In Rachel Zucker's re-imagining of the Greek myth, Persephone is a daughter struggling to become a woman. Unlike the classical portrait of a maiden kidnapped by a tyrant, Zucker's Persephone chooses to travel to the Underworld and assume her role as Hades' queen. Caught between worlds-light and dark, innocence and power, a mother's protection and a lover's appeal-Persephone describes the strangeness of the Underworld and the problems of transformation and transgression. The arrangement of Zucker's poems reflects Persephone's travels between the Underworld and the Surface. Both spare and lyrical, they are written as entries in Persephone's diary and as letters between Persephone, Demeter, and Hades. The language-strange, urgent, direct-is pulled and changed as Persephone journeys from one world to another revealing the struggle of unmaking and remaking the self.

Since the late 1980s, the neglect of experiment by philosophers and historians of science has been replaced by a keen interest in the subject. In this volume, a number of prominent philosophers of experiment directly address basic theoretical questions, develop existing philosophical accounts, and offer novel perspectives on the subject, rather than rely exclusively on historical cases of experimental practice.Each essay examines one or more of six interconnected themes that run throughout the collection: the philosophical implications of actively and intentionally interfering with the material world while conducting experiments; issues of interpretation regarding causality; the link between science and technology; the role of theory in experimentation involving material and causal intervention; the impact of modeling and computer simulation on experimentation; and the philosophical implications of the design, operation, and use of scientific instruments.

Written in the spaces between otherness and brotherhood, Otherhood combines traditional lyricism with experimentalism, passionate engagement with cold-eyed investigation, and personal details with a depersonalized distance to create a new poetic synthesis.

Edited and with an Afterword by David St. JohnWhen Larry Levis died suddenly in 1996, Philip Levine wrote that he had years earlier recognized Levis as \u201cthe most gifted and determined young poet I have ever had the good fortune to have in one of my classes. .

Originally published in French in 1805, The Last Man is a powerful story of the demise of the human race. Drawing on the traditional account in Revelations, The Last Man was the first end-of-the-world story in future fiction. As the first secular apocalypse story, The Last Man served as the departure point for many other speculative fictions of this type throughout the 19th century, including works by Shelley, Flammarion and Wells. Grainville's masterful imagination is evident in the vast scale of the action as Omegarus, the Last Adam, and Syderia, the Last Eve, are led toward the moment when "the light of the sun and the stars is extinguished." This is essential reading for anyone interested in the roots of apocalyptic science fiction.

In the long history of European prose fiction, few works have been more influential and more popular than the romance of chivalry Amadis of Gaul. Although its original author is unknown, it was probably written during the early fourteenth century. The first great bestseller of the age of printing, Amadis of Gaul was translated into dozens of languages and spawned sequels and imitators over the centuries. A handsome, valiant, and undefeatable knight, Amadis is perhaps best known today as Don Quixote's favorite knight-errant and model. This exquisite English translation restores a masterpiece to print.

In his Rider trilogy, Mark Rudman perfected a mixed genre form - combining dialogue, lyric and prose. While employing some of the same techniques that have become "signature Rudman" - the compact, colloquial line, dazzling shifts from popular culture to classical history - The Couple also breaks new ground. This new book is a collection of discrete poems organized around four poem sequences, "Long-Stemmed Rose," "The Shallowness of the Lake," "Perseus Surprised, Andromeda Unbound," and "Fragile Craft. " As the title suggests, the theme of relationships, both dark and erotically-charged, emerges here as Rudman's focus. The couples in the book include parents, lovers, a young boy and girl in elementary school, Perseus and Andromeda, Mary Ure and Robert Shaw, and Dean Martin and Jerry Lewis.

This edition of the Greek text is an excellent reader for any student of classics. It covers Plato’s Apology, Plato’s Crito, extracts from Plato’s Phaedo and Symposium, and Xenophon’s Memorabilia. It ends with a fifty page Greek-English vocabulary covering the entire material.

This pedagogical reader of the Greek text of Plato's Gorgias, originally published for students in Victorian England, is an immensely helpful textbook for the student of the Greek language and literature. Edited by the prominent W. H. Thompson.

Long before its translation into English, this book secured its author a permanent place in the ranks of European philologists. Comparetti depicts a comprehensive history of the medieval conception of Vergil, then seeks to determine their nature, causes, and connection with European thought.

In sometimes humorous and sometimes tragic, even violent contexts, the characters in these stories struggle to fathom the complexities and circumstances of their lives. Here are ordinary people trying to come to grips with the implications of where they've been, and preparing themselves for where they're headed. All these stories seek to interrogate and render in genuine and unflinching ways the nature of doubt, delusion, and surprisingly, the potentially rescuing powers of faith and grace. They are above all, honest and compassionate stories. Here is a writer you can trust; here are people you have known. (Behold Faith)

This collection of Oriental manuscripts was presented to the Metropolitan Museum of Art in March, 1913, by Mr. Alexander Smith Cochran. All of the codices, handsomely illuminated and adorned with beautiful miniatures, will be of interest to students of art, literature, and history.

A compilation and translation of Arabic proverbs by an early 19th century traveler in Cairo, Egypt. Entries are arranged alphabetically in Arabic and by number. Cultural and figurative explanations are provided in English.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.