Eliza Haywood (1693?-1756) was one of the first women in England to earn a living writing fiction. Her early tales of amorous intrigue, sometimes based on real people, were exceedingly popular though controversial. Haywood, along with her contemporary Daniel Defoe, did more than any other writer to create a market for fiction in the period just prior to the emergence of Samuel Richardson, Henry Fielding, and Tobias Smollett, the dominant novelists of the mid-eighteenth century.The scheming, sexually predatory anti-heroine of The Injur'd Husband is a memorable villain who defies all expectations of a woman's conduct in marriage. The heroine of Lasselia is initially a model of virtue who bravely resists the advances of a king, only to be driven by her passion and desire into an illicit affair with a married man and ultimately into ruin. These two provocative narratives strikingly represent Haywood's extraordinary contribution to the development of the novel.

When most Americans think of contemporary British poetry, they think of such mainstream poets as Ted Hughes, Philip Larkin, and Geoffrey Hill. Yet there is a vibrant, diverse alternative poetry movement in the UK, inspired in large measure by the work of such significant mentors as Basil Bunting and J. H. Prynne. There is growing interest in this work in the United States - as alternative American poetries express increasingly transnational concerns - and yet almost none of it is available here.OTHER is a highly focused anthology bringing together several important strands of English-language poetry that are not otherwise so readily accessible. It includes work by 55 poets, among them Cris Cheek, Brian Coffey, Fred d'Aguiar, Allen Fisher, Ulli Freer, Randolph Healy, Linton Kwesi Johnson, Wendy Mulford, Tom Raworth, Denise Riley, Catherine Walsh; a critical introduction addressing such topics as the interaction of British and American poetic traditions; and brief biographical and bibliographical notes on each poet.

The Machine Age, roughly delineated by the two decades between World Wars, was a watershed period during which modern society entered into an ambiguous embrace with technology that continues today. J. P. Telotte carefully blends film, technology, cultural, and genre studies to illuminate this nearly forgotten era in our cinematic history and to show, through analysis of classics like The Invisible Ray, Metropolis, and Things to Come, how technology played a major role as motif, "actor," and producer.What he also discovers as he ranges among the American, British, Russian, French, and German science fiction cinema -- as well as mainstream films, figures, and cultural products such as the New York World's Fair -- is a fundamental ambivalence, embedded in the films themselves, about the very machine-age ethos they promoted. Even as advances in the technical apparatus of filmmaking elevated it from mere entertainment to a medium of general communication and genuine artistic expression, Machine Age science fiction films remained curiously distant from and often skeptical of the very machines on which their narratives focus.The resulting tensions, Telotte writes, "thus seem to intersect with those implicit in a Western world that was struggling with its own transition into the modern," rendering the films' task inevitably paradoxical and difficult

" Kentucky Home Place tells of eight generations of the fictitious Boyd Family, whose story begins in 1799 with a Western Kentucky land claim and continues through the present. The Boyds work hard to keep the family farm, facing their daily tasks with hope and determination. As a member of the family tells her grandson, ""The farm is special because it is our family home and the home of those who came before us. It is important for every person to know who they are and where they came from.""

In this ground-breaking book, Beth Holmgren examines how—in turn-of-the-century Russia and its subject, the Kingdom of Poland—capitalism affected the elitist culture of literature, publishing, book markets, and readership. Rewriting Capitalism considers how both \u201cserious\u201d writers and producers of consumer culture coped with the drastic power shift from \u201cserious\u201d literature to market-driven literature.

The Jubilee Line extension runs through Westminster and north Southwark, traversing some of the most archaeologically sensitive areas of London. The tunnels themselves are so deep that they pass well below any archaeological remains, but there have to be a myriad of holes connecting the tunnels with the surface. This booklet accompanied by colour photographs gives a basic outline of the archaeological remains uncovered during the construction work, from prehistoric tools to a medieval abbey.

