a \u201crepresentative life\u201d of our time.

Deconstruction -- a mode of close reading associated with the contemporary philosopher Jacques Derrida and other members of the "Yale School" -- is the current critical rage, and is likely to remain so for some time. Reading Deconstruction / Deconstructive Reading offers a unique, informed, and badly needed introduction to this important movement, written by one of its most sensitive and lucid practitioners. More than an introduction, this book makes a significant addition to the current debate in critical theory. G. Douglas Atkins first analyzes and explains deconstruction theory and practice. Focusing on such major critics and theorists as Derrida, J. Hillis Miller, and Geoffrey Hartman, he brings to the fore issues previously scanted in accounts of deconstruction, especially its religious implications. Then, through close readings of such texts as Religio Laici, A Tale of a Tub, and An Epistle to Dr. Arbuthnot, he proceeds to demonstrate and exemplify a mode of deconstruction indebted to both Derrida and Paul de Man. This skillfully organized book, designed to reflect the "both/ and" nature of deconstruction, thus makes its own contribution to deconstructive practice. The important readings provided of Dryden, Swift, and Pope are among the first to treat major Augustan texts from a deconstructive point of view and make the book a valuable addition to the study of that period.Well versed in deconstruction, the variety of texts he treats, and major issues of current concern in literary study, Atkins offers in this book a balanced and judicious defense of deconstruction that avoids being polemical, dogmatic, or narrowly ideological. Whereas much previous work on and in deconstruction has been notable for its thick prose, jargon, and general obfuscation, this book will be appreciated for its clarity and grace, as well as for its command of an impressively wide range of texts and issues. Without taming it as an instrument of analysis and potential change, Atkins makes deconstruction comprehensible to the general reader. His efforts will interest all those concerned with literary theory and criticism, Augustan literature, and the relation of literature and religion.

It's been a pilgrimage for Annie Dillard: from Tinker Creek to the Galapagos Islands, the high Arctic, the Pacific Northwest, the Amazon Jungle-and now, China. This informative narrative is full of fascinating people: Chinese people, mostly writers, who encounter American writers in various bizarre circumstances in both China and the U.S. There is a toasting scene at a Chinese banquet; a portrait of a bitter, flirtatious diplomat at a dance hall; a formal meeting with Chinese writers; a conversation with an American businessman in a hotel lobby; an evening with long-suffering Chinese intellectuals in their house; a scene in the Beijing foreigners' compound with an excited European journalist; and a scene of unwarranted hilarity at the Beijing Library. In the U.

“Aliveness is Gary Gildner’s striking quality,” Crystal McLean writes in the magazine New Letters, and thise selection of Gary Gildner’s previously published poems, plus eighteen new poems, demonstrates the aptness of that perception. Accessible and eminently readable, the poems in Blue Like the Heavens also possess great emotional depth. Readers who complain about the obscurity of contemporary American poetry will delight in this book.

John Fox Jr. published this great romantic novel of the Cumberland Mountains of Kentucky and Virginia in 1908, and the book quickly became one of America's favorites. It has all the elements of a good romance -- a superior but natural heroine, a hero who is an agent of progress and enlightenment, a group of supposedly benighted mountaineers to be drawn into the flow of mainstream American culture, a generous dose of social and class struggle, and a setting among the misty coves and cliffs of the blue Cumberlands. Reprinted with a foreword by John Ed Pearce, The Trail of the Lonesome Pine has all the excitement and poignance that caught and held readers' interest when the book first appeared.

Here are twenty-one tales from Kentucky's inimitable and beloved storyteller, Jesse Stuart. Full of high, rambunctious humor, quick-paced as a mountain square dance, bright as a maple tree against an October hill -- these stories are Stuart in his best form -- the form that has made him one of the most widely read authors in America. Read here about the man who coveted a steam shovel and stole it piece by piece, or about the celebrated eating contest between Sam Whiteapple and the game rooster, or about the hill farmer who wanted to clear and farm one last spot of new ground before he died. Although he has a sharp eye for human foibles and infirmities, Stuart never fails to write of his people with affection or to see that justice is done them. Originally published in 1950, Clearing in the Sky was inadvertently declared out of print after three years and never reprinted. Now for Jesse Stuart's many readers it is once more available with an appreciative foreword by Ruel Foster.

This is the book of an urban mystic, someone who believes that the streets he walks, the incidents he sees and in which he sometimes plays a part have significance; he understands that the hidden beauty and music of New York City. Madison Avenue, the Brooklyn Bridge, Central Park appear and reappear as though they, the poet, and the work were inseparable. The people he recalls - a bag lady, E. E. Cummings - are as familiar to us as the city itself, but here they are lyrical and light, these poems also hold love, loss, melancholy, and tenderness -they reflect the incessant rhythms between a man and his surroundings.

This is the first comprehensive critical examination in any language of the German national tradition of historiography. It analyzes the basic theoretical assumptions of the German historians of the nineteenth and twentieth centuries and relates these assumptions to political thought and action. The German national tradition of historiography had its beginnings in the reaction against the Enlightenment and the French Revolution of 1789. This historiography rejected the rationalistic theory of natural law as universally valid and held that all human values must be understood within the context of the historical flux. But it maintained at the same time the Lutheran doctrine that existing political institutions had a rational basis in the will of God, though only a few of these historians were unqualified conservatives. Most argued for liberal institutions within the authoritarian state, but considered that constitutional liberties had to be subordinated to foreign policy - a subordination that was to have tragic results. Mr. Iggers first defines Historismus or historicism and analyzes its origins. Then he traces the transformation of German historical thought from Herder's cosmopolitan culture-oriented nationalism to exclusive state-centered nationalism of the War of Liberation and of national unification. He considers the development of historicism in the writings of such thinkers as von Humboldt, Ranke, Dilthey, Max Weber, Troeltsch, and Meinecke; and he discusses the radicalization and ultimate disintegration of the historicist position, showing how its inadequacies contributed to the political débâcle of the Weimar Republic and the rise of National Socialism. No one who wants to fully understand the political development of national Germany can neglect this study.