"Outside of her remarkable poems, we know next to nothing about Yu Xuanji," David Young writes. "She was born in 844 and died in 868, at the age of twenty-four, condemned to death for the murder of her maid..

This book contains the results of the project Fathers on Paternity Leave, a social experiment which ran from 1996-1998. It reveals the impact of the paternity leave on the fathers, their relationship with the child, the division of labour within the family and thus on the level of equality in the home. It aims to show how division of domestic work is increasingly based on negotiations between the couple.

The hundreds of illuminated miniatures found in the Cantigas de Santa Maria, sponsored by King Alfonso X (1252--84), reveal many vistas of daily life in thirteenth century Spain.No other source provides such an encyclopedic view of all classes of medieval European society, from kings and popes to the lowest peasants. Men and women are seen farming, hunting, on pilgrimage, watching bullfights, in gambling dens, making love, tending silkworms, eating, cooking, and writing poetry, to name only a few of the human activities represented here. Combining keen observation of detail with years of experience in the field, John Keller and Annette Grant Cash bring to life a world previously little explored.

In this selection of poems from thirty years of a distinguished writing career, we see the growth of a poet’s mind, heart, and spirit as Ostriker struggles to love \u201cthis wounded / World that we cannot heal, that is our bride.\u201d Whether she probes the meaning of childhood, family, marriage, and motherhood, or art, history, politics, and God; whether she is celebrating sexuality or confronting mortality, the poet includes \u201cwhatever I can grasp of human experience within my art—the good and beautiful, the evil and chaotic. I tell my students that they must write what they are afraid to write; and I attempt to do so myself. \u201d

Named one of Library Journal’s Top 20 Poetry Books of 1998Winner of the 1997 Agnes Lynch Starrett PrizeRunner up for the Great Lakes Colleges Association 1999 New Writers AwardCity of a Hundred Fires presents us with a journey through the cultural coming of age experiences of the hyphenated Cuban-American. This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

James Dickey: The Selected Poems is the first book to collect James Dickey's very best poems. Like many visionary poets of the ecstatic imagination, Dickey experimented in a wide variety of literary styles. This volume brings together the finest work from each of the periods in Dickey's extremely controversial career. For over three decades, until his death in 1997, Dickey was one of the nation's most important poets; these are the poems that brought him a popular readership and critical acclaim.

Rachel Hadas brings an acute perception and a rich education to her exquisitely crafted poetry. As James Merrill wrote, Hadas's "honeyed words and bracing forms . .

Believing and espousing an American tradition alive in the testimony of Anne Hutchinson, in the prose-poetry of Thoreau, and in the music of Ives, Donald Revell's new poems seek moments of harmony between language and silence. The death of the poet's father and almost concurrent birth of his son form the emotional underpinnings of this meditation on faith. "Every morning, beginning in childhood, / the music of variation sustains / the equal loneliness of every soul. " These spare and elegant poems speak of a conversion in which a new city is founded in the heart of silence, and grace is a refinement of grammar.

The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S. , Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays.This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still.This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."

Margaret Cavendish, duchess of Newcastle (1623-1673), led a dramatic life that brought her into contact with kings, queens, and the leading thinkers of her day. The English civil wars forced her into exile, accompanying Queen Henrietta Maria and her court to Paris. From this vantage point, she began writing voluminously, responding to the events and major intellectual movements of the mid-seventeenth century. Cavendish published twenty-three volumes in her lifetime, including plays, romances, poetry, letters, biography, and natural philosophy. In them she explored the political, scientific, and philosophical ideas of her day. While previous biographers of Cavendish have focused almost exclusively on her eccentric public behavior, Anna Battigelli is the first to explore in depth her intellectual life. She dismisses the myth of Cavendish as an isolated and lonely thinker, arguing that the role of exile was a rhetorical stance, one that allowed Cavendish to address and even criticize her world. She, like others writing during the period after the English civil wars, focused squarely on the problem of finding the proper relationship between mind and world. This volume presents Cavendish's writing self, the self she treasured above all others.